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"I have passed through a series of rather remarkable adventures since I came to Lutha," said Barney apparently quite irrelevantly, after the two had remained silent for a moment. "Shortly after my car fell upon you I was mistaken for the fugitive King Leopold by the young lady whose horse fell into the ravine with my car. She is a most loyal supporter of the king, being none other than the Princess Emma von der Tann. From her I learned to espouse the cause of Leopold." ~~~ Edgar Rice Burroughs created one of the most iconic figures in American pop culture, Tarzan of the Apes, and it is impossible to overstate his influence on entire genres of popular literature in the decades after his enormously winning pulp novels stormed the public's imagination. The Mad King, first published in book form in 1926 and difficult to find in print, is the rollicking yarn of American Barney Custer, who is mistaken for a deranged sovereign in the faraway land of Lutha. Perhaps Burroughs's most outrageously grandiloquent work, this tale of daring swordfights, damsels in distress, and diabolical villains is a favorite among true Burroughs devotees. American novelist EDGAR RICE BURROUGHS (1875-1950) wrote dozens of adventure, crime, and science-fiction novels that are still beloved today, including Tarzan of the Apes (1912), At the Earth's Core (1914), A Princess of Mars (1917), and Pirates of Venus (1934). He is reputed to have been reading a comic book when he died.
Short excerpt: For ten years no man of them had set eyes upon the face of the boy-king who had been hastened to the grim castle of Blentz upon the death of the old king his father.
The Mad King ByEdgar Rice Burroughs by Edgar Rice Burroughs Pdf
Set in the fictional European kingdom of Lutha, the protagonist is a young American named Barney Custer, of Beatrice, Nebraska, who is the son of an American farmer and a runaway Luthan princess, Victoria Rubinroth. Unaware of his royal blood, much less that he is a dead ringer for his relative Leopold, the current king of Lutha, Barney visits Lutha on the eve of the First World War to see for himself his mother's native land. As he arrives in Lutha, King Leopold has just escaped from his ten years' imprisonment at the hands of his scheming uncle, Prince Peter of Blentz. Much to his own and everyone else's confusion, Barney is naturally mistaken for the king, leading to numerous complications...
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
A kingdom in chaos...A broken family...A prince on the run...And a MAD KING.After a series of disastrous circumstances devastates the royal family, the citizens of Coimbra, having been so long under the crown's protection, are seeing a great change fall over them. The royal family, once active in the city and ensuring the livelihoods of their subjects through their patronage, becomes withdrawn and reclusive, leaving Coimbra to fall into disrepair. To the people of the royal city, it is becoming more apparent that the tragedies have greatly affected Sua Alteza and the young prince. Príncipe Jônatas, Duke of Viseu and apparent successor to the throne, has been raised in seclusion within the protective walls of the deteriorating castle at Coimbra, with only vague memories of the sweet days of his childhood and no understanding of the outside world.Now almost fourteen, he is still haunted by the memories of his past as he tries to cope with the damaging trauma of the assassination. More and more, Jônatas finds himself torn between his love and loyalty to his only remaining family and that for the people who live outside the castle gates. When it is discovered the prince has been sneaking into the city, Jônatas' friendship with a boy from the lower city causes trouble for them both as the prince's deepest secrets become known. The prince will see just how far the crown is willing to go to keep him safe, even if it means keeping him prisoner.
Year of the Mad King: The Lear Diaries, is Antony Sher's account of researching, rehearsing and performing one of Shakespeare's greatest roles: King Lear. His honest, illuminating and witty commentary provides an intimate, first-hand look at the development of his Lear and the production as a whole. Also included are a selection of his paintings and sketches, many reproduced in full color.
#1 NEW YORK TIMES BESTSELLER • THE BOOK BEHIND THE FIFTH SEASON OF THE ACCLAIMED HBO SERIES GAME OF THRONES Don’t miss the thrilling sneak peek of George R. R. Martin’s A Song of Ice and Fire: Book Six, The Winds of Winter Dubbed “the American Tolkien” by Time magazine, George R. R. Martin has earned international acclaim for his monumental cycle of epic fantasy. Now the #1 New York Times bestselling author delivers the fifth book in his landmark series—as both familiar faces and surprising new forces vie for a foothold in a fragmented empire. A DANCE WITH DRAGONS In the aftermath of a colossal battle, the future of the Seven Kingdoms hangs in the balance—beset by newly emerging threats from every direction. In the east, Daenerys Targaryen, the last scion of House Targaryen, rules with her three dragons as queen of a city built on dust and death. But Daenerys has thousands of enemies, and many have set out to find her. As they gather, one young man embarks upon his own quest for the queen, with an entirely different goal in mind. Fleeing from Westeros with a price on his head, Tyrion Lannister, too, is making his way to Daenerys. But his newest allies in this quest are not the rag-tag band they seem, and at their heart lies one who could undo Daenerys’s claim to Westeros forever. Meanwhile, to the north lies the mammoth Wall of ice and stone—a structure only as strong as those guarding it. There, Jon Snow, 998th Lord Commander of the Night’s Watch, will face his greatest challenge. For he has powerful foes not only within the Watch but also beyond, in the land of the creatures of ice. From all corners, bitter conflicts reignite, intimate betrayals are perpetrated, and a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves, will face seemingly insurmountable obstacles. Some will fail, others will grow in the strength of darkness. But in a time of rising restlessness, the tides of destiny and politics will lead inevitably to the greatest dance of all. Praise for A Dance with Dragons “Filled with vividly rendered set pieces, unexpected turnings, assorted cliffhangers and moments of appalling cruelty, A Dance with Dragons is epic fantasy as it should be written: passionate, compelling, convincingly detailed and thoroughly imagined.”—The Washington Post “Long live George Martin . . . a literary dervish, enthralled by complicated characters and vivid language, and bursting with the wild vision of the very best tale tellers.”—The New York Times
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In the tradition of The Mists of Avalon and Mythago Wood, J. Robert King weaves an epic tale of Avalon, Excalibur, the Once and Future king, and the magician Merlin as he draws on the ideas and writings of Joseph Campbell to shape and interpret the legendary Arthurian mythos. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.