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Italian Project 1a by Telis Marin,Sandro Magnelli Pdf
The Italian project 1 is the first level of a modern multimedia course of Italian language. Suitable to adolescent and adult students. It provides a balanced information, with pleasant and amusing conversation and useful grammatical examples. Introduces students to modern Italy and its culture.
The Italian project 1 is the first level of a modern multimedia course of Italian language. Suitable to adolescent and adult students. It provides a balanced information, with pleasant and amusing conversation and useful grammatical examples. Introduces students to modern Italy and its culture.
THE ITALIAN PROJECT 2B, is the fourth of four levels of a modern multimedia Italian course for teenager and adult students. The Student's book and Workbook offers 6 units, Glossary, Grammar Appendix and Interactive CD-ROM (version 3.0).
Mussolini's National Project in Argentina by David Aliano Pdf
During the 1920s and 1930s, Mussolini’s fascist regime attempted to promote fascist Italy’s national project in Argentina, bombarding the republic with its propaganda. Although politically a failure, this propaganda provoked a debate over the idea of a national identity outside of the nation-state and the potential roles that citizens living abroad could play in their country of origin. In propagating an Italian national identity within another sovereign state, Mussolini’s initiative also inspired heated debate among native Argentines over their own national project as a nation of immigrants. Using the experiences of Mussolini’s efforts in Argentina as its case study, this book demonstrates how national projects take on different meanings once they enter a contested public space. It details how both members of the Italian community as well as native Argentines reshaped Italy’s national discourse from abroad by entangling it with Argentina’s own national project. In exploring the way in which nations are imagined, constructed, and recast both from above as well as from below, Mussolini’s National Project in Argentina offers new perspectives on the politics of identity formation while providing a transatlantic example of the dynamic interplay between the Italian state and its emigrant communities. It is in short, a transnational perspective on what it means to belong to a nation.
Innovation in the Italian Counter-Reformation by Shannon McHugh,Anna Wainwright Pdf
The enduring "black legend" of the Italian Counter-Reformation, which has held sway in both scholarly and popular culture, maintains that the Council of Trent ushered in a cultural dark age in Italy, snuffing out the spectacular creative production of the Renaissance. As a result, the decades following Trent have been mostly overlooked in Italian literary studies, in particular. The thirteen essays of Innovation in the Italian Counter-Reformation present a radical reconsideration of literary production in post-Tridentine Italy. With particular attention to the much-maligned tradition of spiritual literature, the volume’s contributors weave literary analysis together with religion, theater, art, music, science, and gender to demonstrate that the literature of this period not only merits study but is positively innovative. Contributors include such renowned critics as Virginia Cox and Amadeo Quondam, two of the leading scholars on the Italian Counter-Reformation. Distributed for UNIVERSITY OF DELAWARE PRESS
Abandoned Children of the Italian Renaissance by Nicholas Terpstra Pdf
In the early development of the modern Italian state, individual orphanages were a reflection of the intertwining of politics and charity. Nearly half of the children who lived in the cities of the late Italian Renaissance were under fifteen years of age. Grinding poverty, unstable families, and the death of a parent could make caring for these young children a burden. Many were abandoned, others orphaned. At a time when political rulers fashioned themselves as the "fathers" of society, these cast-off children presented a very immediate challenge and opportunity. In Bologna and Florence, government and private institutions pioneered orphanages to care for the growing number of homeless children. Nicholas Terpstra discusses the founding and management of these institutions, the procedures for placing children into them, the children's daily routine and education, and finally their departure from these homes. He explores the role of the city-state and considers why Bologna and Florence took different paths in operating the orphanages. Terpstra finds that Bologna's orphanages were better run, looked after the children more effectively, and were more successful in returning their wards to society as productive members of the city's economy. Florence's orphanages were larger and harsher, and made little attempt to reintegrate children into society. Based on extensive archival research and individual stories, Abandoned Children of the Italian Renaissance demonstrates how gender and class shaped individual orphanages in each city's network and how politics, charity, and economics intertwined in the development of the early modern state.
Italian Intervention in the Spanish Civil War by John F. Coverdale Pdf
Using hitherto unavailable material from the Italian foreign ministry, Franco's headquarters, and Mussolini's secretariat, John F. Coverdale traces the development of Italo-Spanish relations from the beginning of the Fascist regime. His analysis reveals that traditional foreign policy outweighed ideological and internal political considerations in Mussolini's decision making. John F. Coverdale finds that while Italy's support was essential to Franco's victory, Rome exercised very little influence on his decisions. The author concludes that participation in the Spanish Civil War was less important than is generally believed in determining Italy's entrance into World War II on Hitler's side, and that it did not significantly weaken her armed forces. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A New York Times Notable Book of the Year: A deliciously entertaining account of expatriate life in a small village just outside Verona, Italy. Tim Parks is anything but a gentleman in Verona. So after ten years of living with his Italian wife, Rita, in a typical provincial Italian neighborhood, the novelist found that he had inadvertently collected a gallery full of splendid characters. In this wittily observed account, Parks introduces readers to his home town, with a statue of the Virgin at one end of the street, a derelict bottle factory at the other, and a wealth of exotic flora and fauna in between. Via Colombare, the village’s main street, offers an exemplary hodgepodge of all that is new and old in the bel paese, a point of collision between invading suburbia and diehard peasant tradition. It is a world of creeping vines, stuccoed walls, shotguns, security cameras, hypochondria, and expensive sports cars. More than a mere travelogue, Italian Neighbors is a vivid portrait of the real Italy and a compelling story of how even the most foreign people and places gradually assume the familiarity of home. “One of the most delightful travelogues imaginable . . . so vivid, so packed with delectable details.” —Los Angeles Times Book Review
Women's Writing in Italy, 1400–1650 by Virginia Cox Pdf
Winner, 2009 Best Book Award, Society for the Study of Early Modern WomenWinner, 2008 PROSE Award for Best Book in Language, Literature, and Linguistics. Professional and Scholarly Publishing Division of the Association of American Publishers This is the first comprehensive study of the remarkably rich tradition of women’s writing that flourished in Italy between the fifteenth and early seventeenth centuries. Virginia Cox documents this tradition and both explains its character and scope and offers a new hypothesis on the reasons for its emergence and decline. Cox combines fresh scholarship with a revisionist argument that overturns existing historical paradigms for the chronology of early modern Italian women’s writing and questions the historiographical commonplace that the tradition was brought to an end by the Counter Reformation. Using a comparative analysis of women's activities as artists, musicians, composers, and actresses, Cox locates women's writing in its broader contexts and considers how gender reflects and reinvents conventional narratives of literary change.
Simple Italian Cookery is an introduction to Italian home food. Numerous classic recipes are presented that are bound to make any gastronomical fan salivate and try out the these wonderful recipes!
Author : Sándor Agócs Publisher : Wayne State University Press Page : 268 pages File Size : 41,6 Mb Release : 1988 Category : Business & Economics ISBN : 0814319386
The Troubled Origins of the Italian Catholic Labor Movement, 1878-1914 by Sándor Agócs Pdf
In his book, Sándor Agócs explores the conflicts that accompanied the emergence of the Italian Catholic labor movement. He examines the ideologies that were at work and details the organizational forms they inspired. During the formative years of the Italian labor movement, Neo-Thomism became the official ideology of the church. Church leadership drew upon the central Thomistic principal of caritas, Christian love, in its response to the social climate in Italy, which had become increasingly charged with class consciousness and conflict. Aquinas's principles ruled out class struggle as contrary to the spirit of Christianity and called for a symbiotic relationship among the various social strata. Neo-Thomistic philosophy also emphasized the social functions of property, a principle that demanded the paternalistic care and tutelage of the interests of working people by the wealthy. In applying these principles to the nascent labor movement, the church's leadership called for a mixed union (misto), whose membership would include both capitalists and workers. They argued that this type of union best reflected the tenets of Neo-Thomistic social philosophy. In addition, through its insistence on the misto, the church was also motivated by an obsessive concern with socialism, which it viewed as a threat, and by a fear of the working classes, which it associated with socialism, which it viewed as a threat, and by a fear of the working classes, which it associated with socialism. In pressing for the mixed union, therefore, the church leadership hoped not only to realize Neo-Thomistic principles, but also to defuse class struggle and prevent the proletariat from becoming a viable social and political force. Catholic activists, who were called upon to put ideas into practice and confronted social realities daily, learned that the "mixed" unions were a utopian vision that could not be realized. They knew that the age of paternalism was over and that neither the workers not the capitalists were interested in the mixed union. In its stead, the activists urged for the "simple" union, an organization for workers only. The conflict which ensued pitted the bourgeoisie and the Catholic hierarchy against the young activists.Sándor Agócs reveals precisely in what way Catholic social thought was inadequate to deal with the realities of unionization and why Catholics were unable to present a reasonable alternative.
DigiCat Publishing presents to you this special edition of "Italian Hours" by Henry James. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Italian Villas and Their Gardens by Edith Wharton Pdf
"Embark on a captivating journey through the enchanting landscapes of Italy with Edith Wharton in 'Italian Villas and Their Gardens.' Penned in the early 20th century, this travel narrative offers readers an insightful exploration of the architectural marvels and lush gardens that adorn the Italian countryside. As Wharton delves into the history, art, and horticulture of these villas, 'Italian Villas and Their Gardens' is more than a travelogue—it's a literary expedition that captures the timeless allure of Italy's cultural and natural beauty. Join Wharton on this literary journey where each page unveils a new facet of Italian elegance, making 'Italian Villas and Their Gardens' an essential read for those captivated by tales of travel and the picturesque charm of Italy."
Mass Culture and Italian Society from Fascism to the Cold War by David A. Forgacs,Stephen Gundle Pdf
From the 1930s to the 50s in Italy commercial cultural products were transformed by new reproductive technologies and ways of marketing and distribution, and the appetite for radio, films, music and magazines boomed. This book uses new evidence to explore possible continuities between the uses of mass culture before and after World War II.
Re-viewing Fascism by Jacqueline Reich,Piero Garofalo Pdf
When Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascist period can be labeled as propaganda. Re-viewing Fascism considers the many films that failed as "weapons" in creating cultural consensus and instead came to reflect the complexities and contradictions of Fascist culture. The volume also examines the connection between cinema of the Fascist period and neorealism—ties that many scholars previously had denied in an attempt to view Fascism as an unfortunate deviation in Italian history. The postwar directors Luchino Visconti, Roberto Rossellini, and Vittorio de Sica all had important roots in the Fascist era, as did the Venice Film Festival. While government censorship loomed over Italian filmmaking, it did not prevent frank depictions of sexuality and representations of men and women that challenged official gender policies. Re-viewing Fascism brings together scholars from different cultural and disciplinary backgrounds as it offers an engaging and innovative look into Italian cinema, Fascist culture, and society.