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The Mysteries of London (Vol. 1-4) by George W. M. Reynolds Pdf
The Mysteries of London in 4 volumes is a "penny blood" classic. There are many plots in the story, but the overarching purpose is to reveal different facets of life in London, from its seedy underbelly to its over-indulgent and corrupt aristocrats. The Mysteries of London are considered to be among the seminal works of the Victorian "urban mysteries" genre, a style of sensational fiction which adapted elements of Gothic novels – with their haunted castles, innocent noble damsels in distress and nefarious villains – to produce stories which instead emphasized the poverty, crime, and violence of a great metropolis, complete with detailed and often sympathetic descriptions of the lives of lower-class lawbreakers and extensive glossaries of thieves' cant, all interwoven with a frank sexuality not usually found in popular fiction of the time.
The Mysteries of London Vol 1 of 4 by George W. M. Reynolds Pdf
The Mysteries of London is a penny dreadful or city mysteries novel begun by George W. M. Reynolds in 1844. Reynolds wrote the first two series of this long-running narrative of life in the seedy underbelly of mid-nineteenth-century London. Thomas Miller wrote the third series and Edward L. Blanchard wrote the fourth series of this immensely popular title. Michael Angelo in Penny Dreadfuls and Other Victorian Horrors writes: Reynolds had read Eugene Sue while in Paris and was particularly impressed by his novel Les Mystères de Paris (The Mysteries of Paris). It inspired Reynolds to write and publish a penny part serial The Mysteries of London (1845), in which he paralleled Sue's tale of vice, depravity, and squalor in the Parisian slums with a sociological story contrasting the vice and degradation of London working-class life with the luxury and debaucheries of the hedonistic upper crust. An early socialist and a Chartist sympathizer, Reynolds had a genuine social conscience, and he contrived to stitch into the pages of his books diatribes against social evils and class inequities. (79) Instalments were published weekly and contained a single illustration and eight pages of text printed in double columns. The weekly numbers were later bound in cloth covers with a fresh title page and table of contents and offered as complete works of fiction. After Reynolds quit The Mysteries of London, he began a new title: The Mysteries of the Court of London, which ran from 1848 until 1856.
The Mysteries of London (Vol. 1-4) by George W. M. Reynolds Pdf
The Mysteries of London in 4 volumes is a "penny blood" classic. There are many plots in the story, but the overarching purpose is to reveal different facets of life in London, from its seedy underbelly to its over-indulgent and corrupt aristocrats. The Mysteries of London are considered to be among the seminal works of the Victorian "urban mysteries" genre, a style of sensational fiction which adapted elements of Gothic novels – with their haunted castles, innocent noble damsels in distress and nefarious villains – to produce stories which instead emphasized the poverty, crime, and violence of a great metropolis, complete with detailed and often sympathetic descriptions of the lives of lower-class lawbreakers and extensive glossaries of thieves' cant, all interwoven with a frank sexuality not usually found in popular fiction of the time.
The Mysteries of the Court of London (Classic Reprint) by George William MacArthur Reynolds Pdf
Excerpt from The Mysteries of the Court of London The command of Lady Ernestina was peremptory enough for the Hangman to take his departure, but still he moved not. That is to say, though he quailed and even grew afraid in her presence, for there was something terrible in her wrath, yet he did not issue from the room. A sort of unknown fascination kept him there. He felt as if circumstances had now so mixed up her fortunes with his own that he must not abandon her. Or perhaps, in his own savage, brutal style, he entertained a fancy we dare not use the word affection - for that splendid patrician creature of whose person he had ere now possessed himself. But whatever the feeling were, certain it is that he lingered in her presence, unable to leave; yet not knowing how to propitiate her. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Mysteries of London by George W. M. Reynolds Pdf
"The Mysteries of London" Volume 1 is a mammoth 818-page novel. This penny dreadful (or city mysteries novel) was begun as a weekly serial by George W. M. Reynolds in 1844. Reynolds wrote the first two series of this long-running narrative of life in the seedy underbelly of mid-nineteenth-century London. Thomas Miller wrote the third series and Edward L. Blanchard wrote the fourth series. All were immensely popular. Reynolds modelled his story after Eugene Sue's novel "Les Mysteres de Paris" (The Mysteries of Paris), and he paralleled Sue's tale of vice, depravity, and squalor in the Parisian slums. Installments were published weekly and contained a single illustration and eight pages of text printed in double columns. The weekly numbers were later bound in cloth covers with a fresh title page and table of contents and offered as complete works of fiction."
The Mysteries of London by George W. M. Reynolds Reynolds Pdf
"The Mysteries of London" Volume 1 is a mammoth 818-page novel. This penny dreadful (or city mysteries novel) was begun as a weekly serial by George W. M. Reynolds in 1844. Reynolds wrote the first two series of this long-running narrative of life in the seedy underbelly of mid-nineteenth-century London. Thomas Miller wrote the third series and Edward L. Blanchard wrote the fourth series. All were immensely popular. Reynolds modelled his story after Eugene Sue's novel "Les Mysteres de Paris" (The Mysteries of Paris), and he paralleled Sue's tale of vice, depravity, and squalor in the Parisian slums. Installments were published weekly and contained a single illustration and eight pages of text printed in double columns. The weekly numbers were later bound in cloth covers with a fresh title page and table of contents and offered as complete works of fiction."
'I Hope I Don't Intrude' takes its title from the catch-phrase of the eponymous hero of the 1825 play Paul Pry, which was an immense success on the London stage and then rapidly in New York and around the English-speaking world. It tackles the complex, multi-faceted subject of privacy in nineteenth-century Britain by examining the way in which the tropes, language, and imagery of the play entered public discourse about privacy in the rest of the century. The volume is not just an account of a play, or of late Georgian and Victorian theatre. Rather it is a history of privacy, showing how the play resonated through Victorian society and revealed its concerns over personal and state secrecy, celebrity, gossip and scandal, postal espionage, virtual privacy, the idea of intimacy, and the evolution of public and private spheres. After 1825 the overly inquisitive figure of Paul Pry appeared everywhere - in songs, stories, and newspapers, and on everything from buttons and Staffordshire pottery to pubs, ships, and stagecoaches - and 'Paul-Prying' rapidly entered the language. 'I Hope I Don't Intrude' is an innovative kind of social history, using rich archival research to trace this cultural artefact through every aspect of its consumer context, and using its meanings to interrogate the largely hidden history of privacy in a period of major transformations in the role of the home, mass communication (particularly the new letter post, which delivered private messages through a public service), and the state. In vivid and entertaining detail, including many illustrations, David Vincent presents the most thorough account yet attempted of a recreational event in an era which saw a decisive shift in consumer markets. His study casts fresh light on the perennial tensions between curiosity and intrusion that were captured in Paul Pry and his catchphrase. Giving a new account of the communications revolution of the period, it re-evaluates the role of the state and the market in creating a new regime of privacy. And its critique of the concept and practice of surveillance looks forward to twenty-first-century concerns about the invasion of privacy through new technologies.
Nineteenth Century Popular Fiction, Medicine and Anatomy by Anna Gasperini Pdf
This book investigates the relationship between the fascinating and misunderstood penny blood, early Victorian popular fiction for the working class, and Victorian anatomy. In 1832, the controversial Anatomy Act sanctioned the use of the body of the pauper for teaching dissection to medical students, deeply affecting the Victorian poor. The ensuing decade, such famous penny bloods as Manuscripts from the Diary of a Physician, Varney the Vampyre, Sweeney Todd, and The Mysteries of London addressed issues of medical ethics, social power, and bodily agency. Challenging traditional views of penny bloods as a lowlier, un-readable genre, this book rereads these four narratives in the light of the 1832 Anatomy Act, putting them in dialogue with different popular artistic forms and literary genres, as well as with the spaces of death and dissection in Victorian London, exploring their role as channels for circulating discourses about anatomy and ethics among the Victorian poor.
The Mysteries Of London; Volume 1 by George William McArthur Reynolds Pdf
Prepare to be transported back to the dark and dangerous streets of Victorian London with this gripping thriller. Reynolds' vividly drawn characters and atmospheric descriptions of the city make this a must-read for fans of historical fiction and crime thrillers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Mysteries of London Volume 1 (of 4) (Illustrations) by George William MacArthur Reynolds Pdf
Example in this ebook Between the 10th and 13th centuries Civilisation withdrew from Egypt and Syria, rested for a little space at Constantinople, and then passed away to the western climes of Europe. From that period these climes have been the grand laboratory in which Civilisation has wrought out refinement in every art and every science, and whence it has diffused its benefits over the earth. It has taught commerce to plough the waves of every sea with the adventurous keel; it has enabled handfuls of disciplined warriors to subdue the mighty armaments of oriental princes; and its daring sons have planted its banners amidst the eternal ice of the poles. It has cut down the primitive forests of America; carried trade into the interior of Africa; annihilated time and distance by the aid of steam; and now contemplates how to force a passage through Suez and Panama. The bounties of Civilisation are at present almost everywhere recognised. Nevertheless, for centuries has Civilisation established, and for centuries will it maintain, its headquarters in the great cities of Western Europe: and with Civilisation does Vice go hand-in-hand. Amongst these cities there is one in which contrasts of a strange nature exist. The most unbounded wealth is the neighbour of the most hideous poverty; the most gorgeous pomp is placed in strong relief by the most deplorable squalor; the most seducing luxury is only separated by a narrow wall from the most appalling misery. The crumbs which fall from the tables of the rich would appear delicious viands to starving millions; and yet those millions obtain them not! In that city there are in all districts five prominent buildings: the church, in which the pious pray; the gin-palace, to which the wretched poor resort to drown their sorrows; the pawnbroker's, where miserable creatures pledge their raiment, and their children's raiment, even unto the last rag, to obtain the means of purchasing food, and—alas! too often—intoxicating drink; the prison, where the victims of a vitiated condition of society expiate the crimes to which they have been driven by starvation and despair; and the workhouse, to which the destitute, the aged, and the friendless hasten to lay down their aching heads—and die! And, congregated together in one district of this city, in an assemblage of palaces, whence emanate by night the delicious sounds of music; within whose walls the foot treads upon rich carpets; whose sideboards are covered with plate; whose cellars contain the choicest nectar of the temperate and torrid zones; and whose inmates recline beneath velvet canopies, feast at each meal upon the collated produce of four worlds, and scarcely have to breathe a wish before they find it gratified. Alas! how appalling are these contrasts! And, as if to hide its infamy from the face of heaven, this city wears upon its brow an everlasting cloud, which even the fresh fan of the morning fails to disperse for a single hour each day! And in one delicious spot of that mighty city—whose thousand towers point upwards, from horizon to horizon, as an index of its boundless magnitude—stands the dwelling of one before whom all knees bow, and towards whose royal footstool none dares approach save with downcast eyes and subdued voice. The entire world showers its bounties upon the head of that favoured mortal; a nation of millions does homage to the throne whereon that being is exalted. The dominion of this personage so supremely blest extends over an empire on which the sun never sets—an empire greater than Jenghiz Khan achieved or Mohammed conquered. This is the parent of a mighty nation; and yet around that parent's seat the children crave for bread! To be continue in this ebook
G.W.M. Reynolds Reimagined by Jennifer Conary,Mary L. Shannon Pdf
This essay collection proposes that G.W.M. Reynolds’s contribution to Victorian print culture reveals the interrelations between authorship, genre, and radicalism in popular print culture of the nineteenth century. As a best-selling author of popular fiction marketed to the lower classes, and a passionate champion of radical politics and "the industrious classes," Reynolds and his work demonstrate the relevance of Victorian Studies to topics of pressing contemporary concern including populism, working-class fiction, the concept of ‘originality’, and the collective scholarly endeavour to ‘widen’ and ‘undiscipline’ Victorian Studies. Bringing together well-known and newly-emerging scholars from across different disciplinary perspectives, the volume explores the importance of Reynolds Studies to scholarship on the nineteenth-century. This book will appeal to students and scholars of the nineteenth-century press, popular culture, and of authorship, as well as to Victorian Studies scholars interested in the translation of Victorian texts into new and indigenous markets.
London Labour and the London Poor by Henry Mayhew Pdf
Produced between 1850 and 1862, London Labour and the London Poor is one of the most significant examples of nineteenth-century oral history. The collection teems with the minute particulars of the everyday—bits and pieces of London lives assembled into a precarious whole by the author, editor, and principal investigator, Henry Mayhew. Mayhew was interested in the social fabric of people’s lives, their labour and earnings, but also their families, education, leisure time, and religious beliefs. What gives his “case studies” such immediacy is that they seem to flow unprompted and uninterrupted from the mouths of his subjects: street sellers, dock labourers, musicians, rat catchers, vagrants, chimney sweeps, thieves, and prostitutes. All are captured in this newly annotated and selected edition of Mayhew’s four-volume work. Historical appendices include a contemporary map of London, reviews of London Labour, and other slum journalism from the period.