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The Invention of Byzantium in Early Modern Europe by Nathanael Aschenbrenner,Jake Ransohoff Pdf
The Invention of Byzantium in Early Modern Europe offers a new approach to the history of Byzantine scholarship. By tracing Byzantium's impact on everything from politics to painting, this book shows that the empire and its legacy remained relevant to generations of Western writers, artists, statesmen, and intellectuals.
Is Byzantine Studies a Colonialist Discipline? by Benjamin Anderson,Mirela Ivanova Pdf
Is Byzantine Studies a colonialist discipline? Rather than provide a definitive answer to this question, this book defines the parameters of the debate and proposes ways of thinking about what it would mean to engage seriously with the field’s political and intellectual genealogies, hierarchies, and forms of exclusion. In this volume, scholars of art, history, and literature address the entanglements, past and present, among the academic discipline of Byzantine Studies and the practice and legacies of European colonialism. Starting with the premise that Byzantium and the field of Byzantine studies are simultaneously colonial and colonized, the chapters address topics ranging from the material basis of philological scholarship and its uses in modern politics to the colonial plunder of art and its consequences for curatorial practice in the present. The book concludes with a bibliography that serves as a foundation for a coherent and systematic critical historiography. Bringing together insights from scholars working in different disciplines, regions, and institutions, Is Byzantine Studies a Colonialist Discipline? urges practitioners to reckon with the discipline’s colonialist, imperialist, and white supremacist history. In addition to the editors, the contributors to this volume include Andrea Myers Achi, Nathanael Aschenbrenner, Bahattin Bayram, Averil Cameron, Stephanie R. Caruso, Şebnem Dönbekci, Hugh G. Jeffery, Anthony Kaldellis, Matthew Kinloch, Nicholas S. M. Matheou, Maria Mavroudi, Zeynep Olgun, Arietta Papaconstantinou, Jake Ransohoff, Alexandra Vukovich, Elizabeth Dospěl Williams, and Arielle Winnik.
Past Sense — Studies in Medieval and Early Modern European History by Constantin Fasolt Pdf
The twenty studies collected in this volume focus on the transition from the Middle Ages to the modern world. The method leads from technical investigations on William Durant the Younger (ca. 1266-1330) and Hermann Conring (1606-1681) through reflection on the nature of historical knowledge to a break with historicism, an affirmation of anachronism, and a broad perspective on the history of Europe. The introduction explains when and why these studies were written, and places them in the context of contemporary historical thinking by drawing on Wittgenstein's Philosophical Investigations. This book will appeal to historians with an interest in historical theory, historians of late medieval and early modern Europe, and students looking for the meaning of history.
A Short History of the Byzantine Empire by Dionysios Stathakopoulos Pdf
Incorporating the latest scholarly developments to offer an in-depth account of the history of the Byzantine Empire, this revised edition sheds new light on the Empire's culture, theology, and economic and socio-political spheres. Charting from the Empire's origins, to its expansion and influence over the Mediterranean, later revival, and eventual fall this book covers more than 1,000 years of history. With analysis of the Empire's changing social infrastructure, key events, and the broader cultural environment, Stathakopoulos expertly analyses how and why it became a powerhouse of literature, art, theology and learning, whilst also examining its aftermath and afterlife and enduring significance today. Drawing on a variety of English and non-English sources, in addition to a plethora of visual and textual materials, this book is an invaluable resource for scholars, students, and general readers alike.
Byzantium. The name evokes grandeur and exoticism—gold, cunning, and complexity. In this unique book, Judith Herrin unveils the riches of a quite different civilization. Avoiding a standard chronological account of the Byzantine Empire's millennium—long history, she identifies the fundamental questions about Byzantium—what it was, and what special significance it holds for us today. Bringing the latest scholarship to a general audience in accessible prose, Herrin focuses each short chapter around a representative theme, event, monument, or historical figure, and examines it within the full sweep of Byzantine history—from the foundation of Constantinople, the magnificent capital city built by Constantine the Great, to its capture by the Ottoman Turks. She argues that Byzantium's crucial role as the eastern defender of Christendom against Muslim expansion during the early Middle Ages made Europe—and the modern Western world—possible. Herrin captivates us with her discussions of all facets of Byzantine culture and society. She walks us through the complex ceremonies of the imperial court. She describes the transcendent beauty and power of the church of Hagia Sophia, as well as chariot races, monastic spirituality, diplomacy, and literature. She reveals the fascinating worlds of military usurpers and ascetics, eunuchs and courtesans, and artisans who fashioned the silks, icons, ivories, and mosaics so readily associated with Byzantine art. An innovative history written by one of our foremost scholars, Byzantium reveals this great civilization's rise to military and cultural supremacy, its spectacular destruction by the Fourth Crusade, and its revival and final conquest in 1453.
Byzantium in the Popular Imagination by Markéta Kulhánková,Przemyslaw Marciniak Pdf
What is the contemporary cultural legacy of Byzantium or The Eastern Roman Empire? This book explores the varied reception history of the Byzantine Empire across a range of cultural production. Split into four sections: the origins of 'Byzantomania' in France, modern media, literature, and politics, it provides case studies which show the numerous ways in which the empire's legacy can be felt today. Covering television, video games and contemporary political discourse, contributors also consider a wide range of national and geographical perspectives including Russian, Turkish, Polish, Greek and Hungarian. It will be essential reading for scholars and students of the reception and cultural history of the Byzantine Empire.
Was there ever such a thing as the Byzantine Empire and who were those self-professed Romans we choose to call "Byzantine" today? At the heart of these two interlinked questions is Anthony Kaldellis's assertion that empires are, by definition, multiethnic. If there was indeed such a thing as the Byzantine Empire, which rules bounded majority and minority ethnic groups? The labels for the minority groups in Byzantium are clear - Slavs, Bulgarians, Armenians, Jews, Muslims. What was the ethnicity of the majority group? Historical evidence tells us unequivocally that no card-carrying Byzantine ever called himself "Byzantine." He would identify as Roman. This line of identification was so strong in the eastern empire that even the conquering Ottomans saw themselves as inheritors of the Roman Empire. In Western scholarship, however, there has been a long tradition of denying Romanness to Byzantium. In the Middle Ages, people of the eastern empire were made "Greeks," and by the nineteenth century they were shorn of their distorted Greekness and turned "Byzantine." In Romanland, Kaldellis argues that it is time for historians to take the Romanness of Byzantines seriously so that we can better understand the relations between Romans and non-Romans, as well as the processes of assimilation that led to the absorption of foreign groups into the Roman genos.--
"This is the first comprehensive, single-author history of the eastern Roman empire (or Byzantium) to appear in over a generation. It begins with the foundation of Constantinople in 324 AD and ends with the fall of the empire to the Ottoman Turks in the fifteenth century, covering political and military history as well as all major changes in religion, society, demography, and economy. In recent decades, the study of Byzantium has been revolutionized by new approaches and sophisticated models for how its society and state operated. The book's core is an accessible and lively narrative of events, free of jargon, which incorporates new findings, explains recent models, and presents well-known historical characters and events in new light. Two overarching themes shape the narrative. First, by projecting accountability the Roman state persuaded its subjects that it was working in their interests and thereby forestalled separatist movements. To do so, it had to restrain the tendency of elites to extract ever more resources from the labor-force. Second, the effort to sustain a common identity, both Roman and Christian, was subject to powerful forces of internal division and put under severe strain by western Europeans in the later Middle Ages. The book explains in detail the alternating periods of success and failure in the long history of this polity. It foregrounds the dynamics of Christian identity, asking why it tended to fracture along lines of doctrine, practice, and ultimately over Union with the Catholic West"--
The Routledge Companion to Decolonizing Art History by Tatiana Flores,Florencia San Martín,Charlene Villaseñor Black Pdf
This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, restorative, and more. This book draws attention to the work of artists, art historians, and scholars in related fields who have been engaging with disrupting master narratives and forging new directions, often within a hostile academy or an indifferent art world. The volume unpacks the assumptions projected onto objects of art and visual culture and the discourse that contains them. It equally addresses the manifold complexities around representation as visual and discursive praxis through a range of epistemologies and metaphors originated outside or against the logic of modernity. This companion is organized into four thematic sections: Being and Doing, Learning and Listening, Sensing and Seeing, and Living and Loving. The book will be of interest to scholars working in art history, visual culture, museum studies, race and ethnic studies, cultural studies, disability studies, and women’s, gender, and sexuality studies.
Beholding Violence in Medieval and Early Modern Europe by Allie Terry-Fritsch Pdf
Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the beholder's perspective, this volume addresses such questions as: How does the process of beholding function in different aesthetic conditions? Can we speak of such a thing as the 'period eye' or an acculturated gaze of the viewer? If so, does this particularize the gaze, or does it risk universalizing perception? How do violence and pleasure intersect within the visual and literary arts? How can an understanding of violence in cultural representation serve as means of knowing the past and as means of understanding and potentially altering the present?
A sweeping history of the Greeks, from the Bronze Age to today More than two thousand years ago, the Greek city-states, led by Athens and Sparta, laid the foundation for much of modern science, the arts, politics, and law. But the influence of the Greeks did not end with the rise and fall of this classical civilization. As historian Roderick Beaton illustrates, over three millennia Greek speakers produced a series of civilizations that were rooted in southeastern Europe but again and again ranged widely across the globe. In The Greeks, Beaton traces this history from the Bronze Age Mycenaeans who built powerful fortresses at home and strong trade routes abroad, to the dramatic Eurasian conquests of Alexander the Great, to the pious Byzantines who sought to export Christianity worldwide, to today’s Greek diaspora, which flourishes on five continents. The product of decades of research, this is the story of the Greeks and their global impact told as never before.
Roman Constantinople in Byzantine Perspective by Paul Magdalino Pdf
This book studies the research perspective in which the literary inhabitants of Late Antique and medieval Constantinople remembered its past and conceptualised its existence as a Greek city that was the political capital of a Christian Roman state. Initial reactions to Constantine’s foundation noted its novel Christian orientation, but the memorial mode of writing about the city that developed from the sixth century recollected the traditional civic cultural heritage that Constantinople claimed both as the New Rome, and as the continuation of ancient Byzantion. This research culture increasingly became the preserve of the imperial bureaucracy, and focused on the city’s sculptured monuments as bearers of eschatological meaning. Yet from the tenth century, writers progressively preferred to define the wonder and spectacle of Constantinople in the aesthetic mode of urban praise inherited from late antiquity, developing the notion of the city as a cosmic theatre of excellence.
The Oxford Handbook of Early Modern European History, 1350-1750 by Hamish Scott Pdf
This Handbook re-examines the concept of early modern history in a European and global context. The term 'early modern' has been familiar, especially in Anglophone scholarship, for four decades and is securely established in teaching, research, and scholarly publishing. More recently, however, the unity implied in the notion has fragmented, while the usefulness and even the validity of the term, and the historical periodisation which it incorporates, have been questioned. The Oxford Handbook of Early Modern European History, 1350-1750 provides an account of the development of the subject during the past half-century, but primarily offers an integrated and comprehensive survey of present knowledge, together with some suggestions as to how the field is developing. It aims both to interrogate the notion of 'early modernity' itself and to survey early modern Europe as an established field of study. The overriding aim will be to establish that 'early modern' is not simply a chronological label but possesses a substantive integrity. Volume II is devoted to 'Cultures and Power', opening with chapters on philosophy, science, art and architecture, music, and the Enlightenment. Subsequent sections examine 'Europe beyond Europe', with the transformation of contact with other continents during the first global age, and military and political developments, notably the expansion of state power.
Without the Byzantine Empire, there never would have been Western civilization. Western civilization is generally regarded as the child of Athens, Jerusalem, and Rome. That is, in the West, our philosophical and political thought is derived from that of the ancient Greeks; our Christian religion comes from the Jewish religion, and both of these came to us via the Roman Empire and the civilization and culture it created. Western society has other forefathers as well: we would be unwise to give the Byzantine Empire short shrift. The ways in which it has influenced our world for the good, and indeed, created the parameters of our society at its healthiest and strongest, are insufficiently appreciated today. In its confusion, uncertainty, and lack of direction, the West has lost its way. There is a great deal it can, and should, learn from Byzantium. If the United States were to last as long as the Roman Empire, including its Byzantine period, it would have to continue as an independent country, with political and cultural continuity, until the year 2899. To maintain a unified nation state for over eleven hundred years is a remarkable achievement by any standard, and the Romans accomplished it while facing existential threats and efforts to extinguish their polity during virtually every period of their existence. Now, nearly six hundred years after the demise of the empire, its influence still resonates in a number of fields, albeit almost entirely unnoticed and unappreciated. There is no arguing with success. It’s time we took notice.