The Jazz Bass Line Book Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Jazz Bass Line Book book. This book definitely worth reading, it is an incredibly well-written.
The Jazz Bass Line Book by Mike Downes is a comprehensive approach to the construction of improvised bass lines. Intended for beginners and professionals, the book deals with playing in 2, creating walking bass lines, 3/4 time, using a "broken feel," modal and slash-chord harmony, ballads, and much more. Each chapter is full of fundamental and advanced concepts and ideas, accompanied by transcribed examples from the masters of jazz bass playing.
Author : Hal Leonard Publishing Corporation Publisher : Hal Leonard Corporation Page : 72 pages File Size : 45,6 Mb Release : 1995 Category : Music ISBN : 0793542049
More than a player's manual, this book portrays jazz bass as a vital element of 20th century American music. Citing examples from key recordings in the jazz canon, the book defines the essence of the musical contributions made by more than 70 important jazz bassists, including Ray Brown, Eddie Gomez, Charles Mingus, Milt Hinton and many others. Bassists get expert guidance on mastering proper technique, practice methods and improvisation, plus new insight into the theoretical and conceptual aspects of jazz. The companion audio featuring bass plus rhythm section allows readers to hear technical examples from the book, presented in slow and fast versions. It also offers play-along tracks of typical chord progressions and song forms.
This book gives you all the basic principles underlying solid walking bass lines. Comprehensive, easy to understand, with page after page of great transcriptions of the author's walking lines on the accompanying CD. The CD of NY professional jazz players can also be used as a swinging play-along CD. Endorsed by Eddie Gomez, Jimmy Haslip, John Goldsby, etc.
Berklee Jazz Bass by Rich Appleman,Whit Browne,Bruce Gertz Pdf
(Berklee Guide). Learn the art of jazz bass. Whether you are new to playing jazz or wish to hone your skills, and whether you play acoustic or electric bass, this book will help you expand your basic technique to create interesting and grooving bass lines and melodically interesting solos. Included are 166 audio tracks of demonstrations and play-alongs, featuring a complete jazz combo playing bass lines and solos over standard jazz progressions.
The Latin Bass Book by Chuck Sher,Oscar Stagnaro Pdf
The only comprehensive book ever published on how to play bass in authentic Afro-Cuban, Brazilian, Caribbean and various South American styles. Over 250 pages of exact transcriptions of every note Oscar plays on the 3 accompanying CDs. Endorsed by Down Beat magazine, Latin Beat magazine, Benny Rietveld, etc.
The bass has been called "the most important instrument in any band." the bass player must create interesting lines under the chord changes, keep the "time flow" or "pulse" steady, and keep the form of the song together. This book is designed to help bassists create beginning to advanced walking patterns (smooth-sounding lines) that can be used in jazz, blues, R&B, gospel, Latin and country music. By explaining the basics of intervals, chords, and scales the author builds a framework for understanding bass line patterns. Then the book presents one- and two-measure patterns that can be used in playing the blues, rhythm changes, the II-V-I progression, and 20 popular jazz standards. the book is written in standard notation with chord symbols. the CD gives you the opportunity to play with one of the finest rhythm sections around. It is in stereo, with the bass and drums on the left and piano and drums on the right. Since the examples in the book are presented both with sample bass lines and as chord progressions only, you can either follow along with the bass or practice your own lines with the CD as your accompaniment.Also available in Japanese from ATN, Inc.
The Total Jazz Bassist by David Overthrow,Tim Ferguson Pdf
The Total Jazz Bassist is a complete jazz method, giving equal treatment to both electric and double bass. Covering styles like bebop, Latin, funk and fusion, this book provides examples and lessons that will help you become a well-rounded bassist. The Total Jazz Bassist also covers theory, technique, tunes, solos, jazz styles, and includes great advice for practicing and doing business. You'll learn to develop walking bass lines, how to solo, bass lines and solo patterns for blues changes and major and minor "two-five-one" progressions, dominant 7th chord scales, approaches for playing "Rhythm Changes," and much, much more! This is the one place to get everything you need to make you not only a great jazz bassist but an asset to any band. A CD demonstrating the examples in the book is included.
The Low Down is a comprehensive jazz bass method book covering the fundamentals of bass line construction, with useful information for beginners and advanced players. The Low Down accomplishes teaching the basics of sound production, layout development, and walking line construction with clarity. A recording (downloaded online) accompanies many of the examples in the book.
A value priced package of Rufus Reid's classic text The Evolving Bassist with his new DVD of the same name. On the DVD, Rufus demonstrates all the key concepts from the book. Additionally, the DVD features spectacular performances from Rufus with Mulgrew Miller on piano and Lewis Nash on drums.
Following the pedagogy from the first book in The Low Down series, this book will help jazz bassists looking to strengthen their walking vocabulary and their understanding of the role of the bass. Inside is a thorough musical source of blues and rhythm changes bass lines in 12 keys, plus popular jazz standards, guaranteed to challenge and inspire the reader.
Killer Walking Bass (Volume 2) by Jim Kalbach,Teymur Phell Pdf
Your search for the perfect walking line never ends. What makes a killer walking bass line? Of course, harmonic clarity and an impeccable rhythmic feel are essential. But we believe that having a keen melodic sense is what will make your walking style stand out. For more details about our melodic walking bass approach, including principles and examples, see KWB Vol. 1 and our blog: http: //blog.killerwalkingbass.com. In this volume, you'll get just the lines. In KWB Vol. 2, we included more tunes overall and chose songs with challenging chord changes. As with Vol. 1, the lines are conceived to be played behind the soloist. While walking over the head of the tune is important, most of the time you'll be supporting soloists.A vast majority of these lines rely only a quarter notes, a staple of walking bass. However, in Vol. 2 we've added embellishments. For the last tune in the book, "Dolphin Song" (like "Dolphin Dance"), we even provide two choruses without embellishments and then with them. We encourage you to think of how you'll enhance all of these lines on your flair. No tempos are given. Learn each piece slowly at first, but eventually move to a more suitable, standard tempo appropriate for the tune. In some cases, such as with "Expressions" (like "Impressions"), a very fast tempo may hinder your ability to play all of the embellishments. Adjust accordingly. Finally, we've included notes that can only be played on five-string basses or with bass extensions. These are indicated with smaller note heads as alternatives to notes available for four-string basses. We hope this collection helps in your quest to find the perfect walking line! Take your lines to the next level.
Constructing Walking Jazz Bass Lines Book III - Walking Bass Lines - Standard Lines - Bass Tab Edition by Steven Mooney Pdf
Standard Lines Book III in the Constructing Walking Jazz Bass Lines series for the Electric Bassist is a comprehensive guide demonstrating the devices used to construct walking jazz bass lines in the jazz standard tradition. Book III covers 24 standard jazz chord progressions with 110 choruses of professional jazz bass lines as an example. Part I outlines the Modes and the chord scale relationships and the fundamental knowledge required to be able to build the diatonic triads and 7th chords in any key. Examples are given in the " 2 " feel and " 4 " feel walking bass style enabling the bassist to develop a strong rhythmic and harmonic foundation. More advanced bass line construction examples including voice leading and mode substitutions and mode applications related to specific jazz chord progressions are also outlined. Part II outlines the Symmetric Scales as well as the Modes of the Melodic Minor Scale related to the Minor II V I progression. Provided are written examples of the Symmetric Scales and the chord scale relationships and how to apply the use of the Symmetric Scales over popular jazz chord progressions. The Minor II V I is outlined and compared to the Major II V I outlining the differences with the suggested scale uses applied to common jazz chord progressions. Part III outlines the use of the BeBop Scales and their use in the jazz walking bass tradition, providing suggested uses of the Be Bop scales related to popular jazz chord progressions. Part IV outlines the previous lesson devices and concepts with examples of professional level bass lines over standard jazz chord progressions. All information builds in a stepwise progression enabling the bassist to apply the techniques in all 12 keys.
Do you usually shake your head no when offered a chance to solo? Maybe you think it's not a part of the job. After all, you didn't learn the instrument to sound like a guitarist, right? However, a bassist who avoids soloing is like a baker who refuses to frost their cakes. Sure, frosting is decoration, and too much is dangerous. But your bass playing is meant to be more than just a dry foundation. Maybe you've tried soloing and the effort fell flat. You even learned the scales, memorized patterns, followed advice, and attempted transcribing, only to produce less-than-stellar solos. What if you discovered a way to break past your limitations and solo with freedom and authentic self-expression? Topics in Jazz Bass Vol. 2: Soloing is a groundbreaking resource that can tie all of your efforts together and get you soloing with confidence. Through this book, you will: Discover powerful ear-training techniques to unlock your inner soloist. Develop a melodic, compositional approach to building a solo. Finally understand what the players around you are doing and know how to step up when called upon. Complete with audio examples and a new pick-your-path approach, this book promises to engage you wherever you're at on your musical journey. Written by Danny Ziemann, touring jazz bassist and six-time author, Soloing draws from his extensive performance history, degrees in music education from the Eastman School of Music, and years of teaching experience to provide you with expert-level training. Walk into your next gig ready to nod yes when asked to solo. Buy Topics in Jazz Bass Vol. 2: Soloing today.
