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The Military Orchid and Other Novels by Jocelyn Brooke Pdf
'Jocelyn Brooke's writing is imaginatively unique ... a great writer.' Elizabeth Bowen Flowers and fireworks, botany and pyrotechny: these were the twin passions of a delicate, sensitive boy growing up before the Great War. Part-memoir, part-imaginative re-creation, these novels evoke a tranquil England where orchids grew wild and undiscovered and a young boy's dreams and disappointments were as simple and moving as a guinea box of fireworks. From the mellow Kentish villages of his boyhood, to the brusque masculinity of the army, by way of painful years at prep school and Oxford, Jocelyn Brooke beautifully captures the torment and the delight of being a constant outsider. Witty, subtle and deceptively simple these three novels were highly acclaimed for the way they captured the unfolding of a melancholy, often painfully sensitive male consciousness, evoking a quintessentially English life.
A disarming, lyrical hybrid of fiction and autobiography, this forgotten masterpiece of post-war English fiction follows a small boy through his First World War childhood and teenage years on the Kentish coast, then into the army and frontline service in the Second World War. Obsessed by his strange twin passions for orchids and for fireworks, the author-narrator paints a haunting portrait of a childhood and adulthood interleaved with one another in a near-mystical rural idyll. Defined by his unspoken homosexuality, the books capture the unfolding of a melancholy, often painfully sensitive male consciousness. First published in the late 1940s as three separate but interlinked volumes – “The Military Orchid”; “A Mine of Serpents” and “The Goose Cathedral” – The Orchid Trilogy conjures up a rapturous, fantastical portrait of England at war and peace in the 20th century. Witty, subtle and deceptively simple, this unjustly neglected classic that has yet to be surpassed in its exploration of the magical world of childhood. One of those too-rare books whose enjoyability makes it seem too short – Elizabeth Bowen It is a kind of collage of sharply drawn bits of real life, excellently described and artistically arranged – Stephen Spender Reminiscence and reflection and description are woven together to make a curious and fascinating tapestry – David Cecil Mr. Brooke's finely shaped prose, his wit, percipience, and liveliness in the description of people, places, and states of mind are a rare delight – The Scotsman A sad, funny, densely detailed yet continuously readable experience – The Observer One of the most exciting creative artists of our time and one who will consistently evade all the literary categories – John Pudney
The Penguin Modern Classics Book by Henry Eliot Pdf
The essential guide to twentieth-century literature around the world For six decades the Penguin Modern Classics series has been an era-defining, ever-evolving series of books, encompassing works by modernist pioneers, avant-garde iconoclasts, radical visionaries and timeless storytellers. This reader's companion showcases every title published in the series so far, with more than 1,800 books and 600 authors, from Achebe and Adonis to Zamyatin and Zweig. It is the essential guide to twentieth-century literature around the world, and the companion volume to The Penguin Classics Book. Bursting with lively descriptions, surprising reading lists, key literary movements and over two thousand cover images, The Penguin Modern Classics Book is an invitation to dive in and explore the greatest literature of the last hundred years.
When Duncan Cameron’s mother dies, he is sent to live with his Uncle Gerald on a remote farm in Kent. What follows is a hypnotic tale of psychological suspense as this boy on the cusp of manhood enters his only living relative’s ultra-masculine world of; a dark, erotically charged landscape in an England teetering on the brink of the Second World War. Originally published in 1948, The Scapegoat was Jocelyn Brooke’s first novel and, as with many of his other works, occupies a fascinating space between fiction and autobiography. Described by novelist Peter Cameron as ‘almost unbelievably subversive and kinky’, this unjustly neglected classic of gay fiction offers a quiet depiction of a childhood adrift in silence and despair, and a beautifully wrought exploration of masculinity. “He is subtle as the devil” - John Betjeman “Jocelyn Brooke is a great writer. . . . If you care enough for literature, seek out The Scapegoat” - Elizabeth Bowen “It could not have been written more delicately or sensitively” - Sean O'Faolian “Exceptionally well-written”- Desmond MacCarthy
Culture in Camouflage aims to remap the history of British war culture by insisting on the centrality and importance of the literature of the Second World War. The book offers the first comprehensive account of the emergence of modern war culture, arguing that its exceptional forms and temporalities force us to reappraise British cultural modernity. The book explores how writers like Ford Madox Ford, Siegfried Sassoon, Wilfred Owen, T.E. Lawrence, Winston Churchill, Elizabeth Bowen, Virginia Woolf, James Hanley, Rex Warner, Alexander Baron, Keith Douglas, Henry Green, and Graham Greene contested the dominant narratives of war projected by an enormously powerful and persuasive mass media and culture industry. Patrick Deer reads war literature as one element in an expanded cultural field, which also includes popular culture and mass communications, the productions of war planners and military historians, projections of new technologies of violence, the fantasies and theories of strategists, and the material culture of total war. Modern war cultures, Deer contends, are defined by their drive to normalize conflict and war-making, by their struggle to colonize the entire wartime cultural field, and by their claim to monopolize representations and interpretation of the conflict. But the mobilization of cultural formations during wartime reveals, at times glaringly, the constitutive contradictions at the heart of modern ideas of culture. The Great War failed to produce a popular war culture on the home front, producing instead an extraordinary literature of protest, yet the strategists struggled to regain their oversight over both the enemy across no man's land, and the minds and bodies of their own mass conscript armies. The interwar years saw a massive effort to make strategic fantasies a reality; if the technology of imperial air power or mobile armoured warfare did not yet exist, culture could be mobilized to shore up the ramshackle war machine. During World War Two a fully fledged British war culture emerged triumphant in time of national crisis, offering the vision of a fully mobilized island fortress, a loyal empire, and a modernized war machine ready to wage a futuristic war of space and movement. This was the struggle that British World War Two writers confronted with extraordinary courage and creativity.
A chance meeting in Valetta years after the Second World War brings back an unwelcome childhood memory, but the narrator of Jocelyn Brooke’s last novel (first published in 1961) cannot forget the man he has met, Geoffrey Greene, and the family he belonged to. It brings back to him the England he knew between the wars, memories of an apathetic middle-class existence, of jobs in insurance companies and bookshops, of grandiose suburban houses and the competing twilight-world of artistic and socialist Fitzrovia.Despite his dislike for the family, he finds his curiosity growing, and he is drawn into the seemingly dull and conventional world of the Greenes, just as he was in his youth. But, now in Malta, twenty years on, what has become of Greene’s younger brother, the black sheep of the family, and his unlikely wife? And why is Greene himself so reluctant to return to England?Faber Finds has reissued five of Jocelyn Brooke’s very individual novels: The Military Orchid and Other Novels; The Image of the Drawn Sword; The Scapegoat; The Dog at Clambercrown and Conventional Weapons.
Orchid Blooming, A Novel by Carol Van Den Hende Pdf
A childhood tragedy followed her into adult life. Will she ever claim real happiness again? Kind and generous, twenty-seven-year-old Orchid Paige will never forget that day. Living as best she can after witnessing her parents’ fatal accident, the beauty industry marketer yearns to win a promotion to China to connect to her mom’s ancestry. But with competition fierce, she despairs she’ll never make the grade… until she meets an encouraging man who makes her feel safe despite her usual distrust. After Orchid convinces the handsome entrepreneur to let her gain experience at his nonprofit project, she’s determined to keep their relationship professional and ignore their powerful attraction. But when working on his military ad campaign for veterans triggers her own unresolved PTSD, she fears her confident mentor may be too good to be true even if she could trust him with her heart. Can she conquer her vulnerabilities before she loses her chance at forever? Orchid Blooming is the captivating first book in the Goodbye, Orchid contemporary fiction series. If you like complex characters overcoming trauma, heart-warming stories, and compassionate connections, then you’ll adore award-winning author Carol Van Den Hende’s emotionally satisfying page-turner.
The Oxford Companion to Twentieth-century Literature in English by Jenny Stringer Pdf
Survey of twentieth century English-language writers and writing from around the world, celebrating all major genres, with entries on literary movements, periodicals, more than 400 individual works, and articles on approximately 2,400 authors.
Introduction: imagining orchids -- Censored origins -- The lesbian boy -- The uses of orchids -- Red book, black flower -- Utopian botany -- The signature of all things -- The name of the orchid -- Making a family -- A second Adam -- Artificial to natural -- Myths of orchids -- Orchidmania -- The blooming aristocracy -- Orchis bank -- Every trifling detail -- Beautiful contrivances -- The scramble for orchids -- Lost orchids -- Cannibal tales -- Savage orchids -- Long purples and a forked radish -- Queer flowers -- Creation and consolation -- Sexy orchids -- Boy's own orchids -- Manly orchids -- Frail orchids -- Deceptive orchids -- Orchids in orbit -- Endangered orchids -- Fragile specialists -- The spider orchids of Sussex -- Conclusion: an orchid's-eye view?
The 1940s: A Decade of Modern British Fiction by Philip Tew,Glyn White Pdf
How did social, cultural and political events concerning Britain during the 1940s reshape modern British fiction? During the Second World War and in its aftermath, British literature experienced and recorded drastic and decisive changes to old certainties. Moving from potential invasion and defeat to victory, the creation of the welfare state and a new Cold war threat, the pace of historical change seemed too rapid and monumental for writers to match. Consequently the 1940s were often side-lined in literary accounts as a dividing line between periods and styles. Drawing on more recent scholarship and research, this volume surveys and analyses this period's fascinating diversity, from novels of the Blitz and the Navy to the rise of important new voices with its contributors exploring the work of influential women, Commonwealth, exiled, genre, avant-garde and queer writers. A major critical re-evaluation of the intriguing decade, this book offers substantial chapters on Elizabeth Bowen, Graham Greene, and George Orwell as well as covering such writers as Jocelyn Brooke, Monica Dickens, James Hadley Chase, Patrick Hamilton, Gerald Kersh, Daphne Du Maurier, Mary Renault, Denton Welch and many others.
Novel Medical and General Hebrew Terminology from the 13th Century by Gerrit Bos Pdf
This volume is part of a wider project aiming at mapping the technical medical terminology as it features in medieval Hebrew medical works, especially those terms that do not feature in the current dictionaries at all, or insufficiently.
The Oxford Companion to English Literature by Dinah Birch Pdf
The Oxford Companion to English Literature has long been established as the leading reference resource for students, teachers, scholars, and general readers of English literature. It provides unrivalled coverage of all aspects of English literature - from writers, their works, and the historical and cultural context in which they wrote, to critics, literary theory, and allusions. For the seventh edition, the Companion has been thoroughly revised and updated to meet the needs and concerns of today's students and general readers. Over 1,000 new entries have been added, ranging from new writers - Chimamanda Ngozi Adichie, Patrick Marber, David Mitchell, Arundhati Roy - to increased coverage of writers and literary movements from around the world. Coverage of American literature has been substantially increased, with new entries on writers such as Cormac McCarthy and Amy Tan and on movements and publications. Contextual and historical coverage has also been expanded, with new entries on European history and culture, post-colonial literature, as well as writers and literary movements from around the world that have influenced English literature. The Companion has always been a quick and dependable source of reference for students, and the new edition confirms its pre-eminent role as the go-to resource of first choice. All entries have been reviewed, and details of new works, biographies, and criticism have been brought right up to date. So also has coverage of the themes, approaches and concepts encountered by students today, from terms to articles on literary theory and theorists. There is increased coverage of writers from around the world, as well as from Ireland, Scotland, and Wales, and of contextual topics, including film and television, music, and art. Cross-referencing has been thoroughly updated, with stronger linking from writers to thematic and conceptual entries. Meanwhile coverage of popular genres such as children's literature, science fiction, biography, reportage, crime fiction, fantasy or travel literature has been increased substantially, with new entries on writers from Philip Pullman to Anne Frank and from Anais Nin to Douglas Adams. The seventh edition of this classic Companion - now under the editorship of Dinah Birch, assisted by a team of 28 distinguished associate editors, and over 150 contributors - ensures that it retains its status as the most authoritative, informative, and accessible guide to literature available.
