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Mason Dixon: Basketball Disasters by Claudia Mills Pdf
Here's the third entry in Claudia Mills' charming middle-grade series. Mason Dixon survived the school choir. He survived adopting his now-beloved dog named, uh, Dog. But now he faces his biggest challenge yet: joining the local basketball team. Not by choice, of course. Not only do his parents encourage it, but his dad even volunteers to be his coach. Now, with his best pal Brody and a team of misfits even worse at basketball than him (if that's possible), Mason must try to rally to beat his arch-rival, the school bully Dunk. Just another day-in-the-life of a disaster-prone fourth grader.
"A novel that is as moving as it is cerebral, as poignant as it is daring." - Michiko Kakutani, The New York Times "Mason & Dixon - like Huckleberry Finn, like Ulysses - is one of the great novels about male friendship in anybody's literature." - John Leonard, The Nation Charles Mason (1728–1786) and Jeremiah Dixon (1733–1779) were the British surveyors best remembered for running the boundary between Pennsylvania and Maryland that we know today as the Mason-Dixon Line. Here is their story as reimagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, major caffeine abuse. Unreflectively entangled in crimes of demarcation, Mason & Dixon take us along on a grand tour of the Enlightenment’s dark hemisphere, from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back to England, into the shadowy yet redemptive turns of their later lives, through incongruities in conscience, parallaxes of personality, tales of questionable altitude told and intimated by voices clamoring not to be lost. Along the way they encounter a plentiful cast of characters, including Benjamin Franklin, George Washington, and Samuel Johnson, as well as a Chinese feng shui master, a Swedish irredentist, a talking dog, and a robot duck. The quarrelsome, daring, mismatched pair—Mason as melancholy and Gothic as Dixon is cheerful and pre-Romantic—pursues a linear narrative of irregular lives, observing, and managing to participate in the many occasions of madness presented them by the Age of Reason.
If the Mason-Dixon Line could talk, here are the stories. It would tell. Pulitzerprize winning reporter and travel writer Bill Ecenbarger has walked the Mason-Dixon line - from its beginning on Fenwick Island, Delaware, to its end at Brown's Hill, Pennsylvania - diverting left and right to Interview the people who live along its border. The line was surveyed between 1763 and 1768 by Charles Mason and Jeremiah Dixon to settle a dispute between Robert Penn and Lord Calvert, whose family owned what is now the state of Maryland. In 1780, Pennsylvania passed a law to abolish slavery, making the Mason-Dixon Line the divider between free and slave states. From that moment, it also became a lightning rod for racial conflict that continues to this day. This unique history/travelogue examines the influence of this great divider, which remains the most powerful symbol separating Yankee from Rebel, oatmeal from grits, North from South.
King Charles I of England granted the Calvert Family a charter for the Colony of Maryland in 1632. Forty-nine years later, in 1681, Charles II awarded the Penn Family a similar charter for Pennsylvania. However, the ambiguity of the language and lack of precision in both grants sowed the seeds of dispute over a sixty-nine mile parcel of land between the 39th and 40th degrees of North Latitude. Had the Calverts prevailed, part of the City of Philadelphia would now be in Maryland, and had the Penns succeeded Baltimore would today be in the state of Pennsylvania! Arguments between the opposing parties dragged on for more than half a century before the English Courts finally issued a decree: Neither the Calverts nor the Penns would prevail; the border between Maryland and Pennsylvania would be a line of latitude located fifteen miles due south of the most southern point in the city of Philadelphia. As a result, in 1763 two British mathematicians and surveyors-Charles Mason and Jeremiah Dixon-were commissioned to accurately survey and mark the 244- mile boundary between the two colonies.We all have referred to the resulting Mason Dixon Line in casual conversation as the line that divides Pennsylvania and Maryland, or perhaps as the line between the free and slave states during the Civil War. But what do we actually know about Charles Mason and Jeremiah Dixon, and why is an imaginary line named after them? Author Jack Layton decided to find out. Over the course of several years he literally walked the line, recording his observations and taking revealing photographs along the entire route. The results-informative, entertaining, ironic and amusing-form the heart of this book. Luckily for us, Charles Mason was a meticulous man who kept a detailed journal of his remarkable experiences in the New World. Mr. Layton used his daily record, kept during the three years that he and his partner spent traipsing through the mountains and valleys of America, as the backbone for this book, with liberal use of direct quotations. Amazingly, some of what the men saw and described has not changed much in the intervening two-and-a-half centuries, while other sights would not be recognizable at all today. Enjoy a trip back to colonial America. Join Jack Layton as he takes a walk in the footsteps of history, following the path blazed by two men whose names and the boundary they surveyed are today a household word-the Mason Dixon Line!
Stealing Freedom Along the Mason-Dixon Line by Milt Diggins Pdf
Slavery, freedom, and kidnapping in the mid-Atlantic. This is the story of Thomas McCreary, a slave catcher from Cecil County, Maryland. Reviled by some, proclaimed a hero by others, he first drew public attention in the late 1840s for a career that peaked a few years after passage of the Fugitive Slave Act of 1850. Living and working as he did at the midpoint between Philadelphia, an important center for assisting fugitive slaves, and Baltimore, a major port in the slave trade, his story illustrates in raw detail the tensions that arose along the border between slavery and freedom just prior to the Civil War. McCreary and his community provide a framework to examine slave catching and kidnapping in the Baltimore-Wilmington-Philadelphia region and how those activities contributed to the nation’s political and visceral divide.
The Mason-Dixon Line’s history, replete with property disputes, persecution, and ideological conflicts, traverses our country’s history from its founding to today. We live in a world of boundaries — geographic, scientific, cultural, and religious. One of America’s most enduring boundaries is the Mason-Dixon Line, most associated with the divide between the North and the South and the right to freedom for all people. Sibert Medal–winning author Sally M. Walker traces the tale of the Mason-Dixon Line through family feuds, brave exploration, scientific excellence, and the struggle to define a cohesive country. But above all, this remarkable story of surveying, marking, and respecting lines of demarcation will alert young history buffs to their guaranteed right and responsibility to explore, challenge, change, and defend the boundaries that define them.
Growing Up South of the Mason-Dixon Line by Michael Braswell,Anthony Cavender,Ralph Bland,Donald Ball Pdf
From drinking sweet tea on a beloved grandmother's porch to playing army to witnessing prejudice and violence or receiving the lash, these stories illustrate growing up in the South during the 1950s and 1960s, what it felt, tasted, and looked like through the eyes of the boys who lived it.
Ola Belle Reed and Southern Mountain Music on the Mason-Dixon Line by Clifford R. Murphy,Henry Glassie,Douglas Dowling Peach Pdf
Ola Belle Reed (1916-2002) was one of the all-time greatest performers of Appalachian music. Ola Belle Reed and Southern Mountain Music on the Mason-Dixon Line combines Reed's 1960s recordings, some of the earliest she ever made and available here for the very first time, with modern-day field recordings of her descendants and those she inspired within her Appalachian community. This deluxe edition highlights Reed's deep repertoire--folk ballads, minstrel songs, country standards and originals--and traces the impact her music made and is still making today. The two-CD set is accompanied by a luxurious publication tracing Reed's influence and the folklorists who have tracked it: Henry Glassie, who first heard Alex and Ola Belle play in 1966 at the back of the Campbell's Corner general store, and Clifford R. Murphy, who, four decades later, recorded Reed's modern successors in Maryland, Delaware and Pennsylvania.
New Yorker James Baldwin once declared that a black man can look at a map of the United States, contemplate the area south of the Mason-Dixon Line, and thus scare himself to death. In The Scary Mason-Dixon Line, renowned literary scholar Trudier Harris explores why black writers, whether born in Mississippi, New York, or elsewhere, have consistently both loved and hated the South. Harris explains that for these authors the South represents not so much a place or even a culture as a rite of passage. Not one of them can consider himself or herself a true African American writer without confronting the idea of the South in a decisive way. Harris considers native-born black southerners Raymond Andrews, Ernest J. Gaines, Edward P. Jones, Tayari Jones, Yusef Komunyakaa, Randall Kenan, and Phyllis Alesia Perry, and nonsouthern writers James Baldwin, Sherley Anne Williams, and Octavia E. Butler. The works Harris examines date from Baldwin's Blues for Mr. Charlie (1964) to Edward P. Jones's The Known World (2003). By including Komunyakaa's poems and Baldwin's play, as well as male and female authors, Harris demonstrates that the writers' preoccupation with the South cuts across lines of genre and gender. Whether their writings focus on slavery, migration from the South to the North, or violence on southern soil, and whether they celebrate the triumph of black southern heritage over repression or castigate the South for its treatment of blacks, these authors cannot escape the call of the South. Indeed, Harris asserts that creative engagement with the South represents a defining characteristic of African American writing. A singular work by one of the foremost literary scholars writing today, The Scary Mason-Dixon Line superbly demonstrates how history and memory continue to figure powerfully in African American literary creativity.
THE FIRST POPULAR HISTORY OF THE MAKING OF THE MASON-DIXON LINE The Mason-Dixon line-surely the most famous surveyors' line ever drawn-represents one of the greatest and most difficult scientific achievements of its time. But behind this significant triumph is a thrilling story, one that has thus far eluded both historians and surveyors. In this engrossing narrative, professional surveyor Edwin Danson takes us on a fascinating journey with Charles Mason and Jeremiah Dixon, two gifted and exuberant English surveyors, through the fields and forests of eighteenth-century America. Vividly describing life in the backwoods and the hardships and dangers of frontier surveying, Drawing the Line discloses for the first time in 250 years many hitherto unknown surveying methods, revealing how Mason and Dixon succeeded where the best American surveyors of the period failed. In accessible, ordinary language, Danson masterfully throws the first clear light on the surveying of the Mason-Dixon line. Set in the social and historical context of pre-Revolutionary America, this book is a spellbinding account of one of the great and historic achievements of its time. Advance Praise for Drawing the Line "Drawing the Line combines a fast-moving story, a human drama, and a clear account of surveying in the era of George Washington. An intriguing interaction of politics and science."-CHARLES ROYSTER, Boyd Professor of History, Louisiana State University, and Winner of the Bancroft Prize in History
The Multiple Worlds of Pynchon's Mason & Dixon by Elizabeth Jane Wall Hinds Pdf
New essays examining the interface between 18th- and 20th-century culture both in Pynchon's novel and in the historical past. Thomas Pynchon's 1997 novel Mason & Dixon marked a deep shift in Pynchon's career and in American letters in general. All of Pynchon's novels had been socially and politically aware, marked by social criticism and a profound questioning of American values. They have carried the labels of satire and black humor, and "Pynchonesque" has come to be associated with erudition, a playful style, anachronisms and puns -- and an interest in scientific theories, popular culture, paranoia, and the "military-industrial complex." In short, Pynchon's novels were the sine qua non of postmodernism; Mason & Dixon went further, using the same style, wit, and erudition to re-create an 18th century when "America" was being formed as both place and idea. Pynchon's focus on the creation of the Mason-Dixon Line and the governmental and scientific entities responsible for it makes a clearer statement than any of his previous novels about the slavery and imperialism at the heart of the Enlightenment, as he levels a dark and hilarious critique at this America. This volume of new essays studies the interface between 18th- and 20th-century cultureboth in Pynchon's novel and in the historical past. It offers fresh thinking about Pynchon's work, as the contributors take up the linkages between the 18th and 20th centuries in studies that are as concerned with culture as withthe literary text itself. Contributors: Mitchum Huehls, Brian Thill, Colin Clarke, Pedro Garcia-Caro, Dennis Lensing, Justin M. Scott Coe, Ian Copestake, Frank Palmeri. Elizabeth Jane Wall Hinds is Professor and Chair of the English Department at SUNY Brockport.
Mason Dixon: Fourth-Grade Disasters by Claudia Mills Pdf
Here's the second entry in veteran author Claudia Mills' charming middle-grade series, which finds the lovably sardonic title character starting the fourth grade, which he's dreading: everyone in fourth grade is expected to join the school choir. And sing. In front of everyone. Mason can't think of many things he enjoys less than singing. But performing in front of other people might come close; Mason devises a foolproof plan that will keep him out of the spotlight on concert night. Of course, in the world of Mason Dixon, there is no such thing as a foolproof plan. There is only disaster.
