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The Jew of Home Depot and Other Stories by Max Apple Pdf
This is the first collection to appear in twenty years from one of America's best short story writers. His thirteen stories are marvelous—funny, heartbreaking, and wise by turns, and on occasion all three at once. Praise for The Jew of Home Depot and Other Stories: "Thank you, Mr. Apple! There's an art to writing a sad story that's also fun to read... Many of Apple's stories are heartbreaking, but there's hardly a page that doesn't yield a smile at one line or another." -New York Times Book Review "When it comes to Max Apple, what's not to like?... Apple is never ferocious, never crabby and rarely sentimental. He does not dislike his characters, and he refuses to condescent to them." -Foreword "Delightful, utterly cynicism-free stories collected here... celebrate serendipity... If a lot of contemporary short fiction falls into the category dubbed 'Kmart realism,' Apple needs his own category. Call it Kmart magical realism." -Washington Post Book World
The Jew and Other Stories by Ivan Sergeevich Turgenev Pdf
In studying the Russian novel it is amusing to note the childish attitude of certain English men of letters to the novel in general, their depreciation of its influence and of the public's 'inordinate' love of fiction. Many men of letters to-day look on the novel as a mere story-book, as a series of light-coloured, amusing pictures for their 'idle hours,' and on memoirs, biographies, histories, criticism, and poetry as the age's serious contribution to literature. Whereas the reverse is the case. The most serious and significant of all literary forms the modern world has evolved is the novel; and brought to its highest development, the novel shares with poetry to-day the honour of being the supreme instrument of the great artist's literary skill. To survey the field of the novel as a mere pleasure-garden marked out for the crowd's diversionÑa field of recreation adorned here and there by the masterpieces of a few great menÑargues in the modern critic either an academical attitude to literature and life, or a one-eyed obtuseness, or merely the usual insensitive taste. The drama in all but two countries has been willy-nilly abandoned by artists as a coarse playground for the great public's romps and frolics, but the novel can be preserved exactly so long as the critics understand that to exercise a delicate art is the oneserious duty of the artistic life. It is no more an argument against the vital significance of the novel that tens of thousands of peopleÑthat everybody, in factÑshould to-day essay that form of art, than it is an argument against poetry that for all the centuries droves and flocks of versifiers and scribblers and rhymesters have succeeded in making the name of poet a little foolish in worldly eyes. The true function of poetry! That can only be vindicated in common opinion by the severity and enthusiasm of critics in stripping bare the false, and in hailing as the true all that is animated by the living breath of beauty. The true function of the novel! That can only be supported by those who understand that the adequate representation and criticism of human life would be impossible for modern men were the novel to go the way of the drama, and be abandoned to the mass of vulgar standards.Ê
Set in 1920s Chicago, the short novel Yudl follows its eponymous protagonist, a middle-aged editor at a left-leaning newspaper called The Yiddish Courier. Yudl and his wife have decided to become landlords, purchasing a vacant lot and hiring an acquaintance—aptly named Mason—to oversee the construction of their future apartment building. However, delays in the construction leave Yudl and his family without a home, forcing them to stay with Mason and his family until the construction is finally complete. Told with wry wit and a masterful sensibility for metaphor, the story explores gender, Zionism, and the immigrant experience in the US. The selection of short stories that follow the novel in this volume were selected by the author from her deathbed during her last weeks and then hours on earth. Silbert's graceful short stories focus on the family, allowing the reader glimpses of a child's happiness, the cripplingly contradictory demands of femininity, the complexity of grief, and a sustained meditation on life and death.
National Bestseller Globe and Mail Best Book of the Year New York Times Notable Book of the Year Winner of the Commonwealth Writers’ Prize for Best First Book (Canada and Caribbean Region) Winner of the Canadian Jewish Book Award, Fiction Category Winner of the Toronto Book Award Winner of the Jewish Quarterly Wingate Literary Prize for Fiction Winner of the Danuta Gleed Literary Award Finalist for the Governor General’s Award for Fiction Finalist for CBC’s Canada Reads Finalist for the Guardian First Book Award Finalist for the Borders Books and Music 2004 Original Voices Award Finalist for the LA Times Book Prize The Bermans—Bella, Roman and their son, Mark—are Russian Jews who fled the Riga of Brezhnev for Toronto, the city of their dreams. Natasha and Other Stories is the chronicle of their search for a better life as they struggle to fit into a foreign urban landscape. Told through Mark’s eyes, these are stories filled with heart, verve and consequence. In “Tapka,” six-year-old Mark’s cocky game with a neighbour’s beloved dog turns into a tragi-comedy of life lessons learned. In the title story, a teenage Mark faces a stark, comical and ultimately searing introduction to first love at the experienced hands of his cousin, Natasha, an immigrant from the new Russia. And in “Minyan,” Mark and his grandfather watch as the death of an Odessan cab driver sets off a religious controversy among the residents of a Jewish old-people’s home. Often funny and always wise, this much-celebrated collection captures the immigrant experience with striking wit and deep sympathy.
The Jew and Other Stories by Ivan Sergeevich Turgenev Pdf
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - In studying the Russian novel it is amusing to note the childish attitude of certain English men of letters to the novel in general, their depreciation of its influence and of the public's 'inordinate' love of fiction. Many men of letters to-day look on the novel as a mere story-book, as a series of light-coloured, amusing pictures for their 'idle hours, ' and on memoirs, biographies, histories, criticism, and poetry as the age's serious contribution to literature. Whereas the reverse is the case. The most serious and significant of all literary forms the modern world has evolved is the novel; and brought to its highest development, the novel shares with poetry to-day the honour of being the supreme instrument of the great artist's literary skill. To survey the field of the novel as a mere pleasure-garden marked out for the crowd's diversion - a field of recreation adorned here and there by the masterpieces of a few great men - argues in the modern critic either an academical attitude to literature and life, or a one-eyed obtuseness, or merely the usual insensitive taste. The drama in all but two countries has been willy-nilly abandoned by artists as a coarse playground for the great public's romps and frolics, but the novel can be preserved exactly so long as the critics understand that to exercise a delicate art is the one serious duty of the artistic life. It is no more an argument against the vital significance of the novel that tens of thousands of people - that everybody, in fact - should to-day essay that form of art, than it is an argument against poetry that for all the centuries droves and flocks of versifiers and scribblers and rhymesters have succeeded in making the name of poet a little foolish in worldly eyes.
Turgenev's place in modern European literature is best defined by saying that while he stands as a great classic in the ranks of the great novelists, along with Richardson, Fielding, Scott, Balzac, Dickens, Thackeray, Meredith, Tolstoi, Flaubert, Maupassant, he is the greatest of them all, in the sense that he is the supreme artist. As has been recognised by the best French critics, Turgenev's art is both wider in its range and more beautiful in its form than the work of any modern European artist.
The Jew and Other Stories by Turgenev Ivan Sergeevich Pdf
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Excerpt from The Jew: And Other Stories IN studying the Russian novel it is amusing to note the Childish attitude of certain English men of letters to the novel in general, their depreciation of its influence and of the public's 'inordinate' love of fiction. Many men of letters to-day look on the novel as a mere story-book, as a series of light-coloured, amus ing pictures for their 'idle hours, ' and on memoirs, biographies, histories, criticism, and poetry as the age's serious contribution to literature. Whereas the reverse is the case. The most serious and significant of all literary forms the modern world has evolved is the novel and brought to its highest development, the novel shares with poetry to-day the honour of being the supreme instrument of the great artist's literary skill. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
