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The Last American in Damascus: An Autobiography by Thomas L. Webber Pdf
For the first time in my life, I was shot at as I approached the Beirut shore. I know now that if they wanted to kill me, they could have that night. This is just one of the many adventures the author has faced during his 44 years of living and working in the volatile Middle East. As the famous writer and lecturer, Helen Keller once wrote: "Life is a daring adventure, or it is nothing at all". In the author's own lifetime he has experienced a profuse number of adventures, and many were truly amazing life-changing episodes, in fact so many that he has decided to share them by writing his third book, The Last American in Damascus.
The Last American in Damascus by Thomas L. Webber Pdf
For the first time in my life, I was shot at as I approached the Beirut shore. I know now that if they wanted to kill me, they could have that night. This is just one of the many adventures the author has faced during his 44 years of living and working in the volatile Middle East. As the famous writer and lecturer, Helen Keller once wrote: ?Life is a daring adventure, or it is nothing at all?. In the author?s own lifetime he has experienced a profuse number of adventures, and many were truly amazing life-changing episodes, in fact so many that he has decided to share them by writing his third book.
The Last American in Damascus by Thomas L Webber Pdf
For the first time in my life, I was shot at as I approached the Beirut shore. I know now that if they wanted to kill me, they could have that night. This is just one of the many adventures the author has faced during his 44 years of living and working in the volatile Middle East. As the famous writer and lecturer, Helen Keller once wrote: “Life is a daring adventure, or it is nothing at all”. In the author’s own lifetime he has experienced a profuse number of adventures, and many were truly amazing life-changing episodes, in fact so many that he has decided to share them by writing his third book, The Last American in Damascus.
“A lyrical, extremely rich narrative of loss, memory, and trauma.” — STARRED review, Kirkus Reviews An extraordinary account of survival in Syria’s most notorious military prisons that is written with “brutal clarity — and yet, there is a poetic quality to the telling.” — Frances Itani, award-winning author of Deafening and Remembering the Bones Jamal Saeed arrived as a refugee in Canada in 2016. In his native Syria, as a young man, his writing pushed both social and political norms. For this reason, as well as his opposition to the regimes of the al-Assads, he was imprisoned on three occasions for a total of 12 years. In each instance, he was held without formal charge and without judicial process. My Road from Damascus not only tells the story of Saeed’s severe years in Syria’s most notorious military prisons but also his life during the country’s dramatic changes. Saeed chronicles modern Syria from the 1950s right up to his escape to Canada in 2016, recounting its descent from a country of potential to a pawn of cynical and corrupt powers. He paints a picture of village life, his youthful love affairs, his rebellion as a young Marxist, and his evolution into a free thinker, living in hiding as a teenager for 30 months while being hunted by the secret police. He recalls his brutal prison years, his final release, and his family’s harrowing escape to Canada. While many prison memoirs focus on the cruelty of incarceration, My Road from Damascus offers a tapestry of Saeed’s whole life. It looks squarely at brutality but also at beauty and poetry, hope and love.
Never Can I Write of Damascus by Theresa Kubasak,Gabe Huck Pdf
"In 2005, teacher Theresa Kubasak and retired publisher Gabe Huck moved to Syria, seeking a way to support Iraqi refugees who fled to Damascus after the 2003 U.S. invasion of Iraq. 'Never Can I Write of Damascus' paints an intimate picture of the daily life they lived there. They rented modest apartments in four distinct neighborhoods of Damascus, staying for seven years until they had to leave in 2012. While there, they established the Iraqi Student Project, which successfully prepared 60 young Iraqi refugees for admission to U.S. colleges. The book describes that work and the many rich relationships the authors built with Syrian and with refugees from Iraq and Palestine"--Publisher's description.
Alia Malek weaves a lyrical narrative around the history of her family's apartment building in the heart of Damascus, the many lives that crossed in the stairwell, and how the fates of her neighbors reflect the fate of her country. At the Arab Spring's hopeful start, Alia Malek returned to Damascus to reclaim her grandmother's apartment, which had been lost to her family since Hafez al-Assad came to power in 1970. Its loss was central to her parent's decision to make their lives in America. In chronicling the people who lived in the Tahaan building, past and present, Alia portrays the Syrians--the Muslims, Christians, Jews, Armenians, and Kurds--who worked, loved, and suffered in close quarters, mirroring the political shifts in their country. Restoring her family's home as the country comes apart, she learns how to speak the coded language of oppression that exists in a dictatorship, while privately confronting her own fears about Syria's future. The Home That Was Our Country is a deeply researched, personal journey that shines a delicate but piercing light on Syrian history, society, and politics. Teeming with insights, the narrative weaves acute political analysis with a century of intimate family history, delivering an unforgettable portrait of the Syria that is being erased.
A riveting memoir about one woman's journey into Syria under the Baathist regime and an unexpected love story between two strangers searching for meaning. When Stephanie Saldaña arrives in Damascus, she is running away from a broken heart and a haunted family history that she has crossed the world to escape. Yet as she moves into a tumbling Ottoman house in the heart of the Old City, she is unprepared for the complex world that awaits her: an ancient capital where Sunni and Shia Muslims, Christians, Alawites, Kurds, and Palestinian and Iraqi refugees share a fragile co-existence. Soon she is stumbling through the Arabic language, fielding interviews from the secret police, and struggling to make the city her own. But as the political climate darkens and the war in neighboring Iraq threatens to spill over, she flees to an ancient Christian monastery carved into the desert cliffs, where she is forced to confront the life she left behind. Soon she will meet a series of improbable teachers: an iconoclastic Italian priest, a famous female Muslim sheikh, a wounded Iraqi refugee, and Frédéric, a young French novice monk who becomes her best friend. What follows is a tender story of a woman falling in love: with God, with her own life, with a country on the brink of chaos, and with a man she knows she can never have. Wise, funny, and heartbreaking, The Bread of Angels celebrates the hope that appears even in war, the surprising places we can call home, and the possibility of true love.
Autobiography and the Construction of Identity and Community in the Middle East by NA NA Pdf
Ranging from the early modern period to the present day, this edited collection uses biography as a window into the history of the Arab-Islamic Middle East. The contributors reinterpret the lives of the famous such as George Antonius and Doria Shafiq and rediscover the lives of individuals previously consigned to the margins of history, including the notorious individuals of 17th-century Syria and the 20th-century Palestinian activist Kulthum Auda. The book also draws on the biographical tradition of Arab historical writing, including biographical dictionaries, for an understanding of the region s social and cultural history. Interdisciplinary in scope and theoretically informed, this volume brings to light individual lives which are essential to an understanding of Middle Eastern history.
A Poetics of Arabic Autobiography by Ariel M. Sheetrit Pdf
This book examines the poetics of autobiographical masterpieces written in Arabic by Leila Abouzeid, Hanan al-Shaykh, Samuel Shimon, Abd al-Rahman Munif, Salim Barakat, Mohamed Choukri and Hanna Abu Hanna. These literary works articulate the life story of each author in ways that undermine the expectation that the "self"—the "auto" of autobiography—would be the dominant narrative focus. Although every autobiography naturally includes and relates to others to one degree or another, these autobiographies tend to foreground other characters, voices, places and texts to the extent that at times it appears as though the autobiographical subject has dropped out of sight, even to the point of raising the question: is this an autobiography? These are indeed autobiographies, Sheetrit argues, albeit articulating the story of the self in unconventional ways. Sheetrit offers in-depth literary studies that expose each text’s distinct strategy for life narrative. Crucial to this book’s approach is the innovative theoretical foundation of relational autobiography that reveals the grounding of the self within the collective—not as symbolic of it. This framework exposes the intersection of the story of the autobiographical subject with the stories of others and the tensions between personal and communal discourse. Relational strategies for self-representation expose a movement between two seemingly opposing desires—the desire to separate and dissociate from others, and the desire to engage and integrate within a particular relationship, community, culture or milieu. This interplay between disentangling and conscious entangling constitutes the leitmotif that unites the studies in this book.
American Indian Autobiography is a kind of cultural kaleidoscope whose narratives come to us from a wide range of American Indians: warriors, farmers, Christian converts, rebels and assimilationists, peyotists, shamans, hunters, Sun Dancers, artists and Hollywood Indians, spiritualists, visionaries, mothers, fathers, and English professors. Many of these narratives are as-told-to autobiographies, and those who labored to set them down in writing are nearly as diverse as their subjects. Black Elk had a poet for his amanuensis; Maxidiwiac, a Hidatsa farmer who worked her fields with a bone-blade hoe, had an anthropologist. Two Leggings, the man who led the last Crow war party, speaks to us through a merchant from Bismarck, North Dakota. White Horse Eagle, an aged Osage, told his story to a Nazi historian. ø By discussing these remarkable narratives from a historical perspective, H. David Brumble III reveals how the various editors? assumptions and methods influenced the autobiographies as well as the autobiographers. Brumble also?and perhaps most importantly?describes the various oral autobiographical traditions of the Indians themselves, including those of N. Scott Momaday and Leslie Marmon Silko. American Indian Autobiography includes an extensive bibliography; this Bison Books edition features a new introduction by the author.
Darke, a fluent Arabic speaker who moved to Damascus in 2004 after decades of regular visits, details how the Assad regime, and its relationship to the people, differs from the regimes in Egypt, Tunisia, and Libya--and why it was thus always less likely to collapse quickly, even in the face of widespread unrest and violence. Through the author's firsthand experiences of buying and restoring a house in the old city of Damascus, which she later offered as a sanctuary to friends, Darke presents a clear picture of the realities of life on the ground and what hope there is for Syria's future. --From publisher description.
THREE DAYS IN DAMASCUS is a memoir about a three-year fight for a chance at love with an Iraqi refugee the author met in Syria. While travelling to Jordan, Lebanon and Syria to interview Iraqi refugees and hear some of their stories, Kim never expected to fall in love with one of them. But that is exactly what happened. This is the story of one American woman and one Iraqi man set against the backdrop of the Iraqi refugee crisis. Through actual Iraqi refugee interviews, a whirlwind middle-eastern love story and the consequently doomed, intercontinental relationship told through texts and emails with civil war, revolution and an arranged marriage as the backdrop, we learn of culture and devastation, desperation and redemption, while still never losing hope. While there are roughly 65 million refugees worldwide, approximately five million Iraqis have been displaced from their homes since the U.S led invasion of their country, most of them fleeing to Jordan, Lebanon and Syria. Since Syria is currently in the midst of a violent civil war, the Iraqis there are left in an extremely dangerous position-- stuck between a rock and a hard place with nowhere to go. This timely memoir examines the lives of dozens of these Iraqi refugees trying desperately to survive in a world blind to their plight and one Iraqi in particular: Omar. Told through a strong narrative and a surprisingly comedic lens, the reader travels with the author through this unknown, sandy terrain breaking assumptions, stereotypes and expectations -- in a journey that ultimately ends in the most traditional assumption one could imagine: a Middle Eastern man agreeing to an arranged marriage. And after three years of trying to "save" Omar and salvage a life for/with him, she discovers maybe he wasn't the one who needed saving. "This heartfelt memoir will take you into another world, as Kim and Omar meet and walk many of love's pathways. An American volunteer interviewing Iraqi refugees about the horrors of war, Kim falls in love with Omar, and thus begins a three-year odyssey." Chellie Campbell, author From Worry to Wealthy and The Wealthy Spirit. "Kim's memoir is quite extraordinary in the way she brings you right up close, sometimes painfully, often with lots of laughs, to the situation of Iraqi refugees in Jordan, Lebanon and Syria...She notices things most of us would shy away from, and she tells the story so personally, you feel you are with her...The stories of loss are told with painful, and respectful detail, biding the request from one refugee to 'tell the whole story'. Kim tells the story of Omar, and discovers he is typical of most refugees. She learns a refugee's greatest desire is to go home, and when they do move, their culture moves with them." Sybella Wilkes, UNHCR Senior Communications Officer. "Kim Schultz has written a searing love story set against the backdrop of a world tragedy: the plight of millions of refugees fleeing violence in the Middle East...It is a compelling read that will make you a look at world news in a different, more personal, way." Jim Michaels, author of A Chance in Hell: The men who triumphed over Iraq's deadliest city and turned the tide of war "Kim Schultz has written an earnest and honest account of two people from opposite poles finding love and heartache in the long shadow of an unforgiving war. Her story is a spirited struggle against larger forces - bureaucracy, culture, religion, human displacement, and loss." Kirk W. Johnson, author of To Be a Friend is Fatal: the Fight to Save the Iraqis America Left Behind and founder of the List Project.
Werner Sollors Professor of American Literature and Afro-American Studies Harvard University
Author : Werner Sollors Professor of American Literature and Afro-American Studies Harvard University Publisher : Oxford University Press, USA Page : 314 pages File Size : 55,9 Mb Release : 1986-02-27 Category : Literary Criticism ISBN : 9780198020721
Beyond Ethnicity : Consent and Descent in American Culture by Werner Sollors Professor of American Literature and Afro-American Studies Harvard University Pdf
Nothing is "pure" in America, and, indeed, the rich ethnic mix that constitutes our society accounts for much of its amazing vitality. Werner Sollors's new book takes a wide-ranging look at the role of "ethnicity" in American literature and what that literature has said--and continues to say--about our diverse culture. Ethnic consciousness, he contends, is a constituent feature of modernism, not modernism's antithesis. Discussing works from every period of American history, Sollors focuses particularly on the tension between "descent" and "consent"--between the concern for one's racial, ethnic, and familial heritage and the conflicting desire to choose one's own destiny, even if that choice goes against one's heritage. Some of the stories Sollors examines are retellings of the biblical Exodus--stories in which Americans of the most diverse origins have painted their own histories as an escape from bondage or a search for a new Canaan. Other stories are "American-made" tales of melting-pot romance, which may either triumph in intermarriage, accompanied by new world symphonies, or end with the lovers' death. Still other stories concern voyages of self-discovery in which the hero attempts to steer a perilous course between stubborn traditionalism and total assimilation. And then there are the generational sagas, in which, as if by magic, the third generation emerges as the fulfillment of their forebears' dream. Citing examples that range from the writings of Cotton Mather to Liquid Sky (a "post-punk" science fiction film directed by a Russian emigre), Sollors shows how the creators of American culture have generally been attracted to what is most new and modern. About the Author: Werner Sollors is Chairman of the Afro-American Studies Department at Harvard University and the author of Amiri Baraka: The Quest for a Populist Modernism. A provocative and original look at "ethnicity" in American literature DTCovers stories from all periods of our nation's history DTRelates ethnic literature to the principle of literary modernism DT"Grave and hilarious, tender and merciless...The book performs a public service."-Quentin Anderson
"Sixty years after his arrival in America in 1913 at age fifteen, Syrian-American Mohammed (Ed) Aryain recounts his life as first a dry-goods peddler and then a merchant and family man on the Great Plains, eventually owning a store in Seminole, Texas. Introduction and notes provide historical context"--Provided by publisher.
A Disappearance in Damascus by Deborah Campbell Pdf
Winner of the Hilary Weston Writers' Trust Prize for Non-Fiction: In the midst of an unfolding international crisis, the renowned journalist Deborah Campbell finds herself swept up in the mysterious disappearance of Ahlam, her guide, "fixer," and friend. Her frank, personal account of her journey to rescue her, and the triumph of friendship and courage over terrorism, is as riveting as it is illuminating. The story begins in 2007 when Deborah Campbell travels undercover to Damascus to report on the exodus of Iraqis into Syria following the overthrow of Saddam Hussein. There she meets and hires Ahlam, a refugee working as a “fixer”—providing Western media with trustworthy information and contacts to help get the news out. Ahlam, who fled her home in Iraq after being kidnapped while running a humanitarian centre, not only supports her husband and two children through her work with foreign journalists but is setting up a makeshift school for displaced girls. She has become a charismatic, unofficial leader of the refugee community in Damascus, and Campbell is inspired by her determination to create something good amid so much suffering. Ahlam soon becomes her friend as well as her guide. But one morning Ahlam is seized from her home in front of Campbell’s eyes. Haunted by the prospect that their work together has led to her friend’s arrest, Campbell spends the months that follow desperately trying to find her—all the while fearing she could be next. Through its compelling story of two women caught up in the shadowy politics behind today’s conflict, A Disappearance in Damascus reminds us of the courage of those who risk their lives to bring us the world’s news.
