The Oberon Anthology Of Contemporary Norwegian Plays
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The Oberon Anthology of Contemporary Norwegian Plays by Eirik Fauske,Kristofer Grønskag,Pernille Dahl Johnsen,Lene Therese Teigen,Liv Heløe,Hans Petter Blad Pdf
'If the essence of drama is conflict, the crossing of wills, of culture versus barbarism, the Norwegians have a natural spring to tap into – and it is explosive.' – Line Rosvoll, Artistic Director of the Norwegian Centre of New Playwriting, from her Introduction. The Oberon Anthology of Contemporary Norwegian Plays brings together a selection of exciting playwrights reflecting the breadth and vitality of Norwegian theatre's booming new writing scene. Six plays, translated by Neil Howard and published for the first time in English, demonstrate a common willingness to push formal boundaries and to find new ways to tackle the universal experiences of the human condition; grief and loss, violence, manipulation, abuse and despair. Grief Work by Eirik Fauske; Kinder K by Kristofer Grønskag; A Remarkable Person by Pernille Dahl Johnsen; Time Without Books by Lene Therese Teigen; Why Not Before by Liv Heløe; Watching Shadows by Hans Petter Blad
The Oberon Anthology of Contemporary Argentinian Plays by Mariano Tenconi Blanco,Fabián Miguel Díaz,Leonel Giacometto,Franco Calluso,Juan Ignacio Fernandez,Candelaria Sabagh Pdf
From Ushuaia, the southernmost town in the world to the edges of the great Paraná river, and from the city of Buenos Aires to its fertile plains and the estuaries of northern Argentina, The Oberon Anthology of Contemporary Argentinian Plays provides a unique insight into the preoccupations and the creative responses of one of the major theatre-producing countries in Latin America. Includes the plays: La vida extraordinaria (Extraordinary Life) by Mariano Tenconi Blanco, translated by Catherine Boyle Pato verde (Green Duck) by Fabián Miguel Díaz, translated by Gwen MacKeith Fonavi by Leonel Giacometto, translated by Rosalind Harvey Nou Fiuter (No Future) by Franco Calluso, translated by William Gregory Poema ordinario (Poor Men's Poetry) by Juan Ignacio Fernández, translated by William Gregory Fuego de dragón sobre dragón de madera (Dragon Fire over Wood Dragon) by Candelaria Sabagh, translated by Kate Eaton
The Oberon Anthology of Contemporary French Plays by Remi De Vos,Magali Mougel,Lancelot Hamelin,Adeline Picault Pdf
A diverse selection of contemporary plays from a range of established and up-and-coming playwrights based in France, edited and translated by Chris Campbell, literary manager of the Royal Court, and a foreword by Dr Clare Finburgh of the University of Kent. The volume includes: Rémi De Vos – Till Death Adeline Picault - Bobine And Mikado Magali Mougel - Erwin Motor, Devotion Lancelot Hamelin - Alta Villa
The Oberon Anthology of Contemporary Irish Plays by Grace Dyas,Mark O’Halloran,Lynda Radley,Phillip McMahon,Amy Conroy,Una McKevitt,Simon Doyle,Gavin Quinn,Neil Watkins Pdf
HEROIN by Grace Dyas, Trade by Mark O'Halloran, The Art of Swimming by Lynda Radley, Pineapple by Phillip McMahon, I ? Alice ? I by Amy Conroy, The Big Deal edited by Una McKevitt, Oedipus Loves You by Simon Doyle & Gavin Quinn, The Year of Magical Wanking by Neil Watkins Edited and introduced by Thomas Conway This anthology comprises eight new plays by Irish playwrights premièred between the years 2006 and 2011. These playwrights ride, however, in no slipstream of the identifiably Irish play. Here, the enterprise of playwriting itself is being re-imagined. Here, above all else, is a commitment to becoming in the theatre. For all that, each play is concerned with what is unfinished business in Ireland. How astonishing, then, that these plays should revolve for the most part around identity and, in particular, sexual identity. How identity comes into play, how we open up the field of play, how we raise into collective experience the exercise of that play – the urgency in the playwriting would appear to lie precisely here. We can read from the historical moment – from a narrative emphasizing an economic bubble and its hangover – into these plays. Or we can take these playwrights at their word and observe lives lived at the contour of identities in the making. It is for us as readers, just as we have as theatre-goers – frequently scandalized, enthralled, shamed, appalled, unburdened, tickled pink – to decide.
Black Women Centre Stage by Paola Prieto López Pdf
This book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types of violence experienced by Black women, offering alternative modes of relationality. The book engages with a range of contemporary works written by Black women playwrights in the UK, including Mojisola Adebayo, Theresa Ikoko, Diana Nneka Atuona, Gloria Williams, Charlene James, or Yusra Warsama, bringing to the fore a gendered and intersectional approach to the analysis of the texts. This book will be of great interest to students and scholars in contemporary theatre, gender studies and diaspora studies.
The Routledge History of Literature in English by Ronald Carter,John McRae Pdf
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.
Selected and edited by the award-winning American playwright Reginald Edmund, who produced Black Lives, Black Words across the US, which premiered in Chicago, July 2015. The international project has explored the black diaspora’s experiences in some of the largest multicultural cities in the world, Chicago, Minneapolis, Cleveland, Toronto and London. Over sixty Black writers from the UK, USA, and Canada have each written a short play to address Black issues today. "I started Black Lives, Black Words because I felt there needed to be an opportunity for me as a playwright to speak out against the sins committed in this world inflicted upon black bodies: Michael Brown, Trayvon Martin, Rekia Boyd, Sandra Bland, Tamir Rice, and the countless many others. This in turn caused me to wonder what other artists were out there that possess this overwhelming desire to speak out for the unheard voices. Companies in Minneapolis with Guthrie Theatre, Carlyle Brown and Company, Bedlam Theatre, Freestyle Theatre, the Million Artist Movement, in Maryland – Columbia Arts Festival, Chicago – Polarity Ensemble Theatre, Toronto – Obsidian Theatre, Buddies and Bad Times Theatre, and the National Arts Centre, along with many others joined us and now, two years later we have given voice to over sixty Black Playwrights and over a hundred performers. From city to city, Black Lives, Black Words has remained an event that is accessible and affordable to all. Embraced by a wide range of different theatres that vary in capacity, playing to houses from 70 to 300 audience members. Selling out in every venue. I collected these works showcased at BLBW events from all over in hopes that the narratives that have been placed in here speaks to the Black Struggle, Black Achievement, Black Love, Black Aspirations, Black Hopes, Black Dreams, BLACK EVERYTHING. I hope that the narratives amplify the importance of the Black Lives Matter Movement, that these plays find themselves in theatres both community and regional, in classrooms and libraries, church houses, and communal gathering serving as a rallying cry for those that are artists and even those who are not that OUR BLACK LIVES MATTER, individually, globally, and spiritually." - Reginald Edmund, Managing Curating Producer, Black Lives, Black Words Featured in this collection are: Reginald Edmund, Idris Goodwin, James Austin Williams, Rachel Dubose, Becca C. Browne, Marsha Estell, Aaron Holland, Loy A. Webb, Lisa Langford, Christina Ham, Harrison David Rivers, Dominique Morisseau, Winsome Pinnock, Trish Cooke, Mojisola Adebayo, Rachel De-Lahay, Max Kolaru, Yolanda Mercy, Somalia Seaton, Courttia Newland, Luke Reece, Tawiah BenEben M’Carthy, Jordan Laffrenier, Meghan Swaby, Mary Ann Anane, Allie Woodson, Elliot Sagay, Amira Danan, Cat Davidson, Noelle Fourte, Kori Alston
Includes the plays Transformation, Masses Man, Hoppla, We’re Alive! Preface by Charles Wood. Ernst Toller (1893-1939) was a formative figure in the development of theatrical modernism, yet his plays have not been available in English since the 1920s and '30s. He was also a revolutionary activist who experienced fully the unbearable cataclysms of his times: war, revolution, imprisonment, the chaos of Weimar life, Nazi persecution, exile and the Holocaust. His revolutionary intensity infuses these three innovative plays, all of which inspired landmark productions and substantially extended the language of theatricality. These stage-worthy new translations capture that spirit of artistic and political combustion and should help to restore Toller's rightful place in the modern repertoire. Twenty-seven rarely seen production and design photographs are brought together here for the first time and, with the extensive supplementary material, they create a vivid sense of modern theatre in the making. Essential reading for the contemporary theatre student, scholar, spectator and practitioner.
