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Author : John Henry Mee
Publisher : London : J. Lane ; New York : John Lane
Page : 316 pages
File Size : 43,6 Mb
Release : 1911
Category : Concerts
ISBN : UOM:39015007992236
The Holywell room.
Author : John H. Mee
Publisher : Forgotten Books
Page : 298 pages
File Size : 53,9 Mb
Release : 2015-06-16
Category : Biography & Autobiography
ISBN : 1330329945
The history of the Holywell Music Room at Oxford is the subject of The Oldest Music Room in Europe: A Record of Eighteenth-Century Enterprise at Oxford. The Oxford Music Room happens to be an important venue in the history of music, for it is said to be the oldest room in Europe that was built solely for the purpose of musical performance. The early chapters recount the pieces and performances that were held in the Oxford Music Room, which hosted celebrated composers and performers as well as students and faculty. The book goes beyond merely reciting who played and what they played; it also tells anecdotes about the musicians, attendees and performances. An example of one such 'little known fact' that readers are sure to enjoy is that one of the early singers was a relative of Benjamin Franklin and later went on to become the first woman accepted as a prima donna at an Italian Opera House. The author also includes the rules that governed the management of the music room. Management of such an important venue was no simple thing, particularly since it involved the university, travelling musicians and other third parties with substantial egos. A committee was convened to make major decisions, such as scheduling, invitations, transcription of compositions, and payments for musicians. Thhe chapter devoted to the musical library that the Music Room administered is sure to be a favourite with all musicians, and the author lists the various holdings and the number of copies of each one. He goes on to explain that borrowers frequently failed to return the compositions, resulting in many advertisements in the Oxford Journal exhorting people not to steal the music. Readers who are musically inclined will appreciate the author's tone. In addition to being knowledgeable about music and history, he gets in plenty of pithy jabs, such as "Singers and critics were also as tiresome then as they are now." The Oldest Music Room in Europe: A Record of Eighteenth-Century Enterprise at Oxford is an excellent account of an important performance space and the people who made its reputation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : John H. Mee
Publisher : Forgotten Books
Page : 298 pages
File Size : 43,8 Mb
Release : 2017-12-14
Category : Biography & Autobiography
ISBN : 0332823571
The history of the Holywell Music Room at Oxford is the subject of The Oldest Music Room in Europe: A Record of Eighteenth-Century Enterprise at Oxford. The Oxford Music Room happens to be an important venue in the history of music, for it is said to be the oldest room in Europe that was built solely for the purpose of musical performance. The early chapters recount the pieces and performances that were held in the Oxford Music Room, which hosted celebrated composers and performers as well as students and faculty. The book goes beyond merely reciting who played and what they played; it also tells anecdotes about the musicians, attendees and performances. An example of one such 'little known fact' that readers are sure to enjoy is that one of the early singers was a relative of Benjamin Franklin and later went on to become the first woman accepted as a prima donna at an Italian Opera House. The author also includes the rules that governed the management of the music room. Management of such an important venue was no simple thing, particularly since it involved the university, travelling musicians and other third parties with substantial egos. A committee was convened to make major decisions, such as scheduling, invitations, transcription of compositions, and payments for musicians. Thhe chapter devoted to the musical library that the Music Room administered is sure to be a favourite with all musicians, and the author lists the various holdings and the number of copies of each one. He goes on to explain that borrowers frequently failed to return the compositions, resulting in many advertisements in the Oxford Journal exhorting people not to steal the music. Readers who are musically inclined will appreciate the author's tone. In addition to being knowledgeable about music and history, he gets in plenty of pithy jabs, such as "Singers and critics were also as tiresome then as they are now." The Oldest Music Room in Europe: A Record of Eighteenth-Century Enterprise at Oxford is an excellent account of an important performance space and the people who made its reputation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author : John Henry 1852- Mee
Publisher : Legare Street Press
Page : 312 pages
File Size : 50,5 Mb
Release : 2021-09-10
Category : Electronic
ISBN : 1015209394
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : John Henry Mee
Publisher : Palala Press
Page : 312 pages
File Size : 45,6 Mb
Release : 2016-05-06
Category : Electronic
ISBN : 1355694442
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : John H B 1852 Mee
Publisher : Palala Press
Page : 298 pages
File Size : 45,5 Mb
Release : 2016-05-11
Category : Electronic
ISBN : 1356321682
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : John Henry Mee
Publisher : Unknown
Page : 215 pages
File Size : 53,8 Mb
Release : 2001-01-01
Category : Music
ISBN : 0722251165
Author : Susan Wollenberg
Publisher : Routledge
Page : 320 pages
File Size : 44,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351571210
In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.
Author : Peter Horton,Bennett Zon
Publisher : Routledge
Page : 310 pages
File Size : 46,9 Mb
Release : 2019-05-23
Category : Music
ISBN : 9780429627170
Originally published in 2003 and selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton considers some of the questions that are key to this area of study: what is the nineteenth century, what is British music, and did London influence the continent? The essays that follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.
Author : Robin Darwall-Smith,Susan Wollenberg
Publisher : Boydell & Brewer
Page : 279 pages
File Size : 42,8 Mb
Release : 2023-04-18
Category : Music
ISBN : 9781783277247
The first book length study of musical education and culture in twentieth century Oxford. Music has always played a central role in the life of Oxford, both in the city and the university, whether through the great collegiate choral foundations, the many amateur choirs and instrumentalists, or the professional musicians regularly drawn to perform there. Oxford, with its collegiate system and its centuries-long tradition of musical activity, therefore presents a distinctive and multi-layered picture of the role of music in urban culture and university life. While college and university life dominate the volume, the collection also draws attention to the city's musical life, underlining music's unique ability to link 'town and gown'. Volume chapters tackle varied subjects such the Oxford Bach Choir, music in the city churches and the major choral foundations. The volume also tells the story of the development of the University's Music Faculty, music in the women's colleges, and the University Opera Club. Special attention is given to prominent Oxford composers, including Edmund Rubbra, Kenneth Leighton and Robert Saxton. The University College Musical Society and the Oxford and Cambridge Musical Club, which served as a kind of laboratory for such significant figures as Ralph Vaughan Williams and Walford Davies, also feature prominently. The volume will be indispensable reading for scholars and students of music in twentieth-century Britain, as well as those interested more generally in the history of Oxford's thriving cultural life in the university, its colleges and the city.
Author : Tom Beghin
Publisher : University of Chicago Press
Page : 372 pages
File Size : 54,6 Mb
Release : 2015-05-22
Category : Music
ISBN : 9780226195353
Haydn’s music has been performed continuously for more than two hundred years. But what do we play, and what do we listen to, when it comes to Haydn? Can we still appreciate the rich rhetorical nuances of this music, which from its earliest days was meant to be played by professionals and amateurs alike? With The Virtual Haydn, Tom Beghin—himself a professional keyboard player—delves deeply into eighteenth-century history and musicology to help us hear a properly complex Haydn. Unusually for a scholarly work, the book is presented in the first person, as Beghin takes us on what is clearly a very personal journey into the past. When a discussion of a group of Viennese sonatas, for example, leads him into an analysis of the contemporary interest in physiognomy, Beghin applies what he learns about the role of facial expressions during his own performance of the music. Elsewhere, he analyzes gesture and gender, changes in keyboard technology, and the role of amateurs in eighteenth-century musical culture. The resulting book is itself a fascinating, bravura performance, one that partakes of eighteenth-century idiosyncrasy while drawing on a panoply of twenty-first-century knowledge.
Author : Julian Rushton
Publisher : Boydell & Brewer
Page : 317 pages
File Size : 44,6 Mb
Release : 2021
Category : Music
ISBN : 9781783276479
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Author : Robin Darwall-Smith,Peregrine Horden
Publisher : Oxford University Press
Page : 396 pages
File Size : 54,9 Mb
Release : 2022-05-26
Category : History
ISBN : 9780192693082
This special edition of History of Universities, Volume XXXV/1, studies and reappraises the often ignored history of eighteenth-century Oxford, caught as it is between the upheavals of the Stuart century and the reformation of the Victorian era.
Author : David Vickers
Publisher : Boydell & Brewer
Page : 476 pages
File Size : 40,6 Mb
Release : 2022-10-11
Category : Music
ISBN : 9781783271467
An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.
Author : Peter Clark
Publisher : OUP Oxford
Page : 550 pages
File Size : 47,5 Mb
Release : 2000-01-06
Category : History
ISBN : 9780191542169
Modern freemasonry was invented in London about 1717, but was only one of a surge of British associations in the early modern era which had originated before the English Revolution. By 1800, thousands of clubs and societies had swept the country. Recruiting widely from the urban affluent classes, mainly amongst men, they traditionally involved heavy drinking, feasting, singing, and gambling. They ranged from political, religious and scientific societies, artistic and literary clubs, to sporting societies, bee keeping, and birdfancying clubs, and a myriad of other associations.