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The Oxford Book of Science Fiction Stories by Tom Shippey Pdf
A collection of classic science fiction short stories features tales by H. G. Wells, Arthur C. Clark, Frederik Pohl, Clifford Simak, Brian Aldiss, Ursala K. LeGuin, and many others. Edited by the author of The Road to Middle-Earth. 20,000 first printing.
The Oxford Book of Science Fiction Stories by T. A. Shippey Pdf
A collection of 30 stories spanning the period from 1903 (H.G. Wells) to 1990 (David Brin). Shippey (English language and medieval lit., U. of Leeds) has chosen well and reflects upon the genre in a longish introduction. Annotation copyright by Book News, Inc., Portland, OR
The Oxford Book of Fantasy Stories by T. A. Shippey Pdf
'So you won't sell me your soul?' said the Devil. 'Thank you,' replied the student, 'I had rather keep it myself, if it's all the same to you.' So begins this rich and intriguing collection of fantasy stories. Figures such as the devil, trolls and werewolves, sorcerers and dragons have long been part of the human psyche, and the authors of these marvellous tales draw upon this deep well of images, characters, and landscapes with great imagination and subtlety. With thirty-one tales by writers as diverse as John Buchan and Mervyn Peake, Angela Carter and Terry Pratchett, this is an anthology for the newcomer and dedicated fan alike.
The Oxford Book of American Short Stories by Joyce Carol Oates Pdf
This volume offers a survey of American short fiction in 59 tales that combine classic works with 'different, unexpected gems', which invite readers to explore a wealth of important pieces by women and minority writers. Authors include: Amy Tan, Alice Adams, David Leavitt and Tim O'Brien.
Science Fiction: A Very Short Introduction by David Seed Pdf
David Seed examines how science fiction has emerged as a popular genre of literature in the 20th century, and discusses it in relation to themes such as science and technology, space, aliens, utopias, and gender. Looking at some of the most influential writers of the genre he also considers the wider social and political issues it raises.
The Oxford Book of Fantasy Stories by T. A. Shippey Pdf
A century's worth of the exotic and the fantastic. The stories range from Richard Garnett's "The Demon Pope," a story on soul-selling, to Terry Prachett's amusing "Troll Bridge, " in which Cohen the Barbarian philosophizes on the decline of magic.
The Oxford Handbook of Science Fiction by Rob Latham Pdf
The excitement of possible futures found in science fiction has long fired the human imagination, but the genre's acceptance by academe is relatively recent. No longer marginalized and fighting for respectability, science-fictional works are now studied alongside more traditional art forms. Tracing the capacious genre's birth, evolution, and impact across nations, time periods, subgenres, and media, The Oxford Handbook of Science Fiction offers an in-depth, comprehensive assessment of this robust area of scholarly inquiry and considers the future directions that will dictate the terms of the scholarly discourse. The Handbook begins with a focus on questions of genre, covering topics such as critical history, keywords, narrative, the fantastic, and fandom. A subsequent section on media engages with film, television, comics, architecture, music, video games, and more. The genre's role in the convergence of art and everyday life animates a third section, which addresses topics such as UFOs, the Atomic Era, the Space Race between the US and USSR, organized religion, automation, the military, sexuality, steampunk, and retrofuturism. The final section on worldviews features perspectives on SF's relationship to the gothic, evolution, colonialism, feminism, afrofuturism, utopianism, and posthumanism. Along the way, the Handbook's forty-four original essays cover novels by the likes of Mary Shelley, Jules Verne, H. G. Wells, Philip K. Dick, and Octavia Butler; horror-tinged pulp magazines like Weird Tales; B-movies and classic films that include 2001: A Space Odyssey, Close Encounters of the Third Kind, and Star Wars; mind-bending TV shows like The Twilight Zone and Dr. Who; and popular video games such as Eve Online. Showing how science fiction's unique history and subcultural identity have been constructed in ongoing dialogue with popular discourses of science and technology, The Oxford Handbook of Science Fiction acknowledges the full range of texts and modalities that make science fiction today less a genre than a way of being in the world.
The Young Oxford Book of Timewarp Stories by Anonim Pdf
A collection of stories about time, exploring all the different ways that we can twist and play with time. The stories take in trips to the future, package holidays to the past, visitors from other times with unwelcome messages, a thief with the power to stop time altogether, a man in lovewith someone who died years before he was born, a star fleet that paradoxically caused its own destruction, and many more. With a sure appeal for everyone who likes an exciting, thought-provoking story, as well as fans of science fiction and ghost stories, this is a wonderfully entertaining collection of stories to amuse, amaze, and enthral.
Winner of a 2008 Hugo Award, this new paperback takes readers on spectacular tour of the language created by science fiction. From "Stargate" to "Force Field," this dictionary opens a fascinating window into an entire genre, through the words invented by science fiction's most talented writers, critics, and fans. Each entry includes numerous citations of the word's usage, from the earliest known appearance forward. Drawn not only from science fiction novels and stories, citations also come from fanzines, screenplays, comics, songs, and the Internet.
The Oxford Book of Canadian Short Stories in English by Margaret Atwood,Robert Weaver Pdf
Arranged chronologically with forty stories in all, the book provides an excellent survey of Canada's leading writers, including a story by Atwood herself ("The Sin Eater"), as well as stories by Morley Callaghan ("Last Spring They Came Over"), Mordecai Richler ("The Summer My Grandmother Was Supposed to Die"), and Stephen Leacock ("The Marine Excursion of the Knights of Pythias"). The book features biographical notes and an index of authors.
The Oxford Book of Caribbean Short Stories by Stewart Brown Pdf
The Caribbean is the source of one of the richest, most accessible, and yet technically adventurous traditions of contemporary world literature. This collection extends beyond the realm of English-speaking writers, to include stories published in Spanish, French, and Dutch. It brings together contributions from major figures such as V. S. Naipaul, and Gabriel Garcia Marquez, and work from the exciting new generation of Caribbean writers represented by Edwidge Danticat, and Jamaica Kincaid.
Understanding Contemporary American Science Fiction by Thomas D. Clareson Pdf
Discusses writers such as Poul Anderson, Brian W. Aldiss, Isaac Asimov, J.G. Ballard, Alfred Bester, James Blish, Anthony Boucher, Ray Bradbury, Algis Budrys, Edgar Rice Burroughs, John W. Campbell, Arthur C. Clarke, Hal Clement, Samuel R. Delany, Lester del Rey, Philip K. Dick, Gordon R. Dickson, Thomas Disch, Harlan Ellison, Philip Jose Farmer, Randall Garrett, Robert A. Heinlein, Zenna Henderson, Frank Herbert, Damon Knight, Cyril Kornbluth, Ursula K. Le Guin, Murray Leinster, Anne McCaffrey, Judith Merril, A. Merritt, Walter M. Miller Jr., Michael Moorcock, Andre Norton, Alexei Panshin, H. Beam Piper, Frederik Pohl, Joanna Russ, Robert Silverberg, Clifford D. Simak, Cordwainer Smith, E.E. "Doc" Smith, Norman Spinrad, Theodore Sturgeon, Jack Vance, A.E. van Vogt, Kurt Vonnegut, Donald Wollheim, RogerZelazny, Jack Williamson, and others.
The Oxford Handbook of Science Fiction by Rob Latham Pdf
The Oxford Handbook of Science Fiction attempts to descry the historical and cultural contours of SF in the wake of technoculture studies. Rather than treating the genre as an isolated aesthetic formation, it examines SF's many lines of cross-pollination with technocultural realities since itsinception in the nineteenth century, showing how SF's unique history and subcultural identity has been constructed in ongoing dialogue with popular discourses of science and technology.The volume consists of four broadly themed sections, each divided into eleven chapters. Section I, "Science Fiction as Genre," considers the internal history of SF literature, examining its characteristic aesthetic and ideological modalities, its animating social and commercial institutions, and itsrelationship to other fantastic genres. Section II, "Science Fiction as Medium," presents a more diverse and ramified understanding of what constitutes the field as a mode of artistic and pop-cultural expression, canvassing extra-literary manifestations of SF ranging from film and television tovideogames and hypertext to music and theme parks. Section III, "Science Fiction as Culture," examines the genre in relation to cultural issues and contexts that have influenced it and been influenced by it in turn, the goal being to see how SF has helped to constitute and define important(sub)cultural groupings, social movements, and historical developments during the nineteenth, twentieth, and twenty-first centuries. Finally, Section IV, "Science Fiction as Worldview," explores SF as a mode of thought and its intersection with other philosophies and large-scale perspectives on theworld, from the Enlightenment to the present day.
