The Oxford Handbook Of Screendance Studies

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The Oxford Handbook of Screendance Studies

Author : Douglas Rosenberg
Publisher : Oxford University Press
Page : 817 pages
File Size : 40,5 Mb
Release : 2016
Category : Music
ISBN : 9780199981601

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The Oxford Handbook of Screendance Studies by Douglas Rosenberg Pdf

The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.

The Oxford Handbook of Screendance Studies

Author : Douglas Rosenberg
Publisher : Oxford University Press
Page : 624 pages
File Size : 42,8 Mb
Release : 2016-06-03
Category : Music
ISBN : 9780199981618

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The Oxford Handbook of Screendance Studies by Douglas Rosenberg Pdf

The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.

The Oxford Handbook of Dance and the Popular Screen

Author : Melissa Blanco Borelli
Publisher : Oxford Handbooks
Page : 497 pages
File Size : 46,8 Mb
Release : 2014
Category : Literary Criticism
ISBN : 9780199897827

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The Oxford Handbook of Dance and the Popular Screen by Melissa Blanco Borelli Pdf

This text offers new ways of understanding dance on the popular screen in new scholarly arguments drawn from dance studies, performance studies, and film and media studies. Through these arguments, it demonstrates how this dance in popular film, television, and online videos can be read and considered through the different bodies and choreographies being shown.

The Oxford Handbook of Dance and Reenactment

Author : Mark Franko
Publisher : Oxford University Press
Page : 681 pages
File Size : 40,9 Mb
Release : 2017
Category : Music
ISBN : 9780199314201

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The Oxford Handbook of Dance and Reenactment by Mark Franko Pdf

Starting from differences between reenactment and the more established practice of historical reconstruction, leading practitioners and theorists ask how the notion of preservation and representation associated with reconstruction is transformed by reenactment into historical experience and affective relation to the past in the present. In other terms: How does dance convey historical meaning through sensuous form? Danced reenactment poses the problem of history and historicity in relation to the troubled temporality inherent to dance itself. Ephemerality as the central trope of dance is hence displaced in favor of dance as a reiterative practice that confounds categories of chronological time and opens up a theoretical space of history that is often invisibilized by ideologies of immediacy traditionally attributed to dancing.

The Oxford Handbook of Dance and Politics

Author : Rebekah J. Kowal,Gerald Siegmund,Randy Martin
Publisher : Oxford University Press
Page : 657 pages
File Size : 46,9 Mb
Release : 2017
Category : Performing Arts
ISBN : 9780199928187

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The Oxford Handbook of Dance and Politics by Rebekah J. Kowal,Gerald Siegmund,Randy Martin Pdf

The Oxford Handbook of Dance and Politics presents cutting edge research investigating not only how dance achieves its politics, but also how notions of the political are themselves expanded when viewed from the perspective of dance.

The Oxford Handbook of Dance and Competition

Author : Dr. Sherril Dodds
Publisher : Oxford University Press
Page : 656 pages
File Size : 47,6 Mb
Release : 2018-11-01
Category : Music
ISBN : 9780190639099

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The Oxford Handbook of Dance and Competition by Dr. Sherril Dodds Pdf

In the twenty-first century, values of competition underpin the free-market economy and aspirations of individual achievement shape the broader social world. Consequently, ideas of winning and losing, success and failure, judgment and worth, influence the dance that we see and do. Across stage, studio, street, and screen, economies of competition impact bodily aesthetics, choreographic strategies, and danced meanings. In formalized competitions, dancers are judged according to industry standards to accumulate social capital and financial gain. Within the capitalist economy, dancing bodies compete to win positions in prestigious companies, while choreographers hustle to secure funding and attract audiences. On the social dance floor, dancers participate in dance-offs that often include unspoken, but nevertheless complex, rules of bodily engagement. And the media attraction to the drama and spectacle of competition regularly plays out in reality television shows, film documentaries, and Hollywood cinema. Drawing upon a diverse collection of dances across history and geography, The Oxford Handbook of Dance and Competition asks how competition affects the presentation and experience of dance and, in response, how dancing bodies negotiate, critique, and resist the aesthetic and social structures of the competition paradigm.

The Oxford Handbook of Dance and Theater

Author : Nadine George-Graves
Publisher : Oxford Handbooks
Page : 1057 pages
File Size : 53,5 Mb
Release : 2015
Category : Music
ISBN : 9780199917495

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The Oxford Handbook of Dance and Theater by Nadine George-Graves Pdf

This handbook brings together genres, aesthetics, cultural practices and historical movements that provide insight into humanist concerns at the crossroads of dance and theatre, broadening the horizons of scholarship in the performing arts and moving the fields closer together.

Screendance

Author : Douglas Rosenberg
Publisher : Oxford University Press
Page : 233 pages
File Size : 50,5 Mb
Release : 2012-07-05
Category : Performing Arts
ISBN : 9780199772629

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Screendance by Douglas Rosenberg Pdf

The practice of dance and the technologies of representation has excited artists since the advent of film. This book weaves together theory from art and dance as well as appropriate historical reference material to propose a new theory of screendance, one that frames it within the discourse of post-modern art practice.

The Oxford Handbook of Contemporary Ballet

Author : Kathrina Farrugia-Kriel,Jill Nunes Jensen
Publisher : Oxford University Press
Page : 1013 pages
File Size : 43,6 Mb
Release : 2021
Category : Performing Arts
ISBN : 9780190871499

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The Oxford Handbook of Contemporary Ballet by Kathrina Farrugia-Kriel,Jill Nunes Jensen Pdf

"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"--

The Bloomsbury Companion to Dance Studies

Author : Sherril Dodds
Publisher : Bloomsbury Publishing
Page : 527 pages
File Size : 48,5 Mb
Release : 2019-03-21
Category : Performing Arts
ISBN : 9781350024472

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The Bloomsbury Companion to Dance Studies by Sherril Dodds Pdf

The Bloomsbury Companion to Dance Studies brings together leading international dance scholars in this single collection to provide a vivid picture of the state of contemporary dance research. The book commences with an introduction that privileges dancing as both a site of knowledge formation and a methodological approach, followed by a provocative overview of the methods and problems that dance studies currently faces as an established disciplinary field. The volume contains eleven core chapters that each map out a specific area of inquiry: Dance Pedagogy, Practice-As-Research, Dance and Politics, Dance and Identity, Dance Science, Screendance, Dance Ethnography, Popular Dance, Dance History, Dance and Philosophy, and Digital Dance. Although these sub-disciplinary domains do not fully capture the dynamic ways in which dance scholars work across multiple positions and perspectives, they reflect the major interests and innovations around which dance studies has organized its teaching and research. Therefore each author speaks to the labels, methods, issues and histories of each given category, while also exemplifying this scholarship in action. The dances under investigation range from experimental conceptual concert dance through to underground street dance practices, and the geographic reach encompasses dance-making from Europe, North and South America, the Caribbean and Asia. The book ends with a chapter that looks ahead to new directions in dance scholarship, in addition to an annotated bibliography and list of key concepts. The volume is an essential guide for students and scholars interested in the creative and critical approaches that dance studies can offer.

The Oxford Handbook of Jewishness and Dance

Author : Naomi M. Jackson,Rebecca Pappas,Toni Shapiro-Phim
Publisher : Oxford University Press
Page : 761 pages
File Size : 53,6 Mb
Release : 2021-11-30
Category : Art
ISBN : 9780197519516

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The Oxford Handbook of Jewishness and Dance by Naomi M. Jackson,Rebecca Pappas,Toni Shapiro-Phim Pdf

Responding to recent evolutions in the fields of dance and religious and secular studies, The Oxford Handbook of Jewishness and Dance documents and celebrates the significant impact of Jewish identity on a variety of communities and the dance world writ large. Focusing on North America, Europe, and Israel in the twentieth and twenty-first centuries, this Handbook highlights the sometimes surprising, often hidden and overlooked Jewish resonances within a range of styles from modern and postmodern dance to folk dance and flamenco. Privileging the historically marginalized voices of scholars, performers, and instructors the Handbook considers the powerful role of dance in addressing difference, such as between American and Israeli Jewish communities. In the process, contributors advocate values of social justice, like Tikkun Olam (repair of the world), debate, and humor, exploring the fascinating and potentially uncomfortable contradictions and ambiguities that characterize this robust area of research.

The Oxford Handbook of Dance and Politics

Author : Rebekah J. Kowal,Gerald Siegmund,Randy Martin
Publisher : Oxford University Press
Page : 848 pages
File Size : 44,5 Mb
Release : 2017-01-03
Category : Performing Arts
ISBN : 9780199928194

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The Oxford Handbook of Dance and Politics by Rebekah J. Kowal,Gerald Siegmund,Randy Martin Pdf

In recent decades, dance has become a vehicle for querying assumptions about what it means to be embodied, in turn illuminating intersections among the political, the social, the aesthetical, and the phenomenological. The Oxford Handbook of Dance and Politics edited by internationally lauded scholars Rebekah Kowal, Gerald Siegmund, and the late Randy Martin presents a compendium of newly-commissioned chapters that address the interdisciplinary and global scope of dance theory - its political philosophy, social movements, and approaches to bodily difference such as disability, postcolonial, and critical race and queer studies. In six sections 30 of the most prestigious dance scholars in the US and Europe track the political economy of dance and analyze the political dimensions of choreography, of writing history, and of embodied phenomena in general. Employing years of intimate knowledge of dance and its cultural phenomenology, scholars urge readers to re-think dominant cultural codes, their usages, and the meaning they produce and theorize ways dance may help to re-signify and to re-negotiate established cultural practices and their inherent power relations. This handbook poses ever-present questions about dance politics-which aspects or effects of a dance can be considered political? What possibilities and understandings of politics are disclosed through dance? How does a particular dance articulate or undermine forces of authority? How might dance relate to emancipation or bondage of the body? Where and how can dance articulate social movements, represent or challenge political institutions, or offer insight into habits of labor and leisure? The handbook opens its critical terms in two directions. First, it offers an elaborated understanding of how dance achieves its politics. Second, it illustrates how notions of the political are themselves expanded when viewed from the perspective of dance, thus addressing both the relationship between the politics in dance and the politics of dance. Using the most sophisticated theoretical frameworks and engaging with the problematics that come from philosophy, social science, history, and the humanities, chapters explore the affinities, affiliations, concepts, and critiques that are inherent in the act of dance, and questions about matters political that dance makes legible.

The Oxford Handbook of Improvisation in Dance

Author : Vida L. Midgelow
Publisher : Oxford University Press
Page : 800 pages
File Size : 48,7 Mb
Release : 2019-02-21
Category : Performing Arts
ISBN : 9780190925604

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The Oxford Handbook of Improvisation in Dance by Vida L. Midgelow Pdf

From the dance floor of a tango club to group therapy classes, from ballet to community theatre, improvised dance is everywhere. For some dance artists, improvisation is one of many approaches within the choreographic process. For others, it is a performance form in its own right. And while it has long been practiced, it is only within the last twenty years that dance improvisation has become a topic of critical inquiry. With The Oxford Handbook of Improvisation in Dance, dancer, teacher, and editor Vida L. Midgelow provides a cutting-edge volume on dance improvisation in all its facets. Expanding beyond conventional dance frameworks, this handbook looks at the ways that dance improvisation practices reflect our ability to adapt, communicate, and respond to our environment. Throughout the handbook, case studies from a variety of disciplines showcase the role of individual agency and collective relationships in improvisation, not just to dancers but to people of all backgrounds and abilities. In doing so, chapters celebrate all forms of improvisation, and unravel the ways that this kind of movement informs understandings of history, socio-cultural conditions, lived experience, cognition, and technologies.

The Oxford Handbook of Dance and Competition

Author : Dr. Sherril Dodds
Publisher : Oxford University Press
Page : 656 pages
File Size : 48,8 Mb
Release : 2018-11-01
Category : Music
ISBN : 9780190639105

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The Oxford Handbook of Dance and Competition by Dr. Sherril Dodds Pdf

In the twenty-first century, values of competition underpin the free-market economy and aspirations of individual achievement shape the broader social world. Consequently, ideas of winning and losing, success and failure, judgment and worth, influence the dance that we see and do. Across stage, studio, street, and screen, economies of competition impact bodily aesthetics, choreographic strategies, and danced meanings. In formalized competitions, dancers are judged according to industry standards to accumulate social capital and financial gain. Within the capitalist economy, dancing bodies compete to win positions in prestigious companies, while choreographers hustle to secure funding and attract audiences. On the social dance floor, dancers participate in dance-offs that often include unspoken, but nevertheless complex, rules of bodily engagement. And the media attraction to the drama and spectacle of competition regularly plays out in reality television shows, film documentaries, and Hollywood cinema. Drawing upon a diverse collection of dances across history and geography, The Oxford Handbook of Dance and Competition asks how competition affects the presentation and experience of dance and, in response, how dancing bodies negotiate, critique, and resist the aesthetic and social structures of the competition paradigm.

Screened Stages

Author : Rachel Joseph
Publisher : Taylor & Francis
Page : 219 pages
File Size : 42,9 Mb
Release : 2024-02-28
Category : Performing Arts
ISBN : 9781003855101

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Screened Stages by Rachel Joseph Pdf

This book is devoted to tracing the variety of ways that theatre, theatricality, and performance are embedded in Hollywood cinema as screened stages. A screened stage is the literal or metaphorical appearance of a stage on screen. When the Hollywood style emerged in cinema history it traumatically severed the entwined relationship between film and theatre. The book makes the argument that cinema longs for theatre after that separation. The histories of stage and screen persistently crisscross one another making their separation problematic. The screened stage from the end of the nineteenth century until now offers a miniaturized version of cinema and theatre history. Moments of the stage within the screen compress historical styles and movements into saturated representations on film. Such examples overflow the cinematic screen into singular manifestations of presentness. Screened stages uncover what it means to be simultaneously present and absent. This book would be of great interest to students and scholars of theatre, film, dance, and performance.