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Orkney's Italian Chapel was built by Italian POWs held on the island during the Second World War. In the sixty-five years since it was built it has become an enduring symbol of peace and hope around the world. The story of who built the chapel and how it came into existence and survived against all the odds is both fascinating and inspiring. Author Philip Paris's extensive research into the creation of the Italian Chapel has uncovered many new facts, and this comprehensive new book is the definitive account of the chapel and those who built it. It is a book that has waited to be written for sixty-five years.
Orkney 1942. Forbidden lovers, divided by war, united by a secret act of creation. Amid the turmoil of the Second World War, a group of Italian prisoners is sent to the remote Orkney island of Lamb Holm. In the freezing conditions, hunger and untold hardships of Camp 60, this ragtag band must work together to survive. Domenico, a talented artist, is among them. He inspires his comrades to create a symbol of peace during these dark days of war, and out of driftwood and scrap they build the Italian chapel: a beacon of hope and beauty in a world ravaged by war. The chapel soon becomes a place of love, too. When Giuseppe, another POW, falls for local woman Fiona, he decides to hide a token of his love there . . . the secret of which is unveiled for the first time in The Italian Chapel. Based on an incredible true story, this heartbreaking and inspiring tale tells of forbidden passion, lifelong friendships and the triumph of the human spirit.
The Italian Chapel, Orkney by Donald S. Murray Pdf
Thousands of visitors go to the Italian Chapel in Orkney every year, witnesses to a series of remarkable acts of transformation. Among these are the Churchill Barriers nearby, straddling the ocean to link a number of Orkney's southernmost islands to its mainland. Constructed to protect Britain's naval fleet in Scapa Flow during World War Two, its builders included a group of Italian soldiers imprisoned in this bleak and windswept part of Scotland. In the course of this, they not only played a part in changing Orkney's way-of-life forever but also transformed a simple Nissen Hut, constructing through their labours a place-of-worship that still stands till this day a remarkable symbol of their identity and faith. The Italian Chapel: Orkney tells the story of the strength and tenacity, laughter and tears of the men who built the Italian Chapel, showing how spirits defeated and despondent during years of exile were lifted by its creation. It does this with its own artistry and grace, using folk-tale and myth to provide a fitting counterpart to the wonder and beauty of the building that inspired it.
Thousands of visitors go to the Italian Chapel in Orkney every year, witnesses to a series of remarkable acts of transformation. Among these are the Churchill Barriers nearby, straddling the ocean to link a number of Orkney's southernmost islands to its mainland. Constructed to protect Britain's naval fleet in Scapa Flow during World War Two, its builders included a group of Italian soldiers imprisoned in this bleak and windswept part of Scotland. In the course of this, they not only played a part in changing Orkney's way-of-life forever but also transformed a simple Nissen Hut, constructing through their labours a place-of-worship that still stands till this day a remarkable symbol of their identity and faith. And On This Rock tells the story of the strength and tenacity, laughter and tears of the men who built the Italian Chapel, showing how spirits defeated and despondent during years of exile were lifted by its creation. It does this with its own artistry and grace, using folk-tale and myth to provide a fitting counterpart to the wonder and beauty of the building that inspired it. Illustrated.
Sacred Views of Saint Francis by Cynthia O. Ho,Kathleen W. Peters,John McClain Pdf
Overlooking Lago di Orta in the foothills of the Northern Italian Alps, the Renaissance-era Sacro Monte di Orta (a UNESCO World Heritage site) is spectacle and hagiography, theme park and treatise. Sacro Monte di Orta is a sacred mountain complex that extolls the life of St. Francis of Assisi through fresco, statuary, and built environment. Descending from the vision of the 16th-century Archbishop Carlo Borromeo, the design and execution of the chapels express the Catholic Church's desire to define, or, perhaps redefine itself for a transforming Christian diaspora. And in the struggle to provide a spiritual and geographical front against the spread of Protestantism into the Italian peninsula, the Catholic Church mustered the most powerful weapon it had: the widely popular native Italian saint, Francis of Assisi.Sacred Views of Saint Francis: The Sacro Monte di Orta examines this important pilgrimage site where Francis is embraced as a ne plus ultra saint. The book delves into a pivotal moment in the life of the Catholic Church as revealed through the artistic program of the Sacro Monte's twenty-one chapels, providing a nuanced understanding of the role the site played in the Counter-Reformation.The Sacro Monte di Orta was, in its way, a new hagiographical text vital to post-Tridentine Italy. Sacred Views provides research and analysis of this popular, yet critically neglected Franciscan devotional site. Sacred Views is the first significant scholarly work on the Sacro Monte di Orta in English and one of the very few full-length treatments in any language. It includes a catalogue of artists, over one hundred photographs, maps, short essays on each chapel, and longer essays that examine some of the most significant chapels in greater detail.
Wild, beautiful and spellbinding, this is the compelling wartime story of freedom and love on the windswept islands of Orkney 'Powerful . . . Lea writes beautifully of island life and love, and the sacrifices that both demand' THE TIMES 'Deeply evocative of Orkney and its wild beauty. A stunning tale of sisters, salvation and sacrifice' Emma Stonex The sky is clear, star-stamped and silvered by the waxing gibbous moon. No planes have flown over the islands tonight; no bombs have fallen for over a year. ___________ Orkney, 1940. Five hundred Italian prisoners-of-war arrive to fortify these remote and windswept islands. Resentful islanders are fearful of the enemy in their midst, but not orphaned twin sisters Dorothy and Constance. Already outcasts, they volunteer to nurse all prisoners who are injured or fall sick. Soon Dorothy befriends Cesare, an artist swept up by the machine of war and almost broken by the horrors he has witnessed. She is entranced by his plan to build an Italian chapel from war scrap and sea debris, and something beautiful begins to blossom. But Con, scarred from a betrayal in her past, is afraid for her sister; she knows that people are not always what they seem. Soon, trust frays between the islanders and outsiders, and between the sisters - their hearts torn by rival claims of duty and desire. A storm is coming . . . In the tradition of Captain Corelli's Mandolin, The Metal Heart is a hauntingly rich Second World War love story about courage, freedom and the essence of what makes us human during the darkest of times. ___________ 'Confirms Lea as a highly original and inventive writer' Sunday Times 'A tense, passionate and deeply atmospheric novel . . . Caroline's beautiful transported me entirely to another time and land' Susan Fletcher 'A beautiful, heart-breaking tale of grief, love and the bond between sisters' Louise Hare 'Myth, legend, fear and superstition all play a part in this intensely atmospheric novel' Choice Magazine 'Atmospheric, heart-wrenching, evocative' Gytha Lodge Praise for Caroline Lea: 'Enthralling' Stacey Halls, author of The Familiars and The Foundling 'Fantastic' The Times 'Memorable and compelling' Sarah Moss, author of The Times Book of the Year Ghost Wall 'Intensely written and atmospheric' Daily Mail 'Gripped me in a cold fist. Beautiful' Sara Collins, author of The Confessions of Frannie Langton 'Brilliant' Daily Express
Italian Prisoners of War in Pennsylvania by Flavio G. Conti,Alan R. Perry Pdf
During World War II 51,000 Italian prisoners of war were detained in the United States. When Italy signed an armistice with the Allies in September 1943, most of these soldiers agreed to swear allegiance to the United States and to collaborate in the fight against Germany. At the Letterkenny Army Depot, located near Chambersburg, Pennsylvania, more than 1,200 Italian soldiers were detained as co-operators. They arrived in May 1944 to form the 321st Italian Quartermaster Battalion and remained until October 1945. As detainees, the soldiers helped to order, stock, repair, and ship military goods, munitions and equipment to the Pacific and European Theaters of war. Through such labor, they lent their collective energy to the massive home front endeavor to defeat the Axis Powers. The prisoners also helped to construct the depot itself, building roads, sidewalks, and fences, along with individual buildings such as an assembly hall, amphitheater, swimming pool, and a chapel and bell tower. The latter of these two constructions still exist, and together with the assembly hall, bear eloquent testimony to the Italian POW experience. For their work the Italian co-operators received a very modest, regular salary, and they experienced more freedom than regular POWs. In their spare time, they often had liberty to leave the post in groups that American soldiers chaperoned. Additionally, they frequently received or visited large entourages of Italian Americans from the Mid-Atlantic region who were eager to comfort their erstwhile countrymen. The story of these Italian soldiers detained at Letterkenny has never before been told. Now, however, oral histories from surviving POWs, memoirs generously donated by family members of ex-prisoners, and the rich information newly available from archival material in Italy, aided by material found in the U.S., have made it possible to reconstruct this experience in full. All of this historical documentation has also allowed the authors to tell fascinating individual stories from the moment when many POWs were captured to their return to Italy and beyond. More than seventy years since the end of World War II, family members of ex-POWs in both the United States and Italy still enjoy the positive legacy of this encounter.
PULITZER PRIZE WINNER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE From National Book Award finalist David I. Kertzer comes the gripping story of Pope Pius XI’s secret relations with Italian dictator Benito Mussolini. This groundbreaking work, based on seven years of research in the Vatican and Fascist archives, including reports from Mussolini’s spies inside the highest levels of the Church, will forever change our understanding of the Vatican’s role in the rise of Fascism in Europe. The Pope and Mussolini tells the story of two men who came to power in 1922, and together changed the course of twentieth-century history. In most respects, they could not have been more different. One was scholarly and devout, the other thuggish and profane. Yet Pius XI and “Il Duce” had many things in common. They shared a distrust of democracy and a visceral hatred of Communism. Both were prone to sudden fits of temper and were fiercely protective of the prerogatives of their office. (“We have many interests to protect,” the Pope declared, soon after Mussolini seized control of the government in 1922.) Each relied on the other to consolidate his power and achieve his political goals. In a challenge to the conventional history of this period, in which a heroic Church does battle with the Fascist regime, Kertzer shows how Pius XI played a crucial role in making Mussolini’s dictatorship possible and keeping him in power. In exchange for Vatican support, Mussolini restored many of the privileges the Church had lost and gave in to the pope’s demands that the police enforce Catholic morality. Yet in the last years of his life—as the Italian dictator grew ever closer to Hitler—the pontiff’s faith in this treacherous bargain started to waver. With his health failing, he began to lash out at the Duce and threatened to denounce Mussolini’s anti-Semitic racial laws before it was too late. Horrified by the threat to the Church-Fascist alliance, the Vatican’s inner circle, including the future Pope Pius XII, struggled to restrain the headstrong pope from destroying a partnership that had served both the Church and the dictator for many years. The Pope and Mussolini brims with memorable portraits of the men who helped enable the reign of Fascism in Italy: Father Pietro Tacchi Venturi, Pius’s personal emissary to the dictator, a wily anti-Semite known as Mussolini’s Rasputin; Victor Emmanuel III, the king of Italy, an object of widespread derision who lacked the stature—literally and figuratively—to stand up to the domineering Duce; and Cardinal Secretary of State Eugenio Pacelli, whose political skills and ambition made him Mussolini’s most powerful ally inside the Vatican, and positioned him to succeed the pontiff as the controversial Pius XII, whose actions during World War II would be subject for debate for decades to come. With the recent opening of the Vatican archives covering Pius XI’s papacy, the full story of the Pope’s complex relationship with his Fascist partner can finally be told. Vivid, dramatic, with surprises at every turn, The Pope and Mussolini is history writ large and with the lightning hand of truth.
The Sacred Home in Renaissance Italy by Abigail Brundin,Deborah Howard,Mary Laven Pdf
The Sacred Home in Renaissance Italy explores the rich devotional life of the Italian household between 1450 and 1600. Rejecting the enduring stereotype of the Renaissance as a secular age, this interdisciplinary study reveals the home to have been an important site of spiritual revitalization. Books, buildings, objects, spaces, images, and archival sources are scrutinized to cast new light on the many ways in which religion infused daily life within the household. Acts of devotion, from routine prayers to extraordinary religious experiences such as miracles and visions, frequently took place at home amid the joys and trials of domestic life — from childbirth and marriage to sickness and death. Breaking free from the usual focus on Venice, Florence, and Rome, The Sacred Home investigates practices of piety across the Italian peninsula, with particular attention paid to the city of Naples, the Marche, and the Venetian mainland. It also looks beyond the elite to consider artisanal and lower-status households, and reveals gender and age as factors that powerfully conditioned religious experience. Recovering a host of lost voices and compelling narratives at the intersection between the divine and the everyday, The Sacred Home offers unprecedented glimpses through the keyhole into the spiritual lives of Renaissance Italians.
The Italian (1797) is a novel by Ann Radcliffe. Radcliffe’s final novel is a tragic story of romance and mystery set in Naples during the brutal years of the Holy Inquisition. Published in the aftermath of the French Revolution, the novel investigates the issues of religion and class that had inspired the Republican cause, changing Europe and the world forever. Considered an essential work of Gothic fiction, The Italian is an early example of her prowess as a leading novelist of suspense and the supernatural. A young Englishman meets a friar while touring Naples. At the church of Santa Maria del Pianto, he notices a shadowy stranger sitting near the confessional. When the friar informs him that the man is an assassin, his friend, an Italian, offers to send him the narrative containing the man’s shocking confession. Back at his hotel room, he reads a story beginning in 1758 at the church of San Lorenzo, where a young nobleman falls in love with a beautiful orphan named Ellena. When Vicentio informs his mother, the Marchesa, of his desire to marry the girl, she conspires with the wicked Father Schedoni to change her son’s mind. Soon, Ellena disappears, sending Vicentio di Vivaldi on a quest to save her life. With a beautifully designed cover and professionally typeset manuscript, this edition of Ann Radcliffe’s The Italian is a classic of English literature reimagined for modern readers.
