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Approaching Ishiguro's writings as a corpus, this volume highlights the significance of margins and the instability of demarcation, seeking to expose what is deliberately obscured or revealled within the narrative.
Maria de Lurdes Craveiro,Carla Alexandra Gonçalves
Author : Maria de Lurdes Craveiro,Carla Alexandra Gonçalves Publisher : Vernon Press Page : 362 pages File Size : 45,7 Mb Release : 2019-10-01 Category : Art ISBN : 9781622735914
The Centre as Margin: Eccentric Perspectives on Art by Maria de Lurdes Craveiro,Carla Alexandra Gonçalves Pdf
'The Centre as Margin. Eccentric Perspectives on Art' is a multi-authored volume of collected essays that answer the challenge of thinking Art History, and the Arts in a broader sense, from a liminal point of view. Its main goal is thus to discuss the margin from the centre - drawing on its concomitance within study themes and subjects, ontological and epistemological positions, or research methodologies themselves. Marginality, eccentricity, liminality, and superfluity are all part of a dynamic relationship between centre and margin(s) that will be approached and discussed, from the point of view of disciplines as different and as close as art history, philosophy, literature and design, from medieval to contemporary art. Resulting from recent research developed from the privileged viewpoint offered by the margin, this volume brings together the contributions of young researchers along with the work of career scholars. Likewise, it does not obey a traditional or a rigid diachronic structure, being rather organized in three major parts that organically articulate the different essays. Within each of these parts in which the book is divided, papers are sometimes organized according to their timeframes, providing the reader with an encompassing (though not encyclopedic) overview of the common ground over which the various artistic disciplines build their methodological, theoretical, and thematic centers and margins. The intended eccentricity of this volume – and the original essays herein presented – should provide researchers, scholars, students, artists, curators, and the general reader interested in art with a refreshing approach to its various scientific strands.
The Badlands of Modernity by Kevin Hetherington Pdf
The Badlands of Modernity offers a wide ranging and original interpretation of modernity as it emerged during the eighteenth century through an analysis of some of the most important social spaces. Drawing on Foucault's analysis of heterotopia, or spaces of alternate ordering, the book argues that modernity originates through an interplay between ideas of utopia and heterotopia and heterotopic spatial practice. The Palais Royal during the French Revolution, the masonic lodge and in its relationship to civil society and the public sphere and the early factories of the Industrial Revolution are all seen as heterotopia in which modern social ordering is developed. Rather than seeing modernity as being defined by a social order, the book argues that we need to take account of the processes and the ambiguous spaces in which they emerge, if we are to understand the character of modern societies. The book uses these historical examples to analyse contemporary questions about modernity and postmodernity, the character of social order and the significance of marginal space in relation to issues of order, transgression and resistance. It will be important reading for sociologists, geographers and social historians as well as anyone who has an interest in modern societies.
Traces a relationship between Jung and literature by analysing his texts using the methodology of literary theory, shedding new light on his psychology and its relationship with literature as a cultural practice.
Herbert Marshall McLuhan (1911-1980) received his PhD in English literature from Cambridge University and taught in the United States and Canada. He is best known, however, as the founding father of media studies. McLuhan was Director of the Center for Culture and Technology at the University of Toronto. Among his ground-breaking works on the psychic and social dimensions of communication technology are The Gutenberg Galaxy (1962); Understanding Media: the Extensions of Man (1964); and The Medium Is the Massage: An Inventory of Effects (1967). Michel Moos' premise is that Marshall McLuhan's importance derives from his achievements in rethinking the entire process of education and training itself, not with his popular fame as media guru, and he analyzes McLuhan's work from the feedback effect his vision continues to provide, rather than from the perspective of interpreting McLuhan's pronouncements on the electronic media. Moos contrasts McLuhan's thoughts with those of such thinkers as Roland Barthes, Fredric Jameson, Friedrich Kittler, Donna Haraway, and Deleuze and Guattari, and renders an updated account of the effect of the mass media on our society and ourselves. The concept "the medium is the message" is the hub around which Marshall McLuhan's explorations revolved. McLuhan's interests ranged from sixteenth-century literature to twentieth-century business practices. With wit and literary flair, he reported the media's influence on society and on the individual. He concluded that we could not escape being transformed by the forces that are hidden deeply within the electronic telecommunications revolution of the sixties. For McLuhan, the new mediums of film, television, and the emerging realm of the digital were the modern equivalent of Gutenberg's printing press. Essays by M. McLuhan. Edited and with a Commentary by M.A. Moos.
International Theory by Steve Smith,Ken Booth,Marysia Zalewski Pdf
This book provides a major review of the state of international theory. It is focused around the issue of whether the positivist phase of international theory is now over, or whether the subject remains mainly positivistic. Leading scholars analyse the traditional theoretical approaches in the discipline, then examine the issues and groups which are marginalised by mainstream theory, before turning to four important new developments in international theory (historical sociology, post-structuralism, feminism, and critical theory). The book concludes with five chapters which look at the future of the subject and the practice of international relations. This survey brings together key figures who have made leading contributions to the development of mainstream and alternative theory, and will be a valuable text for both students and scholars of international relations.
Does geography affect our sense of 'self'? How are social characteristics mapped out on the ground? And is there any 'authentic' sense of place now, or are we increasingly 'placeless'? Concentrating on the period between the end of the Second World War and the end of the century, this Reader argues that there is a reciprocal relationship between the constitution of places and people. What it means to be a man or a woman , to have a nationality and a sense of place, has been transformed and reinvented as our view of the world has changed. The present is perceived as a time of fear, a period in which all that is solid seems to melt into air, while the 1950s are a site of nostalgia, a period of clarity and certainty, a time when people know their place. Bringing together an interdisciplinary collection of articles for social and cultural geographers, this Reader critically examines the argument that the close associations of the 1950s between place (the home, the community and the nation state) and the social divisions (gender, class and nationality) are breaking down in the 1990s. Drawing out the oppositional movements in each decade, it seeks to show how the supposed stability of one and the mobility of the other are exaggerated.
James Smith (author of the Panorama of science and art.)
Author : James Smith (author of the Panorama of science and art.) Publisher : Unknown Page : 546 pages File Size : 51,9 Mb Release : 1816 Category : Industrial arts ISBN : DMM:057002476129