The Lumière Galaxy

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The Lumière Galaxy

Francesco Casetti
The Lumi re Galaxy Book PDF

Author : Francesco Casetti
Publisher : Columbia University Press
Page : 311 pages
File Size : 55,7 Mb
Release : 2015-03-03
Category : Performing Arts
ISBN : 9780231538879

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The Lumière Galaxy by Francesco Casetti Pdf

Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations. Casetti travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema. He does away with traditional notions of canon, repetition, apparatus, and spectatorship in favor of new keywords, including expansion, relocation, assemblage, and performance. The result is an innovative understanding of cinema's place in our lives and culture, along with a critical sea-change in the study of the art. The more the nature of cinema transforms, the more it discovers its own identity, and Casetti helps readers realize the galaxy of possibilities embedded in the medium.

Raymond Bellour

Hilary Radner
Raymond Bellour Book PDF

Author : Hilary Radner
Publisher : Edinburgh University Press
Page : 222 pages
File Size : 53,8 Mb
Release : 2018-03-07
Category : Performing Arts
ISBN : 9781474422901

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Raymond Bellour by Hilary Radner Pdf

Istanbul's Ã++emberlitaÅY Hamamı provides a case study for the cultural, social and economic functions of Turkish bathhouses over time.

Museum as a Cinematic Space

Elisa Mandelli
Museum as a Cinematic Space Book PDF

Author : Elisa Mandelli
Publisher : Edinburgh University Press
Page : 176 pages
File Size : 51,7 Mb
Release : 2019-06-24
Category : Performing Arts
ISBN : 9781474416801

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Museum as a Cinematic Space by Elisa Mandelli Pdf

With an innovative and strongly interdisciplinary theoretical framework, this book offers an extensive investigation of the use of audio-visuals in exhibition design.

Seeing by Electricity

Doron Galili
Seeing by Electricity Book PDF

Author : Doron Galili
Publisher : Duke University Press
Page : 164 pages
File Size : 48,8 Mb
Release : 2020-02-28
Category : Performing Arts
ISBN : 9781478009221

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Seeing by Electricity by Doron Galili Pdf

Already in the late nineteenth century, electricians, physicists, and telegraph technicians dreamed of inventing televisual communication apparatuses that would “see” by electricity as a means of extending human perception. In Seeing by Electricity Doron Galili traces the early history of television, from fantastical image transmission devices initially imagined in the 1870s such as the Telectroscope, the Phantoscope, and the Distant Seer to the emergence of broadcast television in the 1930s. Galili examines how televisual technologies were understood in relation to film at different cultural moments—whether as a perfection of cinema, a threat to the Hollywood industry, or an alternative medium for avant-garde experimentation. Highlighting points of overlap and divergence in the histories of television and cinema, Galili demonstrates that the intermedial relationship between the two media did not start with their economic and institutional rivalry of the late 1940s but rather goes back to their very origins. In so doing, he brings film studies and television studies together in ways that advance contemporary debates in media theory.

Post-Cinema

Dominique Chateau,Jos Moure
Post Cinema Book PDF

Author : Dominique Chateau,Jos Moure
Publisher : Key Debates - Mutations and Appropriations in European Film Studies
Page : 376 pages
File Size : 51,6 Mb
Release : 2020-09-24
Category : Electronic
ISBN : 946372723X

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Post-Cinema by Dominique Chateau,Jos Moure Pdf

Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition.

The Financial Image

Alasdair King
The Financial Image Book PDF

Author : Alasdair King
Publisher : Springer Nature
Page : 336 pages
File Size : 42,6 Mb
Release : 2024-01-29
Category : Literary Criticism
ISBN : 9783031406546

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The Financial Image by Alasdair King Pdf

The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life.

On the Screen

Ariel Rogers
On the Screen Book PDF

Author : Ariel Rogers
Publisher : Columbia University Press
Page : 382 pages
File Size : 43,5 Mb
Release : 2019-07-30
Category : Performing Arts
ISBN : 9780231548038

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On the Screen by Ariel Rogers Pdf

Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema’s golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced. Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of “classical” Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers’s history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media.

Star Wars: Women of the Galaxy

Amy Ratcliffe
Star Wars Women of the Galaxy Book PDF

Author : Amy Ratcliffe
Publisher : Chronicle Books
Page : 235 pages
File Size : 52,6 Mb
Release : 2019-01-08
Category : Performing Arts
ISBN : 9781452166797

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Star Wars: Women of the Galaxy by Amy Ratcliffe Pdf

They are heroes and villains, Sith and Jedi, senators and scoundrels, mothers, mercenaries, artists, pilots. . . . The women of the Star Wars galaxy drive its stories and saga forward at every level. This beautifully illustrated, fully authorized book profiles 75 fascinating female characters from across films, fiction, comics, animation, and games. Featuring Leia Organa, Rey, Ahsoka Tano, Iden Versio, Jyn Erso, Rose Tico, Maz Kanata, and many more, each character is explored through key story beats, fresh insights, and behind-the-scenes details by author Amy Ratcliffe. Also showcasing more than 100 all-new illustrations by a dynamic range of female and non-binary artists, here is an inspiring celebration of the characters that help create a galaxy far, far away. • INCLUDING CHARACTERS FROM SOLO: A STAR WARS STORY AND STAR WARS: RESISTANCE •INCLUDES CHARACTERS VISUALIZED HERE FOR THE FIRST TIME Amy Ratcliffe is the managing editor of Nerdist and a contributor to StarWars.com, and has written for outlets such as Star Wars Insider and IGN. She's a host at Star Wars Celebration and cohosts the Lattes with Leia podcast. When she's not visiting a galaxy far, far away, she lives in Los Angeles, California. Contributing artists: • Alice X. Zhang • Amy Beth Christenson • Annie Stoll • Annie Wu • Christina Chung • Cryssy Cheung • Eli Baumgartner • Elsa Charretier • Geneva Bowers • Jennifer Aberin Johnson • Jen Bartel • Jenny Parks • Karen Hallion • Little Corvus • Sara Alfageeh • Sara Kipin • Sarah Wilkinson • Viv Tanner © & TM LUCASFILM LTD. Used Under Authorization.

Documentary

Erik Barnouw
Documentary Book PDF

Author : Erik Barnouw
Publisher : Oxford University Press, USA
Page : 414 pages
File Size : 41,8 Mb
Release : 1993
Category : Performing Arts
ISBN : 0195078985

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Documentary by Erik Barnouw Pdf

Presents a history of the documentary film

A Philosophical History of Documentary, 1895–1959

Dan Geva
A Philosophical History of Documentary 1895 1959 Book PDF

Author : Dan Geva
Publisher : Springer Nature
Page : 393 pages
File Size : 51,5 Mb
Release : 2021-09-15
Category : Philosophy
ISBN : 9783030794668

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A Philosophical History of Documentary, 1895–1959 by Dan Geva Pdf

This book presents a chronology of thirty definitions attributed to the word, term, phrase, and concept of “documentary” between the years 1895 and 1959. The book dedicates one chapter to each of the thirty definitions, scrutinizing their idiosyncratic language games from close range while focusing on their historical roots and concealed philosophical sources of inspiration. Dan Geva's principal argument is twofold: first, that each definition is an original ethical premise of documentary; and second, that only the structured assemblage of the entire set of definitions successfully depicts the true ethical nature of documentary insofar as we agree to consider its philosophical history as a reflective object of thought in a perpetual state of being-self-defined: an ethics sui generis.

Toward a Philosophy of the Documentarian

Dan Geva
Toward a Philosophy of the Documentarian Book PDF

Author : Dan Geva
Publisher : Springer
Page : 351 pages
File Size : 49,5 Mb
Release : 2018-04-03
Category : Philosophy
ISBN : 9783319755687

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Toward a Philosophy of the Documentarian by Dan Geva Pdf

The theme of this book is the documentarian—what the documentarian is and how we can understand it as a concept. Working from the premise that the documentarian is a special—extended—sign, the book develops a model of a quadruple sign structure for-and-of the documentarian, growing out of enduring traditions in philosophy, semiotics, psychoanalysis, and documentary theory. Dan Geva investigates the intellectual premise that allows the documentarian to show itself as an extremely sophisticated, creative, and purposeful being-in-the-world—one that is both embedded in its own history and able to manifest itself throughout its entire documentary life project, as a stand-alone conceptual phase in the history of ideas.

Rethinking Art and Visual Culture

Asbjørn Skarsvåg Grønstad
Rethinking Art and Visual Culture Book PDF

Author : Asbjørn Skarsvåg Grønstad
Publisher : Springer Nature
Page : 200 pages
File Size : 40,7 Mb
Release : 2020-10-29
Category : Performing Arts
ISBN : 9783030461768

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Rethinking Art and Visual Culture by Asbjørn Skarsvåg Grønstad Pdf

This is the first book to offer a systematic account of the concept of opacity in the aesthetic field. Engaging with works by Ernie Gehr, John Akomfrah, Matt Saunders, David Lynch, Trevor Paglen, Zach Blas, and Low, the study considers the cultural, epistemological, and ethical values of images and sounds that are fuzzy, indeterminate, distorted, degraded, or otherwise indistinct. Rethinking Art and Visual Culture shows how opaque forms of art address problems of mediation, knowledge, and information. It also intervenes in current debates about new systems of visibility and surveillance by explaining how indefinite art provides a critique of the positivist drive behind these regimes. A timely contribution to media theory, cinema studies, American studies, and aesthetics, the book presents a novel and extensive analysis of the politics of transparency.

Aesthetic Spaces

Brigitte Peucker
Aesthetic Spaces Book PDF

Author : Brigitte Peucker
Publisher : Northwestern University Press
Page : 232 pages
File Size : 53,7 Mb
Release : 2019-02-15
Category : Performing Arts
ISBN : 9780810139084

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Aesthetic Spaces by Brigitte Peucker Pdf

Films provide valuable spaces for aesthetic experimentation and analysis, for cinema's openness to other media has always allowed it to expand its own. In Aesthetic Spaces, Brigitte Peucker shows that when painterly or theatrical conventions are appropriated by the medium of film, the dissonant effects produced open it up to intermedial reflection and tell us a great deal about cinema itself. The films studied in these chapters include those by Abbas Kiarostami, Alfred Hitchcock, Michelangelo Antonioni, Jean-Luc Godard, Carl Th. Dreyer, Peter Greenaway, Rainer Werner Fassbinder, Ingmar Bergman, Jacques Rivette, Fritz Lang, F. W. Murnau, Lars von Trier, Spike Jonze, Éric Rohmer, Lech Majewski, and others. Where two media are in evidence in these films, there is usually a third, and often theater mediates between film and painting. Aesthetic Spaces interrogates issues of cinematic space and mise-en-scène from different but interconnected theoretical perspectives, organizing its chapters around some of the formal principles—space, spectator, frame, color and lighting, props, décor, and actor—that shape films. Drawing on the older arts to renew cinema, the films examined deploy paintings as material: Poussin and Bruegel, Rembrandt, Hals and Klimt, and medieval illustrations and modernist abstractions are used to expand our notions of cinematic space. Peucker shows that when different media come together in film, they create effects of dissonance out of which new modes of looking may arise.

Moving Pictures, Still Lives

James Tweedie
Moving Pictures Still Lives Book PDF

Author : James Tweedie
Publisher : Oxford University Press
Page : 336 pages
File Size : 42,6 Mb
Release : 2018-05-04
Category : Art
ISBN : 9780190873905

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Moving Pictures, Still Lives by James Tweedie Pdf

Moving Pictures, Still Lives revisits the cinematic and intellectual atmosphere of the late twentieth century. Against the backdrop of the historical fever of the 1980s and 1990s-the rise of the heritage industry, a global museum-building boom, and a cinematic fascination with costume dramas and literary adaptations-it explores the work of artists and philosophers who complicated the usual association between tradition and the past or modernity and the future. Author James Tweedie retraces the "archaeomodern turn" in films and theory that framed the past as a repository of abandoned but potentially transformative experiments. He examines late twentieth-century filmmakers who were inspired by old media, especially painting, and often viewed those art forms as portals to the modern past. In detailed discussions of Alain Cavalier, Terence Davies, Jean-Luc Godard, Peter Greenaway, Derek Jarman, Agnès Varda, and other key directors, the book concentrates on films that fill the screen with a succession of tableaux vivants, still lifes, illuminated manuscripts, and landscapes. It also considers three key figures-Walter Benjamin, Gilles Deleuze, and Serge Daney-who grappled with the late twentieth century's characteristic concerns, including history, memory, and belatedness. It reframes their theoretical work on film as a mourning play for past revolutions and a means of reviving the possibilities of the modern age (and its paradigmatic medium, cinema) during periods of political and cultural retrenchment. Looking at cinema and the century in the rear-view mirror, the book highlights the unrealized potential visible in the history of film, as well as the cinematic phantoms that remain in the digital age.

Ends of Cinema

Richard Grusin,Jocelyn Szczepaniak-Gillece
Ends of Cinema Book PDF

Author : Richard Grusin,Jocelyn Szczepaniak-Gillece
Publisher : U of Minnesota Press
Page : 246 pages
File Size : 46,5 Mb
Release : 2020-12-29
Category : Performing Arts
ISBN : 9781452965062

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Ends of Cinema by Richard Grusin,Jocelyn Szczepaniak-Gillece Pdf

At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the “end of cinema” had already been broached repeatedly over the course of the twentieth century—from the introduction of sound and color to the advent of television and video—and in Ends of Cinema, contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century. In this volume, scholars at the forefront of film and media studies interrogate multiple potential “ends” of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Contributors: Caetlin Benson-Allott, Georgetown U; James Leo Cahill, U of Toronto; Francesco Casetti, Yale U; Mary Ann Doane, U of California Berkeley; André Gaudreault, U de Montréal; Michael Boyce Gillespie, City College of New York; Mark Paul Meyer, EYE Filmmuseum; Jennifer Lynn Peterson, Woodbury U, Los Angeles; Amy Villarejo, Cornell U.