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Dangerous women aren’t always the ones who carry guns and take down the bad guys. Sometimes, the most dangerous women are the ones we don’t even notice -- the sultry siren crooning in a smoky bar, the innocent young girl twirling in her summer dress, the soft-shoed nurse who helps the comatose. In this collection, award-winning author Shanna Germain gathers seven of her darkest, lushest fantasy and horror stories about strong, smart women who know that danger is a matter of scale -- and of which side you happen to be standing on.
"A bewitching political thriller."—Publishers Weekly, Starred Review "Ethel looks like Marple but acts like Marlow." —Kirkus Reviews? In a case deciding the future of clean energy, everything hinges on how the chief justice of Supreme Court will lean. DANGEROUS WOMEN stirs up the perfect cocktail of ingenious spy-craft and political intrigue of Thomas Perry's The Old Man brightened with the charming, uncanny energy of Killers of a Certain Age. This urgent, cleverly plotted high stakes thriller is set in motion by botched attack on two law clerks leaving one dead and the other in a coma. The ensuing cover up leaves a string of bodies and too many players at cross-purposes. It also leaves Chief Justice Clarissa Baxter with a target on her back. We'll need an off the grid hero with friends in high places: enter retired FBI agent-turned-boardinghouse landlady, Ethel Fiona Crestwater (legend) and her double-first-cousin-twice-removed Jesse Cooper (sidekick). Although in her mid-seventies, Ethel is no bumbling amateur sleuth; she's a seasoned pro with razor-sharp instincts and Bond-worthy skills. College-aged Jesse brings tech savvy and boundless enthusiasm, along with an innate talent for intrigue. Together, the unlikely duo will face malicious back-stabbing political sycophants, conniving lobbyists, and a motivated assassin bent on removing the Chief Justice from the equation—along with Ethel, who stands defiantly between the hitman and his payday.
Women's Divination in Biblical Literature by Esther J. Hamori Pdf
Divination, the use of special talents and techniques to gain divine knowledge, was practiced in many different forms in ancient Israel and throughout the ancient world. The Hebrew Bible reveals a variety of traditions of women associated with divination. This sensitive and incisive book by respected scholar Esther J. Hamori examines the wide scope of women’s divinatory activities as portrayed in the Hebrew texts, offering readers a new appreciation of the surprising breadth of women’s “arts of knowledge” in biblical times. Unlike earlier approaches to the subject that have viewed prophecy separately from other forms of divination, Hamori’s study encompasses the full range of divinatory practices and the personages who performed them, from the female prophets and the medium of En-dor to the matriarch who interprets a birth omen and the “wise women” of Tekoa and Abel and more. In doing so, the author brings into clearer focus the complex, rich, and diverse world of ancient Israelite divination.
A Very Dangerous Woman by Sherry H. Penney,James D. Livingston Pdf
The first biography of a pioneering women's rights activist; A very dangerous woman is what Martha Coffin Wright's conservative neighbors considered her, because of her work in the women's rights and abolition movements. In 1848, Wright and her older sister Lucretia Mott were among the five brave women who organized the historic Seneca Falls Women's Rights Convention. Wright remained a prominent figure in the women's movement until her death in 1875 at age sixty-eight, when she was president of the National Woman Suffrage Association. At age twenty-six, she attended the 1833 founding of the American Anti-Slavery Society and later presided over numerous antislavery meetings, including two in 1861 that were disrupted by angry antiabolitionist mobs. Active in the Underground Railroad, she sheltered fugitive slaves and was a close friend and supporter of Harriet Tubman. In telling Wright's story, the authors make good use of her lively letters to her family, friends, and colleagues, including Susan B. Anthony and Elizabeth Cady Stanton. nineteenth-century reform and family life. Her correspondence with slaveholding relatives in the South grew increasingly contentious with the approach of the Civil War. One nephew became a hero of the Confederacy with his exploits at the Battle of Fredericksburg, and her son in the Union artillery was seriously wounded at Gettysburg while repelling Pickett's Charge. Wright's life never lacked for drama. She survived a shipwreck, spent time at a frontier fort, experienced the trauma of the deaths of a fiance, her first husband, and three of her seven children, and navigated intense conflicts within the women's rights and abolition movements. Throughout her tumultuous career, she drew on a reservoir of humor to promote her ideas and overcome the many challenges she faced. This accessible biography, written with the general reader in mind, does justice to her remarkable life.
Do Not Go Quietly by Jason Sizemore,Lesley Conner Pdf
Resistance. Revolution. Standing up and demanding to have your space, your say, your right to be. From small acts of defiance to protests that shut down cities, Do Not Go Quietly is an anthology of science fiction and fantasy short stories about those who resist. Within this anthology, we will chronicle the fight for what is just and right, and what that means: from leading revolutions to the simple act of saying “No.” Resistance can be a small act of everyday defiance. And other times, resistance means massive movements that topple governments and become iconic historical moments. Either way, there is power in these acts, and the contributors in Do Not Go Quietly will harness that power to shake our readers to the core. We are subordinates to a power base that is actively working to solidify its grip on the world. Now is time to stand up and raise your voice and tell the world that enough is enough! TABLE OF CONTENTS: John Hornor Jacobs - "Glossolalia" A. Merc Rustad - "The Judith Plague" Maurice Broaddus/Nayad Monroe - "What the Mountain Wants" Karin Lowachee - "Sympathizer" Brooke Bolander - "Kindle" Cassandra Khaw - "What We Have Chosen to Love" Fran Wilde - "The Society for the Reclamation of Words and Meaning" Rich Larson - "Scurry" Sarah Pinsker - "Everything Is Closed Today" Sheree Renée Thomas - "Thirteen Year Long Song" Dee Warrick - "Nobody Lives in the Swamp" Russell Nichols - "Rage Against the Vending Machine" Meg Elison - "Hey Alexa" Marie Vibbert - "South of the Waffle House" Veronica Brush - "Face" Jo Miles - "Choose Your Truth" Rachael K. Jones - "Oil Under Her Tongue" Eugenia Triantafyllou - "April Teeth" E. Catherine Tobler - "Kill the Darlings (Silicone Sister Remix)" Shanna Germain - "Salted Bone and Silent Sea" Cover art by Marcela Bolívar. Includes 4 interior original black & white illustrations by the cover artist.
It's no secret that most girls, at some point, love all things princess: the poofy dresses, the plastic tiaras, the color pink. Even grown-up women can't get enough of royal weddings and royal gossip. Yet critics claim the princess dream sets little girls up to be weak and submissive, and allows grown women to indulge in fantasies of rescue rather than hard work and self-reliance. Enter Jerramy Fine -- an unabashed feminist who is proud of her life-long princess obsession and more than happy to defend it. Through her amusing life story and in-depth research, Fine makes it clear that feminine doesn't mean weak, pink doesn't mean inferior, and girliness is not incompatible with ambition. From 9th century Cinderella to modern-day Frozen, from Princess Diana to Kate Middleton, from Wonder Woman to Princess Leia, Fine valiantly assures us that princesses have always been about power, not passivity. And those who love them can still be confident, intelligent women. Provocative, insightful, but also witty and personal, In Defense of the Princess empowers girls, women, and parents to dream of happily ever after without any guilt or shame.
Patriarchy’s Creative Resilience by Michael Kramp Pdf
Patriarchy’s Creative Resilience explores the disturbing sustainability of White male supremacy. Kramp traces an imaginative failure and an imaginative success; his focus on British speculative fiction published between 1870 and 1900 demonstrates how even this elastic and wildly inventive literary form remains incapable of promoting non- patriarchal masculinity, and he attributes this inability to the creative resiliency of white male supremacy. He demonstrates the inventive use of diverse resources that we frequently view as custom or uncomplicated history and a versatility that we often dismiss as sheer power. He draws on an archive of late nineteenth- century speculative fiction to detail a versatile patriarchal toolbox, including hegemonic masculinity, control of dangerous women, hyperbolic and sentimental performances of male sovereignty, and reversions to authoritarian, at times violent conduct. He also considers how the classic military strategy of dividing to conquer undergirds all these tactics, inhibiting our creating energies and dynamic collaborations. Various chapters demonstrate the enterprise, ingenuity, and adaptability of patriarchy to refashion and rejustify normalized systems of oppression. While scholars have consistently identified moments and agents of resistance to patriarchal structures by highlighting creativity, resiliency, and resourcefulness, Kramp’s project reveals how patriarchy itself is creative, resilient, and resourceful.
Named one of 2021’s Most Anticipated Historical Novels by Oprah Magazine ∙ Cosmopolitan ∙ and more! Nearly two hundred condemned women board a transport ship bound for Australia. One of them is a murderer. From debut author Hope Adams comes a thrilling novel based on the 1841 voyage of the convict ship Rajah, about confinement, hope, and the terrible things we do to survive. London, 1841. One hundred eighty Englishwomen file aboard the Rajah, embarking on a three-month voyage to the other side of the world. They're daughters, sisters, mothers—and convicts. Transported for petty crimes. Except one of them has a deadly secret, and will do anything to flee justice. As the Rajah sails farther from land, the women forge a tenuous kinship. Until, in the middle of the cold and unforgiving sea, a young mother is mortally wounded, and the hunt is on for the assailant before he or she strikes again. Each woman called in for question has something to fear: Will she be attacked next? Will she be believed? Because far from land, there is nowhere to flee, and how can you prove innocence when you’ve already been found guilty?
Author : Mary Elizabeth Strunk Publisher : University Press of Kansas Page : 296 pages File Size : 55,7 Mb Release : 2010-09-18 Category : Social Science ISBN : 9780700617449
The iconic photo of Bonnie Parker—cigar clenched in jaw, pistol in hand—says it all: America loves its bad girls. Now Mary Elizabeth Strunk tells us why. Wanted Women is a startling look at the lives—and legends—of ten female outlaws who gained notoriety during the tumultuous decades that bracketed the tenure of FBI director J. Edgar Hoover. Strunk looks at real-life events and fictional portrayals to decipher what our obsession with these women says about shifting gender roles, evolving law-enforcement practices, and American cultural attitudes in general. These women's stories reveal what it takes-and what it has meant--to be a high-profile female lawbreaker in America. Strunk introduces us to Kathryn "Mrs. Machine Gun" Kelly, Ma Barker, and Bonnie Parker from the 1930s, and, from the 1970s, we meet heiress-turned-revolutionary Patty Hearst, five other women of the Symbionese Liberation Army, and Black Panther Assata Shakur. All saw themselves as struggling against an oppressive legal system. All became "wanted" criminals and would play a part in shaping Hoover's legacy. And all spent enormous amounts of energy attempting to manipulate public opinion in their favor. Strunk argues that each woman's public persona was to some degree invented by Hoover, who saw outlaw women as an alarming threat to public morality. He went after them with a vengeance, but in many ways his obsession only added to their reputations. Strunk shows how Hoover's repeated use of popular culture to publicize the threat of violent women initially succeeded in strengthening his FBI, but his approach became a liability by the time law enforcement was pitted against the women outlaws of the 1970s. The book chronicles the careers of these infamous outlaws both in the real world and in popular culture—film, ads, true-crime stories, autobiographies—as well as Hoover's own forays into filmmaking. It boasts 27 compelling images of movie stills, wanted posters, and other ephemera that have been assembled nowhere else, including rarely reproduced SLA artifacts. Strunk's book is the first study to define the narrow "formula" necessary for a woman to cross over from criminal to outlaw. Hitting on key notes of American culture from Black and gender studies to cinematic and legal history, Wanted Women sets a new benchmark for how we view women and crime as it contributes fresh insights into twentieth-century social history.
The Woman Who Loved Jesse James by Cindi Meyers Pdf
"I never meant to fall in love with Jesse James, but I might as well have tried to stop a tornado or a prairie fire. The summer that sealed our fate, when we saw each other with new eyes and our love began to grow, Jesse was all heat and light, and I was tinder waiting for a match." Zee Mimms was just nineteen in 1864-the daughter of a stern Methodist minister in Missouri-when she fell in love with the handsome, dashing, and already notorious Jesse. He was barely more than a teenager himself, yet had ridden with William Quantrill's raiders during the Civil War. "You'll marry a handsome young man," a palm reader had told her. "A man who will make you the envy of many. But . . . there will be hard times." Zee and Jesse's marriage proved the palmist right. Jesse was a dangerous puzzle: a loving husband and father who kept his "work" separate from his family, though Zee heard the lurid rumors of his career as a bank robber and worse. Still, she never gave up on him. And he earned her love, time and again. Cindi Myers is the author of more than forty novels, both historical and contemporary. Her work has been praised for its depth of emotion and realistic characters. You can learn more about her and her work at www.CindiMyers.com or www.RomanceoftheWest.com.
The acclaimed authors in this anthology are collectively responsible for dozens of "New York Times" bestsellers. Legendary editor Otto Penzler owns the Mysterious Bookshop in New York and is founder of the Mysterious Press and Otto Penzler books.
Female Fighters in Armed Conflict by Béatrice Hendrich Pdf
This book explores the why and the how of women’s participation in armed struggle, and challenges preconceived assertions about women and violence, providing both a historic and a contemporary focus. The volume is about women who have participated in armed conflict as members of an armed group, trained in military action, with different tasks within the conflict. The chapters endeavor to make women’s own voices heard, to discover the untold stories of women as perpetrators and facilitators of military violence, and the authors do this through the use of personal interviews and the study of primary documents. The work widens the geographical perspective of feminist security studies to discover in what ways the historical, political, and social context has motivated the women to participate in military action, and presents new case study data from Germany, Ukraine, Turkey, Israel, Palestine, Cameroon, India, the Philippines, Vietnam and Latin America. Temporally, the chapters cover almost two centuries, from the late 19th century to the present day, touching upon a wide variety of examples of armed conflict, from wars of independence to the Second World War. Bringing together approaches from politics, history, anthropology and area studies, the chapters are informed by the fundamental insights of feminist research and address such pivotal questions as hegemonic masculinity in the armed forces and the relation between women’s armed violence and female agency. This book will be of much interest to students and researchers in gender and security studies, armed conflict and history.
Who Is The Pretty Woman?Is she drop-dead gorgeous? Is her shiny hair flowing like milk and honey? Does her face captivate men and they get lost in her eyes? Does she have a coca-cola bottle shaped figure? Have you ever really wondered what's Behind the Pretty Woman? What makes her tick? What is she all about? There's more to the Pretty Woman than Cover Girl and Maybelline. You'd be surprised...maybe even shocked at what you'd find Behind The Pretty Woman. Samona Perry paints the passage through The Pretty Woman's eyes that unmasks the true essence of her heart.
Women in German Yearbook by Women in German Yearbook Pdf
Volume 12 of Women in German Yearbook opens with a cluster of cross-disciplinary articles. Sara Lennox explores pertinent theoretical issues and introduces articles by historian Atina Grossman, sociologist Myra Marx Ferree, and political theorist Joan Cocks. Three subsequent articles focus on the nineteenth century: Todd Kontje challenges the notion that the Wars of Liberation renewed conservatism regarding gender, Irmela Marei Kr_ger-F_rhoff presents a new reading of the father-daughter relationship in Kleist?s Marquise of O . . . , and Helen G. Morris-Keitel describes the ?cultural work? of Louise Otto?s Castle and Factory. ø Barbara Hales analyzes the criminal femme fatale as evidence of Weimar Germany?s deep-seated discomfort with modernity; Kathrin Bower discusses poems by Nelly Sachs and Rose AuslÜnder as searches for the (M)other; Charlotte Melin analyzes gender differences in reworkings of the Alice in Wonderland motif; Helgard Mahrdt explores connections between Ingeborg Bachmann?s prose and the cultural criticism of the Frankfurt School; and Frederick A. Lubich interviews the writer Elisabeth Alexander. Two articles focus on cultural differences: Karen Jankowsky reads The Facade by Libuse Mon�kov¾, a Czech author writing in German, and Leslie Adelson discusses Eva Demski?s Afra in terms of Afro-German discourse. The volume closes with the editors? views on the yearbook?s role in creating an ?American Germanics.?
