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Richard Hobbs examines one of society’s greatest problems: the need for reconciliation between the democratic dislike of war and the appropriate use of the military instrument in world politics. He questions whether the results obtained in war are worth the expenditures made and contends that victory gained from total war—war pushed to its outer li
Richard Hobbs examines one of society's greatest problems: the need for reconciliation between the democratic dislike of war and the appropriate use of the military instrument in world politics. He questions whether the results obtained in war are worth the expenditures made and contends that victory gained from total war--war pushed to its outer li
Richard Hobbs examines one of society's greatest problems: the need for reconciliation between the democratic dislike of war and the appropriate use of the military instrument in world politics.
Was World War II really the `Good War'? In the years since the declaration of peace in 1945 many myths have sprung up around the conflict in the victorious nations. In this book, Peter Hitchens deconstructs the many fables which have become associated with the narrative of the `Good War'. Whilst not criticising or doubting the need for war against Nazi Germany at some stage, Hitchens does query whether September 1939 was the right moment, or the independence of Poland the right issue. He points out that in the summer of 1939 Britain and France were wholly unprepared for a major European war and that this quickly became apparent in the conflict that ensued. He also rejects the retroactive claim that Britain went to war in 1939 to save the Jewish population of Europe. On the contrary, the beginning and intensification of war made it easier for Germany to begin the policy of mass murder in secret as well as closing most escape routes. In a provocative, but deeply-researched book, Hitchens questions the most common assumptions surrounding World War II, turning on its head the myth of Britain's role in a `Good War'.
The First World War is arguably the most misunderstood event in twentieth-century history. In a radical new interpretation, leading military historian Gary Sheffield argues that while the war was tragic, it was not futile; and, although condemned as 'lions led by donkeys', in reality the British citizen army became the most effective fighting force in the world, which in 1918 won the greatest series of battles in British history. A challenging and controversial book, FORGOTTEN VICTORY is based on twenty years of research and draws on the work of major scholars. Without underestimating the scale of the human tragedy or playing down the disasters, it explodes many myths about the First World War, placing it in its true historical context.
Nike by Charles River Charles River Editors,Andrew Scott Pdf
*Includes pictures *Includes ancient descriptions of Nike *Includes online resources and a bibliography for further reading "To Nike (Victory), Fumigation from Manna. O powerful Nike, by men desired, with adverse breasts to dreadful fury fired, thee I invoke, whose might alone can quell contending rage and molestation fell. 'Tis thine in battle to confer the crown, the victor's prize, the mark of sweet renown; for thou rulest all things, Nike divine! And glorious strife, and joyful shouts are thine. Come, mighty goddess, and thy suppliant bless, with sparkling eyes, elated with success; may deeds illustrious thy protection claim, and find, led on by thee, immortal fame." - Orphic Hymn to Nike 33 It seems to be a normal, modern-day practice to reduce all the gods of the ancient pantheons to their most basic abstract concepts: Ares represents war; Demeter, agriculture; Aphrodite, love; and so on. In the process, these characters lose any personality with which they might have been imbued over millennia of stories. A part of most studies of these gods is usually reserved for the undoubtedly valuable etymology of a deity's name, but more often than not, this etymology reveals little more than the fact they had been associated with their abstract concepts since time immemorial. Still, most modern readers understand the ancient Greek deities had "personalities" more complex than the abstract concepts they represented. These "personalities" were elaborated upon to explain relationships between concepts, such as in the case of Ares's and Aphrodite's daughter Harmonia, who always followed in her father's destructive wake, explaining the brutal "cleansing" power of war within ancient Greece's complex political landscape. It is in this same line of thought that abstract characters, such as Harmonia and Nike (Victory), find their place in ancient Greek mythology, especially after the writings of Homer in the 8th century BCE. As renowned historian Walter Burkert put it, "as a result of this Homerization, the Archaic Greek personifications come to assume their distinctive character in that they mediate between the individual gods and the spheres of reality, they receive mythical and personal elements from the gods and in turn give the gods part in the conceptual order of things. The personifications appear first in poetry, move into the visual arts and finally find their way into the realm of cult." In the case of Nike, there is no ambiguity in the meaning of her name. "Nike" is used to refer to the abstract concept of victory in its many forms in the works of Homer, Sophocles, Plato, and Xenophon. Victories in wars and in athletic competitions are invariably Nike's most predominant manifestations in the historical record, and as such, her appearances in myth as a goddess whose actions took place within the society of the pantheon are numerous, though mostly silent. Yet it is how the ancients interacted with this goddess that is most fascinating. The sculpture and the songs, the bas-reliefs and coins, all pay homage to Nike the goddess more intimately than the mere use of her image as a placeholder for "a glorious memory." When viewed in the context of a conversation, the appearance of Nike in the historical and archaeological records give the modern reader a tantalizing view inside the psyche of the ancient Greeks. This is the gift from Nike's that continues to bear fruit. Nike: The Origins and History of the Greek Goddess of Victory looks at the story of the legendary deity and the various roles she played in Greek mythology. Along with pictures depicting important people, places, and events, you will learn about Nike like never before.
Bitter Victory illuminates a chapter of World War II that has lacked a balanced, full-scale treatment until now. In recounting the second-largest amphibious operation in military history, Carlo D'Este for the first time reveals the conflicts in planning and the behind-the-scenes quarrels between top Allied commanders. The book explodes the myth of the Patton-Montgomery rivalry and exposes how Alexander's inept generalship nearly wrecked the campaign. D'Este documents in chilling detail the series of savage battles fought against an overmatched but brilliant foe and how the Germans—against overwhelming odds—carried out one of the greatest strategic withdrawals in history. His controversial narrative depicts for the first time how the Allies bungled their attempt to cut off the Axis retreat from Sicily, turning what ought to have been a great triumph into a bitter victory that later came to haunt the Allies in Italy. Using a wealth of original sources, D'Este paints an unforgettable portrait of men at war. From the front lines to the councils of the Axis and Allied high commands, Bitter Victory offers penetrating reassessments of the men who masterminded the campaign. Thrilling and authoritative, this is military history on an epic scale.
Author : Jacques R. Pauwels Publisher : James Lorimer & Company Page : 330 pages File Size : 44,7 Mb Release : 2015-03-06 Category : History ISBN : 9781459408722
The Myth of the Good War by Jacques R. Pauwels Pdf
In the spirit of historians Howard Zinn, Gwynne Dyer, and Noam Chomsky, Jacques Pauwels focuses on the big picture. Like them, he seeks to find the real reasons for the actions of great powers and great leaders. Familiar Second World War figures from Adolf Hitler to Franklin D. Roosevelt and Joseph Stalin are portrayed in a new light in this book. The decisions of Hitler and his Nazi government to go to war were not those of madmen. Britain and the US were not allies fighting shoulder to shoulder with no motive except ridding the world of the evils of Nazism. In Pauwels' account, the actions of the United States during the war years were heavily influenced by American corporations -- IBM, GM, Ford, ITT, and Standard Oil of New Jersey (now called Exxon) -- who were having a very profitable war selling oil, armaments, and equipment to both sides, with money gushing everywhere. Rather than analyzing Pearl Harbor as an unprovoked attack, Pauwels notes that US generals boasted of their success in goading Japan into a war the Americans badly wanted. One chilling account describes why President Truman insisted on using nuclear bombs against Japan when there was no military need to do so. Another reveals that Churchill instructed his bombers to flatten Dresden and kill thousands when the war was already won, to demonstrate British-American strength to Stalin. Leaders usually cast in a heroic mould in other books about this war look quite different here. Nations that claimed a higher purpose in going to war are shown to have had far less idealistic motives. The Second World War, as Jacques Pauwels tells it, was a good war only in myth. The reality is far messier -- and far more revealing of the evils that come from conflicts between great powers and great leaders seeking to enrich their countries and dominate the world.
What are the independent variables that determine success in war? Drawing on 40 years of studying and teaching war, political scientist Christian P. Potholm presents a 'template of Mars,' seven variables that have served as predictors of military success over time and across cultures. In Winning at War, Potholm explains these variables_technology, sustained ruthlessness, discipline, receptivity to innovation, protection of military capital from civilians and rulers, will, and the belief that there will always be another war_and provides case studies of their implementation, from ancient battles to today.
In Margin of Victory Douglas Macgregor tells the riveting stories of five military battles of the twentieth century, each one a turning point in history. Beginning with the British Expeditionary force holding the line at the Battle of Mons in 1914 and concluding with the Battle of Easting in 1991 during Desert Storm, Margin of Victory teases out a connection between these battles and teaches its readers an important lesson about how future battles can be won. Emphasizing military strategy, force design, and modernization, Macgregor links each of these seemingly isolated battles thematically. At the core of his analysis, the author reminds the reader that to be successful, military action must always be congruent with national culture, geography, and scientific-industrial capacity. He theorizes that strategy and geopolitics are ultimately more influential than ideology. Macgregor stresses that if nation-states want to be successful, they must accept the need for and the inevitability of change. The five warfighting dramas in this book, rendered in vivid detail by lively prose, offer many lessons on the tactical, operational, and strategic levels of war.
Is Jesus mythological? And is he a mere product of his cultural milieu? Through narratological and social-scientific analysis of the gospel account, Barber systematically demonstrates that there are two opposing patterns structuring the gospel. The first is the pattern of this world, which is the combat myth, with a typical sequence of motifs having mythological meanings. It is lived out by everyone else in the accounts except Jesus, because this pattern of the world is the pattern of myth-culture, which is the pattern of the old Adam and sin nature. The pattern of Jesus is the pattern intended for Adam to walk in, and is the unique pattern of the new Adam, Jesus Christ. Jesus's pattern inverts the sequence and subverts the significance of each and every motif and episode of the myth-culture's pattern. Barber shows that Jesus's "failure" to conform to this world's mythological pattern establishes that he is not mythological, and not a product of his culture. As the apostle Peter states, ". . . we did not follow cleverly devised tales [myths] when we made known to you the power and coming of our Lord Jesus Christ, but we were eyewitnesses of his majesty" (2 Pet 1:16).
Winner of the Pulitzer Prize: “The richest and most powerful single document of the American experience in World War II” (The Boston Globe). “The Good War” is a testament not only to the experience of war but to the extraordinary skill of Studs Terkel as an interviewer and oral historian. From a pipe fitter’s apprentice at Pearl Harbor to a crew member of the flight that dropped the atomic bomb on Nagasaki, his subjects are open and unrelenting in their analyses of themselves and their experiences, producing what People magazine has called “a splendid epic history” of WWII. With this volume Terkel expanded his scope to the global and the historical, and the result is a masterpiece of oral history. “Tremendously compelling, somehow dramatic and intimate at the same time, as if one has stumbled on private accounts in letters locked in attic trunks . . . In terms of plain human interest, Mr. Terkel may well have put together the most vivid collection of World War II sketches ever gathered between covers.” —The New York Times Book Review “I promise you will remember your war years, if you were alive then, with extraordinary vividness as you go through Studs Terkel’s book. Or, if you are too young to remember, this is the best place to get a sense of what people were feeling.” —Chicago Tribune “A powerful book, repeatedly moving and profoundly disturbing.” —People
Author : Edward H. Bonekemper Publisher : Simon and Schuster Page : 202 pages File Size : 46,8 Mb Release : 2015-10-05 Category : History ISBN : 9781621574736
The Myth of the Lost Cause by Edward H. Bonekemper Pdf
History isn't always written by the winners... Twenty-first-century controversies over Confederate monuments attest to the enduring significance of our nineteenth-century Civil War. As Lincoln knew, the meaning of America itself depends on how we understand that fratricidal struggle. As soon as the Army of Northern Virginia laid down its arms at Appomattox, a group of Confederate officers took up their pens to refight the war for the history books. They composed a new narrative—the Myth of the Lost Cause—seeking to ennoble the sacrifice and defeat of the South, which popular historians in the twentieth century would perpetuate. Unfortunately, that myth would distort the historical imagination of Americans, north and south, for 150 years. In this balanced and compelling correction of the historical record, Edward Bonekemper helps us understand the Myth of the Lost Cause and its effect on the social and political controversies that are still important to all Americans.
