The Jewish Kulturbund Theatre Company In Nazi Berlin
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The Jewish Kulturbund Theatre Company in Nazi Berlin by Rebecca Rovit Pdf
"Revealing the complex interplay between history and human lives under conditions of duress, Rebecca Rovit focuses on the eight-year odyssey of Berlin's Jewish Kulturbund Theatre. By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime. Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity."--BACK COVER.
This book provides a social and cultural history of Jewish art in Nazi Germany, with a focus on the Jewish artists, art critics, and audiences in Nazi Bavaria. From the time of its conceptualization in the autumn of 1933 until its final curtain call in November 1938, the Jewish Cultural League in Bavaria sustained three departments: music, visual arts, and adult education. The Bavarian example steps outside the highly professional cultural milieu of Jewish Berlin, and instead looks at relatively unknown efforts of Bavarian Jewish artists as they used art to define what it now meant, to them, to be Jewish under Nazism. Insightful and engaging, this book is ideal for advanced undergraduate students, graduate students, and scholars interested in social and cultural histories of Jews in Germany.
The volume satisfies the researcher with an interest in exile as an historical and literary phenomenon. The first eight essays focus on the British and Irish dimension. The following four widen the discussion to encompass continental Europe. And finally, the historical dimension is deepened with contributions the marginalisation of the mass emigration of the Jews within German memory, and the ‘exile’ of princesses.
The Oxford Handbook of Jewish Music Studies by Tina Frühauf Pdf
The Oxford Handbook of Jewish Music Studies is the most comprehensive and expansive critical handbook of Jewish music published to date. It is the first endeavor to address the diverse range of sounds, texts, archives, traditions, histories, geographic and political contexts, and critical discourses in the field. The thirty-one experts from thirteen countries who prepared the thirty original and groundbreaking chapters in this handbook are leaders in the disciplines of musicology and Jewish studies as well as adjacent fields. Chapters in the handbook provide a broad coverage of the subject area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections -- Land, City, Ghetto, Stage, Sacred and Ritual Spaces, Destruction / Remembrance, and Spirit -- the range and scope of The Oxford Handbook of Jewish Music Studies most significantly suggests a new framework for the study of Jewish music centered on spatiality and taking into consideration temporality and collectivity. Within each chapter, authors have selected what they consider to be the most important material relevant to their topic and, drawing on the most authoritative insights from historical and ethnomusicology, Jewish studies, history, anthropology, philology, religious studies, and the visual arts, have taken a genuinely inter- or transdisciplinary approach. Integrated chapter bibliographies provide material for further reading. Together the chapters form a first truly global look at Jewish music, incorporating studies from Central and East Asia, Europe, Australia, the Americas, and the Arab world. Together they span world history, from antiquity until the present day. As such, the Handbook provides a resource that researchers, scholars, and educators will use as the most important and authoritative overview of work within music and Jewish studies.
Jewish and Non-Jewish Spaces in the Urban Context by Maria Cieśla,Saskia Coenen Snyder,Eszter Gantner,Frank Golczewski,François Guesnet,Felix Heinert,Jürgen Heyde,Alexis Hofmeister,Wolfgang Kaschuba,Martin Kindermann,Nora Lafi,Ruth Leiserowitz,Diana I. Popescu,Monica Rüthers,Anne-Christin Saß,Joachim Schlör,Magdalena Waligórska,Mirjam Zadoff Pdf
The unifying thread of the interdisciplinary volume Jewish and Non-Jewish Spaces in the Urban Context is the fact that Jewish spaces are almost always generated in relation to non-Jewish spaces; they determine and influence each other. This general phenomenon will be scrutinized and put to the test again and again in a varied collection of articles by international experienced researchers as well as junior scholars using various urban contexts and discourses as data. From the viewpoints of different temporal and regional research traditions and disciplines the contributors deal with the question of how Jewish and non-Jewish spaces are imagined, constructed, negotiated and intertwined. All examples and case studies together create a mosaic of possibilities for the construction of Jewish and non-Jewish spaces in different settings. The list of examined topics ranges from synagogues to ghettos, from urban neighborhoods to cafés and festivals, from art to literature. This diversity makes the volume a challenging effort of giving an overview of the current academic discussion in Europe and beyond. Although the majority of the contributions are focused on Central and Eastern Europe, a more general tendency becomes apparent in all articles: the negotiation of urban spaces seems to be a complex and ambivalent process in which a large number of participants are involved. In this regard, the volume would also like to contribute to trans-disciplinary urban studies and critical research on spatial relations.
“In this rich and resonant study, Joanna Newman recounts the little-known story of this Jewish exodus to the British West Indies...”—Times Higher Education In the years leading up to the Second World War, increasingly desperate European Jews looked to far-flung destinations such as Barbados, Trinidad, and Jamaica in search of refuge from the horrors of Hitler’s Europe. Nearly the New World tells the extraordinary story of Jewish refugees who overcame persecution and sought safety in the West Indies from the 1930s through the end of the war. At the same time, it gives an unsparing account of the xenophobia and bureaucratic infighting that nearly prevented their rescue—and that helped to seal the fate of countless other European Jews for whom escape was never an option. From the introduction: This book is called Nearly the New World because for most refugees who found sanctuary, it was nearly, but not quite, the New World that they had hoped for. The British West Indies were a way station, a temporary destination that allowed them entry when the United States, much of South and Central America, the United Kingdom and Palestine had all become closed. For a small number, it became their home. This is the first comprehensive study of modern Jewish emigration to the British West Indies. It reveals how the histories of the Caribbean, of refugees, and of the Holocaust connect through the potential and actual involvement of the British West Indies as a refuge during the 1930s and the Second World War.
Anneliese Landau's Life in Music: Nazi Germany to Émigré California by Lily E. Hirsch Pdf
A detailed and moving account of the life of Anneliese Landau, who, in Nazi Germany and later in émigré California, fought against prejudice to do notable work in music.
The Palgrave Handbook of Theatre and Race by Tiziana Morosetti,Osita Okagbue Pdf
The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse.
Author : Andrea Löw,Caroline Pearce Publisher : Walter de Gruyter GmbH & Co KG Page : 848 pages File Size : 50,6 Mb Release : 2020-07-20 Category : History ISBN : 9783110526363
German Reich and Protectorate of Bohemia and Moravia September 1939–September 1941 by Andrea Löw,Caroline Pearce Pdf
This source edition on the persecution and murder of the European Jews by Nazi Germany presents in a total of 16 volumes a thematically comprehensive selection of documents on the Holocaust. The work illustrates the contemporary contexts, the dynamics, and the intermediate stages of the political and social processes that led to this unprecedented mass crime. It can be used by teachers, researchers, students, and all other interested parties. The edition comprises authentic testimony by persecutors, victims, and onlookers. These testimonies are furnished with academic annotations and the vast majority of them are published here for the first time in English. Volume 3 documents the persecution of the Jews in the German Reich after the start of the Second World War and in the ‘Protectorate of Bohemia and Moravia’, created in March 1939, until September 1941. It reveals the increasing isolation of the German and Czechoslovak Jews but also the perpetrators’ plans up to the eve of systematic deportations.
Author : Wolf Gruner Publisher : Walter de Gruyter GmbH & Co KG Page : 1468 pages File Size : 52,6 Mb Release : 2019-04-15 Category : History ISBN : 9783110433210
Executive editor: Wolf Gruner; English-language edition prepared by: Caroline Pearce and Dorothy Mas This volume documents the persecution of the Jews in the German Reich between 1933 and 1937. The documents illustrate the ways in which the Jews in Germany were thrown out of their jobs and excluded from public institutions and public life, and how the Nuremberg Laws reduced the status of German Jews to second-class citizens and set out to sever the ties between Jewish and non-Jewish Germans. It documents the political calculations and strategy of the Nazi ruling elite in relation to antisemitic measures, and the local outbreaks of violence and terror against the Jewish population. It also illustrates the widespread indifference of non-Jewish Germans. In 1935 the Berlin rabbi Joachim Prinz described how the circumstances for the Jewish population had changed: ‘The Jew’s lot is to be neighbourless. We would not find it all so painful if we did not have the feeling that we once did have neighbours.’ Learn more about the PMJ on https://pmj-documents.org/
Dreams of Germany by Neil Gregor,Thomas Irvine Pdf
For many centuries, Germany has enjoyed a reputation as the ‘land of music’. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale.
Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages? In Staged, Minou Arjomand draws on a rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions.
By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Author Tina Frühauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust. Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity-from its role in commemorations and community events to synagogue concerts and its presence on the radio-across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on the circulation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States and Israel, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context.
Jewish Difference and the Arts in Vienna by Caroline A. Kita Pdf
This study “brings to life a circle of writers and composers, with analyses of their major, minor . . . and forgotten works of Jewish music theater” (Abigail Gillman, author of Viennese Jewish Modernism). During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical views of compassion. These Jewish artists, including Gustav Mahler, Siegfried Lipiner, Richard Beer-Hofmann, Stefan Zweig, and Arnold Schoenberg, reimagined biblical stories through the lens of the modern Jewish subject to plead for justice and compassion toward the Jewish community. By tracing responses to antisemitic discourses of compassion, Kita reflects on the explicitly and increasingly troubled political and social dynamics at the end of the Habsburg Empire.
As the seat of Hitler's government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.
