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The Jazz Style of Miles Davis by Miles Davis,David Baker Pdf
The Giants of Jazz series is designed to provide a method for studying, analyzing, imitating and assimilating the idiosyncratic and general facets of the styles of various jazz giants. The Davis book provides many transcriptions, plus discography, biographical data, list of innovations, genealogy, bibliography and comments.
MilesStyle: The Fashion of Miles Davis by Michael Stradford Pdf
MILESSTYLE examines the fashion of Miles Davis, one of the best dressed men of the 20th century (GQ & Esquire) through biography, photos and exclusive interviews with friends, bandmates, designers, photographers ex-wives and fashionistas like Quincy Jones, Lenny Kravitz, Bryan Ferry, Ron Carter and many more.
The Jazz Style of John Coltrane by David Baker,John Coltrane Pdf
The Giants of Jazz series is designed to provide a method for studying, analyzing, imitating and assimilating the idiosyncratic and general facets of the styles of various jazz giants. The Coltrane book provides many transcriptions, plus discography, biographical data, style traits, genealogy, and bibliography.
Here is the illustrated history of Miles Davis, the world’s most popular jazz trumpeter, composer, bandleader, and musical visionary. Davis is one of the most innovative, influential, and respected figures in the history of music. He’s been at the forefront of bebop, cool jazz, hard bop, modal jazz, and jazz-rock fusion, and remains the favorite and best-selling jazz artist ever, beloved worldwide.He’s also a fascinating character—moody, dangerous, brilliant. His story is phenomenal, including tempestous relationships with movie stars, heroin addictions, police busts, and more; connections with other jazz greats like Charlie Parker, Dizzy Gillespie, Thelonius Monk, John Coltrane, Gil Evans, John McLaughlin, and many others; and later fusion ventures that outraged the worlds of jazz and rock.Written by an all-star team, including Sonny Rollins, Bill Cosby, Herbie Hancock, Ron Carter, Clark Terry, Lenny White, Greg Tate, Ashley Kahn, Robin D. G. Kelley, Francis Davis, George Wein, Vincent Bessières, Gerald Early, Nate Chinen, Nalini Jones, Dave Liebman, Garth Cartwright, and more.
Based on interviews with family and friends, this account of the jazz great's life reveals the influence of Miles Davis' life on his work as well as the musician's persistent desire to re-invent himself.
Author : Miles Davis Publisher : Hal Leonard Publishing Corporation Page : 100 pages File Size : 45,8 Mb Release : 2001 Category : Music ISBN : UOM:39015054353159
Regarded by experts as "the best jazz recording of all time," the 1959 release Kind of Blue is one of the most influential albums in the history of jazz. The new hardcover deluxe edition of this exceptional book features transcriptions of all the improvised solos as well as sketch scores for all the songs from this landmark release; this includes Miles' trumpet parts, the brilliant sax work of John Coltrane and Cannonball Adderly, a full transcription of Wynton Kelly's piano solo on "Freddie Freeloader," and Paul Chambers' and Jimmy Cobb's rhythm section parts to use as guides for the feel of each composition. Songs include: So What * Freddie Freeloader * Blue in Green * All Blues * and Flamenco Sketches, including an alternate take. Also includes fabulous photos and an essay written specifically for this edition by composer Bill Kirchner, who won a Grammy for his notes on Sony's Miles Davis/Gil Evans boxed set, and edited The Miles Davis Reader for Smithsonian Institution Press. "For musicians in the know, this book can only enhance one's ardor for the album Quincy Jones calls his 'orange juice' and Donald Fagen hails as 'The Bible.'" -Ashley Kahn, author of Kind of Blue: The Making of the Miles Davis Masterpiece "Put on the recording, take out the score, and you'll learn a lot and hear things you hadn't noticed before." -Lewis Porter, Director of the MA in Jazz History and Research, Rutgers University at Newark
The Studio Recordings of the Miles Davis Quintet, 1965-68 by Keith Waters Pdf
The "Second Quintet" -- the Miles Davis Quintet of the mid-1960s -- was one of the most innovative and influential groups in the history of the genre. Each of the musicians who performed with Davis--saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams--went on to a successful career as a top player. The studio recordings released by this group made profound contributions to improvisational strategies, jazz composition, and mediation between mainstream and avant-garde jazz, yet most critical attention has focused instead on live performances or the socio-cultural context of the work. Keith Waters' The Studio Recordings of the Miles Davis Quintet, 1965-68 concentrates instead on the music itself, as written, performed, and recorded. Treating six different studio recordings in depth--ESP, Miles Smiles, Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro--Waters has tracked down a host of references to and explications of Davis' work. His analysis takes into account contemporary reviews of the recordings, interviews with the five musicians, and relevant larger-scale cultural studies of the era, as well as two previously unexplored sources: the studio outtakes and Wayne Shorter's Library of Congress composition deposits. Only recently made available, the outtakes throw the master takes into relief, revealing how the musicians and producer organized and edited the material to craft a unified artistic statement for each of these albums. The author's research into the Shorter archives proves to be of even broader significance and interest, as Waters is able now to demonstrate the composer's original conception of a given piece. Waters also points out errors in the notated versions of the canonical songs as they often appear in the main sources available to musicians and scholars. An indispensible resource, The Miles Davis Quintet Studio Recordings: 1965-1968 is suited for the jazz scholar as well as for jazz musicians and aficionados of all levels.
Jazz, as recorded 1948-1950 for the album of same title; for alto and baritone saxophones, trumpet, horn, trombone, tuba, piano, bass, and drums; with chord symbols.
Author : Miles Davis Publisher : Hal Leonard Corporation Page : 159 pages File Size : 46,6 Mb Release : 2008-06-01 Category : Music ISBN : 9781480311107
Miles Davis Classics (Songbook) by Miles Davis Pdf
(Jazz Play Along). For use with all Bb, Eb, C and bass clef instruments, the Jazz Play-Along Series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues and audio, this first-of-its-kind package makes learning to play jazz easier than ever before. For study, each tune includes audio with: Melody cue with proper style and inflection * Professional rhythm tracks * Choruses for soloing * Removable bass part * Removable piano part. For performance, each tune also has: An additional full stereo accompaniment track (no melody) * Additional choruses for soloing. Includes 10 songs: Blues by Five * Circle * Eighty One * Flamenco Sketches * Fran Dance * Green Haze * Mood * Petits Machins * Pfrancing (No Blues) * Swing Spring.
Jazz Improvisation focuses on the communicative and technical aspects of improvisation and makes an excellent resource for both pros and aspiring improvisers. Assimilate and execute chord progressions, substitutions, turn arounds and construct a melody and jazz chorus.
A three volume series that includes the scales, chords and modes necessary to play bebop music. A great introduction to a style that is most influential in today's music. The first volume includes scales, chords and modes most commonly used in bebop and other musical styles. The second volume covers the bebop language, patterns, formulas and other linking exercises necessary to play bebop music. A great introduction to a style that is most influential in today's music.
A compelling few hours' reading for anyone with an interest in 20th-century music.' Kenneth Clarke, The Daily Mail Miles Davis (1926-91) was one of the great jazz musicians, bandleaders and composers. His recordings include several of the most acclaimed and popular jazz album, from the relaxed style of Birth of the Cool to the orchestral Sketches of Spain and the iconic Kind of Blue. And he never ceased to innovate. As the 1960s moved into the 1970s, he developed a darker, more complex sound and began increasingly to use electric instruments. The crowning achievement of his experiments, Bitches Brew (1969), became the bestselling jazz album of all time. In this biography, noted jazz critic Brian Morton takes us through the musical history of this remarkable and influential artist and illuminates the personality behind the sound.
(FAQ). For some jazz fans, the only instrumental improvised music in their album collection might be a Miles Davis session, possibly Kind of Blue or Bitches Brew . They might not realize that this trumpeter/composer/bandleader, unlike any other musician in any other genre, singlehandedly transformed his chosen style on four separate occasions. During his 40-plus-year career, Davis pushed jazz from bebop to cool, from cool to hard bop, from hard bop to modal, then from modal to fusion, all while maintaining an aura of style and hipness that made him one of the most revered musicians of all time. But there's more to Miles Davis than best-selling albums and tailored suits: His artistic rises and drug-induced falls are the stuff of Greek tragedy; his partnerships with such greats as alto saxophonist Charlie Parker, tenor saxophonist John Coltrane, and pianist Herbie Hancock were game changers; and his on- and offstage antics were sometimes hilarious, and sometimes appalling, but always compelling. In Miles Davis FAQ , Alan Goldsher brings you inside the man and his music, from biographical tidbits, to "best of" lists, to little-known factoids. With heartfelt affection, gentle humor, and honesty, Goldsher introduces (or reintroduces) both casual listeners and hardcore fans to a man whose imprint on the sounds of the past, present, and future is indelible.