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Author : Omer Bartov
Publisher : Indiana University Press
Page : 396 pages
File Size : 51,9 Mb
Release : 2005-01-07
Category : Performing Arts
ISBN : 0253217458
Explores cinematic representations of the "Jew" from film's early days to the present.
Author : Nathan Abrams
Publisher : Rutgers University Press
Page : 271 pages
File Size : 49,6 Mb
Release : 2012-03-12
Category : Performing Arts
ISBN : 9780813553436
Jewish film characters have existed almost as long as the medium itself. But around 1990, films about Jews and their representation in cinema multiplied and took on new forms, marking a significant departure from the past. With a fresh generation of Jewish filmmakers, writers, and actors at work, contemporary cinemas have been depicting a multiplicity of new variants, including tough Jews; brutish Jews; gay and lesbian Jews; Jewish cowboys, skinheads, and superheroes; and even Jews in space. The New Jew in Film is grounded in the study of over three hundred films from Hollywood and beyond. Nathan Abrams explores these new and changing depictions of Jews, Jewishness, and Judaism, providing a wider, more representative picture of this transformation. In this compelling, surprising, and provocative book, chapters explore masculinity, femininity, passivity, agency, and religion in addition to a departure into new territory—including bathrooms and food. Abrams’s concern is to reveal how the representation of the Jew is used to convey confidence or anxieties about Jewish identity and history as well as questions of racial, sexual, and gender politics. In doing so, he provides a welcome overview of important Jewish films produced globally over the past twenty years.
Author : Patricia Erens
Publisher : Indiana University Press
Page : 478 pages
File Size : 49,9 Mb
Release : 1988-08-22
Category : Performing Arts
ISBN : 0253204933
Examples range from film's early days to the present, from Europe, Israel, and the United States.
Author : Lawrence Baron
Publisher : Unknown
Page : 0 pages
File Size : 47,5 Mb
Release : 2011
Category : Holocaust, Jewish (1939-1945), in motion pictures
ISBN : 1611682088
An imprint of University of New England.
Author : Daniel Bernardi
Publisher : Wayne State University Press
Page : 280 pages
File Size : 54,8 Mb
Release : 2012-09-17
Category : Art
ISBN : 9780814338070
As studio bosses, directors, and actors, Jews have been heavily involved in film history and vitally involved in all aspects of film production. Yet Jewish characters have been represented onscreen in stereotypical and disturbing ways, while Jews have also helped to produce some of the most troubling stereotypes of people of color in Hollywood film history. In Hollywood's Chosen People: The Jewish Experience in American Cinema, leading scholars consider the complex relationship between Jews and the film industry, as Jews have helped to construct Hollywood's vision of the American dream and American collective identity and have in turn been shaped by those representations. Editors Daniel Bernardi, Murray Pomerance, and Hava Tirosh-Samuelson introduce the volume with an overview of the history of Jews in American popular culture and the American film industry. Multidisciplinary contributors go on to discuss topics such as early Jewish films and directors, institutionalized anti-Semitism, Jewish identity and gossip culture, and issues of Jewish performance on film. Contributors draw on a diverse sampling of films, from representations of the Holocaust on film to screen comedy; filmmakers and writers, including David Mamet, George Cukor, Sidney Lumet, Edward Sloman, and Steven Spielberg; and stars, like Barbra Streisand, Adam Sandler, and Ben Stiller. The Jewish experience in American cinema reveals much about the degree to which Jews have been integrated into and contribute to the making of American popular film culture. Scholars of Jewish studies, film studies, American history, and American culture as well as anyone interested in film history will find this volume fascinating reading.
Author : Helene Meyers
Publisher : Rutgers University Press
Page : 237 pages
File Size : 43,8 Mb
Release : 2021-09-17
Category : Social Science
ISBN : 9781978821903
Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews.
Author : Omer Bartov
Publisher : Indiana University Press
Page : 398 pages
File Size : 51,5 Mb
Release : 2005
Category : Performing Arts
ISBN : 0253345022
Explores cinematic representations of the "Jew" from film's early days to the present.
Author : Visiting Raoul Wallenberg Professor Omer Bartov
Publisher : Unknown
Page : 352 pages
File Size : 43,6 Mb
Release : 2005
Category : Electronic
ISBN : 0025335022
From cinema's beginnings, the film image of the Jew has closely followed the fortunes and misfortunes of Jews. Analyzing more than 70 films made in the Soviet Union. Poland, Hungary, Czechoslovakia and the Czech Republic. East and West Germany, France, Italy, the United States, and Israel from 1920 to the 1990s, noted historian Omer Bartov argues that depictions of the Jew in film have been fed by, or have reacted to, certain stereotypical depictions of Jews arising from age-old prejudices. These images, in turn, both reflected public attitudes and helped to shape them. He points to Mel Gibson's film The Passion of the Christ as one of the most recent examples of the phenomenon. In trenchant discussions of individual films, Bartov develops four basic cinematic representations of the Jew: as perpetrator (especially in antisemitic films), as victim (especially in films about the Holocaust), as hero (especially in films about the state of Israel), and as anti-hero (especially in films about the Arab-Israel conflict). This absorbing book reveals the ways in which powerful images remained deeply embedded in the creative imagination, even as the circumstances that originally engendered them underwent profound changes, Bartov concludes that some of the fundamental prejudices about Jews, which predate cinema, persisted in cinematic depictions throughout the 20th century, although they have been reinterpreted according to changing political regimes, ideologies, and tastes. Covering a range of traditions and periods, The Jew in Cinema provides original and provocative interpretations that often contradict conventional views. Placing cinematic representations of the Jew within theirhistorical context, Bartov demonstrates the powerful political, social, and cultural impact of these images on popular attitudes.
Author : Eric A. Goldman
Publisher : Univ of TX + ORM
Page : 345 pages
File Size : 41,8 Mb
Release : 2013-04-01
Category : Social Science
ISBN : 9780292744318
“A superb, thought-provoking analysis tracing the metamorphosis of the image of the Jew as portrayed through 80 years of American cinema.” —Library Journal Like the haggadah, the traditional story of the Israelites’ exodus from Egypt read at the Passover seder, cinema offers a valuable text from which to gain an understanding of the social, political, and cultural realities of Jews in America. In an industry strongly influenced by Jewish filmmakers, the complex, evolving nature of the American Jewish condition has had considerable impact on American cinema and, in particular, on how Jews are reflected on the screen. This groundbreaking study analyzes select mainstream films from the beginning of the sound era to today to provide an understanding of the American Jewish experience over the last century, from the time when Hollywood’s movie moguls, most of whom were Jewish, shied away from asserting a Jewish image on the screen, to a period when Jewish moviemakers became more comfortable with the concept of a Jewish hero and with an overpowered, yet heroic, Israel, and the way that the Holocaust assumed center stage as the single event with the greatest effect on American Jewish identity. Recently, as American Jewish screenwriters, directors, and producers have become increasingly comfortable with their heritage, we are seeing an unprecedented number of movies that spotlight Jewish protagonists, experiences, and challenges. This is “a wonderful book for any lover of American films” (Hadassah Magazine).
Author : Barbara Hales,Valerie Weinstein
Publisher : Berghahn Books
Page : 366 pages
File Size : 40,6 Mb
Release : 2020-11-01
Category : Performing Arts
ISBN : 9781789208733
The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish “outsiders” to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness – as religion, ethnicity, social role, cultural code, or text – these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.
Author : Neal Gabler
Publisher : Anchor
Page : 537 pages
File Size : 49,6 Mb
Release : 2010-11-17
Category : Performing Arts
ISBN : 9780307773715
A provocative, original, and richly entertaining group biography of the Jewish immigrants who were the moving forces behind the creation of America's motion picture industry. The names Harry Cohn, William Fox, Carl Laemmle, Louis B. Mayer, Jack and Harry Warner, and Adolph Zucker are giants in the history of contemporary Hollywood, outsiders who dared to invent their own vision of the American Dream. Even to this day, the American values defined largely by the movies of these émigrés endure in American cinema and culture. Who these men were, how they came to dominate Hollywood, and what they gained and lost in the process is the exhilarating story of An Empire of Their Own.
Author : David L. Reznik
Publisher : Routledge
Page : 184 pages
File Size : 47,9 Mb
Release : 2015-12-03
Category : Social Science
ISBN : 9781317264385
"New Jews'?" is the first comprehensive study of American Jewish identity in Hollywood movies of the new millennium. Despite the argument that we live in a "post-racial" society with supposedly "new" Jewish characters emerging on the big screen, this book details how traditional racial stereotypes of American Jews persist in popular films from the first decade of this century. In clear and readable prose, the book offers an innovative and penetrating look at dozens of American Jewish "meddling matriarchs," "neurotic nebbishes," "pampered princesses," and "scheming scumbags" from 21st century film, whether Hollywood blockbusters like Meet the Fockers and Sex and the City or indie favorites like Garden State and Kissing Jessica Stein. Throughout the book, famous American Jewish characters played by the likes of Jim Carrey, Tom Cruise, Anne Hathaway, Kate Hudson, Scarlett Johansson, Sarah Jessica Parker, Adam Sandler, and Ben Stiller are discussed, with the ultimate conclusion that movies today are marked less by the emergence of "new Jews" than by the continued - but dynamic and transformed -- presence of the same old stereotypes.
Author : Yehuda Moraly
Publisher : Liverpool University Press
Page : 354 pages
File Size : 53,6 Mb
Release : 2019-11-01
Category : History
ISBN : 9781782845843
The era of the German Occupation of France constituted, surprisingly, a golden age for the arts: literature, theater, popular music and cinema. These works of art seem to be devoid of political impact. The widespread trend of unrealistic and fantastic art during this period is explained by some scholars as the artists escape from the omnipotent eye of German censorship. The purpose of the book is to show that, contrary to the accepted view, some of these films were intimately linked to the political situation. They convey the demonization of characters that, while not specifically presented as Jews nevertheless manifested anti-Semitic stereotypes of the Jew as ugly, rootless, low, hypocritical, immoral, cruel and power hungry. All five movies analysed (Les Inconnus dans la maison, dir. Henri Decoin, 1942; Les Visiteurs du Soir, dir. Marcel Carne, 1942; L'Eternel retour, dir. Jean Delannoy, 1943; Les Enfants du Paradis, dir. Marcel Carne, 1943) present characters not identified as Jews but who exhibit negative Jewish traits, in contrast to the aristocratic characters whom they aspire to emulate. They demonstrate, implicitly, central themes of explicit anti-Semitic propaganda. Yehuda Moraly addresses two current major misconceptions regarding the Cinema of Occupied France: (1) that the accepted view that there were almost no explicitly Jewish characters in the cinema of that time and place is patently incorrect; and (2) that the feature films of Occupied France were not as it is commonly thought free of the propaganda messages that permeated the press, the radio and documentary films. Analysis of these films brings out the contradictory nature of European anti-Semitism. On one hand, the Jew is the anti-Christ, throttling the world with disgusting materialism while on the other hand, he is representative of an ancestral stifling morality, which it is time to abolish.
Author : Prof. Deborah A. Starr
Publisher : Univ of California Press
Page : 252 pages
File Size : 52,9 Mb
Release : 2020-09-22
Category : Social Science
ISBN : 9780520976122
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.
Author : Vincent Brook,Marat Grinberg
Publisher : Brandeis University Press
Page : 313 pages
File Size : 46,6 Mb
Release : 2013-12-03
Category : Social Science
ISBN : 9781611684810
Although Woody AllenÕs films have received extensive attention from scholars and critics, no book has focused exclusively on Jewishness in his work, particularly that of the late 1990s and beyond. In this anthology, a distinguished group of contributorsÑwhose work is richly contextualized in the fields of literature, philosophy, film, theater, and comedyÑexamine the schlemiel, Allen and women, the Jewish take on the Òmorality of murder,Ó AllenÕs take on Hebrew scripture and Greek tragedy, his stage work, his cinematic treatment of food and dining, and what happens to ÒJew YorkÓ when Woody takes his films out of New York City. Considered together, these essays delineate the intellectual, artistic, and moral development of one of cinemaÕs most durable and controversial directors.