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The Old English Scatterlings by John Richardson Pdf
The poems translated here, which were gathered together in the final volume of the Anglo-Saxon Poetic Records under the title The Anglo-Saxon Minor Poems, are the offspring of the scattering over the centuries of manuscript fragments, of engraved stones, of carved whale bone, of poetry inserted into prose manuscripts, and of bits of poetry that only are known to us because somebody, somewhere, sometime transcribed a manuscript now lost to us. There is nothing "Minor" about these poems so randomly scattered by history and then haphazardly gathered into a single volume by a single editor in the middle of the Twentieth Century. Certainly some pieces are better as poetry - less "Minor" if not more "Major" - than others: I have a fondness for Thureth and for Maxims II; others may prefer the neo-Heroic mode of The Battle of Maldon or of some of the Anglo-Saxon Chronicle Poems; and the Metrical Charms will, of course, probably for all the wrong reasons, be favourites of the Neo-Pagan-Wiccan set. Elliott Van Kirk Dobbie, the editor of The Anglo-Saxon Minor Poems, confessed in the second sentence of his introduction to his edition that his choice of title was a matter of convenience rather than appropriateness. Siding with appropriateness, this volume of my translations of the Anglo-Saxon poems which are scattered outside the four large codices of Old English poems onto stone and whale bone, mingled with prose, or preserved as children of the scattered and lost in centuries-old transcriptions, I have chosen to title The Old English Scatterlings.
In Scatterlings Martin Shaw walks the myth-lines of seven stories based in and around his homeland of Dartmoor, England. Rather than the commentaries on such tales being primarily balanced against other literary sources, Shaw uses what actually occurs on these walks as the main source of information on the tales. The swoop of raven, the swamp, the thinking that moves through him, all form a knot of relationship between the land and the story. As he walks he tells the story of the place back to itself. This is a highly unusual move for a mythologist, an aspiration to use speech as form of animistic relationship, of binding, of praise to a place. In a time of rapid migrations and climatic movement, Shaw asks: how could we be not just from a place but of a place? When did we trade shelter for comfort? what was the cost of that trade? What are the stories the west tells itself in private? Scatterlings also takes us on a wonder through the wild edges of British culture, a story of secret histories: from the ancient storytelling of the bardic schools to medieval dream poetry, from the cunning man to animal call words, to Arabian and steppe Iranian influence on English dialect. Through its astonishing journey, Shaw reveals to us that when you gaze deep enough into the local you find the nomad, and when you look deep enough into the nomad you find the local. Scatterlings is a rebel keen, a rising up, to bend your head to the stories and place that claim you.
A "compelling, high-octane novel of racial, tribal and ideological conflict that will almost certainly draw criticism from the politically correct brigade," Scatterlings of Africa is a fast paced thriller, set in Rhodesia's war against terror. Rhodesia became Zimbabwe in 1980. It's December 1972 and Lieutenant Ron Cartwright is obsessed with defending his country against insurgents in a vicious civil war. Comrade 'Gumbarishumba' Gadziwa is equally determined to win the fight for Zimbabwe to be restored to his people. While abduction, intimidation, torture and worse are going on in the war zone, the cities, towns and many farms remain safe, idyllic havens where Ron's wife Angela and their young children live in relative comfort. But the stress of their separate lives is taking its toll, and the arrival of Angie's cousin Mark, who she hasn't seen since she was a child, adds fuel to an already tense situation. The tentacles of war spread, plots cross, and life will never be the same again.
Scatterlings- a Tapestry of Afri-Expat Tales by Eve Hemming Pdf
Moving country remains the hugest thing weve ever experienced/ accomplished/ drowned in. Its an act of seemingly utter insanity, which negates all ones most primal connections to the cosmos. I find myself quoting Keats more often, Happiness is sharpened by its antithetical elements. Experiencing a new chapter of life is life-altering and isnt given enough credence. Each day we are grateful to taste a figuratively different menu, yet simultaneously we miss the staple diet stemming from our roots. I recall emailing a psychologist colleague of mine a few months after my arrival here, Am I experiencing a schism of the self? I asked. She replied, No, just re-inventing the self. I kept that pinned on my notice board at work for the first year to reflect on. _______________________________________________________________ Scatterlings Synopsis The book kicks off with the author's innocent and carefree childhood growing up on a farm in South Africa, my awakening (conscientising into an awareness that all is not right, being born into an apartheid era), life in SA and the epiphany to immigrate to NZ. The chapter Bouncing off Planet Africa' encompasses the grieving and healing process of migration. This section should be extremely beneficial to all migrants as part of the adaptation and acculturisaton process. The Scatterling tapestry chapters follow with migrants stories of their passion, pain, love - and hate - of Africa. For this section a remarkable cross section of stories; people of various cultural backgrounds and groups from Southern Africa including: cross cultural marriages; gay marriages; the lobola story between a Zulu woman and an American man; people who were marginalised and affected by apartheid, or survived the war in Zimbabwe, etc., plus Afri-expat tales from places such as Peru, USA, Canada, Saudi Arabia, Qatar, Kenya, Zimbabwe, UK, Oz and NZ have been gathered and incorporated. There is a section with contributions, including a Somali Refugee, a rootless African American (due to slavery) and people of colour uprooted in South Africa due to the apartheid areas act. Expats talk about hurdles and obstacles regarding migration, and about the wonderful sense of freedom from the shackles of apartheid and from fear, violence and criminality. They also offer some tips and advice to wannabes, while others hanker for home so much and return to face the challenges of a violent land. The contributors echo the same parallel threads, yet different and unique, each through their own personal lens. A short chapter offers children the opportunity to share their stories in Out the Mouths of Babes, which is both insightful and humorous. An historical/political time line follows from Khoi Khoi to current with articles and information, demographics and some statistics covering the establishment of humanity in the ancient continent; the conflicts, the horrors of apartheid and current exasperation due to ongoing heinous crime, stress, corruption and structural disintegration, juxtaposed against optimism and hope. Articles (all with the authors blessings) are included by well know South African writers, politicians, projectionists and figure heads, the likes of Helen Zille, Clem Sunter, Max du Preez and several young emerging African columnists the likes of Mabaso, Mtimkulu and Shuudi.) There is a section on migrants poetry, followed by Southern African recipes and food tales as immigrants identify with food as part of the cultural adaptation and period of grieving. A short existential epilogue concludes the book.
‘There are moments in life that are pure, and which seem to hang in the air, unhitched from the everyday world as we know it. Suspended for a few seconds, they float in their own space and time with their own hidden prospects. For want of a better term, we call these moments “magical” and when we remember them they are cloaked in a halo of special meaning.’ For 14-year-old Johnny Clegg, hearing Zulu street music as plucked on the strings of a guitar by Charlie Mzila one evening outside a corner café in Bellevue, Johannesburg, was one such ‘magical’ moment. The success story of Juluka and later Savuka, and the cross-cultural celebration of music, language, story, dance and song that stirred the hearts of millions across the world, is well documented. Their music was the soundtrack to many South Africans’ lives during the turbulent 70s and 80s as the country moved from legislated oppression to democratic freedom. It crossed borders, boundaries and generations, resonating around the world and back again. Less known is the story of how it all began and developed. Scatterling of Africa is that origin story, as Johnny Clegg wrote it and wanted it told. It is the story of how the son of an unconventional mother, grandson of Jewish immigrants, came to realise that identity can be a choice, and home is a place you leave and return to as surely as the seasons change.
On a dangerous quest to the troll city of Underth, the healer, Little Fur, is mystified by a new companion--a scarred and angry fox whose strong spirit keeps him alive despite his wish to die.
A BEST NEW BOOK from *Vanity Fair *The Root *Vulture *People *The Washington Post *Christian Science Monitor *Los Angeles Times *Essence A New York Times Book Review Editor's Choice Pick! A New Yorker Best Book of the Year! A lyrical, moving novel in the spirit of Transcendent Kingdom and A Burning—and the most awarded debut title in South Africa—that tells the story of a multiracial family when the Immorality Act is passed, revealing the story of one family’s scattered souls in the wake of history. In 1927, South Africa passes the Immorality Act, prohibiting sexual intercourse between “Europeans” (white people) and “natives” (Black people). Those who break the draconian new law face imprisonment—for men of up to five years; for women, four years. Abram and his wife Alisa have their share of marital problems, but they also have a comfortable life in South Africa with their two young girls. But then the Act is passed. Alisa is black, and their two children are now evidence of their involvement in a union that has been criminalized by the state. At first, Alisa and Abram question how they’ll be affected by the Act, but then officials start asking questions at the girls’ school, and their estate is catalogued for potential disbursement. Abram is at a loss as to how to protect his young family from the grinding machinery of the law, whose worst discriminations have until now been kept at bay by the family’s economic privilege. And with this, his hesitation, the couple’s bond is tattered. Alisa, who is Jamaican and the descendant of slaves, was adopted by a wealthy white British couple, who raised her as their child. But as she grew older and realized that the prejudices of British society made no allowance for her, she journeyed to South Africa where she met Abram. In the aftermath of the Immorality Act, she comes to a heartbreaking conclusion based on her past and collective history – and she commits her own devastating act, one that will reverberate through their entire family’s lives. Intertwining her storytelling with ritual, myth, and the heart-wrenching question of who stays and who leaves, Scatterlings marks the debut of a gifted storyteller who has become a sensation in her native South Africa—and promises to take the Western literary world by storm as well.
Rage Winnoway’s closest friends have always been her four dogs: Bear, Billy Thunder, Elle, and Mr. Walker. When Rage sets off for the hospital where her mother lies in a coma, the dogs and the neighbor’s goat tag along. On the way, they run into the firecat, who talks them into going through a magical gate. And something wonderful happens! Each of Rage’s friends is transformed. Bear becomes a real bear; Billy Thunder, a teenage boy; Elle, a warrior woman; Mr. Walker, a small, large-eared gentleman; and the goat, a satyr with an inferiority complex. Together, Rage and her companions embark on a quest to save the world of Valley, a journey that is somehow tied to Rage’s family. In this brilliant tale of courage and transformation, Isobelle Carmody captures the magic of Narnia and the whimsy of Wonderland without losing sight of the real world and all its difficulties.
Elspeth is sent to Sutrium, seat of the totalitarian Council that rules the Land, to seal an alliance between the secret Misfit community at Obernewtyn and rebel forces. She undertakes the journey reluctantly as she has another task at hand: to find and destroy the dormant weaponmachines. Her journey takes her far beyond the borders of the Land and into the heart of the desert region of Sador, where she soon discovers just how much help she needs to complete both her quests!
Merlin wakes to a world that is utterly changed. She has no memory aside from a name whispered to her by one of the strange voices in her mind, and the knowledge that she is being hunted. She is determined to learn what happened to her and is swept up by the renegade Scatterlings, drawn into their rebellion against the all-powerful Citizen Gods.
In the midst of the worst winter on record, Rage is beset with worry. Her mother still hasn’t fully recovered from her car accident despite Rage’s successful quest for healing magic. Her stoic uncle seems to be having second thoughts about looking after her. The school bully, Logan, is increasingly malicious. And her only friend, Billy Thunder, is just a dog again. As if that weren’t enough, there’s something wild lurking in the woods around the farm. Do Rage’s dreams hint at a sinister threat to two worlds?
When Little Fur's feline friend Ginger goes missing, the tiny, half elf, half troll healer undertakes an adventure that sets her on a collision course with a secret order of wolves.
Friend becomes foe and trust is a thing of the past when the Misfits' most relentless enemy, on the cusp of ultimate revenge, turns Elspeth's world upside down. Before it's too late, Elspeth must rescue a former ally whose mind and body have been manipulated to unleash a plague that will destroy all it touches.
