The Italian Cantata In Vienna

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The Italian Cantata in Vienna

Author : Lawrence Bennett
Publisher : Indiana University Press
Page : 389 pages
File Size : 55,6 Mb
Release : 2013-10-18
Category : Music
ISBN : 9780253010346

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The Italian Cantata in Vienna by Lawrence Bennett Pdf

A history of music for the imperial court “from a professor, choral director, and professional tenor who has studied Viennese cantatas for half a century” (Lowell Lindgren, Massachusetts Institute of Technology). Lawrence Bennett provides a comprehensive study of the rich repertoire of accompanied vocal chamber music that entertained the imperial family in Vienna and their guests throughout the seventeenth and early eighteenth centuries. The cantata became a form of elite entertainment composed to amuse listeners during banquets or pay homage to members of the royal family during special occasions. Concentrating on Baroque cantatas composed in the Habsburg court, Bennett draws extensively on primary source material to explore the stylistic changes that occurred within the genre in the generations before Haydn and Mozart. “An important book. It deserves to be warmly welcomed not only by scholars but also by performers of Baroque vocal chamber music.” —Early Music “Shed[s] light on an important yet seldom-discussed repertory, written by someone whose expertise is unquestionable.” —Music and Letters “By taking multiple analytical approaches, Bennett establishes an overall understanding while also demonstrating how individual composers approached the genre. . . . Recommended.” —Choice “An important tool for understanding the context in which cantatas were composed and performed, and in which the Hapsburgs’ important music collection . . . was created.” —Notes “A wealth of new information . . . from a scholar who writes clearly and perceptively, and who has devoted decades of attention to the material.” —Steven Saunders, Charles A. Dana Professor of Music, Colby College

Aspects of the Secular Cantata in Late Baroque Italy

Author : Michael Talbot
Publisher : Routledge
Page : 452 pages
File Size : 44,8 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351575171

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Aspects of the Secular Cantata in Late Baroque Italy by Michael Talbot Pdf

As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.

Complete sonatas for violoncello and basso continuo

Author : Antonio Maria Bononcini
Publisher : A-R Editions, Inc.
Page : 186 pages
File Size : 47,5 Mb
Release : 1996-01-01
Category : Music
ISBN : 9780895793331

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Complete sonatas for violoncello and basso continuo by Antonio Maria Bononcini Pdf

A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries

Author : Anonim
Publisher : BRILL
Page : 653 pages
File Size : 41,7 Mb
Release : 2020-09-25
Category : Music
ISBN : 9789004435032

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A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries by Anonim Pdf

A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of the Habsburg family’s musical patronage over a broad span of time.

Francesco Bartolomeo Conti

Author : Hermine Weigel Williams
Publisher : Routledge
Page : 281 pages
File Size : 46,5 Mb
Release : 2018-08-17
Category : Biography & Autobiography
ISBN : 9780429838064

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Francesco Bartolomeo Conti by Hermine Weigel Williams Pdf

First Published in 1999, Hermine Weigel Williams’ study draws on more than thirty years of research to fill this noticeable lacuna , and presents here the first full scale life and works of the composer for over ninety years. Part One of the book surveys the biographical aspects of Conti’s career. Appointed court theorist at the age of nineteen, Conti was promoted to court composer in 1713-14. Williams examines Conti’s creative collaborations with some of the leading poet-librettists of the day, and the influence of his music that can be identified in works by Telemann, Bach and Handel. Part Two comprises close analyses of Conti’s compositions: his instrumental music, cantatas, operas, intermezzos, oratorios and sacred music. Williams reveals Conti as a composer who constantly experimented with a wide range of French, German and Italian ideas and techniques to create his own diverse musico-dramatic style.

Reader's Guide to Music

Author : Murray Steib
Publisher : Routledge
Page : 928 pages
File Size : 45,9 Mb
Release : 2013-12-02
Category : Music
ISBN : 9781135942625

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Reader's Guide to Music by Murray Steib Pdf

The Reader's Guide to Music is designed to provide a useful single-volume guide to the ever-increasing number of English language book-length studies in music. Each entry consists of a bibliography of some 3-20 titles and an essay in which these titles are evaluated, by an expert in the field, in light of the history of writing and scholarship on the given topic. The more than 500 entries include not just writings on major composers in music history but also the genres in which they worked (from early chant to rock and roll) and topics important to the various disciplines of music scholarship (from aesthetics to gay/lesbian musicology).

Music in Vienna 1700, 1800, 1900

Author : David Wyn Jones
Publisher : Boydell & Brewer
Page : 289 pages
File Size : 46,5 Mb
Release : 2016
Category : Music
ISBN : 9781783271078

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Music in Vienna 1700, 1800, 1900 by David Wyn Jones Pdf

The image of Vienna as a musical city is a familiar one. This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900.

Aspects of the Secular Cantata in Late Baroque Italy

Author : Michael Talbot
Publisher : Ashgate Publishing, Ltd.
Page : 462 pages
File Size : 51,5 Mb
Release : 2009
Category : Music
ISBN : 0754657949

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Aspects of the Secular Cantata in Late Baroque Italy by Michael Talbot Pdf

The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 and many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.

The Habsburg Monarchy, 1618–1815

Author : Charles W. Ingrao
Publisher : Cambridge University Press
Page : 327 pages
File Size : 55,6 Mb
Release : 2019-08-29
Category : History
ISBN : 9781108586139

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The Habsburg Monarchy, 1618–1815 by Charles W. Ingrao Pdf

Geographically and linguistically diverse, by 1789 the Habsburg monarchy had laid the groundwork for a single European polity capable of transcending its unique cultural and historic heritage. Challenging the conventional notion of the Habsburg state and society as peculiarly backward, Charles W. Ingrao traces its emergence as a military and cultural power of enormous influence. In doing so, he unravels a web of social, political, economic and cultural factors that shaped the Habsburg monarchy during the period. Firmly established as the leading survey of the early modern Habsburg monarchy, this third edition incorporates a quarter of a century of new, international scholarship. Extending its narrative reach, Ingrao gives greater attention to 'peripheral' territories, manifestations of high culture, and suggests links between the early modern monarchy and the problems of contemporary Europe. This elegant account of a complex story is accessible to specialists and non-specialists alike.

Historical Dictionary of Baroque Music

Author : Joseph P. Swain
Publisher : Rowman & Littlefield
Page : 465 pages
File Size : 52,6 Mb
Release : 2023-05-08
Category : Music
ISBN : 9781538151624

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Historical Dictionary of Baroque Music by Joseph P. Swain Pdf

Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms.

The Late Baroque Era: Vol 4. From The 1680s To 1740

Author : George J Buelow
Publisher : Springer
Page : 531 pages
File Size : 50,9 Mb
Release : 2016-03-04
Category : Architecture
ISBN : 9781349113033

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The Late Baroque Era: Vol 4. From The 1680s To 1740 by George J Buelow Pdf

Covers the development of musical life in the great centres of European music - Paris, Vienna, London and the courts of Italy and Germany. The contributions of Handel and Bach, and their lesser colleagues are set in their historical and sociological context.

The Italian cantata

Author : Owen Jander
Publisher : [Wellesley, Mass.] : Wellesley College
Page : 128 pages
File Size : 46,8 Mb
Release : 1963
Category : Cantatas, Secular
ISBN : STANFORD:36105004302431

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The Italian cantata by Owen Jander Pdf

The Letters of Wolfgang Amadeus Mozart (1769-1791)

Author : Wolfgang Amadeus Mozart
Publisher : Unknown
Page : 356 pages
File Size : 52,7 Mb
Release : 1865
Category : Musicians
ISBN : OXFORD:600022384

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The Letters of Wolfgang Amadeus Mozart (1769-1791) by Wolfgang Amadeus Mozart Pdf

Six Chamber Cantatas (1708)

Author : Antonio Bononcini
Publisher : A-R Editions, Inc.
Page : 181 pages
File Size : 45,7 Mb
Release : 2020-01-01
Category : Music
ISBN : 9781987205336

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Six Chamber Cantatas (1708) by Antonio Bononcini Pdf

During the first decade of the eighteenth century, a new generation of Italian composers brought the latest styles to a Vienna lagging behind the musical innovations that were occurring in cities such as Venice, Rome, and Naples. Among the intrepid individuals to join the Habsburg court was the north Italian composer Antonio Maria Bononcini (1677–1726). When Antonio began his service to the Habsburg emperor, he was still a young and little-known composer, but it was in Vienna that he distinguished himself as one of his generation’s most gifted composers of dramatic vocal music. The six cantatas by Antonio Bononcini found in this edition, from the Viennese manuscript A-Wn, Mus.Hs.17587, represent the new Italian style that flourished at the imperial Viennese court of Emperor Joseph I. Through their innovative use of form, design features, and affective harmony, melody, and rhythm, they demonstrate that, although Antonio’s cantata output is much smaller than that of his more famous brother Giovanni, his compositional style reveals a composer of superior craftsmanship and imagination.