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WINNER OF THE DASHIELL HAMMETT AWARD One night up in Montana, C.W. Sughrue sets his seedy bar’s pricey jukebox in front of an oncoming freight train. When predictable results ensue, he needs to find a way to make some money and pay back the jukebox company. So even though Sughrue’s officially retired from P.I. work, he picks up one small-time case involving some kidnapped fish. That fishy trail leads to a much bigger case involving a Texas politician's kidnapped wife, a valuable piece of pre-Columbian pottery, and a single mother who packs guns and stolen goods in her infant son's diaper bag.
C.W. Sughrue has been gut-shot and left to die and is, for the first time in his life, actually scared—which makes him angry. Milo Milodragovitch has been robbed of his three-million dollar inheritance by a pipsqueak banker and a butch lady poet; he’s not scared at all, just pissed. In a spiffy suit and a red Cadillac, Milo trails his thieves to the Mexican border, where the community consists of “three kinds of drug smugglers, six different breeds of law dogs, and every kind of criminal ever dreamed up”—that is, bordersnakes. When Milo and Sughrue cross paths, they head off together on a dope-smoking, trash-talking, hard-drinking, blood-spattering roadtrip across the West.
One of the most influential crime novels ever written, by a legend of the genre. Tough, hard-boiled, and brilliantly suspenseful, The Last Good Kiss is an unforgettable detective story starring C. W. Sughrue, a Montana investigator who kills time by working at a topless bar. Hired to track down a derelict author, he ends up on the trail of a girl missing in Haight-Ashbury for a decade. The tense hunt becomes obsessive as Sughrue takes a haunting journey through the underbelly of America's sleaziest nightmares.
Men After War by Stephen McVeigh,Nicola Cooper Pdf
This book is an innovative collection of original research which analyzes the many varieties of post-conflict masculinity. Exploring topics such as physical disability and psychological trauma, and masculinity and sexuality in relation to the "feminizing" contexts of wounding and desertion, this volume draws together leading academics in the fields of gender, history, literature, and disability studies, in an inter- and multi-disciplinary exploration of the conditions and circumstances that men face in the aftermath of war.
After the Death of Literature by Richard B. Schwartz Pdf
Schwartz speculates that Johnson - who revered hard facts, a wide cultural base, and common sense - would have exhibited scant patience with the heavily academic approaches currently favored in the study of literature. He considers it probable that the combatants in the early struggles of the culture wars are losing energy and that, in the wake of Alvin Kernan's declaration of the death of literature, new battlegrounds are developing. Ironically admiring the orchestration and staging of battles old and new - "superb" he calls them - he characterizes the entire culture war as a "battle between straw men, carefully constructed by the combatants to sustain a pattern of polarization that could be exploited to provide continuing professional advancement."
James Crumley is one of the most revered practitioners of post-Chandler crime fiction, praised by the likes of Dennis Lehane and Michael Connelly as a major influence. C. W. Sughrue is Crumley's most indelible creation. Now Sughrue is back, in a searing thrill ride of a novel that has the seen-it-all Montana private eye trying to find out which of a small-town shrink's bizarre patients has made off with some highly confidential files. Fast-paced, brutal, melancholy, and ruefully funny, The Right Madness is Crumley at his uncompromising best.
The time: late summer, 1962. The place: Clark Air Force Base, the Philippines. Sergeant Jacob "Slag" Krummel, a scholar by intent but a warrior by breeding, assumes command of the 721st Communication Security Deteachment, an unsoldierly crew of bored, rebellious, whoring, foul-mouthed, drunken enlistees. Surviving military absurdities reminiscent of those in Catch-22 only to be shipped clandestinely to Vietnam, Krummel's band confront their worst fears while finally losing faith in America and its myths. Powerful, scathingly funny, and eloquent, One to Count Cadence is a triumphant novel about manhood, anger, war, and lies.
Ducks, Geese, and Swans of North America by Guy Baldassarre Pdf
The best-selling and authoritative reference book on waterfowl has been fully revised and updated by one of the world’s most respected waterfowl biologists. Honorable Mention for the PROSE Award for Excellence, Multivolume/Science of the Association of American Publishers Ducks, Geese, and Swans of North America has been hailed as a classic since the first edition was published in 1942. A must-have for professional biologists, birders, waterfowl hunters, decoy collectors, and wildlife managers, this fully revised and updated edition provides definitive information on the continent's forty-six species. Maps of both winter and breeding ranges are presented with stunning images by top waterfowl photographers and the acclaimed original artwork of Robert W. (Bob) Hines. Originally authored by F. H. Kortright and later revised by Frank Bellrose, this latest edition, which has been meticulously updated by renowned waterfowl biologist Guy Baldassarre, continues the legacy of esteemed authors. Each species account contains in-depth sections on: • identification • distribution • migration behavior • habitat • population status • breeding biology • rearing of young • recruitment and survival • food habits and feeding ecology • molts and plumages • conservation and management To facilitate identification, the species accounts also include detailed illustrations of wings. An appendix contains comparative illustrations of ducklings, goslings, and cygnets. This edition of Ducks, Geese, and Swans consists of two volumes, printed in full color, and packaged in a slipcase, along with a CD containing references and additional maps.
An extraordinary detective story from one of the great American crime fiction authors. Milo once had a thriving divorce-case business in the small town of in the Pacific Northwest, but because of liberal new divorce laws he has taken to drinking and staring out the window. He's up to his third drink of the morning when an attractive young woman walks into his office and asks him to find her brother. He takes on what seems a routine missing-person case in hopes of getting to know her better, but finds himself involved in what is most definitely the wrong case. Everyone is a victim, one way or another, of a crime that took place long before the novel begins.
‘This complex thriller is so hardboiled it makes Ellroy and Connelly read like Simon and Garfunkel... it’s good. Very good’ Time Out Settling – and calming – down is never easy. Especially not for Milo Milodragovitch. He’s set up a bar, and found a woman he thinks he may love, but he can’t leave his work as a private investigator behind entirely. When he crosses paths with ex-con Enos Walker, and as the bullets fly, he’s launched on to a cocaine- and alcohol-fuelled quest to solve a 20-year-old mystery. It’s a journey that will take him racing across Texas, Montana and Mexico, with barely a moment for him – or you – to catch breath... ‘A brilliant achievement, with Crumley returned to his full powers, seeming to say with each assured sentence, “Yeah, I’m an old dog, but I still wag the baddest bone”’ Publishers Weekly
The conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. Yet, earlier writers in the genre, such as Raymond Chandler, remain overlooked when it comes to examining how their war experience affected their writing. Sarah Trott corrects this oversight by examining Chandler alongside the World War I writers of the Lost Generation as well as highlighting a melding of very different styles in Chandler's work. Based on Chandler's experience in combat, Trott explains that the writer created detective Philip Marlowe not as the idealization of heroic individualism, as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties from trauma during the First World War. Inspecting Chandler's work and correspondence indicates that the characterization of the fictional Marlowe goes beyond the traditional chivalric readings and can instead be interpreted as a genuine representation of a traumatized veteran in American society. Substituting the horror of the trenches for the corruption of the city, Chandler formed a disillusioned protagonist in an uncaring America. Chandler did so with the sophistication necessary to straddle genre fiction and canonical literature. The sum of this work offers a new understanding of how Chandler uses his war trauma, how that experience established the traditional archetype of detective fiction, and how this reading of his fiction enables Chandler to transcend generic limitations and be recognized as a key twentieth-century literary figure.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1959.
New Hard-boiled Writers, 1970s-1990s by LeRoy Panek Pdf
"With an eye toward the origins and development of the hard-boiled story, LeRoy Lad Panek comments both on the way it has changed over the past three decades and examines the work of ten significant contemporary hardboiled writers. Chapters show how the new writers have used the hard-boiled story and the hard-boiled hero to make powerful statements about reality in the last quarter of the twentieth century."--BOOK JACKET.
A duck marvels at how wonderful it is to be a duck, with feathers, webbed feet, and wings that can fly, from the time he is hatched until he becomes a dad.