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Author : Anonim
Publisher : Unknown
Page : 688 pages
File Size : 50,7 Mb
Release : 1859
Category : Photography
ISBN : OXFORD:N12436805
Author : Anonim
Publisher : Unknown
Page : 136 pages
File Size : 41,7 Mb
Release : 1880
Category : Electronic
ISBN : DMM:057003577929
Author : Royal Photographic Society of Great Brit
Publisher : Palala Press
Page : 128 pages
File Size : 53,7 Mb
Release : 2016-05-23
Category : Electronic
ISBN : 1358758093
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Anonim
Publisher : Unknown
Page : 486 pages
File Size : 40,9 Mb
Release : 1882
Category : Electronic
ISBN : OXFORD:555028304
Author : Anonim
Publisher : Unknown
Page : 332 pages
File Size : 41,8 Mb
Release : 1857
Category : Photography
ISBN : MINN:319510024388899
Containing the transactions of the Society and a general record of photographic art and science.
Author : Anonim
Publisher : Unknown
Page : 552 pages
File Size : 45,7 Mb
Release : 1992
Category : Photography
ISBN : UOM:39015041192249
Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.
Author : Anonim
Publisher : Unknown
Page : 244 pages
File Size : 53,7 Mb
Release : 1854
Category : Photography
ISBN : STANFORD:36105012707365
Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.
Author : Anonim
Publisher : Unknown
Page : 344 pages
File Size : 45,7 Mb
Release : 1877
Category : Electronic
ISBN : OXFORD:555028298
Author : Anonim
Publisher : Unknown
Page : 574 pages
File Size : 40,5 Mb
Release : 1885
Category : Electronic
ISBN : BSB:BSB11456003
Author : British Museum
Publisher : Unknown
Page : 704 pages
File Size : 41,7 Mb
Release : 1882
Category : Electronic
ISBN : ONB:+Z299535507
Author : British Museum. Department of Printed Books
Publisher : Unknown
Page : 584 pages
File Size : 41,8 Mb
Release : 1885
Category : Associations, institutions, etc
ISBN : STANFORD:36105041694709
Author : Anonim
Publisher : CUP Archive
Page : 668 pages
File Size : 55,6 Mb
Release : 2024-06-29
Category : Electronic
ISBN : 8210379456XXX
Author : Anonim
Publisher : CUP Archive
Page : 442 pages
File Size : 42,9 Mb
Release : 2024-06-29
Category : Electronic
ISBN : 8210379456XXX
Author : Anonim
Publisher : Unknown
Page : 496 pages
File Size : 40,7 Mb
Release : 1863
Category : Photography
ISBN : OXFORD:N12867163
Author : Jennifer Green-Lewis
Publisher : Cornell University Press
Page : 284 pages
File Size : 50,6 Mb
Release : 1996
Category : History
ISBN : 0801432766
A wide-ranging exploration of the complex and often conflicting discourse on photography in the nineteenth century, Framing the Victorians traces various descriptions of photography as art, science, magic, testimony, proof, document, record, illusion, and diagnosis. Victorian photography, argues Jennifer Green-Lewis, inspired such universal fascination that even two so self-consciously opposed schools as positivist realism and metaphysical romance claimed it as their own. Photography thus became at once the symbol of the inadequacy of nineteenth-century empiricism and the proof of its totalizing vision. Green-Lewis juxtaposes textual descriptions with pictorial representations of a diverse array of cultural activities from war and law enforcement to novel writing and psychiatry. She compares, for example, the exhibition of Roger Fenton's Crimean War photographs (1855) with W. H. Russell's written accounts of the war published in the Times of London (1884 and 1886). Nineteenth-century photography, she maintains, must be reread in the context of Victorian written texts from and against which it developed. Green-Lewis also draws on works by Thomas Hardy, Nathaniel Hawthorne, and Henry James, as well as published writing by Victorian photographers, in support of her view that photography provides an invaluable model for understanding the act of writing itself. We cannot talk about realism in the nineteenth century without talking about visuality, claims Green-Lewis, and Framing the Victorians explores the connections.
