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This volume is the first to provide a book-length study of Pinter’s overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinter’s later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and speeches, which have previously been overshadowed by his plays, into the foreground. Intended for students, instructors, and researchers in drama and theatre, performance studies, literature, and media studies, this book celebrates Pinter’s later life and work by discerning a coherent political voice and project and by registering the complex ways that project troubles the divide between aesthetics and politics.
A moving testament to modern literature's most celebrated marriage: that of the greatest playwright of our age, Harold Pinter, and the beautiful and famous prize-winning biographer, Antonia Fraser. In this exquisite memoir, Antonia Fraser recounts the life she shared with the internationally renowned dramatist. In essence, it is a love story and a marvelously insightful account of their years together. Must You Go? is based on Fraser's recollections and on the diaries she has kept since October 1968. She shares Pinter's own revelations about his past, as well as observations by his friends.
Harold Pinter by Basil Chiasson,Catriona Fallow Pdf
This important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter's theatrical works, alongside new interviews with contemporary theatre practitioners. The life and works of Harold Pinter (1930–2008), a pivotal figure in British theatre, have been widely discussed, debated and celebrated internationally. For over five decades, Pinter's work traversed and redefined various forms and genres, constantly in dialogue with, and often impacting the work of, other writers, artists and activists. Combining a reconsideration of key Pinter scholarship with new contexts, voices and theoretical approaches, this book opens up fresh insights into the author's work, politics, collaborations and his enduring status as one of the world's foremost dramatists. Three sections re-contextualize Pinter as a cultural figure; explore and interrogate his influence on contemporary British playwriting; and offer a series of original interviews with theatre-makers engaging in the staging of Pinter's work today. Reconsiderations of Pinter's relationship to literary and theatrical movements such as Modernism and the Theatre of the Absurd; interrogations of the role of class, elitism and religious and cultural identity sit alongside chapters on Pinter's personal politics, specifically in relation to the Middle East.
Harold Pinter by Basil Chiasson,Catriona Fallow Pdf
This important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter's theatrical works, alongside new interviews with contemporary theatre practitioners. The life and works of Harold Pinter (1930–2008), a pivotal figure in British theatre, have been widely discussed, debated and celebrated internationally. For over five decades, Pinter's work traversed and redefined various forms and genres, constantly in dialogue with, and often impacting the work of, other writers, artists and activists. Combining a reconsideration of key Pinter scholarship with new contexts, voices and theoretical approaches, this book opens up fresh insights into the author's work, politics, collaborations and his enduring status as one of the world's foremost dramatists. Three sections re-contextualize Pinter as a cultural figure; explore and interrogate his influence on contemporary British playwriting; and offer a series of original interviews with theatre-makers engaging in the staging of Pinter's work today. Reconsiderations of Pinter's relationship to literary and theatrical movements such as Modernism and the Theatre of the Absurd; interrogations of the role of class, elitism and religious and cultural identity sit alongside chapters on Pinter's personal politics, specifically in relation to the Middle East.
The most detailed chronological account of Harold Pinter to appear, this new volume in the Author Chronologies series traces the daily activities of the Nobel Prize winning author. It is based upon published and unpublished materials, and discussion with his close friends, and is a basic reference tool for all Pinter students and scholars.
Harold Pinter's work forms a cornerstone of the dramatic literature of the contemporary British stage. This book offers a critical examination of his dramatic writing over four decades, from The Room (1957) to Ashes to Ashes (1996).
Harold Pinter's Politics examines the expression of Pinter's political beliefs across every aspect and era of his artistic career. The fierce political stances of this important dramatist have been embodied in plays, screenplays, and his career as a theatrical director. Traditionally associated with absurdism, minimalism, and the dramatization of uncertainty, Pinter's name is now a byword for anti-authoritarian and anti-American politics. This transition has been in evidence from the earliest phases of his writing; all of Pinter's work emerges from his political views. His uniqueness as a political artist is that he is pessimistic about changing his audience or making it see its complicity in the horrors of the modern world. These horrors are dramatized through images of torture and oppression culminating in moments of silence that index the full extent of the destruction unleashed by the forces of power against dissidence.
The Theatre of Harold Pinter by Mark Taylor-Batty Pdf
The plays of the late Nobel laureate Harold Pinter have formed part of the canon of world theatre since the 1960s. Frequently revived on the professional stage, and studied on almost every Theatre Studies course, his importance and influence is hard to overestimate. This Critical Companion offers an assessment of Pinter's entire body of work for the stage, appraising his skill as a dramatist and considering his impact and legacy. Through a clear focus on issues of theatricality and the effect of the plays in performance The Theatre of Harold Pinter considers Pinter's chief narrative concerns and offers a unifying theme through which over four decades of work may be understood. Plays are considered in themed chapters that follow the chronological sequence of work, illuminating the development of his aesthetic and concerns. The volume features too a series of essays from other leading scholars presenting different critical perspectives on the work, including Harry Burton on Pinter's early drama; Ann Hall on Revisiting Pinter's Women; Chris Megson on Pinter's Memory Plays of the 1970s, and Basil Chiasson on Neoliberalism and Democracy.
Harold Pinter is one of the most important writers in English of the late twentieth century and early twenty-first century. This brief biography offers fresh insights into his life and work, concentrating on the themes, patterns, relationships, ideas and language common to his life and creative output. Placing Pinter's life and work alongside each other, the study illuminates Pinter's vision of society, politics, gender, sex, violence and human relationships. Drawing upon the full-range of his work, his letters, journalism, and writings about him, Baker combines a biographical approach with close (re)readings of his work to create a fresh perspective on his life and art. The book offers students, academics and readers a rich depiction of Harold Pinter, the man and the writer.
A Study Guide for Harold Pinter's "The Homecoming" by Gale, Cengage Learning Pdf
A Study Guide for Harold Pinter's "The Homecoming," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
Harold Pinter provides an up-to-date analysis and reappraisal concerning the work of one of the most studied and performed dramatists in the world. Drawing extensively from The Harold Pinter Archive at the British Library as well as reviews and other critical materials, this book offers new insights into previously established views about his work. The book also analyses and reappraises specific key historical and contemporary productions, including a selection of Pinter’s most significant screenplays. In particular, this volume seeks to assess Pinter’s critical reputation and legacy since his death in 2008. These include his position as a political writer and political activist – from disassociation and neutrality on the subject until relatively late in his career when his drama sought to explicitly address questions of political dissent and torture by totalitarian regimes. The book revisits some familiar territories such as Pinter’s place as a British absurdist and the role memory plays in his work, but it also sets out to explore new territories such as Pinter’s changing attitudes towards gender in the light of #MeToo and queer politics and how in particular a play such as The Caretaker (1960) through several key productions has brought the issues of race into sharper focus. Part of the Routledge Modern and Contemporary Dramatist series, Harold Pinter provides an essential and accessible guide to the dramatists’ work.
Pinter’s World: Pinter and Company is not a full-scale biography but a series of illuminating chapters about Pinter’s life, character, and thought, employing new information found in his “Appointment Diaries,” recent biographical sources such as Simon Gray’s memoirs, and Henry Woolf’s reminiscences in addition to personal discussions with several in Pinter’s world. This book provides a fresh illumination of Pinter’s life and art, his friendships, obsessions, and concerns.Material is arranged around themes, key concerns, Pinter’s activities. Pinter’s meetings and endeavors, for instance, with whom he met and when, when he wrote what and when, and his perspective at the time are documented. This work explores Pinter’s writing: drama, poetry, prose, journalism, and letters, which are here regarded as part of his aesthetic achievement. Pinter’s World: Pinter and Company presents a pointillist portrait of him through examining central concerns in his life. These encompass an obsession with the theater and games; delight in restaurants, demonstrating that Pinter is far removed from the socially awkward isolated figures populating his early work; and the women in Pinter’s world. Other areas examined include Pinter’s political engagement, from his adolescence to his last years, and the literary and other creative influences upon him. This work draws upon consultation of his papers at the British Library, including letters to others, especially close friends with whom he kept close contact for over half a century. These letters should be regarded on par with his other creative accomplishments. Pinter was a fascinating letter writer, whose letters reveal thoughts at the time of writing often in abrupt most colorful idiomatic language. His “Appointment Diaries” cannot reveal what actually occurred during his meetings, but they do provide a guide to what he did on a daily basis and whom he met. Memories from his friends, his professional colleagues, cricket players, and his second wife, Antonia Fraser, illuminate Pinter’s personality and actions. Pinter’s first literary love was poetry and, unlike most other Pinter studies, this one gives attention to his neglected poetic output that often reveals the real Pinter and the enigma that is at the heart of every great artist.
The Theatre of Harold Pinter by Mark Taylor-Batty Pdf
The plays of the late Nobel laureate Harold Pinter have formed part of the canon of world theatre since the 1960s. Frequently revived on the professional stage, and studied on almost every Theatre Studies course, his importance and influence is hard to overestimate. This Critical Companion offers an assessment of Pinter's entire body of work for the stage, appraising his skill as a dramatist and considering his impact and legacy. Through a clear focus on issues of theatricality and the effect of the plays in performance The Theatre of Harold Pinter considers Pinter's chief narrative concerns and offers a unifying theme through which over four decades of work may be understood. Plays are considered in themed chapters that follow the chronological sequence of work, illuminating the development of his aesthetic and concerns. The volume features too a series of essays from other leading scholars presenting different critical perspectives on the work, including Harry Burton on Pinter's early drama; Ann Hall on Revisiting Pinter's Women; Chris Megson on Pinter's Memory Plays of the 1970s, and Basil Chiasson on Neoliberalism and Democracy.