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The Mystical Imagination of Patrick Kavanagh by Una Agnew Pdf
The poetry of Patrick Kavanagh offers an affirmation not only of the human condition, but of the natural world and of God's presence in the majestic and mundane facets of daily life. In this study of the great Monaghan sage, Una Agnew situates Kavanagh's
The Juggler of Notre Dame and the Medievalizing of Modernity by Jan M. Ziolkowski Pdf
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. In this volume Jan Ziolkowski follows the juggler of Notre Dame as he cavorts through new media, including radio, television, and film, becoming closely associated with Christmas and embedded in children’s literature. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
Patrick Kavanagh, A Biography by Antoinette Quinn Pdf
Antoinette Quinn's acclaimed biography of Patrick Kavanagh, the most important Irish poet between the death of W.B. Yeats and the rise of Seamus Heaney, tells the triumphant story of his journey from homespun balladry through early journal and poetry publications to his eventual coronation as one of the most influential figures in Irish poetry. Kavanagh (1904–1967) was born in County Monaghan, the son of a cobbler-cum-small farmer. He left school at thirteen to work the land but continued to educate himself, reading and writing poetry in his spare time. In 1929 he began contributing verses to the Irish Statesman and was soon publishing in Irish and English journals. His first collection, Ploughman and Other Poems, appeared in 1936 and was followed by an autobiography, The Green Fool, in 1938. In 1939 he moved to Dublin where he spent the rest of his life as a freelance writer and as part of the social and literary scene, keeping company with a gifted generation of writers, among them Flann O'Brien and Brendan Behan. He gained recognition as an important literary voice with his long poem 'The Great Hunger' in 1942. Further collections and the novel Tarry Flynn appeared in the following decades to growing critical acclaim. Published to widespread praise, Patrick Kavanagh, A Biography traces Kavanagh's publishing history as well as revealing what he was writing in the long interval between his books. This engaging, well-researched account of his daily professional life as a writer, his revisions and redraftings, his negotiations with publishers and editors, dispels the view that he was an untutored, gormless genius visited by an occasional flash of inspiration. Patrick Kavanagh, A Biography is the definitive account of Patrick Kavanagh's life and work and should be the standard for years to come. Patrick Kavanagh, A Biography: Table of Contents Introduction - No Genealogic Rosary (1850–1910) - Childhood (1904–1918) - Serving his Time (1918–1927) - Dabbling in Verse (1916–1930) - Farmer-Poet (1929–1936) - Towards The Green Fool (1936–1937) - The Green Fool and its Aftermath (1937–1939) - I Had a Future (1939–1941) - Bell-lettres (1940–1942) - The Great Hunger (1941–1942) - Pilgrim Poet (1940–1942) - Marriage and Money? (1942–1944) - The Enchanted Way (1944–1947) - Film Critic (1946–1949) - Tarry Flynn (1947–1949) - From Ballyrush to Baggot Street (1948–1951) - King of the Kids (1949–1951) - Bluster and Beggary (1952–1953) - Trial and Error (1954) - The Cut Worm (1954–1955) - The American Dream (1955–1957) - Noo Pomes (1957–1958) - Come Dance with Kitty Stobling (1959–1960) - Roots of Love (1960–1964) - Sixty-Year-Old Public Man (1964–1965) - Four Funerals and a Wedding (1965–1967) - 'So long'
Nearly one-half of the poems by the popular Irish poet Patrick Kavanagh (1904-67) have religious themes, images, or allusions. Here Fr. Tom Stack has collected all of these 138 poems and includes extensive introductions and commentaries about them. "
The oldest records indicate that the performance of poetry in Gaelic Ireland was normally accompanied by music, providing a point of continuity with past tradition while bolstering a sense of community in the present. Music would also offer, particularly for poets writing in English from the eighteenth century onwards, a perceived authenticity, a connection with an older tradition perceived as being untarnished by linguistic and cultural division. While providing an innovative analysis of theoretical work in music and literary studies, this book examines how traditional Irish music, including the related song tradition (primarily in Irish), has influenced, and is apparent in, the work of Irish poets. While looking generally at where this influence is evident historically and in contemporary Irish poetry, this work focuses primarily on the work of six poets, three who write in English and three who write primarily in the Irish language: Thomas Kinsella, Seamus Heaney, Ciaran Carson, Gearóid Mac Lochlainn, Nuala Ní Dhomhnaill and Cathal Ó Searcaigh.
An Irish Literature Reader by Maureen O'Rourke Murphy,James MacKillop Pdf
In a volume that has become a standard text in Irish studies and serves as a course-friendly alternative to the Field Day anthology, editors Maureen O’Rourke Murphy and James MacKillop survey thirteen centuries of Irish literature, including Old Irish epic and lyric poetry, Irish folksongs, and drama. For each author the editors provide a biographical sketch, a brief discussion of how his or her selections relate to a larger body of work, and a selected bibliography. In addition, this new volume includes a larger sampling of women writers.
This book surveys Irish writing in English over the last two centuries, from Maria Edgeworth to Seamus Heaney, to give the literary student and the general reader an up-to-date sense of its variety and vitality and to indicate some of the ways in which it has been described and discussed. It begins with a brief outline of Irish history, of Irish writing in Irish and Latin, and of writing in English before 1800. Later chapters consider Irish romanticism, Victorian Ireland, W.B.Yeats and the Irish Literary Revival, new directions in Irish writing after Joyce and the literature of contemporary Ireland, north and south, from 1960 to the present.
The Christian Tradition in English Literature by Paul Cavill,Heather Ward Pdf
Features:• Wide chronological coverage of English literature, especially texts found in the Norton, Oxford, Blackwell and other standard anthologies• Short, punchy essays that engage with the texts, the critics, and literary and social issues• Background and survey articles• Glossaries of Bible themes, images and narratives• Annotated bibliography and questions for class discussion or personal reflection• Scholarly yet accessible, jargon-free approach – ideal for school and university students, book groups and general readersCreated for readers who may be unfamiliar with the Bible, church history or theological development, it offers an understanding of Christianity’s key concepts, themes, images and characters as they relate to English literature up to the present day.
Stepping through Origins by Jefferson Holdridge Pdf
Since the eighteenth century, landscape has played complex psychological and political roles in the narrative of Irishness, entailing questions of memory, family, home, exile, and forgiveness. In Stepping through Origins, Holdridge explores the interplay of these concepts in literature. For Irish writers from Swift to Heaney, the Irish landscape has remained not only a reflection of Irish troubles but, much like aesthetic experience, a space in which the bitterness of family or national life can be understood, if not entirely overcome. Through deft analysis of works by leading Irish writers including Lady Morgan, Yeats, Joyce, Louis MacNeice, and Elizabeth Bowen, Holdridge expands and enriches our understanding of how landscape has served as a palimpsest for both family and country, connecting personal with collective memory, localized places with their regions, and individual with national identity.
The Cambridge Companion to Contemporary Irish Poetry by Matthew Campbell Pdf
In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book provides a unique introduction to major figures such as Seamus Heaney, but also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Paul Muldoon and Nuala Ni Dhomhnaill. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion, the only book of its kind on the market, provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike.
Theological Aesthetics by Gesa Elsbeth Thiessen Pdf
While interest in the relationship between theology and the arts is on the rise, there are very few resources for students and teachers, let alone a comprehensive text on the subject. This book fills that lacuna by providing an anthology of readings on theological aesthetics drawn from the first century to the present. A superb sourcebook, Theological Aesthetics brings together original texts that are relevant and timely to scholars today. Editor Gesa Elsbeth Thiessen has taken a careful, inclusive approach to the book, including articles and extracts that are diverse and ecumenical as well as representative of gender and ethnicity. The book is organized chronologically, and each historical period begins with commentary by Thiessen that sets the selections in context. These engaging readings range broadly over themes at the intersection of religion and the arts, including beauty and revelation, the vision of God, artistic and divine creation, God as artist, images of God, the interplay of the senses and the intellect, human imagination, mystical writings, meanings of signs and symbols, worship, liturgy, doxology, the relationship of word and image, icons and iconoclasm, the role of the arts in twentieth-century theology, and much more.
A Spirituality of Healing and Integration, offers much needed wisdom for the spiritual landscape we find ourselves in at this time. The inspiring symbolism, intertwined with scripture, story and insights from psychology makes it a compelling read. It outlines succinctly and clearly where we have come from and where we find ourselves as church in Ireland today. But it doesnt stop there, it navigates us towards a spirituality of the future and offers a direction in which we can be orientating ourselves in religious practice. Life is like a voyage on the sea of history, often dark and stormy, a voyage in which we watch for the stars that indicate the route. (Spe Salvi 49) In Vol 6 of Wood You Believe, through scripture and sculpture, story and self-acceptance, Jim Cogley encourages his readers to face the turbulence of todays faith voyage and drop anchor in the Spirit of God within. Shadow and light, wholeness and imperfection are embraced on the self-abandon voyage leading towards the living water welling up within to eternal life. (John 4:14) Phrases such as, The Samaritan woman went away with the well; When we listen something new is born; Transformation; Under new management; Let go, let God; are like pop-ups that sparkle anew throughout A Spirituality of Healing and Integration leading the reader to Jesus, the true light, the sun that has risen above the shadow of history. (Spe Salvi 49) Bishop Eamonn Walsh
