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What was the appeal of 'the Sonnet's scanty plot of ground' to Romantic and Victorian poets? How did a form which had fallen into disuse in the early eighteenth-century become a central and enduring part of nineteenth-century poetry? This study traces the history and development of the sonnet throughout the nineteenth-century, examining the work of Wordsworth, Keats, Elizabeth Barrett Browning, Christina Rossetti, George Meredith and a number of other key canonical and non-canonical writers.
Silence, gender, and the sonnet revival -- Breaking "the silent Sabbath of the grave" : romantic women's sonnets and the "mute arbitress" of grief -- "In silence like to death" : Elizabeth Barrett's sonnet turn -- Sing again : Christina Rossetti and the music of silence -- "Silence, 'tis more cruel than the grave!" : Isabella Southern and the turn to the twentieth century -- Women's renunciation of the sonnet form.
Lives of the Sonnet, 1787–1895 by Marianne Van Remoortel Pdf
In a series of representative case studies, Marianne Van Remoortel traces the development of the sonnet during intense moments of change and stability, continuity and conflict, from the early Romantic period to the end of the nineteenth century. Paying particular attention to the role of the popular press, which served as a venue of innovation and as a site of recruitment for aspiring authors, Van Remoortel redefines the scope of the genre, including the ways in which its development is intricately related to issues of gender. Among her subjects are the Della Cruscans and their primary critic William Gifford, the young Samuel Taylor Coleridge and his circle, Elizabeth Barrett Browning's Sonnets from the Portuguese, George Meredith's Modern Love, Dante Gabriel Rossetti's House of Life and Augusta Webster's Mother and Daughter. As women became a force to be reckoned with among the reading public and the writing community, the term 'sonnet' often operated as a satirical label that was not restricted to poetry adhering to the strict formalities of the genre. Van Remoortel's study, in its attentiveness to the sonnet's feminization during the late eighteenth century, offers important insights into the ways in which changing attitudes about gender and genre shaped critics' interpretations of the reception histories of nineteenth-century sonnet sequences.
The Art of the Sonnet by Stephen Burt,David Mikics Pdf
"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.
The Anthem Anthology of Victorian Sonnets by Michael J. Allen Pdf
‘The Anthem Anthology of Victorian Sonnets’ is a comprehensive collection of three thousand sonnets written by poets between 1836 and the early years of the twentieth century. The work contains a representative selection of sonnets for each individual poet, in order to display the diversity and innovation brought to the sonnet form by Victorian poets.
Reading Baudelaire's Le Spleen de Paris and the Nineteenth-Century Prose Poem by Seth Whidden Pdf
A study of Charles Baudelaire's Le spleen de Paris (1859) that explores how the practice of reading prose poems might be different from reading poetry in verse, illustrating how Baudelaire wrote texts that he considered poems and how this form shows aspects of his poetic modernity.
A Moment's Monument by Jennifer Ann Wagner,Jennifer A. Wagner-Lawlor Pdf
Seven chapters take up readings of sonnets by Wordsworth, Shelley, Keats, D.G. Rossetti, Hopkins, and, to draw out the implications of this study into our own century, Robert Frost. Close readings of individual Wordsworth sonnets in chapter 1 sketch out a constellation of themes and tropes, as well as a fundamental, revisionary poetic that the very form of the sonnet tropes. Both those tropes and that procedure are problematized and, in some cases, deconstructed by subsequent poets. Far from accepting Wordsworth's visionary claim for the sonnet, this study goes on to show how profoundly those claims were critiqued.
Presents a collection of essays discussing historical aspects of William Shakespeare's sonnets, excerpts from some of the sonnets, and biographical information.
A Century of Sonnets by Paula R. Feldman,Daniel Robinson Pdf
A Century of Sonnets is a striking reminder that some of the best known and most well-respected poems of the Romantic era were sonnets. It presents the broad and rich context of such favorites as Percy Bysshe Shelley's "Ozymanidas," John Keats's "On First Looking Into Chapman's Homer," and William Wordsworth's "Composed Upon Westminster Bridge" by tracing the sonnet revival in England from its beginning in the hands of Thomas Edwards and Charlotte Smith to its culmination in the poetry of Elizabeth Barrett Browning and Dante Gabriel Rossetti. Expertly edited by Paula R. Feldman and Daniel Robinson, this volume is the first in modern times to collect the sonnets of the Romantic period--many never before published in the twentieth century--and contains nearly five hundred examples composed between 1750 and 1850 by 81 poets, nearly half of them women. A Century of Sonnets includes in their entirety such important but difficult to find sonnet sequences as William Wordsworth's The River Duddon, Mary Robinson's Sappho and Phaon, and Robert Southey's Poems on the Slave Trade, along with Browning's enduring classic, Sonnets from the Portuguese. The poems collected here express the full sweep of human emotion and explore a wide range of themes, including love, grief, politics, friendship, nature, art, and the enigmatic character of poetry itself. Indeed, for many poets the sonnet form elicited their strongest work. A Century of Sonnets shows us that far from disappearing with Shakespeare and the English Renaissance, the sonnet underwent a remarkable rebirth in the Romantic period, giving us a rich body of work that continues to influence poets even today.
Sonnets from the Portuguese by Elizabeth Barrett Browning Pdf
Sonnets from the Portuguese (1850) is a collection of sonnets by English poet Elizabeth Barrett Browning. Written between 1845 and 1846, Sonnets from the Portuguese is a series of love poems written by Browning to her husband, the prominent Victorian poet Robert Browning. Although Elizabeth was initially unsure of the poems, Robert encouraged their publication, suggesting she title them to make readers believe they were translations and not personal declarations of love between the couple. Using the sonnet, Browning adopted a traditional form made famous by Shakespeare while staking a claim for herself as one of nineteenth century England’s premier poets. Filled with references to the Greek pastoral poet Theocritus and the tragic figure Electra, as well as invocations to God, Sonnets from the Portuguese immerses itself in biblical and classical tradition while remaining deeply personal and authentically romantic. Sonnet “XV” addresses the inherent tragedy of love, the depth of sadness with which a lover beholds another with “Too calm and sad a face,” overwhelmed with the knowledge that with love comes “the end of love, / Hearing oblivion beyond memory.” In sonnet “XXVIII,” Browning reflects on the distance between lovers kept apart: all she has of him are her letters, “all dead paper, mute and white!” And yet, “they seem alive and quivering” in her “tremulous hands,” a living reminder of the man she longs to be with. “XLIII,” the most famous sonnet of the collection, begins “How do I love thee? Let me count the ways,” and records the poet’s confession of a love more powerful than “the passion put to use / In [her] old griefs...” Not only has her lover brought her such joy, he has also given her a love she “seemed to lose / With [her] lost saints,” a love strong enough to transcend religious faith entirely, a love that is destined to last, and to be even “better after death.” With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Barrett Browning’s Sonnets from the Portuguese is a classic of English literature reimagined for modern readers.
Author : William T. Going Publisher : Walter de Gruyter GmbH & Co KG Page : 176 pages File Size : 45,6 Mb Release : 2019-01-14 Category : Language Arts & Disciplines ISBN : 9783111637082
