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What is it that gives us such delight in hoaxing the gullible?The April Fool perpetrated by Burger King who advertised they were to produce left-handed hamburgers for the 32 million left-handed Americans. They were inundated with eager buyers...The famous BBC TV 'Spaghetti Tree' hoax...The outrage caused by Taco Bell's announcement that they had purchased the Liberty Bell and henceforth it would be known as the 'Taco Liberty Bell' ... Taken from the website www.museumofhoaxes.com this is a hilarious collection of hoaxes which proves just how gullible human beings are.
Step right up and enter The Museum of Hoaxes where you can Marvel at such curiosities as Bigfoot, the Cardiff Giant, and the Jackalope . . .Wonder at the mystery of crop circles, the War of the Worlds, and Sydney's Iceberg . . .See the Stone Age Tasaday Tribe, the Cottingley Fairies, and Snowball the Monster Cat with your own eyes . . .Or learn from famous hoaxers such as Edgar Allen Poe, P.T. Barnum, and Mark Twain. Would these hoaxes fool you? Take the Gullibility Test and find out . . .
In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity. Drawing on an array of archival sources, Douglas Hunter reconstructs the notorious hoax and its many players. Beardmore unfolds like a detective story as the author sifts through the voluminous evidence and follows the efforts of two unlikely debunkers, high-school teacher Teddy Elliott and government geologist T.L. Tanton, who find themselves up against Currelly and his scholarly allies. Along the way, the controversy draws in a who’s who of international figures in archaeology, Scandinavian studies, and the museum world, including anthropologist Edmund Carpenter, whose mid-1950s crusade against the find’s authenticity finally convinced scholars and curators that the grave was a fraud. Shedding light on museum practices and the state of the historical and archaeological professions in the mid-twentieth century, Beardmore offers an unparalleled view inside a major museum scandal to show how power can be exercised across professional networks and hamper efforts to arrive at the truth.
Hoax: A History of Deception by Ian Tattersall,Peter Névraumont Pdf
An entertaining collection of the most audacious and underhanded deceptions in the history of mankind, from sacred relics to financial schemes to fake art, music, and identities. World history is littered with tall tales and those who have fallen for them. Ian Tattersall, a curator emeritus at the American Museum of Natural History, has teamed up with Peter Névraumont to tell this anti-history of the world, in which Michelangelo fakes a masterpiece; Arctic explorers seek an entrance into a hollow Earth; a Shakespeare tragedy is "rediscovered"; a financial scheme inspires Charles Ponzi; a spirit photographer snaps Abraham Lincoln's ghost; people can survive ingesting only air and sunshine; Edgar Allen Poe is the forefather of fake news; and the first human was not only British but played cricket. Told chronologically, HOAX begins with the first documented announcement of the end of the world in 2800 BC and winds its way through controversial tales such as the Loch Ness Monster and the Shroud of Turin, past proven fakes such as the Thomas Jefferson's ancient wine and the Davenport Tablets built by a lost race, and explores bald-faced lies in the worlds of art, science, literature, journalism, and finance.
In this fascinating historical tour of hundreds of documented hoaxes, readers will discover the curiosities and cons of the most notorious hornswogglers and flimflam men of the 19th century and be astounded at the impostors, pretenders, and tricksters of the 20th.
Longlisted for the National Book Award for Nonfiction “There Kevin Young goes again, giving us books we greatly need, cleverly disguised as books we merely want. Unexpectedly essential.”—Marlon James Award-winning poet and critic Kevin Young tours us through a rogue’s gallery of hoaxers, plagiarists, forgers, and fakers—from the humbug of P. T. Barnum and Edgar Allan Poe to the unrepentant bunk of JT LeRoy and Donald J. Trump. Bunk traces the history of the hoax as a peculiarly American phenomenon, examining what motivates hucksters and makes the rest of us so gullible. Disturbingly, Young finds that fakery is woven from stereotype and suspicion, race being the most insidious American hoax of all. He chronicles how Barnum came to fame by displaying figures like Joice Heth, a black woman whom he pretended was the 161-year-old nursemaid to George Washington, and What Is It?, an African American man Barnum professed was a newly discovered missing link in evolution. Bunk then turns to the hoaxing of history and the ways that forgers, plagiarists, and journalistic fakers invent backstories and falsehoods to sell us lies about themselves and about the world in our own time, from pretend Native Americans Grey Owl and Nasdijj to the deadly imposture of Clark Rockefeller, from the made-up memoirs of James Frey to the identity theft of Rachel Dolezal. In this brilliant and timely work, Young asks what it means to live in a post-factual world of “truthiness” where everything is up for interpretation and everyone is subject to a pervasive cynicism that damages our ideas of reality, fact, and art.
This Is Not a Hoax shows how the work of some contemporary artists and writers intentionally disrupts the curatorial and authorial practices of the country’s most respected cultural institutions: art galleries, museums, and book publishers. This first-ever study of contemporary Canadian hoaxes in visual art and literature asks why we trust authority in artistic works and how that trust is manifest. This book claims that hoaxes, far from being merely lies meant to deceive or wound, may exert a positive influence. Through their insistent disobedience, they assist viewers and readers in re-examining unquestioned institutional trust, habituated cultural hierarchies, and the deeply inscribed racism and sexism of Canada’s settler-colonial history. Through its attentive look at hoaxical works by Canadian artists Iris Häussler, Brian Jungen, and Rebecca Belmore, photographer Jeff Wall, and writers and translators David Solway and Erin Mouré, this book celebrates the surprising ways hoaxes call attention to human capacities for flexibility, adaptation, and resilience in a cultural moment when radical empathy and imagination is critically needed.
An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert "fictive-art" practitioner. The shift from the early information age to our 'infocalypse' era of rampant misinformation has given rise to an art form that probes this confusion, foregrounding wild creativity as a way to reframe assumptions about both fiction and art in contemporary culture. At its center, this "fictive art" (LaFarge's term) is secured as fact by employing the language and display methods of history and science. Using typically evidentiary objects such as documentary photographs and videos, presumptively historical artifacts and relics, didactics, lectures, events, and expert opinions in technical language, artists create a constellation of manufactured evidence attesting to the artwork's central narrative. This dissimulation is temporary, with a clear "tell" often surprisingly revealed in a self-outing moment. With all its attendant consequences of mistrust, outrage, and rejection, this genre of art with a sting in its tale is a radical form whose time has come.
A “lively yet thoroughly researched” look at persistent myths and stubborn scams, and how historians try to combat them (The Courier-Journal). Did a collector with a knack for making sensational discoveries really find the first document ever printed in America? Did Hitler actually pen a revealing set of diaries? Has Jesus’ burial cloth survived the ages? Can the shocking true account of Abraham Lincoln’s assassination be found in lost pages from his murderer’s diary? Napoleon famously observed that “history is a set of lies agreed upon,” and Edward Steers Jr. investigates six of the most amazing frauds ever to gain wide acceptance in this engrossing book. Hoax examines the legitimacy of the Shroud of Turin, perhaps the most hotly debated relic in all of Christianity, and the fossils purported to confirm humanity’s “missing link,” the Piltdown Man. Steers also discusses two remarkable forgeries, the Hitler diaries and the “Oath of a Freeman,” and famous conspiracy theories alleging that Franklin D. Roosevelt had prior knowledge of the planned attack on Pearl Harbor and that the details of Lincoln’s assassination are recorded in missing pages from John Wilkes Booth’s journal. The controversies that Steers presents show that there are two major factors involved in the success of a hoax or forgery—greed and the desire to believe. Though all of the counterfeits and conspiracies featured in Hoax have been scientifically debunked, some remain fixed in many people’s minds as truth. As Steers points out, the success of these frauds highlights a disturbing fact: If true history fails to entertain the public, it is likely to be ignored or forgotten.
In a world of lip synching, breast implants, and staged reality shows, it's hard to know the real from the fake. Now "hoaxpert" Boese offers the essential field guide to today's "Misinformation Age."
A remarkable collection based on the author's popular Web site, this book is a fascinating historical tour of hundreds of documented hoaxes, many collected here for the first time. Read about the curiosities & cons of the most notorious hornswogglers & flimflam men of the 19th century; be astounded at the impostors, pretenders, & tricksters of the 20th century. The Queen of England, Jimmy Carter, the editors of The N.Y. Times -- no one is immune to the cunning of history's hoaxers. It's all here, from the origin of April Fools' Day to Nixon's final presidential bid in 1992, from the War of the WorldsÓ to recent Internet hoaxes. Would these hoaxes fool you? Take the Gullibility Test & find out. Illustrations.
A “fascinating” memoir—and the inspiration for the movie starring Richard Gere—from the man behind the forged autobiography of Howard Hughes (Time). Novelist Clifford Irving’s no-holds-barred account of his faked autobiography of Howard Hughes—one of the greatest literary hoaxes of the twentieth century—is the ultimate caper story. The plan was concocted in the early 1970s, when eccentric billionaire Hughes was already living as a recluse in the Bahamas. An American author, Irving pitched the scheme to his friend, fellow writer Richard Suskind: Through forged letters and fake interviews, they would recount Hughes’s life “in his own words.” Meanwhile, Irving’s wife would open a Swiss bank account in the name of “Helga R. Hughes” using a fake passport. Their success hinged on the assumption that Hughes would never resurface to challenge the book, as he had not spoken to the press in over ten years. Conning Irving’s own publisher of nearly a decade out of a six-figure advance, the three conspirators embarked on a hoax that would fool journalists, handwriting experts, and even a lie-detector test. It was not until Hughes himself emerged from seclusion to denounce Irving that the book was exposed as fraud. This madcap, bestselling memoir “is a story which reads like the best thriller fiction and which contains the seeds of a dozen movie scripts. Mysterious meetings, false passports, a beautiful Danish baroness, Swiss bank accounts . . .” The Hoax is a masterpiece of international intrigue and startling revelations (The Tatler, England). “Brilliant!” —Newsday “A masterpiece!” —CBS Radio "Spellbinding!” —Publishers Weekly “Sensational!” —New York Daily New
The Sunday Times Top Ten Bestseller Have you ever wondered if a severed head retains consciousness long enough to see what happened to it? Or whether your dog would run to fetch help, if you fell down a disused mineshaft? And what would happen if you were to give an elephant the largest ever single dose of LSD? The chances are that someone, somewhere has conducted a scientific experiment to find out... 'Excellent accounts of some of the most important and interesting experiments in biology and psychology' Simon Singh If left to their own devices, would babies instinctively choose a well-balanced diet? Discover the secret of how to sleep on planes Which really tastes better in a blind tasting - Coke or Pepsi?
