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Out of love, a mother hides her child's differences from the world. 1670, St Albans Midwife Abigale Harris protects her adopted child from prejudice, superstition and ignorance by hiding the truth about her from everybody in their busy market town. Throughout her life, she teaches Mary the importance of keeping her secret, placing strong constraints to guide and shape her. Twenty-one years later, Mary is good, kind and loyal. She is a caring sister to Abigale's two other adopted daughters and an indispensable assistant to Abigale in the birthing chamber. But Mary is increasingly unhappy and changes in her make it evident to Abigale that she may have made the wrong decision all those years ago. Is it too late to right the wrong she's done Mary and give her back her life? Or will revealing the secret destroy their livelihood and bring ruin to Abigale's whole family?
Christopher Smart and Satire explores the lively and idiosyncratic world of satire in the eighteenth-century periodical, focusing on the way that writers adopted personae to engage with debates taking place during the British Enlightenment. Taking Christopher Smart's audacious and hitherto underexplored Midwife, or Old Woman's Magazine (1750-1753) as her primary source, Min Wild provides a rich examination of the prizewinning Cambridge poet's adoption of the bizarre, sardonic 'Mary Midnight' as his alter-ego. Her analysis provides insights into the difficult position in which eighteenth-century writers were placed, as ideas regarding the nature and functions of authorship were gradually being transformed. At the same time, Wild also demonstrates that Smart's use of 'Mary Midnight' is part of a tradition of learned wit, having an established history and characterized by identifiable satirical and rhetorical techniques. Wild's engagement with her exuberant source materials establishes the skill and ingenuity of Smart's often undervalued, multilayered prose satire. As she explores Smart's use of a peculiarly female voice, Wild offers us a picture of an ingenious and ribald wit whose satirical overview of society explores, overturns, and anatomises questions of gender, politics, and scientific and literary endeavors.
With Sandra Dallas's incomparable gift for creating a sense of time and place and characters that capture your heart, The Last Midwife tells the story of family, community, and the secrets that can destroy and unite them. It is 1880 and Gracy Brookens is the only midwife in a small Colorado mining town where she has delivered hundreds, maybe thousands, of babies in her lifetime. The women of Swandyke trust and depend on Gracy, and most couldn't imagine getting through pregnancy and labor without her by their sides. But everything changes when a baby is found dead...and the evidence points to Gracy as the murderer. She didn't commit the crime, but clearing her name isn't so easy when her innocence is not quite as simple, either. She knows things, and that's dangerous. Invited into her neighbors' homes during their most intimate and vulnerable times, she can't help what she sees and hears. A woman sometimes says things in the birthing bed, when life and death seem suspended within the same moment. Gracy has always tucked those revelations away, even the confessions that have cast shadows on her heart. With her friends taking sides and a trial looming, Gracy must decide whether it's worth risking everything to prove her innocence. And she knows that her years of discretion may simply demand too high a price now...especially since she's been keeping more than a few dark secrets of her own.
Not since Anna Diamant’s The Red Tent or Geraldine Brooks’s People of the Book has a novel transported readers so intimately into the complex lives of women centuries ago or so richly into a story of intrigue that transcends the boundaries of history. A “lavishly detailed” (Elle Canada) debut that masterfully captures sixteenth-century Venice against a dramatic and poetic tale of suspense. Hannah Levi is renowned throughout Venice for her gift at coaxing reluctant babies from their mothers using her secret “birthing spoons.” When a count implores her to attend his dying wife and save their unborn son, she is torn. A Papal edict forbids Jews from rendering medical treatment to Christians, but his payment is enough to ransom her husband Isaac, who has been captured at sea. Can she refuse her duty to a woman who is suffering? Hannah’s choice entangles her in a treacherous family rivalry that endangers the child and threatens her voyage to Malta, where Isaac, believing her dead in the plague, is preparing to buy his passage to a new life. Told with exceptional skill, The Midwife of Venice brings to life a time and a place cloaked in fascination and mystery and introduces a captivating new talent in historical fiction.
The highest-rated drama in BBC history, Call the Midwife will delight fans of Downton Abbey Viewers everywhere have fallen in love with this candid look at post-war London. In the 1950s, twenty-two-year-old Jenny Lee leaves her comfortable home to move into a convent and become a midwife in London's East End slums. While delivering babies all over the city, Jenny encounters a colorful cast of women—from the plucky, warm-hearted nuns with whom she lives, to the woman with twenty-four children who can't speak English, to the prostitutes of the city's seedier side. An unfortgettable story of motherhood, the bravery of a community, and the strength of remarkable and inspiring women, Call the Midwife is the true story behind the beloved PBS series, which will soon return for its sixth season.
Myth meets history in Blaszka, a fictional village in Poland and the site of this beautiful, multi-layered novel set in 1894. Listen. You can hear the excitement in the village square, the flimsy stalls piled high with wares, and in the centre Misha the midwife laughing. The wayward heart of Blaszka, she holds safe all the local secrets, including the stories of the four vilda hayas, "the wild creatures," as she and her girlfriends were known. Although the women have grown apart, unexpected love, a daughter imprisoned, and two orphan children sent home from America entwine their lives again—all as Europe moves headlong towards chaos. In this magnificent novel of magic and mystery, Lilian Nattel has resurrected a vanished world that explores the tensions between men and women, and celebrates the wordless bonds of friendship in a way that is simply unparalleled.
A little girl goes missing from Yew Tree Manor - the same house from which a girl vanished decades before. Does the key to the present lie buried even deeper in the past, in the forgotten history of an innocent midwife accused by a family of shocking betrayal? A gripping, heartwrenching story of love, loyalty and family secrets. From the internationally bestselling author of THE GIRL IN THE LETTER. __________ It all began with a midwife's secret, long buried but if uncovered could save two families from the bitter tragedy that binds them. And prove the key that will free them all... 1969 On New Year's Eve, while the Hiltons of Yew Tree Manor prepare to host the party of the season, their little girl disappears. Suspicion falls on Bobby James, a young farmhand and the last person to see Alice before she vanished. Bobby protests his innocence, but he is sent away. Alice is never found. Present day Architect Willow James is working on a development at Yew Tree when she discovers the land holds a secret. As she begins to dig deep into the past, she uncovers a web of injustice. And when another child goes missing, Willow knows the only way to stop history repeating itself is to right a terrible wrong... ** EMILY GUNNIS'S NEW NOVEL THE GIRLS LEFT BEHIND IS AVAILABLE NOW ** ARE YOU READY TO DISCOVER THE MIDWIFE'S SECRET? READERS ARE SPELLBOUND: 'I can highly recommend this beautiful tale which is heartbreaking, emotional, gripping, suspenseful and will keep you on the edge of your seat' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'The Midwife's Secret is an unputdownable book that grips you from the beginning. Be prepared for plenty of tears throughout, right to the end' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'Wow! What a powerful book. This had me hooked from the start. The story spans generations and tells of lies, grief and secrets. It was extremely well written and had you guessing right to the end. Loved the characters and couldn't put this book down' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'This story grabbed a hold of me and sucked me in. It was highly captivating, dramatic and emotional . . . I literally could not turn the pages fast enough' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'A real heart-pounder! It had intrigue, suspense and lots of twists and turns!! Definitely some jaw-dropping moments! I highly recommend reading this book!' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'The story was stunning and heartbreaking. I went to bed at 2am! Can't wait for the next book' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review 'Spellbindingly good! Heartbreak, intrigue, mystery' ⭐ ⭐ ⭐ ⭐ ⭐ Real reader review
In seventeenth-century London, thirteen years after the plague and twelve years after the Great Fire, the restoration of King Charles II has dulled the memory of Cromwell's puritan rule, yet fear and suspicion are rife. Religious turmoil is rarely far from tipping the scales into hysteria.Elizabeth Cellier, a bold and outspoken midwife, regularly visits Newgate Prison to distribute alms to victims of religious persecution. There she falls in with the charming Captain Willoughby, a debtor, whom she enlists to gather information about crimes against prisoners, so she might involve herself in petitioning the king in their name.''Tis a plot, Madam, of the direst sort.' With these whispered words Willoughby draws Elizabeth unwittingly into the infamous Popish Plot and soon not even the fearful warnings of her husband, Pierre, can loosen her bond with it.This is the incredible true story of one woman ahead of her time and her fight against prejudice and injustice.
Christopher Smart and Satire explores the lively and idiosyncratic world of satire in the eighteenth-century periodical, focusing on the way that writers adopted personae to engage with debates taking place during the British Enlightenment. Taking Christopher Smart's audacious and hitherto underexplored Midwife, or Old Woman's Magazine (1750-1753) as her primary source, Min Wild provides a rich examination of the prizewinning Cambridge poet's adoption of the bizarre, sardonic 'Mary Midnight' as his alter-ego. Her analysis provides insights into the difficult position in which eighteenth-century writers were placed, as ideas regarding the nature and functions of authorship were gradually being transformed. At the same time, Wild also demonstrates that Smart's use of 'Mary Midnight' is part of a tradition of learned wit, having an established history and characterized by identifiable satirical and rhetorical techniques. Wild's engagement with her exuberant source materials establishes the skill and ingenuity of Smart's often undervalued, multilayered prose satire. As she explores Smart's use of a peculiarly female voice, Wild offers us a picture of an ingenious and ribald wit whose satirical overview of society explores, overturns, and anatomises questions of gender, politics, and scientific and literary endeavors.
A fascinating slice of social history - Jennifer Worth's tales of being a midwife in 1950s London, now a major BBC TV series. Jennifer Worth came from a sheltered background when she became a midwife in the Docklands in the 1950s. The conditions in which many women gave birth just half a century ago were horrifying, not only because of their grimly impoverished surroundings, but also because of what they were expected to endure. But while Jennifer witnessed brutality and tragedy, she also met with amazing kindness and understanding, tempered by a great deal of Cockney humour. She also earned the confidences of some whose lives were truly stranger, more poignant and more terrifying than could ever be recounted in fiction. Attached to an order of nuns who had been working in the slums since the 1870s, Jennifer tells the story not only of the women she treated, but also of the community of nuns (including one who was accused of stealing jewels from Hatton Garden) and the camaraderie of the midwives with whom she trained. Funny, disturbing and incredibly moving, Jennifer's stories bring to life the colourful world of the East End in the 1950s.
A haunting and moving debut, The Midwife by Tricia Cresswell is perfect for fans of The Familiars and The Binding. 1830. After a violent storm, a woman is found alone, naked, near death on the Northumberland moors. She has no memory of who she is or how she got there. But she can remember how to help a woman in labour, how to expertly dress a wound and can speak fluent French. With the odds against her – a penniless single woman – she starts to build her life from scratch, using her skills to help other woman around her. She finds a happy place in the world. Until tragedy strikes, and she must run for her life. In London, Dr Borthwick lives a solitary life working as an accoucheur together with his midwife, Mrs Bates, dealing with mothers and babies in both the elegant homes of high society, and alongside a young widow, Eleanor Johnson, volunteering in the slums of the Devil’s Acre. His professional reputation is spotless and he keeps his private life just as clean, isolating himself from any new acquaintances. He is harbouring a dark secret from his past, one that threatens to spill over everything . . .
Law for Nurses and Midwives by Patrici Staunton,Mary Chiarella Pdf
Law for Nurses and Midwives continues to be the definitive health law text for nursing and midwifery students who are required to consider legal, professional and ethical considerations as part of their tertiary studies. The 9th edition includes the latest updates to case law and information on nursing and midwifery governance and professional practice standards, outlining a range of legal issues and responsibilities specific to both nursing and midwifery practice, including consent to treatment, confidentiality, professional negligence and professional ethics. Written by the most eminent experts in nursing and midwifery law in Australia, Patricia Staunton and Mary Chiarella, Law for Nurses and Midwives provides a comprehensive and accessible resource for nursing and midwifery students to understand the relevance of legal issues to the provision of safe and effective healthcare. NEW chapter: Chapter 9 The International Confederation of Midwives Code of ethics for midwives and the International Council of Nurses Code of ethics for nurses gives you the latest information on global standards for ethical practice Increased focus on midwives strengthens the text’s relevance to midwifery practice Updated chapter content reflects changes to Australian state and territory legislation as well as new case reports keeping you fully informed on issues such as: - nursing and midwifery professional practice standards; - detailed consideration of the legal issues pertinent to mental health; - consent to treatment, including the right to withhold consent and end-of-life planning; - the contract of employment, including workplace health and safety and workers compensation. An eBook included in all print purchases
Antonia Fraser's bestselling account of the lives of women in seventeenth-century England. Just how weak were the women of the Civil War era? What could they expect beyond marriage and childbirth in an age where infant and maternal mortality was frequent and contraception unknown? Did anyone marry for love? Could a woman divorce? What rights had the unmarried? What expectations the widows? An expert on the period, Antonia Fraser brings to life the many and various women she has encountered in her considerable research: governesses, milkmaids, fishwives, nuns, defenders of castles, courtesans, countesses, witches and widows.