The Life Times Of Greg Clark Canada S Favorite Storyteller
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Author : Donald B. Smith Publisher : University of Toronto Press Page : 486 pages File Size : 40,8 Mb Release : 2020-12-07 Category : History ISBN : 9781442622128
Throughout the nineteenth and most of the twentieth century, the majority of Canadians argued that European "civilization" must replace Indigenous culture. The ultimate objective was assimilation into the dominant society. Seen but Not Seen explores the history of Indigenous marginalization and why non-Indigenous Canadians failed to recognize Indigenous societies and cultures as worthy of respect. Approaching the issue biographically, Donald B. Smith presents the commentaries of sixteen influential Canadians – including John A. Macdonald, George Grant, and Emily Carr – who spoke extensively on Indigenous subjects. Supported by documentary records spanning over nearly two centuries, Seen but Not Seen covers fresh ground in the history of settler-Indigenous relations.
J.W. McConnell (1877-1963), born to a poor farming family in Ontario, became one of the wealthiest and most powerful businessmen of his generation - in Canada and internationally. Early in his career McConnell established the Montreal office of the Standard Chemical Company and began selling bonds and shares in both North America and Europe, establishing relationships that would lead to his enormous financial success. He was involved in numerous businesses, from tramways to ladies' fashion to mining, and served on the boards of several corporations. For nearly fifty years he was president of St Laurence Sugar and late in life he became the owner and publisher of the Montreal Star. McConnell was an indefatigable and formidable fundraiser for the YMCA, the war effort of 1914/18, hospitals, and McGill University, where he served as governor for almost three decades. In 1937 he established what would become The J.W. McConnell Family Foundation, the first major foundation in Canada and still one of the best endowed. J.W. McConnell was a principled and brilliant visionary with a strong work ethic and a deep commitment to the public good, a Rockefellerian figure in both big business and high society who quietly became one of the greatest philanthropists of his time. His life story - told in uncompromising detail by William Fong - is a study of raising, spending, and giving away money on the grandest scale.
This biography of Canadian journalist Zoe Bieler explores many of the historical and social issues that have confronted women in the twentieth century. Written by Bieler's daughter, anthropologist Caroline Brettell, Writing Against the Wind uses Bieler's life as a timeline, tracing the triumphs and frustrations women have experienced in the last eighty years.p Several themes that are important to the field of women's studies are examined: genres of female writing, women's biogra-phy and autobiography, the historical circumstances that shape career opportunities for women, the nature of mother-daughter relationships, the problems of working mothers, the idea of women mentoring women, the emergence of feminism and women's issues in both academia and the popular press, and the changing roles of women in journalism.p Drawing from her mother's life experiences as well as her journalistic and personal writings (an appendix featuring some of Bieler's writings is included), Brettell reveals how women have struggled,with balancing a job and raising a family and, at the same time, enduring the stigma attached to women working outside the home.p Thoroughly engaging, this book is ideal for courses in women's studies, women's history, biography/autobiography, women's writing, and women in journalism.
Made-in-Canada-Humour is an interdisciplinary survey and analysis of Canadian humour and humorists in the nineteenth and twentieth centuries. The book focuses on a variety of genres. It includes celebrated Canadian writers and poets with ironic and satiric perspectives; oral storytellers of tall tales in the country and the city; newspaper print humorists; representative national and regional cartoonists; and comedians of stage, radio and television. The humour gives voice to Canadian values and experiences, and consequently, techniques and styles of humour particular to the country. While a persistent comic theme has been joking at the expense of the United States, both countries have influenced one another’s humour. Canada’s unique humorous tradition also reflects its emergence from a colonial country to a postcolonial and postmodern nation with contemporary humour that addresses gender and racial issues.