The Oxford Handbook Of Music Listening In The 19th And 20th Centuries

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The Oxford Handbook of Music Listening in the 19th and 20th Centuries

Christian Thorau,Hansjakob Ziemer
The Oxford Handbook of Music Listening in the 19th and 20th Centuries Book PDF

Author : Christian Thorau,Hansjakob Ziemer
Publisher : Oxford University Press, USA
Page : 545 pages
File Size : 53,5 Mb
Release : 2018-12-03
Category : Music
ISBN : 9780190466961

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The Oxford Handbook of Music Listening in the 19th and 20th Centuries by Christian Thorau,Hansjakob Ziemer Pdf

An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization. This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.

The Oxford Handbook of Music Listening in the 19th and 20th Centuries

Christian Thorau,Hansjakob Ziemer
The Oxford Handbook of Music Listening in the 19th and 20th Centuries Book PDF

Author : Christian Thorau,Hansjakob Ziemer
Publisher : Oxford University Press
Page : 352 pages
File Size : 51,6 Mb
Release : 2018-11-01
Category : Music
ISBN : 9780190466985

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The Oxford Handbook of Music Listening in the 19th and 20th Centuries by Christian Thorau,Hansjakob Ziemer Pdf

An idealized image of European concert-goers has long prevailed in historical overviews of the nineteenth and twentieth centuries. This act of listening was considered to be an invisible and amorphous phenomenon, a naturally given mode of perception. This narrative influenced the conditions of listening from the selection of repertoire to the construction of concert halls and programmes. However, as listening moved from the concert hall to the opera house, street music, and jazz venues, new and visceral listening traditions evolved. In turn, the art of listening was shaped by phenomena of the modern era including media innovation and commercialization. This Handbook asks whether, how, and why practices of music listening changed as the audience moved from pleasure gardens and concert venues in the eighteenth century to living rooms in the twentieth century, and mobile devices in the twenty-first. Through these questions, chapters enable a differently conceived history of listening and offer an agenda for future research.

The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century

Paul Watt,Sarah Collins,Michael Allis
The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century Book PDF

Author : Paul Watt,Sarah Collins,Michael Allis
Publisher : Oxford University Press
Page : 752 pages
File Size : 42,6 Mb
Release : 2020-03-02
Category : Music
ISBN : 9780190616939

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The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century by Paul Watt,Sarah Collins,Michael Allis Pdf

Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.

Music in Nineteenth-Century Britain

Rosemary Golding
Music in Nineteenth Century Britain Book PDF

Author : Rosemary Golding
Publisher : Taylor & Francis
Page : 513 pages
File Size : 54,8 Mb
Release : 2022-08-15
Category : History
ISBN : 9781000564303

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Music in Nineteenth-Century Britain by Rosemary Golding Pdf

This volume of primary source material examine the thoughts and ideas behind music in Britian during the ninteenth century. Sources explore music critics, listening to music, music education, and philosophy. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.

Listening Devices

Jens Gerrit Papenburg
Listening Devices Book PDF

Author : Jens Gerrit Papenburg
Publisher : Bloomsbury Publishing USA
Page : 345 pages
File Size : 47,9 Mb
Release : 2023-05-04
Category : Music
ISBN : 9781501346712

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Listening Devices by Jens Gerrit Papenburg Pdf

From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term “listening device.” In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock 'n' roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its “other”-a history of non-listening. The book proposes “listening device” as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.

The Oxford Handbook of Jewish Music Studies

Tina Frühauf
The Oxford Handbook of Jewish Music Studies Book PDF

Author : Tina Frühauf
Publisher : Oxford University Press
Page : 753 pages
File Size : 54,6 Mb
Release : 2023-10-29
Category : Music
ISBN : 9780197528624

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The Oxford Handbook of Jewish Music Studies by Tina Frühauf Pdf

The Oxford Handbook of Jewish Music Studies is the most comprehensive and expansive critical handbook of Jewish music published to date. It is the first endeavor to address the diverse range of sounds, texts, archives, traditions, histories, geographic and political contexts, and critical discourses in the field. The thirty-one experts from thirteen countries who prepared the thirty original and groundbreaking chapters in this handbook are leaders in the disciplines of musicology and Jewish studies as well as adjacent fields. Chapters in the handbook provide a broad coverage of the subject area with considerable expansion of the topics that are normally covered in a resource of this type. Designed around eight distinct sections -- Land, City, Ghetto, Stage, Sacred and Ritual Spaces, Destruction / Remembrance, and Spirit -- the range and scope of The Oxford Handbook of Jewish Music Studies most significantly suggests a new framework for the study of Jewish music centered on spatiality and taking into consideration temporality and collectivity. Within each chapter, authors have selected what they consider to be the most important material relevant to their topic and, drawing on the most authoritative insights from historical and ethnomusicology, Jewish studies, history, anthropology, philology, religious studies, and the visual arts, have taken a genuinely inter- or transdisciplinary approach. Integrated chapter bibliographies provide material for further reading. Together the chapters form a first truly global look at Jewish music, incorporating studies from Central and East Asia, Europe, Australia, the Americas, and the Arab world. Together they span world history, from antiquity until the present day. As such, the Handbook provides a resource that researchers, scholars, and educators will use as the most important and authoritative overview of work within music and Jewish studies.

The Routledge Companion to Applied Musicology

Chris Dromey
The Routledge Companion to Applied Musicology Book PDF

Author : Chris Dromey
Publisher : Taylor & Francis
Page : 547 pages
File Size : 45,8 Mb
Release : 2023-09-19
Category : Music
ISBN : 9781000896886

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The Routledge Companion to Applied Musicology by Chris Dromey Pdf

The Routledge Companion to Applied Musicology brings together academics, artist-researchers, and practitioners to provide readers with an extensive and authoritative overview of applied musicology. Once a field that addressed music’s socio-political or performative contexts, applied musicology today encompasses study and practice in areas as diverse as psychology, ecomusicology, organology, forensic musicology, music therapy, health and well-being, and other public-oriented musicologies. These rapid advances have created a fast-changing field whose scholarship and activities tend to take place in isolation from each other. This volume addresses that shortcoming, bringing together a wide-ranging survey of current approaches. Featuring 39 authors, The Routledge Companion to Applied Musicology falls into five parts—Defining and Theorising Applied Musicology; Public Engagement; New Approaches and Research Methods; Representation and Inclusion; and Musicology in/for Performance—that chronicle the subject’s rich history and consider the connections that will characterise its future. The book offers an essential resource for anyone exploring applied musicology.

Twentieth-Century Music in the West

Tom Perchard,Stephen Graham,Tim Rutherford-Johnson,Holly Rogers
Twentieth Century Music in the West Book PDF

Author : Tom Perchard,Stephen Graham,Tim Rutherford-Johnson,Holly Rogers
Publisher : Cambridge University Press
Page : 495 pages
File Size : 52,5 Mb
Release : 2022-10-06
Category : Music
ISBN : 9781108638890

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Twentieth-Century Music in the West by Tom Perchard,Stephen Graham,Tim Rutherford-Johnson,Holly Rogers Pdf

This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections – Histories, Techniques and Technologies, Mediation, Identities – with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies.

Opera Outside the Box

Roberta Montemorra Marvin
Opera Outside the Box Book PDF

Author : Roberta Montemorra Marvin
Publisher : Taylor & Francis
Page : 145 pages
File Size : 53,5 Mb
Release : 2022-11-18
Category : Music
ISBN : 9781000775570

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Opera Outside the Box by Roberta Montemorra Marvin Pdf

Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain addresses operatic “experiences” outside the opera houses of Britain during the nineteenth century. The essays adopt a variety of perspectives exploring the processes through which opera and ideas about opera were cultivated and disseminated, by examining opera-related matters in publication and performance, in both musical and non-musical genres, outside the traditional approaches to transmission of operatic works and associated concepts. As a group, they exemplify the broad array of questions to be grappled with in seeking to identify commonalities that might shed light in new and imaginative ways on the experiences and manifestations of opera and notions of opera in Victorian Britain. In unpacking the significance, relevance, uses, and impacts of opera within British society, the collection seeks to enhance understanding of a few of the manifold ways in which the population learned about and experienced opera, how audiences and the broader public understood the genre and the aesthetics surrounding it, how familiarity with opera played out in British culture, and how British customs, values, and principles affected the genre of opera and perceptions of it.

Sounding Bodies

Peter Pesic
Sounding Bodies Book PDF

Author : Peter Pesic
Publisher : MIT Press
Page : 408 pages
File Size : 52,9 Mb
Release : 2022-10-11
Category : Science
ISBN : 9780262367714

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Sounding Bodies by Peter Pesic Pdf

The unfolding influence of music and sound on the fundamental structure of the biomedical sciences, from ancient times to the present. Beginning in ancient Greece, Peter Pesic writes, music and sound significantly affected the development of the biomedical sciences. Physicians used rhythmical ratios to interpret the pulse, which inspired later efforts to record the pulse in musical notation. After 1700, biology and medicine took a “sonic turn,” viewing the body as a musical instrument, the rhythms and vibrations of which could guide therapeutic insight. In Sounding Bodies, Pesic traces the unfolding influence of music and sound on the fundamental structure of the biomedical sciences. Pesic explains that music and sound provided the life sciences important tools for hearing, understanding, and influencing the rhythms of life. As medicine sought to go beyond the visible manifestations of illness, sound offered ways to access the hidden interiority of body and mind. Sonic interventions addressed the search for a new typology of mental illness, and practitioners used musical instruments to induce hypnotic states meant to cure both psychic and physical ailments. The study of bat echolocation led to the manifold clinical applications of ultrasound; such sonic devices as telephones and tuning forks were used to explore the functioning of the nerves. Sounding Bodies follows Pesic’s Music and the Making of Modern Science and Polyphonic Minds to complete a trilogy on the influence of music on the sciences. Enhanced digital editions of Sounding Bodies offer playable music and sound examples.

The Oxford Handbook of Sound Studies

Trevor Pinch,Karin Bijsterveld
The Oxford Handbook of Sound Studies Book PDF

Author : Trevor Pinch,Karin Bijsterveld
Publisher : OUP USA
Page : 610 pages
File Size : 45,8 Mb
Release : 2012-01-05
Category : Music
ISBN : 9780195388947

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The Oxford Handbook of Sound Studies by Trevor Pinch,Karin Bijsterveld Pdf

Written by the world's leading scholars and researchers in sound studies, this handbook offers new and engaging perspectives on the significance of sound in its material and cultural forms.

The Oxford Handbook of Musical Repatriation

Frank Gunderson,Robert C. Lancefield,Bret D. Woods
The Oxford Handbook of Musical Repatriation Book PDF

Author : Frank Gunderson,Robert C. Lancefield,Bret D. Woods
Publisher : Oxford University Press, USA
Page : 833 pages
File Size : 55,8 Mb
Release : 2019
Category : Music
ISBN : 9780190659806

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The Oxford Handbook of Musical Repatriation by Frank Gunderson,Robert C. Lancefield,Bret D. Woods Pdf

The Oxford Handbook of Musical Repatriation is a significant edited volume that critically explores issues surrounding musical repatriation, chiefly of recordings from audiovisual archives. The Handbook provides a dynamic and richly layered collection of stories and critical questions for anyone engaged or interested in repatriation or archival work. Repatriation often is overtly guided by an ethical mandate to "return" something to where it belongs, by such means as working to provide reconnection and Indigenous control and access to cultural materials. Essential as these mandates can be, this remarkable volume reveals dimensions to repatriation beyond those which can be understood as simple acts of "giving back" or returning an archive to its "homeland." Musical repatriation can entail subjective negotiations involving living subjects, intangible elements of cultural heritage, and complex histories, situated in intersecting webs of power relations and manifold other contexts. The forty-eight expert authors of this book's thirty-eight chapters engage with multifaceted aspects of musical repatriation, situating it as a concept encompassing widely ranging modes of cultural work that can be both profoundly interdisciplinary and embedded at the core of ethnographic and historical scholarship. These authors explore a rich variety of these processes' many streams, making the volume a compelling space for critical analysis of musical repatriation and its wider significance. The Handbook presents these chapters in a way that offers numerous emergent perspectives, depending on one's chosen trajectory through the volume. From retracing the paths of archived collections to exploring memory, performance, research goals, institutional power, curation, preservation, pedagogy and method, media and transmission, digital rights and access, policy and privilege, intellectual property, ideology, and the evolving institutional norms that have marked the preservation and ownership of musical archives-The Oxford Handbook of Musical Repatriation addresses these key topics and more in a deep, richly detailed, and diverse exploration.

The Oxford Handbook of Timbre

Emily I. Dolan,Alexander Rehding
The Oxford Handbook of Timbre Book PDF

Author : Emily I. Dolan,Alexander Rehding
Publisher : Oxford University Press
Page : 740 pages
File Size : 51,5 Mb
Release : 2021-09-15
Category : Music
ISBN : 9780190637255

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The Oxford Handbook of Timbre by Emily I. Dolan,Alexander Rehding Pdf

Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.

The Oxford Handbook of Mobile Music Studies, Volume 1

Sumanth Gopinath,Jason Stanyek
The Oxford Handbook of Mobile Music Studies Volume 1 Book PDF

Author : Sumanth Gopinath,Jason Stanyek
Publisher : Oxford University Press
Page : 561 pages
File Size : 50,6 Mb
Release : 2014-03
Category : Music
ISBN : 9780195375725

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The Oxford Handbook of Mobile Music Studies, Volume 1 by Sumanth Gopinath,Jason Stanyek Pdf

The two volumes of The Oxford Handbook of Mobile Music Studies consolidate an area of scholarly inquiry that addresses how mechanical, electrical, and digital technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. At once a marketing term, a common mode of everyday-life performance, and an instigator of experimental aesthetics, "mobile music" opens up a space for studying the momentous transformations in the production, distribution, consumption, and experience of music and sound that took place between the late nineteenth and the early twenty-first centuries. Taken together, the two volumes cover a large swath of the world-the US, the UK, Japan, Brazil, Germany, Turkey, Mexico, France, China, Jamaica, Iraq, the Philippines, India, Sweden-and a similarly broad array of the musical and nonmusical sounds suffusing the soundscapes of mobility. Volume 1 provides an introduction to the study of mobile music through the examination of its devices, markets, and theories. Conceptualizing a long history of mobile music extending from the late nineteenth century to the present, the volume focuses on the conjunction of human mobility and forms of sound production and reproduction. The volume's chapters investigate the MP3, copyright law and digital downloading, music and cloud computing, the iPod, the transistor radio, the automated call center, sound and text messaging, the mobile phone, the militarization of iPod usage, the cochlear implant, the portable sound recorder, listening practices of schoolchildren and teenagers, the ringtone, mobile music in the urban soundscape, the boombox, mobile music marketing in Mexico and Brazil, music piracy in India, and online radio in Japan and the US.

The Oxford Handbook of Music and Disability Studies

Blake Howe,Stephanie Jensen-Moulton,Neil William Lerner,Joseph Nathan Straus
The Oxford Handbook of Music and Disability Studies Book PDF

Author : Blake Howe,Stephanie Jensen-Moulton,Neil William Lerner,Joseph Nathan Straus
Publisher : Oxford Handbooks
Page : 953 pages
File Size : 40,5 Mb
Release : 2016
Category : Music
ISBN : 9780199331444

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The Oxford Handbook of Music and Disability Studies by Blake Howe,Stephanie Jensen-Moulton,Neil William Lerner,Joseph Nathan Straus Pdf

Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, and mobility impairment often coupled with bodily deformity. Cultural Disability Studies has, from its inception, been oriented toward physical and sensory disabilities, and has generally been less effective in dealing with cognitive and intellectual impairments and with the sorts of emotions and behaviors that in our era are often medicalized as "mental illness." In that context, it is notable that so many of these essays are centrally concerned with madness, that broad and ever-shifting cultural category. There is also in impressive diversity of subject matter including YouTube videos, Ghanaian drumming, Cirque du Soleil, piano competitions, castrati, medieval smoking songs, and popular musicals. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments.0First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.