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The Oxford Handbook of Jack London by Jay Williams,James W. Williams Pdf
"With his novels, journalism, short stories, political activism, and travel writing, Jack London established himself as one of the most prolific and diverse authors of the twentieth century. Covering London's biography, cultural context, and the various genres in which he wrote, The Oxford Handbook of Jack London is the definitive reference work on the author" --
The Oxford Handbook of Jack London by James W. Williams Pdf
Robert Scholes and Clifford Wulfman define modernism and modernity this way: "Modernity is a social condition. Modernism was a response to that condition." Modernity "is an urban condition" "reached in certain parts of the world in the late nineteenth century ... a mass phenomenon" characterised by the rise of technology, print culture, and material consumption. Jack London, who is routinely categorised as a naturalist and realist, can also be called a modernist. The word modern appears often in the pages of this handbook, and though it is not new to call London a modernist, the breadth of scholarship in this present volume gives the categorisation new meaning.
In Author Under Sail: The Imagination of Jack London, 1902–1907, Jay Williams explores Jack London’s necessity to illustrate the inner workings of his vast imagination. In this second installment of a three-volume biography, Williams captures the life of a great writer expressed though his many creative works, such as The Call of the Wild and White Fang, as well as his first autobiographical memoir, The Road, some of his most significant contributions to the socialist cause, and notable uncompleted works. During this time, London became one of the most famous authors in America, perhaps even the author with the highest earnings, as he prepared to become an equally famous international writer. Author Under Sail documents London’s life in both a biographical and writerly fashion, depicting the importance of his writing experiences as his career followed a trajectory similar to America’s from 1876 to 1916. The underground forces of London’s narratives were shaped by a changing capitalist society, media outlets, racial issues, increases in women’s rights, and advancements in national power. Williams factors in these elements while exploring London’s deeply conflicted relationship with his own authorial inner life. In London’s work, the imagination is figured as a ghost or as a ghostlike presence, and the author’s personas, who form a dense population among his characters, are portrayed as haunted or troubled in some way. Along with examining the functions and works of London’s exhaustive imagination, Williams takes a critical look at London’s ability to tell his stories to wide arrays of audiences, stitching incidents together into coherent wholes so they became part of a raconteur’s repertoire. Author Under Sail provides a multidimensional examination of the life of a crucial American storyteller and essayist.
The Oxford Handbook of American Literary Naturalism by Keith Newlin Pdf
After its heyday in the late nineteenth and early twentieth century, naturalism, a genre that typically depicts human beings as the product of biological and environmental forces over which they have little control, was supplanted by modernism, a genre in which writers experimented with innovations in form and content. In the last decade, the movement is again attracting spirited scholarly debate. The Oxford Handbook of American Literary Naturalism takes stock of the best new research in the field through collecting twenty-eight original essays drawing upon recent scholarship in literary and cultural studies. The contributors offer an authoritative and in-depth reassessment of writers from Stephen Crane, Frank Norris, Theodore Dreiser, and Jack London to Kate Chopin, Edith Wharton, Ernest Hemingway, Richard Wright, John Steinbeck, Joyce Carol Oates, and Cormac McCarthy. One set of essays focus on the genre itself, exploring the historical contexts that gave birth to it, the problem of definition, its interconnections with other genres, the scientific and philosophical ideas that motivate naturalist authors, and the continuing presence of naturalism in twenty-first century fiction. Others examine the tensions within the genre-the role of women and African-American writers, depictions of sexuality, the problem of race, and the critique of commodity culture and class. A final set of essays looks beyond the works to consider the role of the marketplace in the development of naturalism, the popular and critical response to the works, and the influence of naturalism in the other arts.
The Oxford Handbook of Lifelong Learning by Anonim Pdf
This Handbook provides a comprehensive and up-to-date examination of lifelong learning. Across 38 chapters, including twelve that are brand new to this edition, the approach is interdisciplinary, spanning human resources development, adult learning (educational perspective), psychology, career and vocational learning, management and executive development, cultural anthropology, the humanities, and gerontology. This volume covers trends that contribute to the need for continuous learning, considers psychological characteristics that relate to the drive to learn, reviews existing theory and research on adult learning, describes training methods and learning technologies for instructional design, and explores current and future challenges to support continuous learning.
One of the most beloved writers of all time, Jack London is best remembered for his tales of adventure, such as White Fang and The Call of the Wild. Jack London paints a well-rounded picture of London's short, intrepid life, his prolific writings, his unusually clear and direct portrayal of people of different races, and his struggles with writing. The book includes excerpts, photographs, maps, suggestions for further reading, and a list of places to visit.
The Oxford Handbook of Political Theory by John S. Dryzek,Bonnie Honig,Anne Phillips Pdf
Oxford Handbooks of Political Science are the essential guide to the state of political science today. With engaging contributions from 51 major international scholars, the Oxford Handbook of Political Theory provides the key point of reference for anyone working in political theory and beyond.
Handbook of the American Short Story by Erik Redling,Oliver Scheiding Pdf
The American short story has always been characterized by exciting aesthetic innovations and an immense range of topics. This handbook offers students and researchers a comprehensive introduction to the multifaceted genre with a special focus on recent developments due to the rise of new media. Part I provides systematic overviews of significant contexts ranging from historical-political backgrounds, short story theories developed by writers, print and digital culture, to current theoretical approaches and canon formation. Part II consists of 35 paired readings of representative short stories by eminent authors, charting major steps in the evolution of the American short story from its beginnings as an art form in the early nineteenth century up to the digital age. The handbook examines historically, methodologically, and theoretically the coming together of the enduring narrative practice of compression and concision in American literature. It offers fresh and original readings relevant to studying the American short story and shows how the genre performs American culture.
The first book-length study of London as a maritime writer Jack London’s fiction has been studied previously for its thematic connections to the ocean, but Jack London and the Sea marks the first time that his life as a writer has been considered extensively in relationship to his own sailing history and interests. In this new study, Anita Duneer claims a central place for London in the maritime literary tradition, arguing that for him romance and nostalgia for the Age of Sail work with and against the portrayal of a gritty social realism associated with American naturalism in urban or rural settings. The sea provides a dynamic setting for London’s navigation of romance, naturalism, and realism to interrogate key social and philosophical dilemmas of modernity: race, class, and gender. Furthermore, the maritime tradition spills over into texts that are not set at sea. Jack London and the Sea does not address all of London’s sea stories, but rather identifies key maritime motifs that influenced his creative process. Duneer’s critical methodology employs techniques of literary and cultural analysis, drawing on extensive archival research from a wealth of previously unpublished biographical materials and other sources. Duneer explores London’s immersion in the lore and literature of the sea, revealing the extent to which his writing is informed by travel narratives, sensational sea yarns, and the history of exploration, as well as firsthand experiences as a sailor in the San Francisco Bay and Pacific Ocean. Organized thematically, chapters address topics that interested London: labor abuses on “Hell-ships” and copra plantations, predatory and survival cannibalism, strong seafaring women, and environmental issues and property rights from San Francisco oyster beds to pearl diving in the Paumotos. Through its examination of the intersections of race, class, and gender in London’s writing, Jack London and the Sea plumbs the often-troubled waters of his representations of the racial Other and positions of capitalist and colonial privilege. We can see the manifestation of these socioeconomic hierarchies in London’s depiction of imperialist exploitation of labor and the environment, inequities that continue to reverberate in our current age of global capitalism.
Jack London (1876–1916) lived a life of excess by conventional standards. Daring, outspoken, politically radical, amazingly imaginative, and emotionally complicated, the author of literary classics such as The Call of the Wild and The Sea-Wolf emerges in Kenneth K. Brandt’s new biography as a vital and flawed embodiment of conflicting yearnings. London’s exuberant energies propelled him out of the working class to become a world-famous writer by the age of twenty-seven—after stints as a child laborer, an oyster pirate, a Pacific seaman, and a convict. He wrote extensively about his travels to Japan, the Yukon, the slums of London’s East End, Korea, Hawaii, and the South Seas. Swiftly paced, intellectually engaging, and richly dramatic, London’s writings—bolstered by their wildly clashing philosophical viewpoints derived from thinkers like Nietzsche, Marx, and Darwin—continue to engross readers with their depictions of primal urges, raw sensations, and reformist politics.
The Oxford Handbook of Samuel Johnson by Jack Lynch Pdf
No major author worked in more genres than Samuel Johnson--essays, poetry, fiction, criticism, biography, scholarly editing, lexicography, translation, sermons, journalism. His works are more extensive than those of any other canonical English writer, and no earlier writer's life was documented as thoroughly by contemporaries. Because it's so difficult to know him thoroughly, people have made do with surrogates and simplifications. But Johnson was much more complicated than the popular image of 'Dr. Johnson' suggests: socially conservative but also one of the most radical abolitionists of his age, a firm believer in social hierarchy but an outspoken supporter of women intellectuals, an uncompromising Christian moralist but also a penetrating critic of family structures. Labels fit him poorly. In The Oxford Handbook of Samuel Johnson, an international team of thirty-six scholars offers the most comprehensive examination ever attempted of one of the most complex figures in English literature. The book's first section examines Johnson's life and the texts of his works; the second, organized by genre, explores all his major works and many of his minor ones; the third, organized by topic, covers the subjects that were most important to him as a writer, as a thinker, and as a moralist.
Charmian Kittredge London by Iris Jamahl Dunkle Pdf
Charmian Kittredge London (1871–1955) was the epitome of a modern woman. Free-spirited and adventurous, she defied modern expectations of femininity. Today she is best known as the wife of the famous American author Jack London, yet she was a literary trailblazer in her own right. This biography is the first book to tell the complete story of Charmian’s life—freed from the shadow cast by her famous husband. In this biography, Iris Jamahl Dunkle draws the reader into Charmian’s private and public worlds, underscoring her literary achievements and the significant role she played in promoting her husband’s legacy. Her life, as Dunkle emphasizes, required fortitude and bravery, and in many ways it paralleled the history of the American West. Born on the mudflats of what would become Los Angeles’s harbor, Charmian became an orphan at age fourteen. Raised by her aunt Netta Wiley Ames, a noted writer and editor for the Overland Monthly, Charmian attended college, became an expert equestrian and concert pianist, and had a successful career as a stenographer. But her life shifted when, in 1905, she married Jack London, already a bestselling author. For the rest of Jack’s life, until his untimely death at the age of forty, reporters would follow the couple’s every move. Charmian and Jack traveled the world, exploring and writing together. In addition to collaborating with Jack on many of his projects, Charmian wrote three books about her travels, as well as countless articles. After Jack’s death in 1916, she remained a celebrity, continuing to travel and write—and seek adventure. She also wrote a biography about her late husband and managed his estate, influencing how Jack’s literary legacy was remembered. Charmian Kittredge London is a central figure in California cultural history. Now, thanks to Dunkle’s riveting portrait, readers have the opportunity to embark on the grand adventure that was her life.
In Author Under Sail: The Imagination of Jack London, 1902-1907, Jay Williams explores Jack London's necessity to illustrate the inner workings of his vast imagination. In this second installment of a three-volume biography, Williams captures the life of a great writer expressed though his many creative works, such as The Call of the Wild and White Fang, as well as his first autobiographical memoir, The Road, some of his most significant contributions to the socialist cause, and notable uncompleted works. During this time, London became one of the most famous authors in America, perhaps even the author with the highest earnings, as he prepared to become an equally famous international writer. Author Under Sail documents London's life in both a biographical and writerly fashion, depicting the importance of his writing experiences as his career followed a trajectory similar to America's from 1876 to 1916. The underground forces of London's narratives were shaped by a changing capitalist society, media outlets, racial issues, increases in women's rights, and advancements in national power. Williams factors in these elements while exploring London's deeply conflicted relationship with his own authorial inner life. In London's work, the imagination is figured as a ghost or as a ghostlike presence, and the author's personas, who form a dense population among his characters, are portrayed as haunted or troubled in some way. Along with examining the functions and works of London's exhaustive imagination, Williams takes a critical look at London's ability to tell his stories to wide arrays of audiences, stitching incidents together into coherent wholes so they became part of a raconteur's repertoire. Author Under Sail provides a multidimensional examination of the life of a crucial American storyteller and essayist.
The Nonhuman in American Literary Naturalism by Karin M. Danielsson,Kenneth K. Brandt Pdf
The Nonhuman in American Literary Naturalism responds to a need to expand and refine the connections among nonhuman studies and American literary naturalism and to productively expand the scholarly discourse surrounding this vital movement in American literary history. This collection focuses on that which becomes visible when the human subject is skirted, or moved off-center: in other words, the representation of nonhuman animals and other vital or inert species, things, entities, cityscapes and seascapes, that play an important part in American literary naturalism. Informed by animal studies, ecocriticism, posthumanism, new materialism, and other recent theoretical perspectives, the essays in this collection discuss early naturalist texts as well as more recent naturalistic-oriented authors.
