The Mechanical Muse The Piano Pianism And Piano Music C 1760 1850

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The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850

Author : Derek Carew
Publisher : Routledge
Page : 666 pages
File Size : 50,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351542685

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The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850 by Derek Carew Pdf

This book charts the piano's accession from musical curiosity to cultural icon, examining the instrument itself in its various guises as well as the music written for it. Both the piano and piano music were very much the product of the intellectual, cultural and social environments of the period and both were subject to many influences, directly and indirectly. These included character (individualism), the vernacular ('folk/popular') and creativity (improvisation), all of which are discussed generally and with respect to the music itself. Derek Carew surveys the most important pianistic genres of the period (variations, rondos, and so on), showing how these changed from their received forms into vehicles of Romantic expressiveness. The piano is also looked at in its role as an accompanying instrument. The Mechanical Muse will be of interest to anyone who loves the piano or the period, from the non-specialist to the music postgraduate.

The Mechanical Muse

Author : Derek Care
Publisher : Lund Humphries Publishers
Page : 1004 pages
File Size : 44,8 Mb
Release : 2008-07-01
Category : Music
ISBN : 0754666646

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The Mechanical Muse by Derek Care Pdf

Vol 1: This book charts the piano's accession from musical curiosity to cultural icon, examining the instrument itself in its various guises as well as the music written for it. Both the piano and piano music were very much the product of the intellectual, cultural and social environments of the period and both were subject to many influences, including: character, vernacular and creativity. Derek Carew surveys the most important pianistic genres of the period, showing how these changed from their received forms into vehicles of Romantic expressiveness. The Mechanical Muse will be of interest to anyone who loves the piano or the period, from the non-specialist to the music postgraduate. Vol 2: This Companion is intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. As well as biographical information, entries contain lists of principal works, a section on further reading, descriptions of musical forms and characteristics of dances. This Companion is indispensable to users of The Mechanical Muse.

The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850

Author : Derek Carew
Publisher : Routledge
Page : 338 pages
File Size : 52,7 Mb
Release : 2016-03-23
Category : Music
ISBN : 9781317037668

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The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850 by Derek Carew Pdf

Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest. Also included in The Companion are entries devoted to particular works and other information of relevance, such as descriptions of musical forms, characteristics of dances and so on, as well as some technical information on music and explanations of technical terms pertaining to keyboard instruments themselves and to ways of playing them. This Companion is not intended to replace existing reference books such as Grove or Musik in Geschichte und Gegenwart, but will be useful for those who desire to know more about a particular topic and do not necessarily have access to more specialist reference works, or time to visit large or specialist libraries. As such it is indispensable to users of The Mechanical Muse.

The Companion to The Mechanical Muse

Author : Derek Carew
Publisher : Unknown
Page : 328 pages
File Size : 49,9 Mb
Release : 2007
Category : Musicians
ISBN : 1315614898

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The Companion to The Mechanical Muse by Derek Carew Pdf

"The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760?850 "

Author : Derek Carew
Publisher : Routledge
Page : 923 pages
File Size : 53,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351542678

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"The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760?850 " by Derek Carew Pdf

This book charts the piano's accession from musical curiosity to cultural icon, examining the instrument itself in its various guises as well as the music written for it. Both the piano and piano music were very much the product of the intellectual, cultural and social environments of the period and both were subject to many influences, directly and indirectly. These included character (individualism), the vernacular ('folk/popular') and creativity (improvisation), all of which are discussed generally and with respect to the music itself. Derek Carew surveys the most important pianistic genres of the period (variations, rondos, and so on), showing how these changed from their received forms into vehicles of Romantic expressiveness. The piano is also looked at in its role as an accompanying instrument. The Mechanical Muse will be of interest to anyone who loves the piano or the period, from the non-specialist to the music postgraduate.

The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850

Author : Derek Carew
Publisher : Routledge
Page : 494 pages
File Size : 47,8 Mb
Release : 2016-03-23
Category : Music
ISBN : 9781317037651

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The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760–1850 by Derek Carew Pdf

Intended as a supplement to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850, this Companion provides additional information which, largely for reasons of space but also of continuity, it was not possible or desirable to include in that volume. The book is laid out alphabetically and full biographical entries are provided for all musical figures mentioned, including composers, performers, theoreticians and teachers, as well as piano makers and publishers of music, within the period covered by The Mechanical Muse. There are also entries on figures of importance from outside the period but whose influence is palpably important within it, such as J.S. Bach. As well as biographical information, all these entries contain lists of principal works and a section on further reading so that readers can follow up people and matters of particular interest. Also included in The Companion are entries devoted to particular works and other information of relevance, such as descriptions of musical forms, characteristics of dances and so on, as well as some technical information on music and explanations of technical terms pertaining to keyboard instruments themselves and to ways of playing them. This Companion is not intended to replace existing reference books such as Grove or Musik in Geschichte und Gegenwart, but will be useful for those who desire to know more about a particular topic and do not necessarily have access to more specialist reference works, or time to visit large or specialist libraries. As such it is indispensable to users of The Mechanical Muse.

Sourcebook for Research in Music, Third Edition

Author : Allen Scott
Publisher : Indiana University Press
Page : 518 pages
File Size : 55,6 Mb
Release : 2015-06-01
Category : Music
ISBN : 9780253014566

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Sourcebook for Research in Music, Third Edition by Allen Scott Pdf

Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.

The First Fleet Piano: Volume One

Author : Geoffrey Lancaster
Publisher : ANU Press
Page : 919 pages
File Size : 51,5 Mb
Release : 2015-11-03
Category : Music
ISBN : 9781922144652

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The First Fleet Piano: Volume One by Geoffrey Lancaster Pdf

During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.

The Pianist's Bookshelf, Second Edition

Author : Maurice Hinson,Wesley Roberts
Publisher : Indiana University Press
Page : 254 pages
File Size : 54,7 Mb
Release : 2023
Category : Music
ISBN : 9780253067289

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The Pianist's Bookshelf, Second Edition by Maurice Hinson,Wesley Roberts Pdf

Originally published in 1997, The Pianist's Bookshelf, was, according to the Library Journal, "a unique and valuable tool." Now rewritten for a modern audience, this second edition expands into the 21st century. A completely revised update, The Pianist's Bookshelf, Second Edition, comes to the rescue of pianists overwhelmed by the abundance of books, videos, and other works about the piano. In this clear, easy-to-use reference book, Maurice Hinson and Wesley Roberts survey hundreds of sources and provide concise, practical annotations for each item, thus saving the reader hours of precious research time. In addition to the main listings of entries, such as "Chamber Music" and "Piano Duet," the book has indexes of authors, composers, and performers. A handy reference from the masters of piano bibliography, The Pianist's Bookshelf, Second Edition, will be an invaluable resource to students, teachers, and musicians.

The Correspondence of Christian Gottfried Krause

Author : Darrell Berg
Publisher : Ashgate Publishing, Ltd.
Page : 314 pages
File Size : 55,7 Mb
Release : 2009
Category : Music
ISBN : 0754664295

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The Correspondence of Christian Gottfried Krause by Darrell Berg Pdf

The fascinating correspondence of the Berlin lawyer and musician Christian Gottfried Krause is an important document reflecting the trends and developments in aesthetics, music theory and music making in the Prussian capital during the reign of Frederick the Great. Krause's letters shed light on the rise of a bourgeois music culture, which during his lifetime gradually replaced the traditional musical institutions at court and in the churches, preparing the urban musical culture which to this day dominates German socio-cultural structures. An introduction and abundant annotations help to reveal a picture of a pivotal cultural moment and will be of interest to anyone working on the roots of urban musical culture and the culture of the mid-eighteenth century in general.

Robert Schumann: Piano Concerto

Author : Julian Horton
Publisher : Cambridge University Press
Page : 219 pages
File Size : 40,8 Mb
Release : 2023-11-30
Category : Music
ISBN : 9781316512586

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Robert Schumann: Piano Concerto by Julian Horton Pdf

Offers an introduction to one of the most important and influential piano concertos in the history of Western music. It combines an account of the work's genesis with a detailed yet accessible analysis of each movement and new research into its reception and performance history.

The Piano in Nineteenth-century British Culture

Author : Therese Marie Ellsworth,Susan Wollenberg
Publisher : Ashgate Publishing, Ltd.
Page : 306 pages
File Size : 42,9 Mb
Release : 2007-01-01
Category : Music
ISBN : 0754661431

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The Piano in Nineteenth-century British Culture by Therese Marie Ellsworth,Susan Wollenberg Pdf

The publication of The London Pianoforte School (ed. Nicholas Temperley) twenty years ago, launched a proliferation of research on music for the piano during the late eighteenth and nineteenth centuries. It also expanded research into the developments of musical life in London--for a time the centre of piano manufacturing, publishing and performance. However, nothing has focused on the piano exclusively within Britain. The eleven chapters in this volume explore major issues surrounding the instrument, its performers and music within an expanded geographical context created by the spread of the instrument and the growth of concert touring.

Isolde Ahlgrimm, Vienna and the Early Music Revival

Author : Peter Watchorn
Publisher : Ashgate Publishing, Ltd.
Page : 274 pages
File Size : 51,7 Mb
Release : 2007-01-01
Category : Music
ISBN : 0754657876

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Isolde Ahlgrimm, Vienna and the Early Music Revival by Peter Watchorn Pdf

Isolde Ahlgrimm (1914-1995), was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Peter Watchorn provides an engaging study of Ahlgrimm, and argues that her contribution to the harpsichord and fortepiano revival was pivotal, and that her use of period instruments and the inspiration she instilled in younger musicians, including Nikolaus Harnoncourt and Gustav Leonhardt, has been almost entirely overlooked by the wider musical world.

Muzio Clementi and British Musical Culture

Author : Luca Lévi Sala,Rohan H. Stewart-MacDonald
Publisher : Routledge
Page : 258 pages
File Size : 49,6 Mb
Release : 2018-06-14
Category : Music
ISBN : 9781351800884

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Muzio Clementi and British Musical Culture by Luca Lévi Sala,Rohan H. Stewart-MacDonald Pdf

Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.

Musical Improvisation and Open Forms in the Age of Beethoven

Author : Gianmario Borio,Angela Carone
Publisher : Routledge
Page : 244 pages
File Size : 43,6 Mb
Release : 2017-12-14
Category : Music
ISBN : 9781315406367

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Musical Improvisation and Open Forms in the Age of Beethoven by Gianmario Borio,Angela Carone Pdf

Improvisation was a crucial aspect of musical life in Europe from the late eighteenth century through to the middle of the nineteenth, representing a central moment in both public occasions and the private lives of many artists. Composers dedicated themselves to this practice at length while formulating the musical ideas later found at the core of their published works; improvisation was thus closely linked to composition itself. The full extent of this relation can be inferred from both private documents and reviews of concerts featuring improvisations, while these texts also inform us that composers quite often performed in public as both improvisers and interpreters of pieces written by themselves or others. Improvisations presented in concert were distinguished by a remarkable degree of structural organisation and complexity, demonstrating performers’ consolidated abilities in composition as well as their familiarity with the rules for improvising outlined by theoreticians.