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A mother’s secret past and her daughter’s present collide in this richly atmospheric novel from the acclaimed author of The Animals at Lockwood Manor. In the summer of 1973, Ruth and her four friends were obsessed with pre-Raphaelite paintings—and a little bit obsessed with each other. Drawn to the cold depths of the river by Ruth’s house, the girls pretend to be the drowning Ophelia, with increasingly elaborate tableaus. But by the end of that fateful summer, real tragedy finds them along the banks. Twenty-four years later, Ruth returns to the suffocating, once grand house she grew up in, the mother of young twins and seventeen-year-old Maeve. Joining the family in the country is Stuart, Ruth’s childhood friend, who is quietly insinuating himself into their lives and gives Maeve the attention she longs for. She is recently in remission, unsure of her place in the world now that she is cancer-free. Her parents just want her to be an ordinary teenage girl. But what teenage girl is ordinary? Alternating between the two fateful summers, The Ophelia Girls is a suspense-filled exploration of mothers and daughters, illicit desire, and the perils and power of being a young woman.
#1 New York Times Bestseller The groundbreaking work that poses one of the most provocative questions of a generation: what is happening to the selves of adolescent girls? As a therapist, Mary Pipher was becoming frustrated with the growing problems among adolescent girls. Why were so many of them turning to therapy in the first place? Why had these lovely and promising human beings fallen prey to depression, eating disorders, suicide attempts, and crushingly low self-esteem? The answer hit a nerve with Pipher, with parents, and with the girls themselves. Crashing and burning in a “developmental Bermuda Triangle,” they were coming of age in a media-saturated culture preoccupied with unrealistic ideals of beauty and images of dehumanized sex, a culture rife with addictions and sexually transmitted diseases. They were losing their resiliency and optimism in a “girl-poisoning” culture that propagated values at odds with those necessary to survive. Told in the brave, fearless, and honest voices of the girls themselves who are emerging from the chaos of adolescence, Reviving Ophelia is a call to arms, offering important tactics, empathy, and strength, and urging a change where young hearts can flourish again, and rediscover and reengage their sense of self.
“...explore how painting, writing, and building things with your hands can be the outlet that helps a person get through the hell that is high school.” — Quill & Quire The kids at school call her rag girl because she hides under layers of oversized clothing, but she calls herself Ophelia. She hardly speaks to anyone — until one day a visiting author comes to give a talk in the school library. The writer speaks about what it means to create art, and at the end of her talk, she thanks Ophelia for asking the first question by giving her a blue notebook with her address on it. Ophelia starts to write to the author in the notebook — letters that become a kind of lifeline. The idea that someone, somewhere, might care, is enough for her to keep writing, an escape from her real life. By day she goes to school and works at the dollar store before returning home to her mother, a former addict who once had to put her daughter in care. At night she creates graffiti around town, leaving little broken hearts as her tag. One night she finds an abandoned building that she decides to use as her workshop, where she can make larger-than-life art. When she finds that a classmate, an overweight boy named Ulysses, is also using the space to repair an old van, the two form an uneasy truce, with a chalk line drawn down the middle to mark their separate territories. As time passes, Ophelia and Ulysses forge a fraught but growing friendship, but their cocooned existence cannot last forever. One night, intruders invade their sanctuary, and their shared bond and individual strength are sorely tested. Key Text Features illustrations doodles sketches photographs Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.
NOW A MAJOR MOTION PICTURE! If you think you know Ophelia and Hamlet's story, think again... "A spellbinding tale of love, murder, and revenge." -- VOYA As ambitious and witty as she is beautiful, Ophelia is quick to catch the eye of the captivating prince Hamlet. Their love blossoms in secret, but bloody deeds soon turn Denmark into a place of madness, and Ophelia may be forced to choose between her relationship and her own life. In desperation, she devises a plan to escape from Elsinore Castle forever... with one very dangerous secret. Ophelia takes center stage in this bold and thrilling reimagining of Shakespeare's famous tragedy, the story of a young woman falling in love, searching for her place in the world, and finding the strength to survive.
A debut novel for fans of Sarah Perry and Kate Morton: when a young woman is tasked with safeguarding a natural history collection as it is spirited out of London during World War II, she discovers her new manor home is a place of secrets and terror instead of protection. In August 1939, thirty-year-old Hetty Cartwright arrives at Lockwood Manor to oversee a natural history museum collection whose contents have been taken out of London for safekeeping. She is unprepared for the scale of protecting her charges from party guests, wild animals, the elements, the tyrannical Major Lockwood, and Luftwaffe bombs. Most of all, she is unprepared for the beautiful and haunted Lucy Lockwood. For Lucy, who has spent much of her life cloistered at Lockwood, suffering from bad nerves, the arrival of the museum brings with it new freedoms. But it also resurfaces memories of her late mother and nightmares in which Lucy roams Lockwood, hunting for something she has lost. When the animals appear to move of their own accord and exhibits go missing, Hetty and Lucy begin to wonder what exactly it is that they might need protection from. And as the disasters mount, it is not only Hetty’s future employment that is in danger but her own sanity. There’s something, or someone, in the house. Someone stalking her through its darkened corridors . . .
A spellbinding, deeply felt debut novel--soaring and poignant--about passion, freedom, motherhood, and the power to shape our destinies. Oona grew up on the island of Inis: a wind-blasted rock off the coast of Ireland where the men went out on fishing boats and the women tended turf fires; where the only book was the Bible; and where girls stayed at home until they became mothers themselves. The island was a gift for some, a prison for others. Even as a child, Oona knew she wanted to leave, but she never could have anticipated the tumultuous turn of events that would ultimately compel her to flee. Now, after twenty years--after Oona has forged a new, very different life for herself--her daughter vanishes, forcing Oona to face her past in order, finally, to be free of it. Heralding a singularly gifted new voice in fiction, The Island Child is a timeless story of birth and betrayal, storms and shipwrecks and fairy children, and the weight of long-buried secrets.
At age sixteen, Sara Shandler read Mary Pipher's Reviving Ophelia, the national bestseller that candidly explored the unique issues that challenge girls in their struggle toward womanhood. Moved by Pipher's insight yet driven to hear the unfiltered voices of today's adolescent girls, Shandler yearned to speak for herself, and to provide a forum for other Ophelias to do so as well. A poignant collection of original pieces selected from more than eighthundred contributions, Ophelia Speaks culls writings from the hearts of girls nationwide, of various races, religions, and socioeconomic backgrounds. Ranging in age from twelve to eighteen, the voices here offer a provocative and piercingly real view on issues public and private, from body image to boys, politics to parents, school to sex. Framing each chapter are Shandler's own personal reflections, offering both the comfort of a trusted friend and an honest perspective from within the whirlwind of adolescence. In these pages, you will see your best friend, your daughter, your sister--and yourself. At once filled with heartbreak and hope, in these pages Ophelia speaks.
Clare is seventeen, a popular straight-A student, and has her daily life completely determined by her controlling mother. Outwardly it appears she has everything figured out, but silently she feels lost in someone else's life. Her only escape is behind the lens of her camera. Hilda is forced to move back to the US and is looking to escape a painful past relationship and start over. Her alternative look and rough exterior don't do her any favors as she struggles to be accepted by her peers and restart her athletic career. When the two girls meet for the first time, something clicks. New and conflicting emotions stir within Clare that force her to question who she is and what she wants out of life. Hilda, being suddenly thrust into the spotlight of Clare's popularity, fears that to fit in, she'll need to hide her feelings of affection, which has never been her strong suit. Will the two be able to navigate the uncharted waters of their passion, or will they drown in a sea of their own expectations?
In the summer of 1973, Ruth and her four friends were obsessed with pre-Raphaelite paintings?and a little bit obsessed with each other. Drawn to the cold depths of the river by Ruth?s house, the girls pretend to be the drowning Ophelia, with increasingly elaborate tableaus. But by the end of that fateful summer, real tragedy finds them along the banks. Twenty-four years later, Ruth returns to the suffocating, once grand house she grew up in, the mother of young twins and seventeen-year-old Maeve. Joining the family in the country is Stuart, Ruth?s childhood friend, who is quietly insinuating himself into their lives and gives Maeve the attention she longs for. She is recently in remission, unsure of her place in the world now that she is cancer-free. Her parents just want her to be an ordinary teenage girl. But what teenage girl is ordinary? Alternating between the two fateful summers, The Ophelia Girls is a suspense-filled exploration of mothers and daughters, illicit desire, and the perils and power of being a young woman.
"I'll never want to draw anyone else but you. You are my muse. Without you there is no art in me." With her pale, luminous skin and cloud of copper-colored hair, nineteen-year-old Lizzie Siddal looks nothing like the rosy-cheeked ideal of Victorian beauty. Working in a London milliner's shop, Lizzie stitches elegant bonnets destined for wealthier young women, until a chance meeting brings her to the attention of painter and poet Dante Gabriel Rossetti. Enchanted both by her ethereal appearance and her artistic ambitions--quite out of place for a shop girl--Rossetti draws her into his glittering world of salons and bohemian soirees. Lizzie begins to sit for some of the most celebrated members of the Pre-Raphaelite Brotherhood, posing for John Everett Millais as Shakespeare's Ophelia, for William Holman Hunt--and especially for Rossetti, who immortalizes her in countless paintings as his namesake's beloved Beatrice. The passionate visions Rossetti creates on canvas are echoed in their intense affair. But while Lizzie strives to establish herself as a painter and poet in her own right, betrayal, illness, and addiction leave her struggling to save her marriage and her sense of self. Rita Cameron weaves historical figures and vivid details into a complex, unconventional love story, giving voice to one of the most influential yet overlooked figures of a fascinating era--a woman who is both artist and inspiration, long gazed upon, but until now, never fully seen. An excerpt from Ophelia’s Muse Rossetti stood behind the canvas, pretending to study Deverell's painting while he admired its model. Despite Deverell's enthusiastic descriptions, Rossetti was completely unprepared for the glorious woman before him. She seemed to be from another age, as if she had sprung to life from an antique painting of an Italian saint. Seated before the window, her hair cast a slight golden glow in the afternoon sun, like a halo. She could not have been more perfect if he had sculpted her from marble with his own hands. Deverell claimed that he had found the perfect Viola, but this girl was far too beautiful to pose as some love-sick page. She was clearly meant to sit for the great heroines of history and myth, and Rossetti vowed to paint her as a queen. "Miss Siddal, has anyone ever told you that you were surely crafted by the gods in order to be painted? If you don't believe that yours is a beauty for the ages, you underestimate yourself." The force of his words struck Lizzie, and she wondered if he was serious, and if it could be true. Was this the thing that she had always been waiting for? Was she really meant to inspire great artists? Her head buzzed with the possibility, but the very allure of the idea felt dangerous...
Ophelia, a timid eleven-year-old girl grieving her mother, suspends her disbelief in things non-scientific when a boy locked in the museum where her father is working asks her to help him complete an age-old mission.
Ophelia Castellan will never be just another girl at Elsinore Academy. Seeing ghosts is not a skill prized in future society wives. Even when she takes her pills, the bean sidhe beckon, reminding her of a promise to her dead mother. Now, in the wake of the Headmaster's sudden death, the whole academy is in turmoil, and Ophelia can no longer ignore the fae. Especially once she starts seeing the Headmaster's ghosts—two of them—on the school grounds. Her only confidante is Dane, the Headmaster's grieving son. Yet even as she gives more of herself to him, Dane spirals toward a tragic fate—dragging Ophelia, and the rest of Elsinore, with him. You know how this story ends. Yet even in the face of certain death, Ophelia has a choice to make—and a promise to keep.
Raising a teenage girl can be frightening and overwhelming for the most important female figure in her life--her mother. To provide the community that these women so desperately crave as well as guidance, solace, inspiration, and hope, Dellasega has written a book of profound wisdom and compassion.
'Queer delight through and through' - Leah Johnson, author of You Should See Me in a Crown A teen girl navigates friendship drama, the end of high school, and discovering her queerness in Ophelia After All, the hilarious and heartfelt contemporary YA debut by Racquel Marie. Ophelia Rojas knows what she likes: her best friends, Cuban food, rose-gardening, and boys – way too many boys. Her friends and parents make fun of her endless stream of crushes, but Ophelia is a romantic at heart. She couldn’t change, even if she wanted to. So when she finds herself thinking more about cute, quiet Talia Sanchez than the loss of a perfect prom with her ex-boyfriend, seeds of doubt take root in Ophelia’s firm image of herself. Add to that the impending end of high school and the fracturing of her once-solid friend group, and things are spiraling a little out of control. But the course of love - and sexuality - never did run smooth. As her secrets begin to unravel, Ophelia must make a choice between clinging to the fantasy version of herself she’s always imagined or upending everyone’s expectations to rediscover who she really is, after all.
This book, filled with the voices of teenage girls, corrects the misperceptions that have crept into our picture of female adolescence. Based on the author's yearlong conversation with white junior high and middle school girls -- from the working poor and the middle class -- Raising Their Voices allows us to hear how girls adopt some expectations about gender but strenuously resist others, how they use traditionally feminine means to maintain their independence, and how they recognize and resist pressures to ignore their own needs and wishes.