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Featuring two previously unpublished short stories! Visitors to the Morbid Museum seek the dark and twisted corners of the world. They are both terrified and intrigued by the unknown. Tales of killers, monsters, and madmen curated by the Master of Death, Mr. Siris Grim. Mr. Grim collects the darkness that everyone attempts to hide. He displays it within the corridors of his gruesome gallery. Who will be next to buy a ticket and walk the halls of the Morbid Museum?
Visitors to the Morbid Museum seek the dark and twisted corners of the world. They are both terrified and intrigued by the unknown. Tales of killers, monsters, and madmen curated by the Master of Death, Mr. Siris Grim. Mr. Grim collects the darkness that everyone attempts to hide. He displays it within the corridors of his gruesome gallery. Who will be next to buy a ticket and walk the halls of the Morbid Museum?
Visitors to the Morbid Museum seek the dark and twisted corners of the world. They are both terrified and intrigued by the unknown. Tales of killers, monsters, and madmen curated by the Master of Death, Mr. Siris Grim. Mr. Grim collects the darkness that everyone attempts to hide. He displays it within the corridors of his gruesome gallery. Who will be next to buy a ticket and walk the halls of the Morbid Museum?
The Anatomical Venus by Morbid Anatomy Museum,Joanna Ebenstein Pdf
Beneath the original Venetian glass and rosewood case at La Specola in Florence lies Clemente Susini's Anatomical Venus (c. 1790), a perfect object whose luxuriously bizarre existence challenges belief. It - or, better, she - was conceived of as a means to teach human anatomy without need for constant dissection, which was messy, ethically fraught and subject to quick decay. This life-sized wax woman is adorned with glass eyes and human hair and can be dismembered into dozens of parts revealing, at the final remove, a beatific foetus curled in her womb. Sister models soon appeared throughout Europe, where they not only instructed the specialist students, but also delighted the general public. Deftly crafted dissectable female wax models and slashed beauties of the world's anatomy museums and fairgrounds of the 18th and 19th centuries take centre stage in this disquieting volume. Since their creation in late 18th-century Florence, these wax women have seduced, intrigued and amazed. Today, they also confound, troubling the edges of our neat categorical divides: life and death, science and art, body and soul, effigy and pedagogy, spectacle and education, kitsch and art. Incisive commentary and captivating imagery reveal the evolution of these enigmatic sculptures from wax effigy to fetish figure and the embodiment of the uncanny.
The Morbid Anatomy Anthology by Joanna Ebenstein,Colin Dickey Pdf
Presents a eclectic collection of essays on death and the intersection of anatomy and medicine, including pieces on such topics as post-mortem photography, books bound in human skin, eroticized anatomical wax models, and taxidermied humans.
The Horror in the Museum by Howard Phillips Lovecraft,Hazel Heald Pdf
This horror story has a man unable to distinguish between what is real and not real in a museum and finding out in a very horrific way. Stephen King said "H. P. Lovecraft has yet to be surpassed as the twentieth century's greatest practitioner of the classic horror tale."
For centuries, humankind has sought to know itself through an understanding of the body, in sickness and in health, inside and out. This fascination left in its wake a rich body of artworks that demonstrate not only the facts of the human body, but also the ways in which our ideas about the body and its proper representation have changed over time. At times both beautiful and repulsive, illustrated anatomy continues to hold our interest today, and is frequently referenced in popular culture. Anatomica brings together some of the most striking, fascinating and bizarre artworks from the 16th through to the 20th century, exploring human anatomy in one beautiful volume.
The Museum of Whales You Will Never See by A. Kendra Greene Pdf
“Filled with charming illustrations, this delightful book about Iceland’s 265 museums is as quirky and mesmerizing as the country’s dreamscape itself.” —Forbes Mythic creatures, natural wonders, and the mysterious human impulse to collect are on beguiling display in this poetic tribute to the museums of an otherworldly island nation, for readers of Atlas Obscura and fans of the Mütter Museum, the Morbid Anatomy Museum, and the Museum of Jurassic Technology. Iceland is home to only 330,000 people (roughly the population of Lexington, Kentucky) but more than 265 museums and public collections. They range from the intensely physical, like the Icelandic Phallological Museum, which collects the penises of every mammal known to exist in Iceland, to the vaporously metaphysical, like the Museum of Icelandic Sorcery and Witchcraft, which poses a particularly Icelandic problem: How to display what can't be seen? In The Museum of Whales You Will Never See, A. Kendra Greene is our wise and whimsical guide through this cabinet of curiosities, showing us, in dreamlike anecdotes and more than thirty charming illustrations, how a seemingly random assortment of objects--a stuffed whooper swan, a rubber boot, a shard of obsidian, a chastity belt for rams--can map a people's past and future, their fears and obsessions. "The world is chockablock with untold wonders," she writes, "there for the taking, ready to be uncovered at any moment, if only we keep our eyes open."
Mütter Museum by Mütter Museum,College of Physicians of Philadelphia Pdf
The first book on the Mütter Museum contain artful images of the museum's fascinating exhibits shot by contemporary fine art photographers. Here, the focus is on the museum's archive of rare historic photographs, most of which have never been seen by the public. Featured are poignant, aesthetically accomplished works ranging from Civil War photographs showing injury and recovery, to the ravages of diseases not yet conquered in the 19th century, to pathological anomalies, to psychological disorders. Many were taken by talented photographers between the 1860s and the 1940s as records for physicians to share among colleagues and to track patients' conditions, and demonstrate various techniques used in medical photography including the daguerreotype, micrography, X ray, and traditional portrait-style photography. As visual documents of what humans endured in the face of limited medical knowledge, these extraordinary and haunting photographs demonstrate how far medicine has advanced.
A fascinating insight into the strange world of collectors of the macabre, Morbid Curiosities features 18 unique collections and an extensive interview with each collector, explaining how and why they collect, and showcasing the most remarkable pieces from each collection. The collections include skulls, mummified body parts, taxidermy, occult objects and various carnival, and side-show and criminal ephemera. Detailed captions tell the curious stories behind each object, many of which are being shown outside the private world of their collections for the first time. Morbid Curiosities includes stunning, specially commissioned photography of both the individual objects and the context of how the collector exhibits their work, forming a unique showcase of the bizarre and the intriguing.
On bookshelves around the world, surrounded by ordinary books bound in paper and leather, rest other volumes of a distinctly strange and grisly sort: those bound in human skin. Would you know one if you held it in your hand? In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy—the practice of binding books in this most intimate covering. Dozens of such books live on in the world’s most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship. A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives—captivating and macabre in all the right ways—she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.
Walter Potter's Curious World of Taxidermy by Pat Morris,Joanna Ebenstein Pdf
Welcome to Victorian taxidermist Walter Potter’s fantasy world of rabbit schoolchildren, cigar-smoking squirrels and exemplary feline etiquette in Walter Potter’s Curious World of Taxidermy… Walter Potter (1835–1918), a British country taxidermist of no great expertise, built anthropomorphic taxidermy tableaux that became famous icons of Victorian whimsy, including his masterpiece The Death & Burial of Cock Robin. His tiny museum in Bramber, Sussex, was crammed full of multi-legged kittens, two-headed lambs, and a bewildering assortment of curios. Potter’s inspired and beguiling tableaux found many fans in the contemporary art world: it was reported that a £1M bid by Damien Hirst to keep the collection intact was refused when the museum finally closed. Here, perhaps for the last time, many important pieces from the collection are showcased and celebrated with new photographs of Potter’s best-loved works. Darkly witty and affecting, Walter Potter’s Curious World of Taxidermy makes a charming, whimsical (and yes, slightly morbid) gift.
Frederik Ruysch and His Thesaurus Anatomicus by Joanna Ebenstein Pdf
A lavishly illustrated guide to the magnum opus of the great seventeenth-century anatomist, master embalmer, artist, and collector of specimens. Frederik Ruysch (1638-1731) was a celebrated Dutch anatomist, master embalmer, and museologist. He is best remembered today for strange tableaux, crafted from fetal skeletons and other human remains, that flicker provocatively at the edges of science, art, and memento mori. Ruysch exhibited these pieces, along with hundreds of other artful specimens, in his home museum and catalogued them in his lavishly illustrated Thesaurus Anatomicus. This book offers the first English translation of Ruysch's guide to his collection, along with all the illustrations from the original volume, photographs of some his most imaginative extant specimens, and more. Ruysch was at once a brilliant scientist, a preternaturally gifted technician, an esteemed physician, a religious moralizer, and an artist whose prime form of expression was the medium of human remains. His works were sometimes described as "Rembrandts of anatomical preparation"; today they seem so strange that we can hardly believe that they even existed, much less that they were so popular in their time. His combination of the religious and the scientific, the painstakingly accurate and the extravagantly fantastical, offers vivid testimony of an era in which science overlapped seamlessly with religion and art. Essays accompanying Ruysch's text and images consider such topics as the historical context of Ruysch's work, the paradox of an artist of death whose work engenders the illusion of life, the conservation of Ruysch's specimens, and the shifting ascendancies of romanticism and rationality in the natural sciences.