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The Origins of Kant's Aesthetics by Robert R. Clewis Pdf
Organized around eight themes central to aesthetic theory today, this book examines the sources and development of Kant's aesthetics by mining his publications, correspondence, handwritten notes, and university lectures. Each chapter explores one of eight themes: aesthetic judgment and normativity, formal beauty, partly conceptual beauty, artistic creativity or genius, the fine arts, the sublime, ugliness and disgust, and humor. Robert R. Clewis considers how Kant's thought was shaped by authors such as Christian Wolff, Alexander Baumgarten, Georg Meier, Moses Mendelssohn, Johann Sulzer, Johann Herder, Francis Hutcheson, David Hume, Edmund Burke, Henry Home, Charles Batteux, Jean-Jacques Rousseau, and Voltaire. His resulting study uncovers and illuminates the complex development of Kant's aesthetic theory and will be useful to advanced students and scholars in fields across the humanities and studies of the arts.
Kant and the Experience of Freedom by Paul Guyer Pdf
This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Guyer shows that at the very core of Kant's aesthetic theory, disinterestedness of taste becomes an experience of freedom and thus an essential accompaniment to morality itself. At the same time he reveals how Kant's moral theory includes a distinctive place for the cultivation of both general moral sentiments and particular attachments on the basis of the most rigorous principle of duty. Kant's thought is placed in a rich historical context including such figures as Shaftesbury, Hutcheson, Hume, Burke, Kames, as well as Baumgarten, Mendelssohn, Schiller, and Hegel. Other topics treated are the sublime, natural versus artistic beauty, genius and art history, and duty and inclination. These essays extend and enrich the account of Kant's aesthetics in the author's earlier book, Kant and the Claims of Taste (1979).
This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.
Kant's attempt to establish the principles behind the faculty of judgment remains one of the most important works on human reason. This third of the philosopher's three Critiques forms the very basis of modern aesthetics.
Aesthetic Judgment and the Moral Image of the World by Dieter Henrich Pdf
This is a collection of four essays on aesthetic, ethical, and political issues by Dieter Henrich, the preeminent Kant scholar in Germany today. Although his interests have ranged widely, he is perhaps best known for rekindling interest in the great classical German tradition from Kant to Hegel. The first essay summarizes Henrich's research into the development of the Kant's moral philosophy, focusing on the architecture of the third Critique. Of special interest in this essay is Henrich's intriguing and wholly new account of the relations between Kant and Rousseau. In the second essay, Henrich analyzes the interrelations between Kant's aesthetics and his cognitive theories. His third essay argues that the justification of the claim that human rights are universally valid requires reference to a moral image of the world. To employ Kant's notion of a moral image of the world without ignoring the insights and experience of this century requires drastic changes in the content of such an image. Finally, in Henrich's ambitious concluding essay, the author compares the development of the political process of the French Revolution and the course of classical German philosophy, raise the general question of the relation between political processes and theorizing, and argues that both the project of political liberty set in motion by the French Revolution, and the projects of classical German philosophy remain incomplete.
Critique of the Power of Judgment by Immanuel Kant Pdf
The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the third of Kant's great critiques following the Critique of Pure Reason and the Critique of Practical Reason. This translation of Kant's masterpiece follows the principles and high standards of all other volumes in The Cambridge Edition of the Works of Immanuel Kant. This volume, first published in 2000, includes: the indispensable first draft of Kant's introduction to the work; an English edition notes to the many differences between the first (1790) and second (1793) editions of the work; and relevant passages in Kant's anthropology lectures where he elaborated on his aesthetic views. All in all this edition offers the serious student of Kant a dramatically richer, more complete and more accurate translation.
In the Critique of Judgement, Kant offers a penetrating analysis of our experience of the beautiful and the sublime. He discusses the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation, and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the degree in which nature has a purpose, with respect to the highest interests of reason and enlightenment. The work profoundly influenced the artists, writers, and philosophers of the classical and romantic period, including Hegel, Schelling, Schopenhauer, and Nietzsche. In addition, it has remained a landmark work in fields such as phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics, and contemporary critical theory. Today it remains an essential work of philosophy, and required reading for all with an interest in aesthetics. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
Kant's Critique of Aesthetic Judgement by Immanuel Kant,James Creed Meredith Pdf
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Kant's Critique of Aesthetic Judgement by James Creed Meredith Pdf
KANTS CRITIQUE OF AESTHETIC JUDGEMENT TRANSLATED, WITH SEVEN INTRODUCTORY ESSAYS NOTES, AND ANALYTICAL INDEX BY JAMES CREED MEREDITH M. A, N. U. I., SEN, MOD. T. C. D. Yea, what were mighty Natures self 1 Her features, could they win us, Unhelped by the poetic voice That hourly speaks within us WORDSWORTH. OXFORD AT THE CLARENDON PRESS 1911 PREFACE IT seems a strange fact that the works which have exerted the greatest and most permanent Influence are those of which it is most difficult to give a final and conclusive interpretation. Is it that the philosophic mind merely amuses itself looking for the answers to riddles the solution of which destroys the interest, so that it is not so much misinterpretation as explana tion that great philosophers have to fear Or is it that philosophers propose questions which depend upon higher categories than those of common understanding, with the natural result that their point of view is but imperfectly comprehended by lesser minds Or is it simply that the works that have exerted most influence are those which are most comprehensive and many-sided, and that different critics seize upon different aspects of the whole, and throw the emphasis on different points It is not necessary to attempt to answer these questions generally, or further than affects Kants Aesthetics. Certainly no work has exerted an equal influence on the subsequent history of aesthetics, and yet it has been most variously interpreted. However, while critics differ as to Kants meaning on many essential points, they seem to be mostly agreed that the chief source of strength in the work lies in its comprehensiveness and its method. How they have been able to arrive at this conclusion inthe face of their own criticisms, is a different matter. For they have for the most part attempted to show that the work as a whole involves an important modification of Kants fundamental position of critical idealism, and that in its different parts it betrays considerable hesitation and vacillation of opinion on vital questions, and, moreover, frequently falls into flagrant incon sistency. f - 9 3 O VI Preface The present volume, in seeking to give some assistance to students in so much of Kants Critique of Judgement as deals with the problems of aesthetics, aims particularly at suggesting interpretations which may help to free Kants argument from such charges without, however, in any way implying that Kant is likely to be followed entirely on all points on which, his meaning is understood. Certainty the comprehensiveness of Kants account is one of its most striking features. Its chief merit does not lie in the number of interesting and illuminating observations which are made f or i n the great majority of these Kant was anticipated but in the number of different points of view which are co ordinated, and the divergent rays of thought which are brought into a common focus. It is not so much Kants views on this or that question that are calculated to impress the reader, as their systematic connexion, and the feeling that behind each of them lies the entire strength of his whole critical philosophy. It is this that makes a sympathetic critic especially anxious to reconcile apparent inconsistency between positions of any importance. Kant is, further, frequently charged with begging the point at issue. But he neither begged the points which most of his critics suppose to be those inissue, nor did he attempt to prove them in the usual manner. The originality of his method consisted in the way in which he changed the issue from a question of fact and actuality to one of mere possibility. Thus in his aesthetics he never begged the question that there are pure aesthetic judgements in the-peculiar sense in which he uses the term. He adopted the course of formulating the conception of a pure aesthetic judgement and of proving that such a judgement is possible...
Among the ancients the fundamental theory of the beautiful was connected with the notions of rhythm, symmetry, harmony of parts; in short, with the general formula of unity in variety. Among the moderns we find that more emphasis is laid on the idea of significance, expressiveness, the utterance of all that life contains; in general, that is to say, on the conception of the characteristic. -from "Definition of Beauty" T.H. Green called him "the most gifted man of his generation." Certainly he was one of the most popular and most influential British idealists of the early 20th century, and an intellectual cousin of Ludwig Wittgenstein and Bertrand Russell. In this definitive work, first published in 1892, Bernard Bosanquet explores the realm of aesthetics-the philosophy of art-from a romantic, almost mystical perspective, discussing how the appreciation of art exposes the spirituality of humanity, and why it is a vital component to any metaphysical understanding of the universe. From the earliest Greek poetry and Latin comedy to very modern ideas about "ugly beauty" and the impact of science on art, Bosanquet will change the way you look at art. British scholar and philosopher BERNARD BOSANQUET (1848-1923) also wrote, among his many works, Logic, or the Morphology of Knowledge (1888), The Civilization of Christendom and Other Studies (1893), and Social and International Ideals: Being Studies in Patriotism (1917).
The Critique of Judgement Part I: Critique of Aesthetic Judgement Immanuel Kant translated by James Creed Meredith The Critique of Judgment, also translated as the Critique of the Power of Judgment, is a 1790 philosophical work by Immanuel Kant. Sometimes referred to as the third Critique, the Critique of Judgment follows the Critique of Pure Reason (1781) and the Critique of Practical Reason (1788). The faculty of knowledge from a priori principles may be called pure reason, and the general investigation into its possibility and bounds the Critique of Pure Reason. This is permissible although "pure reason," as was the case with the same use of terms in our first work, is only intended to denote reason in its theoretical employment, and although there is no desire to bring under review its faculty as practical reason and its special principles as such. That Critique is, then, an investigation addressed simply to our faculty of knowing things a priori. Hence it makes our cognitive faculties its sole concern, to the exclusion of the feeling of pleasure or displeasure and the faculty of desire; and among the cognitive faculties it confines its attention to understanding and its a priori principles, to the exclusion of judgement and reason, (faculties that also belong to theoretical cognition,) because it turns out in the sequel that there is no cognitive faculty other than understanding capable of affording constitutive a priori principles of knowledge.
Kant and his German Contemporaries: Volume 2, Aesthetics, History, Politics, and Religion by Daniel O. Dahlstrom Pdf
Kant's philosophical achievements have long overshadowed those of his German contemporaries, often to the point of concealing his contemporaries' influence upon him. This volume of new essays draws on recent research into the rich complexity of eighteenth-century German thought, examining key figures in the development of aesthetics and art history, the philosophy of history and education, political philosophy, and the philosophy of religion. The essays range over numerous thinkers including Baumgarten, Mendelssohn, Meyer, Winckelmann, Herder, Schiller, Hamann and Fichte, showing how they variously influenced, challenged, and revised Kant's philosophy, at times moving it in novel directions unacceptable to the magister himself. The volume will be valuable for all who are interested in this distinctive period of German philosophy.
The Critique of Judgement Part I: Critique of Aesthetic Judgement by Immanuel Kant,James Meredith Pdf
The Critique of Judgment, also known as the third Critique, is a 1790 philosophical work by Immanuel Kant. In it, Kant lays the foundations for modern aesthetics. In this, the first part of the book, the Critique of Aesthetic Judgment, Kant discusses the four possible "reflective judgments": the agreeable, the beautiful, the sublime, and the good. He makes it clear that these are the only four possible reflective judgments, as he relates them to the Table of Judgments from the Critique of Pure Reason.
