The Modern Supernatural And The Beginnings Of Cinema

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The Modern Supernatural and the Beginnings of Cinema

Murray Leeder
The Modern Supernatural and the Beginnings of Cinema Book PDF

Author : Murray Leeder
Publisher : Springer
Page : 216 pages
File Size : 48,6 Mb
Release : 2017-01-10
Category : Performing Arts
ISBN : 9781137583710

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The Modern Supernatural and the Beginnings of Cinema by Murray Leeder Pdf

This study sees the nineteenth century supernatural as a significant context for cinema’s first years. The book takes up the familiar notion of cinema as a “ghostly,” “spectral” or “haunted” medium and asks what made such association possible. Examining the history of the projected image and supernatural displays, psychical research and telepathy, spirit photography and X-rays, the skeletons of the danse macabre and the ghostly spaces of the mind, it uncovers many lost and fascinating connections. The Modern Supernatural and the Beginnings of Cinema locates film’s spectral affinities within a history stretching back to the beginning of screen practice and forward to the digital era. In addition to examining the use of supernatural themes by pioneering filmmakers like Georges Méliès and George Albert Smith, it also engages with the representations of cinema’s ghostly past in Guy Maddin’s recent online project Seances (2016). It is ideal for those interested in the history of cinema, the study of the supernatural and the pre-history of the horror film.

Horror Film

Murray Leeder
Horror Film Book PDF

Author : Murray Leeder
Publisher : Bloomsbury Publishing USA
Page : 288 pages
File Size : 42,7 Mb
Release : 2018-01-25
Category : Performing Arts
ISBN : 9781501314445

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Horror Film by Murray Leeder Pdf

Throughout the history of cinema, horror has proven to be a genre of consistent popularity, which adapts to different cultural contexts while retaining a recognizable core. Horror Film: A Critical Introduction, the newest in Bloomsbury's Film Genre series, balances the discussions of horror's history, theory, and aesthetics as no introductory book ever has. Featuring studies of films both obscure and famous, Horror Film is international in its scope and chronicles horror from its silent roots until today. As a straightforward and convenient critical introduction to the history and key academic approaches, this book is accessible to the beginner but still of interest to the expert.

Cinematic Ghosts

Murray Leeder
Cinematic Ghosts Book PDF

Author : Murray Leeder
Publisher : Bloomsbury Publishing USA
Page : 321 pages
File Size : 55,9 Mb
Release : 2015-07-30
Category : Performing Arts
ISBN : 9781628922165

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Cinematic Ghosts by Murray Leeder Pdf

In 1896, Maxim Gorky declared cinema "the Kingdom of Shadows." In its silent, ashen-grey world, he saw a land of spectral, and ever since then cinema has had a special relationship with the haunted and the ghostly. Cinematic Ghosts is the first collection devoted to this subject, including fourteen new essays, dedicated to exploring the many permutations of the movies' phantoms. Cinematic Ghosts contains essays revisiting some classic ghost films within the genres of horror (The Haunting, 1963), romance (Portrait of Jennie, 1948), comedy (Beetlejuice, 1988) and the art film (Uncle Boonmee Who Can Recall His Past Lives, 2010), as well as essays dealing with a number of films from around the world, from Sweden to China. Cinematic Ghosts traces the archetype of the cinematic ghost from the silent era until today, offering analyses from a range of historical, aesthetic and theoretical dimensions.

Canadian Cinema in the New Millennium

Lee Carruthers,Charles Tepperman
Canadian Cinema in the New Millennium Book PDF

Author : Lee Carruthers,Charles Tepperman
Publisher : McGill-Queen's Press - MQUP
Page : 431 pages
File Size : 54,7 Mb
Release : 2023-01-15
Category : Performing Arts
ISBN : 9780228014928

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Canadian Cinema in the New Millennium by Lee Carruthers,Charles Tepperman Pdf

At the turn of the millennium Canadian cinema appeared to have reached an apex of aesthetic and commercial transformation. Domestic filmmaking has since declined in visibility: the sense of celebrity once associated with independent directors has diminished, projects garner less critical attention, and concepts that made late-twentieth-century Canadian film legible have been reconsidered or displaced. Canadian Cinema in the New Millennium examines this dramatic transformation and revitalizes our engagement with Canadian cinema in the contemporary moment, presenting focused case studies of films and filmmakers and contextual studies of Canadian film policy, labour, and film festivals. Contributors trace key developments since 2000, including the renouveau or Quebec New Wave, Indigenous filmmaking, i-docs, and diasporic experimental filmmaking. Reflecting the way film in Canada mediates multiple cultures, forging new affinities among anglophone, francophone, and Indigenous-language examples, this book engages familiar figures, such as Denis Villeneuve, Xavier Dolan, Sarah Polley, and Guy Maddin, in the same breath as small-budget independent films, documentaries, and experimental works that have emerged in the Canadian scene. Fuelled by close attention to the films themselves and a desire to develop new scholarly approaches, Canadian Cinema in the New Millennium models a renewed commitment to keeping the conversation about Canadian cinema vibrant and alive.

The Routledge Handbook to the Ghost Story

Scott Brewster,Luke Thurston
The Routledge Handbook to the Ghost Story Book PDF

Author : Scott Brewster,Luke Thurston
Publisher : Routledge
Page : 684 pages
File Size : 47,6 Mb
Release : 2017-11-14
Category : Literary Criticism
ISBN : 9781317288930

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The Routledge Handbook to the Ghost Story by Scott Brewster,Luke Thurston Pdf

The Handbook to the Ghost Story sets out to survey and significantly extend a new field of criticism which has been taking shape over recent years, centring on the ghost story and bringing together a vast range of interpretive methods and theoretical perspectives. The main task of the volume is to properly situate the genre within historical and contemporary literary cultures across the globe, and to explore its significance within wider literary contexts as well as those of the supernatural. The Handbook offers the most significant contribution to this new critical field to date, assembling some of its leading scholars to examine the key contexts and issues required for understanding the emergence and development of the ghost story.

Screening American Independent Film

Justin Wyatt,W.D. Phillips
Screening American Independent Film Book PDF

Author : Justin Wyatt,W.D. Phillips
Publisher : Taylor & Francis
Page : 564 pages
File Size : 42,7 Mb
Release : 2023-05-31
Category : Performing Arts
ISBN : 9781000872743

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Screening American Independent Film by Justin Wyatt,W.D. Phillips Pdf

This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915−2020), emphasizing the breadth and long duration of American independent cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly Indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters also introduce students to different approaches within film studies including historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology. Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

Gothic Cinema

Xavier Aldana Reyes
Gothic Cinema Book PDF

Author : Xavier Aldana Reyes
Publisher : Routledge
Page : 268 pages
File Size : 54,6 Mb
Release : 2019-12-12
Category : Performing Arts
ISBN : 9781315395364

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Gothic Cinema by Xavier Aldana Reyes Pdf

Arguing for the need to understand Gothic cinema as an aesthetic mode, this book explores its long history, from its transitional origins in phantasmagoria shows and the first ‘trick’ films to its postmodern fragmentation in the Gothic pastiches of Tim Burton. But what is Gothic cinema? Is the iconography of the Gothic film equivalent to that of the horror genre? Are the literary origins of the Gothic what solidified its aesthetics? And exactly what cultural roles does the Gothic continue to perform for us today? Gothic Cinema covers topics such as the chiaroscuro experiments of early German cinema, the monster cinema of the 1930s, the explained supernatural of the old dark house mystery films of the 1920s and the Female Gothics of the 1940s, the use of vibrant colours in the period Gothics of the late 1950s, the European exploitation booms of the 1960s and 1970s, and the animated films and Gothic superheroes that dominate present times. Throughout, Aldana Reyes makes a strong case for a medium-specific and more intuitive approach to the Gothic on screen that acknowledges its position within wider film industries with their own sets of financial pressures and priorities. This groundbreaking book is the first thorough chronological, transhistorical and transnational study of Gothic cinema, ideal for both new and seasoned scholars, as well as those with a wider interest in the Gothic.

The Business of Filmmaking

Maria Johnsen
The Business of Filmmaking Book PDF

Author : Maria Johnsen
Publisher : Maria Johnsen
Page : 442 pages
File Size : 52,7 Mb
Release : 2023-03-13
Category : Art
ISBN : 8210379456XXX

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The Business of Filmmaking by Maria Johnsen Pdf

The business of filmmaking is a multifaceted and intricate industry that encompasses various aspects such as production, distribution, and marketing. Success in this field requires a combination of talent, creativity, and business acumen. Filmmakers must possess a thorough understanding of the market, identifying trends and opportunities to capitalize on. Additionally, they must adeptly manage budgets, negotiate deals, and foster relationships with investors, distributors, and other industry stakeholders. Recent years have witnessed significant transformations in the film industry due to advancements in artificial intelligence (AI) technology and the surge of streaming services. While traditional movie theaters retain their importance, an increasing number of viewers now prefer online or mobile platforms for film consumption. Consequently, filmmakers must adapt to these evolving trends and find innovative ways to engage with audiences. My goal in writing this book is to raise awareness about film marketing processes and the art of building a business and network within the film industry. Unfortunately, colleges and universities often neglect these critical aspects, with the majority of lectures and programs focusing solely on the technicalities of filmmaking. Merely obtaining a master's degree in film production is insufficient for success in this field. To thrive in filmmaking, like any other business, one must cultivate relationships with various stakeholders, ranging from cast and crew to sales agents, distributors, exhibitors, lawyers, and publicists. This book is not another typical guide to filmmaking. Instead, I delve into the essential elements of building a successful business in the movie industry, emphasizing the impact of artificial intelligence on different aspects of the filmmaking process. Furthermore, I discuss strategies for increasing the value of one's film, such as hiring A-list actors for low-budget projects and more.

The Films of Apichatpong Weerasethakul

Anik Sarkar,Jayjit Sarkar
The Films of Apichatpong Weerasethakul Book PDF

Author : Anik Sarkar,Jayjit Sarkar
Publisher : Liverpool University Press
Page : 297 pages
File Size : 55,9 Mb
Release : 2024-01-15
Category : Performing Arts
ISBN : 9781837644872

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The Films of Apichatpong Weerasethakul by Anik Sarkar,Jayjit Sarkar Pdf

Delving into Apichatpong Weerasethakul’s films, this book uncovers a plethora of conceptual paradigms. Apichatpong's films frequently utilize rural Thailand as a backdrop, showcasing daily life, interactions, rituals, and customs, all infused with a Southeast Asian essence. This utilization of local imagery provides a national quality to his works, allowing a global audience to explore both urban and rural aspects of Thai society, along with discourses on history, culture, politics, and practices. Beyond the surface, the films also address universal and intricate themes, transcending cultural boundaries. The book delves into a range of lesser-explored aspects regarding the films and filmmaking of Apichatpong, developing fresh perspectives on the representation of nonhumans, hybrid forms, transmedia plot, technique, production among others. With meticulous analyses of his key works this interdisciplinary study unveils the threads that bind Apichatpong’s creative practice, innovative techniques, and philosophical insights. An essential read for cinephiles, scholars, and seekers of cinematic depth, this book uncovers the vibrant tapestry of meaning within Apichatpong’s enigmatic film-worlds.

The Art of Investing in Film

Maria Johnsen
The Art of Investing in Film Book PDF

Author : Maria Johnsen
Publisher : Maria Johnsen
Page : 280 pages
File Size : 42,9 Mb
Release : 2023-04-26
Category : Business & Economics
ISBN : 9798391107941

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The Art of Investing in Film by Maria Johnsen Pdf

In this book, I provided a comprehensive guide to film investment, including the history of film investment in Europe and North America, the structure of the film industry, current trends, and the art of investing in film. I covered the various types of investments, such as equity investments, debt investments, gap financing, and tax incentives, and explained the risks and rewards of film investing along with case studies. I have also discussed building a film investment portfolio, due diligence, working with producers, agents, managers and talents, evaluating film projects, negotiating deals, legal considerations, distribution and marketing, and the international market. Additionally, I included case studies of successful and failed investments, as well as real estate and crowdfunding options for film investment. Finally, I concluded with a discussion of the future of the film industry and the role of investors in shaping up the movie industry. I wrote this book out of my deep passion for the film industry and a desire to share my knowledge and experience as a film investor and filmmaker with aspiring investors in this field. My ultimate goal is to inspire and motivate readers to pursue their passion and make a positive impact in the film industry. In addition, I aim to challenge prevalent myths and misconceptions that surround film investment and encourage critical thinking among my audience and readers. I also wrote this book with investors, filmmakers, and academics in mind, as there is currently a lack of practical literature on film investment for higher education. The existing books on the market are outdated and do not provide relevant information for today's industry.

Experimental Filmmaking and the Motion Picture Camera

Joel Schlemowitz
Experimental Filmmaking and the Motion Picture Camera Book PDF

Author : Joel Schlemowitz
Publisher : Routledge
Page : 281 pages
File Size : 52,9 Mb
Release : 2019-05-10
Category : Art
ISBN : 9780429997037

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Experimental Filmmaking and the Motion Picture Camera by Joel Schlemowitz Pdf

Experimental Filmmaking and the Motion Picture Camera is an introductory guide to experimental filmmaking, surveying the practical methods of experimental film production as well as the history, theory, and aesthetics of experimental approaches. Author Joel Schlemowitz explains the basic mechanism of the camera before going on to discuss slow and fast motion filming, single-frame time lapse, the long take, camera movement, workings of the lens, and the use of in-camera effects such as double exposure. A comprehensive guide to using the 16mm Bolex camera is provided. Strategies for making films edited in-camera are covered. A range of equipment beyond the basic non-sync camera is surveyed. The movie diary and film portrait are examined, along with the work of a range of experimental filmmakers including Stan Brakhage, Rudy Burckhardt, Paul Clipson, Christopher Harris, Peter Hutton, Takahiko Iimura, Marie Losier, Rose Lowder, Jonas Mekas, Marie Menken, Margaret Rorison, Guy Sherwin, and Tomonari Nishikawa. This is the ideal book for students interested in experimental and alternative modes of filmmaking. It provides invaluable insight into the history, methods, and concepts inherent to experimental uses of the camera, while providing students with a solid foundation of techniques and practices to foster their development as filmmakers. Supplemental material, including links to films cited in the book, can be found at www.experimentalfilmmaking.com.

Towards a Film Theory from Below

Jiri Anger
Towards a Film Theory from Below Book PDF

Author : Jiri Anger
Publisher : Bloomsbury Publishing USA
Page : 233 pages
File Size : 43,5 Mb
Release : 2024-05-30
Category : Social Science
ISBN : 9798765107294

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Towards a Film Theory from Below by Jiri Anger Pdf

Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays. Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks? Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.

Monstrosity, Identity and Music

Alexis Luko,James K. Wright
Monstrosity Identity and Music Book PDF

Author : Alexis Luko,James K. Wright
Publisher : Bloomsbury Publishing USA
Page : 281 pages
File Size : 42,8 Mb
Release : 2022-09-08
Category : Social Science
ISBN : 9781501380051

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Monstrosity, Identity and Music by Alexis Luko,James K. Wright Pdf

Taking Mary Shelley's novel as its point of departure, this collection of essays considers how her creation has not only survived but thrived over 200 years of media history, in music, film, literature, visual art and other cultural forms. In studying monstrous figures torn from the deepest and darkest imaginings of the human psyche, the essays in this book deploy the latest analytical approaches, drawn from such fields as musicology, critical race studies, feminist studies, queer theory and psychoanalysis. The book interweaves the manifold sounds, sights and stories of monstrosity into a conversation that sheds light on important social issues, aesthetic trends and cultural concerns that are as alive today as they were when Shelley's landmark novel was published 200 years ago.

Believing in Bits

Simone Natale,Diana Pasulka
Believing in Bits Book PDF

Author : Simone Natale,Diana Pasulka
Publisher : Oxford University Press, USA
Page : 265 pages
File Size : 48,9 Mb
Release : 2019-10
Category : Body, Mind & Spirit
ISBN : 9780190949983

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Believing in Bits by Simone Natale,Diana Pasulka Pdf

"As technologies that work by computing numbers, digital media apparently epitomize what is considered scientific and rational. Yet, people experience the effects of digital devices and algorithms in their everyday life also through the lenses of magic and the supernatural. Algorithms, for instance, are discussed for their capacity to "read minds" and predict the future; Artificial Intelligence as an opportunity to overcome death and achieve immortality through singularity; and avatars and robots are accorded a dignity that traditional religions restricted to humans. The essays collected in this volume address these and similar phenomena, challenging and redefining established understandings of digital media and culture by employing the notions of belief, religion, and the supernatural." -- Provided by publisher.

Popular Pleasures

Paul Duncum
Popular Pleasures Book PDF

Author : Paul Duncum
Publisher : Bloomsbury Publishing
Page : 249 pages
File Size : 55,9 Mb
Release : 2021-08-26
Category : Art
ISBN : 9781350193420

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Popular Pleasures by Paul Duncum Pdf

Today's many popular aesthetic pleasures have a very long history. Paul Duncum considers the historical critical discourses, and socio-political issues raised by aesthetic pleasures in fifteen thematic chapters. Using illustrative examples from the past, present, and across cultures, he challenges the idea of any decline of cultural standards and argues that no grounds exist for cultural pessimism. Refusing to condemn popular culture on the basis of taste, he reserves critique for the socio-political ideologies aesthetics invariably serve. Art history, film, cultural studies, and philosophical aesthetics are each employed to show that the sensory/emotional lures of today's popular culture are mostly identical to those of premodern fine art. They include the violent, the horrific, the sentimental, the exotic, the erotic, and the humorous. Some of these pleasures derive from our evolutionary biology; they are all an important part of what it means to be human, and central to understanding contemporary society. Examples are wide-ranging, including British seaside postcards, Disney films, Nazi propaganda, burlesque, modern advertising, as well as many exemplars of fine art. The book reveals fresh insights for all those studying visual culture, art history, aesthetics, media studies, and media and art education.