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The Los Angeles area feels almost alive with movie history. It is impossible to walk down any neighborhood block that didn’t play host to movie history on some level. From Chaplin walking Hollywood sidewalks in 1915 to the Three Stooges running down Culver City streets in 1930 to westerns filmed in the Valley in the 1950’s, the area has been the background for thousands of films and home to millions of movie people. Historical documents, census records, movie studio and institutional archives, and personal writings have all been scoured in order to compile the most exhaustive and complete Hollywood address listing ever compiled.
She Damn Near Ran the Studio by Jacqueline R. Braitman Pdf
Best known as the woman who “ran MGM,” Ida R. Koverman (1876–1954) served as talent scout, mentor, executive secretary, and confidant to American movie mogul Louis B. Mayer for twenty-five years. She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman is the first full account of Koverman’s life and the true story of how she became a formidable politico and a creative powerhouse during Hollywood’s Golden Era. For nearly a century, Koverman’s legacy has largely rested on a mythical narrative while her more fascinating true-life story has remained an enduring mystery—until now. This story begins with Koverman’s early years in Ohio and the sensational national scandal that forced her escape to New York where she created a new identity and became a leader among a community of women. Her second incarnation came in California where she established herself as a hardcore political operative challenging the state’s progressive impulse. During the Roaring Twenties, she was a key architect of the Southland’s conservative female-centric partisan network that refashioned the course of state and national politics and put Herbert Hoover in the White House. As “the political boss of Los Angeles County,” she was the premiere matchmaker in the courtship between Hollywood and national partisan politics, which, as Mayer’s executive secretary, was epitomized by her third incarnation as “one of the most formidable women in Hollywood,” whose unparalleled power emanated from her unique perch inside the executive suite of Metro-Goldwyn-Mayer. Free to adapt her managerial skills and political know-how on behalf of the studio, she quickly drew upon her artistic sensibilities as a talent scout, expanding MGM’s catalog of stars and her own influence on American popular culture. Recognized as “one of the invisible power centers in both MGM and the city of Los Angeles,” she nurtured the city’s burgeoning performing arts by fostering music and musicians and the public financing of them. As the “lioness” of MGM royalty, Ida Koverman was not just a naturalized citizen of the Hollywood kingdom; at times during her long reign, she “damn near ran the studio.”
Before she was a glamorous actress, before she was a war-time pin-up star, even before she was Carole Landis, she was Frances Lillian Ridste, an insecure young girl from Wisconsin. She was strikingly beautiful, talented, and on her way to becoming a movie star, yet she spent her entire life searching for love. Though she appeared in more than 60 films during her short career, Landis was better known for her extraordinary beauty and many romantic relationships than for her acting or comedic timing. Like many starlets of the time, Landis worked her way up from uncredited bit parts (and according to rumors, from the casting couch) to leading roles in such films as Topper Returns (1940) and My Gal Sal (1942) over the course of her 11-year career. She spent more time visiting troops during World War II—traveling hundreds of thousands of miles and coming near death twice—than any other Hollywood star. Despite her seemingly glamorous and carefree life, Landis was unable to build a lasting relationship, a fact that contributed to her suicide at 29. This work examines Landis’s life and career in Hollywood, focusing on how her movie career affected her short, unhappy life.
Hollywood Death and Scandal Sites by E.J. Fleming Pdf
For more than a century, people have been drawn to sites of tragedy involving the rich, beautiful and notorious of Hollywood. Tourists at the center of the movie universe flock to Rudolph Valentino’s grave, the house where Marilyn Monroe died, the “O.J. murders” condo, the hotel where John Belushi overdosed, a myriad of haunted mansions. In its extensively researched and enlarged second edition, this book tells the stories of these locations and makes finding them simple. Seventeen driving tours include more than 650 sites. Each tour covers a specific area, from Hollywood and the Sunset Strip to Brentwood and Malibu, covering the entire Los Angeles basin. Concise, easy-to-follow directions are given to each location with 145 photos and the fascinating story behind each stop.
Paul Bern, known throughout the movie business as "Hollywood's Father Confessor," earned a reputation for being a loyal and supportive friend and for becoming one of MGM's most respected and creative directors. After his death, though, he was said to have grown so depressed and despondent over his own apparent sexual inadequacies that he committed suicide, and he would be denounced for attempting to rape his new bride Jean Harlow. In this biography, the author uncovers startling new facts and argues that MGM knew the real story of Bern's death--that an estranged, mentally ill common-law wife murdered him. MGM understood that the earlier spouse rendered Bern's marriage to Harlow, its fastest-rising star, ambiguous if not bigamous, so the studio staged a suicide and embarked on a very public tarnishing of his memory. Included are 93 rare photos, many lost for decades, along with three appendices examining the handwriting on an alleged suicide note and Bern's will and estate.
Hollywoodland by Mary Mallory,Hollywood Heritage Inc. Pdf
Established by real estate developers Tracy E. Shoults and S. H. Woodruff in 1923, Hollywoodland was one of the first hillside developments built in Hollywood. Touting its class and sophistication, the neighborhood promoted a European influence, featuring such unique elements as stone retaining walls and stairways, along with elegant Spanish, Mediterranean, French Normandy, and English Tudor styled homes thoughtfully placed onto the hillsides. The community contains one of the world’s most recognizable landmarks, the Hollywood sign, originally constructed as a giant billboard for the development and reading “Hollywoodland.” The book illustrates the development of the upper section of Beachwood Canyon known as Hollywoodland with historic photographs from Hollywood Heritage’s S. H. Woodruff Collection as well as from other archives, institutions, and individuals.
She was called “the most beautiful girl in the world” and during Hollywood’s Golden Age of the 1930s and 1940s, she set standards of beauty and sophistication copied throughout the world during the three decades of her film career. When she made her American cinema debut opposite Charles Boyer in Walter Wanger’s moody 1938 romance-drama, Algiers, her character’s first appearance in that film literally took audiences’ breath away. Her exotic beauty was heralded in picture after picture. Hedy Lamarr is a photographic tribute to this extraordinary woman. Focusing on her spectacular beauty, it will contain hundreds of personal and professional photographs, many never before published, along with private letters, memorabilia, ephemera, estate jewelry, and gowns. It will have a running biographical commentary by biographer Stephen Michael Shearer, author of the definitive book of the star, Beautiful: The Life of Hedy Lamarr (St. Martins Press). This book will give the film fan and avid reader an ample opportunity to view and understand this most remarkable, beautiful woman. And, to introduce her to a new generation.
Despite a genuine admiration for Native Hawaiian culture, white Californians of the 1930s ignored authentic relationships with Native Hawaiians. Surfing became a central part of what emerged instead: a beach culture of dressing, dancing, and acting like an Indigenous people whites idealized. Patrick Moser uses surfing to open a door on the cultural appropriation practiced by Depression-era Californians against a backdrop of settler colonialism and white nationalism. Recreating the imagined leisure and romance of life in Waikīkī attracted people buffeted by economic crisis and dislocation. California-manufactured objects like surfboards became a physical manifestation of a dream that, for all its charms, emerged from a white impulse to both remove and replace Indigenous peoples. Moser traces the rise of beach culture through the lives of trendsetters Tom Blake, John “Doc” Ball, Preston “Pete” Peterson, Mary Ann Hawkins, and Lorrin “Whitey” Harrison while also delving into California’s control over images of Native Hawaiians via movies, tourism, and the surfboard industry. Compelling and innovative, Waikīkī Dreams opens up the origins of a defining California subculture.
The Hollywood Book of Breakups by James Robert Parish Pdf
"Half of all marriages end in divorce--and then there are the really unhappy ones." --Joan Rivers Do you suppose that the person who first said "Life is stranger than fiction" might have had Hollywood marriages in mind? Why watch a romantic film starring a leading man and a leading lady when their real-life romances are so much more interesting? It seems that a celebrity's latest film can have a considerably longer life span in the theater than his or her marriage du jour. One would almost think that Tinseltown has come to embrace divorce as an accepted pastime. Some celebrities have seemingly collected spouses over the years, systematically adding notches in their belts of divorces. Cases in point: Zsa Zsa Gabor (nine), Lana Turner (eight), Elizabeth Taylor (nine), and Mickey Rooney (eight). This list appears to make Jennifer Lopez a mere novice with only three marriages, two divorces, and one terminated engagement to date. In The Hollywood Book of Breakups, James Robert Parish looks at scores of hot Hollywood romances that eventually fell apart. From the decade-long union of Tom Cruise and Nicole Kidman to the "just-for-show" nuptials of Rock Hudson and Phyllis Gates to the four-and-a-half-year marriage of Brad Pitt and Jennifer Aniston to the "other woman" divorce of Debbie Reynolds and Eddie Fisher, Parish covers it all--from the burning embers to the fizzling fires of Hollywood breakups. You couldn't make this stuff up--and James Robert Parish doesn't need to. Hollywood writes its own drama when it comes to scandalous breakups.
The tragic death of 13-year-old Danny Croteau in 1972 faded from headlines and memories for 20 years until the Boston abuse scandal—a string of assaults within the Catholic Church—exploded in the early 2000s. Despite numerous indications, including 40 claims of sexual misconduct with minors, pointing to him as Croteau’s killer, the Reverend Richard R. Lavigne remains “innocent.” Drawing on more than 10,000 pages of police and court records and interviews with Danny’s friends and family, fellow abuse victims, and church officials, the author uncovers the truth—church complicity in a cover up and the masking of priests’ involvement in a ring of abusive clergy—behind Croteau’s death and those who had a hand in it.
For film buffs and literature lovers alike, Turner Classic Movies presents an essential guide to 52 cinema classics and the literary works that served as their inspiration. “I love that movie!” “But have you read the book?” Within these pages, Turner Classic Movies offers an endlessly fascinating look at 52 beloved screen adaptations and the great reads that inspired them. Some films, like Clueless—Amy Heckerling’s interpretation of Jane Austen’s Emma—diverge wildly from the original source material, while others, like One Flew Over the Cuckoo's Nest, shift the point of view to craft a different experience within the same story. Author Kristen Lopez explores just what makes these works classics of both the page and screen, and why each made for an exceptional adaptation—whether faithful to the book or exemplifying cinematic creative license. Other featured works include: Children of Men · The Color Purple · Crazy Rich Asians · Dr. No · Dune · Gentlemen Prefer Blondes · Kiss Me Deadly · The Last Picture Show · Little Women · Passing · The Princess Bride · The Shining · The Thin Man · True Grit · Valley of the Dolls · The Virgin Suicides · Wuthering Heights
For a decade Wallace Reid was the most recognized face in Hollywood, the most universally beloved actor in silent film. Today all that is widely remembered of "Wally" Reid is that he died in a padded sanitarium cell, the victim of a fatal morphine addiction. Of all the actors who have enjoyed great fame only to vanish from the public eye, Reid perhaps fell the fastest and the hardest. This first full biography recounts Reid's complicated childhood, his disrupted family history and his rise to film stardom despite these restricting factors. It documents his myriad talents and accomplishments, most notably his gift for brilliant onscreen acting. The text explores in depth how the modern studio, however unconsciously, turned the popular star, a well-adjusted man with a loving family, into a drug-dependent mental patient within three years. His death rocked the foundations of Hollywood, and the huge new industry that he helped build nearly died with "Dashing Wally Reid."
One of the Best Books of the Year The Washington Post • Los Angeles Times • Milwaukee Journal Sentinel The story of Frank Sinatra’s second act, Sinatra finds the Chairman on top of the world, riding high after an Oscar victory—and firmly reestablished as the top recording artist of his day. Following Sinatra from the mid-1950s to his death in 1998, Kaplan uncovers the man behind the myth, revealing by turns the peerless singer, the (sometimes) powerful actor, the business mogul, the tireless lover, and—of course—the close associate of the powerful and infamous. It was in these decades that the enduring legacy of Frank Sinatra was forged, and Kaplan vividly captures “Ol’ Blue Eyes” in his later years. The sequel to the New York Times best-selling Frank, here is the concluding volume of the definitive biography of "The Entertainer of the Century."
Eddie Mannix and Howard Strickling are virtually unknown outside of Hollywood and little-remembered even there, but as General Manager and Head of Publicity for Metro-Goldwyn-Mayer Studios, they lorded over all the stars in Hollywood's golden age from the 1920s through the 1940s--including legends like Garbo, Dietrich, Gable and Garland. When MGM stars found themselves in trouble, it was Eddie and Howard who took care of them--solved their problems, hid their crimes, and kept their secrets. They were "the Fixers." At a time when image meant everything and the stars were worth millions to the studios that owned them, Mannix and Strickling were the most important men at MGM. Through a complex web of contacts in every arena, from reporters and doctors to corrupt police and district attorneys, they covered up some of the most notorious crimes and scandals in Hollywood history, keeping stars out of jail and, more importantly, their names out of the papers. They handled problems as diverse as the murder of Paul Bern (husband of MGM's biggest star, Jean Harlow), the studio-directed drug addictions of Judy Garland, the murder of Ted Healy (creator of The Three Stooges) at the hands of Wallace Beery, and arranging for an unmarried Loretta Young to adopt her own child--a child fathered by a married Clark Gable. Through exhaustive research and interviews with contemporaries, this is the never-before-told story of Eddie Mannix and Howard Strickling. The dual biography describes how a mob-related New Jersey laborer and the quiet son of a grocer became the most powerful men at the biggest studio in the world.