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The New Century Classical Handbook by Catherine B. Avery Pdf
"An encyclopedic reference work of gods and heroes, people and places, myths and legends. With 114 line drawings, 24 pages of half-tones, end-paper maps"--Cover.
The Oxford Handbook of the New Cultural History of Music by Jane F. Fulcher Pdf
As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.
The Victor Sayings in the Book of Revelation by Mark Wilson Pdf
This is the first major study to focus solely on the victor sayings and should prove invaluable to scholars and students of Revelation and apocalyptic literature. It demonstrates that the motif of victory is Revelation's macrodynamic theme. Chiasmus is proposed as the book's macrostructure, based in part on the chiastic nature of the promises to the victors, with the later fulfillment of these promises in the book. The proposed forms for the seven letters--forms such as edicts, oracles, and epistles--are examined, and it is concluded that they are a mixtum compositum best called "prophetic letters." The sociological significance of victory is explored within the Greco-Roman world. The text of the promises and their co-texts (as reflected intertextually in traditions of biblical literature) receive thorough examination. The eschatological fulfillment of the victor sayings is surveyed in Revelation's later chapters, especially in chapters 21-22, where the new Jerusalem is depicted. The study concludes with an investigation of the ways that the promises were appropriated for the time and the text world of Revelation.
Johann Gerhard (1582-1637) was one of the leading dogmatic theologians of his time and was the authoritative voice of seventeenth-century Lutheran Orthodoxy. Yet, he also published numerous devotional works and meditations that were meant to be used in the daily lives of ordinary believers. The Handbook of Consolations sought to provide comfort and encouragement not only to those approaching death, but also to those who provided care for the sick and dying. Gerhard himself was no stranger to sickness and death, having lost his infant son and young wife, and faced numerous life-threatening illnesses throughout his life. In this pastoral work, which is the first complete English translation based on Gerhard's original Latin to be published since the seventeenth century, Gerhard brings together his extensive understanding of Scripture, theology, and church history in a practical and easy-to-understand manual that is as relevant and meaningful in the twenty-first century as it was in Gerhard's day.
By the end of the eighteenth century, classicism, which arose out of Europe's fascination with ancient Greece and Rome, had also left its mark on America. This study of the classical style in the fine and decorative arts shows the extent to which it influenced the material culture of Savannah, Georgia, from 1800 to 1840. More than 130 examples of objects owned in Savannah in this period are illustrated, described, and discussed. The objects include oil paintings and watercolors, clocks, musical instruments, jewelry, sculptures, engravings, bank notes, needlework, china, silver, brass, lighting fixtures, architectural elements, and furniture. Page Talbott presents an overview of the origins of classicism in Europe and its spread to America. Emphasizing Americans' close identification of classicism with national values and ideals, Talbott also discusses the style in the context of Savannah's social life and its history as a major southern port. She covers not only the principles, methods, and materials of classical design, but also the manufacture, distribution, sale, and ownership of a wide range of functional and decorative objects. Classical Savannah is the companion volume to the Classical Savannah exhibition, which opened in the spring of 1995 at the Telfair Museum of Art in Savannah. Illustrating well over half of the items in the exhibit, and including a detailed checklist of the additional seventy objects not shown in the book, Classical Savannah is a valuable source for historians, designers, decorators, collectors, and anyone interested in this period of America's history.