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"The future of magazines? Murky. Their past? Glorious. How we got from there to here is told in this compelling history. It's thrilling, funny, disturbing, sad, and ultimately inspiring. And in these pages are broad and helpful hints on how we can return to glorious."---Richard B. Stolley, Founding Editor, People, and Senior Editorial Adviser, Time Inc. --Book Jacket.
Author : David E. Sumner,Samir Husni Publisher : Peter Lang Publishing Page : 0 pages File Size : 53,6 Mb Release : 2022 Category : American periodicals ISBN : 143318768X
The Magazine Century by David E. Sumner,Samir Husni Pdf
"The second edition of The Magazine Century: American Magazines Since 1900 offers the freshest and most up-to-date history of American magazines through 2020. It includes chapters telling the stories of new magazine launches in each decade since 1900. These chapters offer a behind-the-scenes look at America's best-known magazines and publishers and how they got started. It also includes this key information not included in the first edition: Updated circulation data for major magazines Major magazine closings and new launches Ownership changes at major publishing companies Histories of several magazines not in the 1st edition The internet's effect on magazine publishing Biographies of colorful and controversial editors New details about the history of Black-owned magazines The pandemic's effect on magazine publishing Recent interviews with magazine editors and publishers The surprising rebound of print magazines"--
Largely ignored in American literary history, the magazine novel was extremely popular throughout the nineteenth century, with editors describing the form as a virtual "necessity" for magazines. Unlike many previous studies of periodicals that focus often exclusively on elite literary magazines, Social Stories treats a variety of magazines and authors, ranging from Ann Stephens's novels in fashionable magazines for women to William Dean Howells's anxious investigation of modern mass culture in A Modern Instance. William Gilmore Simms's pro-Southern antebellum novels, the publication of Martin Delany's Blake in an African American magazine, Jeremy Belknap's investigation of the racial and national politics of the early national period, and Rebecca Harding Davis's efforts to make sense of race during Reconstruction all receive Patricia Okker's careful attention. By exploring how magazine novelists addressed audiences that differed from one another in terms of race, region, class, and gender, Social Stories offers a narrative of the American magazine novel that emphasizes its direct engagement with social, political, and cultural issues of its day. Rejecting the association of novel reading with notions of the private, Okker convincingly argues that nineteenth-century magazine novels were indeed fiercely social. Created collaboratively with readers, editors, and authors, and read among a community of readers and other texts, the serial novel of the 1800s proved to be an ideal form for exploring the strategies Americans used and the obstacles they faced in forming and sustaining a collective sense of themselves. They are, in short, novels that tell stories about how--and whether--individuals can come together to form a society. Patricia Okker is Associate Professor of English at the University of Missouri, Columbia, and the author of Our Sister Editors: Sarah J. Hale and the Tradition of Nineteenth-Century American Women Editors.
The Improbable First Century of Cosmopolitan Magazine by James Landers Pdf
Today, monthly issues of Cosmopolitan magazine scream out to readers from checkout counters and newsstands. With bright covers and bold, sexy headlines, this famous periodical targets young, single women aspiring to become the quintessential “Cosmo girl.” Cosmopolitan is known for its vivacious character and frank, explicit attitude toward sex, yet because of its reputation, many people don’t realize that the magazine has undergone many incarnations before its current one, including family literary magazine and muckraking investigative journal, and all are presented in The Improbable First Century of Cosmopolitan Magazine. The book boasts one particularly impressive contributor: Helen Gurley Brown herself, who rarely grants interviews but spoke and corresponded with James Landers to aid in his research. When launched in 1886, Cosmopolitan was a family literary magazine that published quality fiction, children’s stories, and homemaking tips. In 1889 it was rescued from bankruptcy by wealthy entrepreneur John Brisben Walker, who introduced illustrations and attracted writers such as Mark Twain, Willa Cather, and H. G. Wells. Then, when newspaper magnate William Randolph Hearst purchased Cosmopolitan in 1905, he turned it into a purveyor of exposé journalism to aid his personal political pursuits. But when Hearst abandoned those ambitions, he changed the magazine in the 1920s back to a fiction periodical featuring leading writers such as Theodore Dreiser, Sinclair Lewis, and William Somerset Maugham. His approach garnered success by the 1930s, but poor editing sunk Cosmo’s readership as decades went on. By the mid-1960s executives considered letting Cosmopolitan die, but Helen Gurley Brown, an ambitious and savvy businesswoman, submitted a plan for a dramatic editorial makeover. Gurley Brown took the helm and saved Cosmopolitan by publishing articles about topics other women’s magazines avoided. Twenty years later, when the magazine ended its first century, Cosmopolitan was the profit center of the Hearst Corporation and a culturally significant force in young women’s lives. The Improbable First Century of Cosmopolitan Magazine explores how Cosmopolitan survived three near-death experiences to become one of the most dynamic and successful magazines of the twentieth century. Landers uses a wealth of primary source materials to place this important magazine in the context of history and depict how it became the cultural touchstone it is today. This book will be of interest not only to modern Cosmo aficionadas but also to journalism students, news historians, and anyone interested in publishing.
Architectural Digest at 100 by Architectural Digest,Amy Astley Pdf
A 100-year visual history of the magazine, showcasing the work of top interior designers and architects, and the personal spaces of numerous celebrities. Architectural Digest at 100 celebrates the best from the pages of the international design authority. The editors have delved into the archives and culled years of rich material covering a range of subjects. Ranging freely between present and past, the book features the personal spaces of dozens of private celebrities like Barack and Michelle Obama, David Bowie, Truman Capote, David Hockney, Michael Kors, and Diana Vreeland, and includes the work of top designers and architects like Frank Gehry, David Hicks, India Mahdavi, Peter Marino, John Fowler, Renzo Mongiardino, Oscar Niemeyer, Axel Vervoordt, Frank Lloyd Wright, and Elsie de Wolfe. Also included are stunning images from the magazine’s history by photographers such as Bill Cunningham, Horst P. Horst, Simon Upton, Francois Dischinger, Francois Halard, Julius Shulman, and Oberto Gili. “The book is really a survey of how Americans have lived—and how American life has changed—over the past 100 years.” ?Los Angeles Times “A Must-Have Book!” ?Interior Design Magazines “Written in the elevated quality that only the editors of Architectural Digest can master so well, AD at 100: A Century of Style is the world’s newest guide to the best and brightest designs to inspire your next big home project.” ?The Editorialist
Author : Andrew L. Yarrow Publisher : U of Nebraska Press Page : 408 pages File Size : 41,9 Mb Release : 2021-11 Category : History ISBN : 9781640125117
Andrew L. Yarrow tells the story of Look magazine, one of the greatest mass-circulation publications in American history, and the very different United States in which it existed. The all-but-forgotten magazine had an extraordinary influence on mid-twentieth-century America, not only by telling powerful, thoughtful stories and printing outstanding photographs but also by helping to create a national conversation around a common set of ideas and ideals. Yarrow describes how the magazine covered the United States and the world, telling stories of people and trends, injustices and triumphs, and included essays by prominent Americans such as Martin Luther King Jr. and Margaret Mead. It did not shy away from exposing the country’s problems, but it always believed that those problems could be solved. Look, which was published from 1937 to 1971 and had about 35 million readers at its peak, was an astute observer with a distinctive take on one of the greatest eras in U.S. history—from winning World War II and building immense, increasingly inclusive prosperity to celebrating grand achievements and advancing the rights of Black and female citizens. Because the magazine shaped Americans’ beliefs while guiding the country through a period of profound social and cultural change, this is also a story about how a long-gone form of journalism helped make America better and assured readers it could be better still.