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Leda is a middle-aged, divorced mother devoted to her work as an English professor. After the departure of her grown-up daughters, she takes a holiday on the Italian coast. But after a few days things become unsettling; on the beach she encounters a family whose brash behaviour proves menacing. Leda is overwhelmed by memories of the difficult and unconventional choices she made as a mother and their consequences for herself and her family. The tale of a woman's rediscovery of herself soon becomes the story of a ferocious confrontation with the past. The Lost Daughter is a profound exploration of the conflicting emotions that tie women to their children. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan Novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Fragments, a selection of interviews, letters and occasional writings by Ferrante, will be published in early 2016. She is one of Italy's most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante's work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Award. 'Ferrante's gift for psychological horror renders it immediate and visceral.' New Yorker 'This superb and scary Italian writer...has blown the lid off tempestuous parent-child relations.' Seattle Times 'So refined, almost translucent, that it seems about to float away, in the end this piercing novel is not so easily dislodged from the memory.' Boston Globe 'It's Leda's voice that's hypnotic, and it's the writing that makes it that way. Ferrante can do a woman's interior dialogue like no one else, with a ferocity that is shockingly honest, unnervingly blunt.' Booklist 'Ferrante's prose is stunningly candid, direct and unforgettable. From simple elements, she builds a powerful tale of hope and regret.' Publishers Weekly ‘Ferrante’s uncompromising directness and her unflinching gaze cannot be faulted.’ Age/Sydney Morning Herald ‘With cold determination, Ferrante conveys both the selfishness and the courage that comes with admitting your own maternal shortcomings.’ New Zealand Listener
“I always hoped [Mary Williams] would tell her incredible story. She's a writer of uncommon clarity and humor, and the arrival of her memoir is cause for celebration." —Dave Eggers, author of What is the What As she grew up in 1970s Oakland, California, role models for Mary Williams were few and far between: her father was often in prison, her older sister was a teenage prostitute, and her hot-tempered mother struggled to raise six children alone. For all Mary knew, she was heading down a similar path. But her life changed when she met Jane Fonda at summer camp in 1978. Fonda grew attached to the bright girl and eventually invited her to become part of her family, becoming the mother Mary never had. Mary’s life since has been one of adventure and opportunity—from hiking the Appalachian Trail solo, working with the Lost Boys of Sudan, and living in the frozen reaches of Antarctica. Her most courageous trip, though, involved returning to Oakland and reconnecting with her biological mother and family, many of whom she hadn’t seen since the day she left home. The Lost Daughter is a chronicle of her journey back in time, an exploration of fractured family bonds, and a moving epic of self-discovery.
From Lucretia Grindle, author of VILLA TRISTE, comes a novel of lives lost and found, as intricate and mysterious as the Italian streets where the story's secrets begin. When American student Kristin Carson enrolls in a study abroad program in Florence, she's sure it will be the best year of her life, a chance to explore art, poetry, and romance in the arms of her new Italian boyfriend. But days before her parents arrive in Florence to celebrate her eighteenth birthday, Kristin disappears. Senior Detective Alessandro Pallioti and his young protégé Enzo Saenz are called to investigate. At first they believe she's simply run off for a romantic weekend and forgotten to tell her parents. But when Kristin's step-mother, Anna, also goes missing, Pallioti and Saenz suspect something much more sinister has happened. As they deepen their investigation they discover that Anna Carson is not who she appears to be, and Kristin's new boyfriend isn't just another local Lothario, but one of the most infamous-and dangerous-men in Italy. To find Kristin, Pallioti and Saenz must first find Anna and uncover the secrets she's kept buried for a lifetime. To do so, they must wade through the past, revisiting times and places most Italians would rather forget, and walk in the footsteps of the dead.
From the global bestselling author of THE GIRL IN THE LETTER comes a gripping and heartbreaking novel of family secrets. 'Utterly gripping, taut and powerful. An emotionally charged, compulsive, moving novel' Adele Parks 'Captivating and suspenseful' Jessica Fellowes 'I so enjoyed it. Twists and turns... Hours of gripping entertainment and a great many tears' Lesley Pearse _______________ Some secrets are locked away for years . . . Rebecca Waterhouse is just thirteen when she witnesses her mother's death at the hand of her father in Seaview Cottage. But what else did she see? Years later, Rebecca's daughters Iris and Jessie know their mother will never speak of that terrible night. But when Jessie goes missing, with her gravely ill newborn, Iris realises the past may hold the key to her sister's disappearance. With Jessie in trouble, Iris must unravel a twisting story of love and betrayal in her mother's family history. Only then will Seaview Cottage give up its dark and tragic secret... *Previously published as The Lost Child* Emily Gunnis's new novel The Midwife's Secret is available NOW _______________ READERS ADORE EMILY GUNNIS'S MESMERISING NOVELS: 'A truly brilliant and moving read. I loved it' Karen Hamilton 'Loss, betrayal and a decades-old secret... BRILLIANT' Heat magazine 'A wonderfully woven novel, full of family secrets that will sweep you away into another time. I loved it more than I could possibly convey in words' ⭐ ⭐ ⭐ ⭐ ⭐ Reader Review 'One of my reading highlights of the year and it has only made me more eager to read many more books from Emily Gunnis' ⭐ ⭐ ⭐ ⭐ ⭐ Reader Review 'I'd give this book 10* if I could' ⭐ ⭐ ⭐ ⭐ ⭐ Reader Review 'Wow! I can't remember reading a book so quickly for a very long time. Couldn't put it down but didn't want it to finish. A must read' ⭐ ⭐ ⭐ ⭐ ⭐ Reader Review 'Written so beautifully, such attention to detail, her words and mesmerising characters take hold of every emotion within you' ⭐ ⭐ ⭐ ⭐ ⭐ Reader Review 'This story grabbed hold of me and sucked me in. Heartbreaking, emotional, gripping, suspenseful and will keep you on the edge of your seat right to the very last chapter' ⭐ ⭐ ⭐ ⭐ ⭐ Reader Review
The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival
In 1997 journalist Karin Evans walked into an orphanage in southern China and met her new daughter, a beautiful one-year-old baby girl. In this fateful moment Evans became part of a profound, increasingly common human drama that links abandoned Chinese girls with foreigners who have traveled many miles to complete their families. At once a compelling personal narrative and an evocative portrait of contemporary China, The Lost Daughters of China has also served as an invaluable guide for thousands of readers as they navigated the process of adopting from China. However, much has changed in terms of the Chinese government?s policies on adoption since this book was originally published and in this revised and updated edition Evans addresses these developments. Also new to this edition is a riveting chapter in which she describes her return to China in 2000 to adopt her second daughter who was nearly three at the time. Many of the first girls to be adopted from China are now in the teens (China only opened its doors to adoption in the 1990s), and this edition includes accounts of their experiences growing up in the US and, in some cases, of returning to China in search of their roots. Illuminating the real-life stories behind the statistics, The Lost Daughters of China is an unforgettable account of the red thread that winds form China?s orphanages to loving families around the globe.
As a five-year-old in 1950s Greece, Sousanna plays at being The American. When a stranger deceives her illiterate parents, she is sold to a new family and discovers that being an American is not a life of luxury. As her family searches for Sousanna, she must endure alone in a strange place-unaware of changes that mean home will never be the same.
From one of China's most acclaimed writers, this is an unflinching, erotic and exciting tale of forbidden love in the gold rush era of turn-of-the-century San Francisco. Geling Yan traces the lives of two individuals separated by prejudice and mistrust, but bound forever by their passion for one another. Fusang is a Chinese girl shanghaied from her village in China, brought to California and sold into the seedy underworld of prostitution. Soon she falls into an obsessive relationship with Chris, an 11-year-old boy. As years pass, numerous barriers are placed between the lovers - by Chris's wealthy family, and most menacingly by Fusang's murderous pimp, who bestrides Chinatown with a clutch of daggers at his waist.
The Science of Orphan Black by Casey Griffin,Nina Nesseth,Graeme Manson,Cosima Herter Pdf
An official guide to the crazy science of Orphan Black Delve deeper into the scientific terms and theories at the core of the Peabody-winning, cult favourite show. With exclusive insights from the show’s co-creator Graeme Manson and science consultant Cosima Herter, The Science of Orphan Black takes you behind the closed doors of the Dyad Institute and inside Neolution. Authors Casey Griffin and Nina Nesseth decode the mysteries of Orphan Black — from the history of cloning, epigenetics, synthetic biology, chimerism, the real diseases on which the clone disease is based, and the transhumanist philosophies of Neolution, to what exactly happens when a projectile pencil is shot through a person’s eye and into their brain.
Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! Henrietta Achilles is making her last stand. As mysterious stone warriors invade Henrietta's inherited home, she'll use the last traces of the house's magic to protect the friends around her. But even if she survives the battle, nothing can prepare her for the shocking returns of two figures from her past . . .
A “beautifully written” dark fable from a doll’s point of view—by the New York Times–bestselling author of The Lost Daughter and the Neapolitan Novels (The Washington Post). One of NPR’s Best Books of the Year. Readers of Elena Ferrante’s The Lost Daughter may recall the little doll—lost or stolen—around which that novel revolves. Here, Ferrante retells the tale from the doll’s perspective. Celina is having a terrible night, one full of jealousy for the new kitten, Minù; feelings of abandonment and sadness; misadventures at the hands of the beach attendant; and dark dreams. But she will be happily found by Mati, her child, once the sun rises . . . “Everyone should read anything with Ferrante’s name on it.” —The Boston Globe
NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between the parents, one the children can almost feel beneath their feet. Through ephemera such as songs, maps and a Polaroid camera, the children try to make sense of both their family’s crisis and the larger one engulfing the news: the stories of thousands of kids trying to cross the southwestern border into the United States but getting detained—or lost in the desert along the way. A breath-taking feat of literary virtuosity, Lost Children Archive is timely, compassionate, subtly hilarious, and formally inventive—a powerful, urgent story about what it is to be human in an inhuman world.
The Lost Daughter Collective by Lindsey Drager Pdf
"Using bedtime stories as cautionary tales, a Wrist Scholar relays the story of a fabled group of fathers coping with dead and missing daughters. When the girl sacrifices everything to send a final message to her father through her art and one lost girl is revealed to be not dead or missing but a daughter who has transitioned into a son, fathers are faced with the reality that their children's "play" is anything but. Caught in a strange loop that-like Escher's "Drawing Hands"-confuses the line between reality and artifice, folklore and scholarship, far past and near future, The Lost Daughter Collective illustrates how the stories we receive are shaped by those who do the telling. A story about the complex relationship between fathers and daughters as well as the ethics of storytelling, The Lost Daughter Collective is a gothic fairy tale fusing the fabulism at work in Donald Barthleme and Ben Marcus with the brevity and language play of Rikki Ducornet and Jenny Offill to raise questions about agency and authorship in our narratives"--
From the New York Times–bestselling author of My Brilliant Friend, this novel of a deserted wife’s descent into despair—and rage—is “a masterpiece” (The Philadelphia Inquirer). The Days of Abandonment is the gripping story of an Italian woman’s experiences after being suddenly left by her husband after fifteen years of marriage. With two young children to care for, Olga finds it more and more difficult to do the things she used to: keep a spotless house, cook meals with creativity and passion, refrain from using obscenities. After running into her husband with his much-younger new lover in public, she cannot even refrain from assaulting him physically. In a “raging, torrential voice” (The New York Times), Olga conveys her journey from denial to devastating emptiness—and when she finds herself literally trapped within the four walls of their high-rise apartment, she is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal. “Quick, furious, simultaneously steely and unhinged, and completely mesmerizing.” —The New York Times “Intelligent and darkly comic.” —Publishers Weekly “Remarkable, lucid, austerely honest.” —The New Yorker
