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The Liturgical Context of Early European Drama by Salvatore Paternò Pdf
This book can be read not only by an academic audience but also by a general public for an understanding and appreciation of two bedrocks, drama and liturgy, a twentieth-century culture.
The Origin of Medieval Drama by Leonard Goldstein Pdf
It has been widely accepted that the 10th-century liturgical plays developed naturally as a religious entity from the Mass. This approach is critiqued in The Origin of Medieval Drama where Leonard Goldstein places the development of the plays within the socio-economic context of the period, most notably the rapid rise of feudalism. Goldstein argues that the plays were a response by the Church to a decline in faith brought on by the burdens of feudalism on the peasantry. However, instead of revitalising faith, the plays which sought to assure the peasantry of their salvation actually represented and therefore reinforced the emerging private property relation. In looking at the origins of ancient Greek drama where scholars have concentrated more on social and cultural issues, Goldstein develops a Marxist model for the origins of medieval drama.
A collection of scholarly essays about various aspects of the Eucharist, as presented at the 25th anniversary of The Catholic University of America's liturgy program. Topics include prophetic Eucharist in a prophetic Church, ritual studies and the Eucharist, prospects and proposals for liturgical theology, 'in persona Christi' at the Eucharist, and pastoral ecumenism and the Common Lectionary. -- Provided by publisher.
The Pentecostal Manifestos series aims to speak for and to a rising, outward-looking generation of Pentecostal scholarship. Written by both established and newly emerging scholars, the various "manifesto" volumes are to be creative statements, marked by rigorous theological scholarship, reflecting a distinctly Pentecostal engagement with wider themes and concerns in Christian thought today. --
A Companion to Mysticism and Devotion in Northern Germany in the Late Middle Ages by Elizabeth Andersen,Henrike Lähnemann,Anne Simon Pdf
The volume explores the hitherto uncharted late medieval religious landscape of Northern Germany, from 13th-century Helfta to the 15th-century Lüneburg convents. The mystical and devotional writing of Northern Germany is contextualised through chapters on the Netherlands, Scandinavia and East Prussia. The seminal influence of the liturgy on these texts and their transmission is revealed in the creative interplay of Latin and Low German. Through the individual chapters and their appendices, which also contain translations into English, the reader can access a wealth of texts produced by communities of religious and lay women who write learnedly in Latin and fervently in Low German. Together, the chapters and appendices reveal a fascinating regional "mystical culture" which also reverberated across Northern Europe. Contributors include: Jürgen Bärsch, Anne Bollmann, Veerle Fraeters, Ulrike Hascher-Burger, Ernst Hellgardt, Tanja Mattern, Balazs Nemes, Sara S. Poor, Eva Schlotheuber, Almut Suerbaum, and Geert Warnar.
The author explores the history of God, angels, and men, the Christian experience, and the spiritual battle being waged on the stage of time and eternity. He takes readers through the entire divine story in a rapid and compelling way. (Motivation)
There have been many histories of Christian art and architecturebut none written be a theologian such as Kevin Seasoltz. Following a chapter on culture as the context for theology, liturgy, and art, Seasoltz surveys developments from the early church up through the conventional artistic styles and periods. Comprehensive, illuminating, ecumenical.
The Mythological Traditions of Liturgical Drama by Christine Schnusenberg Pdf
This unique, comprehensive work tackles questions posed by the polemics of the Church Fathers against the Roman theater and explores the subsequent developments of Western liturgical drama as a continuation of the Roman theater up to the time of Amalarius of Metz in the ninth century.
Prince of Dogs returns readers to the war-torn kingdoms of Wendar and Varre, and the intertwined destinies of: Alain, raised in humble surroundings but now the Count's heir; Liath, who struggles to unravel the secrets of her past while evading the traps set for her by those seeking the treasure she hides; Sanglant, believed dead by those who could save him, but actually a prisoner in the city of Gent; and Fifth Son, who now builds an army to do his father's bidding--or his own!
The Medieval Theatre by Glynne William Gladstone Wickham Pdf
This is a thoroughly revised edition of Glynne Wickham's important history of the development of dramatic art in Christian Europe. Professor Wickham surveys the foundations on which this dramatic art was built: the architecture, costumes and ceremonial of the imperial court at Byzantium, the liturgies of countires in the Eastern and Western Empires and the triumph of the Roman rite and the Romanesque style in Western art. Within this context Professor Wickham describes three major influences upon the drama: religion, recreation and commerce. The first produced the liturgical music drama rooted in praise of Christ the King, vernacular Corpus Christi drama, Saint Plays and Moralities centred on the humanity of Christ. The second gave rise to the secular theatres of social recreation based on the games and dances of village communities ad the more sophisticated sex and war games of the nobility. The section on commerce shows how the development of the drama was intimately related to questions of funding and management which led, during the sixteenth century, to the substitution of a professional for an amateur theatre, and to a growing emphasis on stage spectacle. For this third edition the author has added a substantial section on monastic reform and its effect on Biblical translation and the use of allegory; a final chapter charts the transition in different European countries from this medieval Gothic theatre to the neoclassical methods of play construction and representation which flourished for the next two hundred years. The book gorges a coherent pattern through a very large and complicated subject. It is an excellent introduction to medieval theatre for undergraduates and to the growing number of theatregoers who enjoy contemporary revivals of medieval plays. A large plate section gives a pictorial version of the story, using photographs of contemporary manuscript illuminations, mosaics, frescoes, paintings and sculptures.
Liturgical Drama and the Reimagining of Medieval Theater by Michael Norton Pdf
The expression "liturgical drama" was formulated in 1834 as a metaphor and hardened into formal category only later in the nineteenth century. Prior to this invention, the medieval rites and representations that would forge the category were understood as distinct and unrelated classes: as liturgical rites no longer celebrated or as theatrical works of dubious quality. This ground-breaking work examines "liturgical drama" according to the contexts of their presentations within the manuscripts and books that preserve them.
Author : Christina M. Fitzgerald,John T. Sebastian Publisher : Broadview Press Page : 595 pages File Size : 51,8 Mb Release : 2012-12-05 Category : Drama ISBN : 9781554810567
The Broadview Anthology of Medieval Drama by Christina M. Fitzgerald,John T. Sebastian Pdf
The past generation has been an extraordinarily active one in medieval drama scholarship; our appreciation of the range of medieval drama has been significantly broadened, and our understanding of certain medieval genres—most notably, biblical drama—has been fundamentally altered. The Broadview Anthology of British Literature has been widely praised for the degree to which it has taken this scholarship into account in its selection of and presentation of medieval plays. Now Broadview launches a new anthology that takes those plays as its base while expanding very substantially beyond them to represent the full range of drama in English (and, where strong connections exist, in French, Latin, Cornish, and Welsh as well) through to 1576. In all, over forty plays are included. Each work has been fully annotated and is prefaced by a substantial introduction. In many cases the language is to some extent modernized in order to make the plays more accessible to readers today.
The Biblical Drama of Medieval Europe by Lynette R. Muir Pdf
This book presents a detailed survey and analysis of the surviving corpus of biblical drama from all parts of medieval Christian Europe. Over five hundred plays from the tenth to the sixteenth centuries are examined, in a wide-ranging discussion which makes available the full scope of this important part of theatre history. The volume is specially organised to provide a complete overview of major aspects of medieval biblical theatre, including the theatrical community of both audience and players; the major plays and cycles; and the legacy of medieval biblical theatre. The book also includes valuable appendices with information on the liturgical calendar, processions, and the Mass and the Bible.