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Introduction; Historical outline; Myth and tradition; History of the excavations;Minoans and Knossos; The archaeological site; Route from Herakleion to Knossos; Tour of the palace; The main features; West court - west façade; West porch - corridor of the procession - central court; South propylaeum - west magazines - piano nobile; Throne room - tripartite shrine - pillar crypts; Grand staircase - hall of the double axes - queen's hall; Upper floor of the domestic quarter - shrine of the double axes; Royal workshops and magazines - east hall; North entrance - north lustral area - theatral area; The dependencies of the palace; Art treasures from Knossos.
Thousands of years ago, royals gathered in the luxurious Palace of Knossos. Today, the palace is in ruins. Though bright frescoes still decorate its walls, the walls themselves are crumbling. What happened here? This high-interest title explores just that! Engaging text, colorful photos, maps, graphs, and other features combine to tell the gripping story of the Palace of Knossos and its fall to ruin.
Knossos, like the Acropolis or Stonehenge, is a symbol for an entire culture. The Knossos Labyrinth was first built in the reign of a Middle Kingdom Egyptian pharaoh, and was from the start the focus of a glittering and exotic culture. Homer left elusive clues about the Knossian court and when the lost site of Knossos gradually re-emerged from obscurity in the nineteenth century, the first excavators - Minos Kalokairinos, Heinrich Schliemann, and Arthur Evans - were predisposed to see the site through the eyes of the classical authors. Rodney Castleden argues that this line of thought was a false trail and gives an alternative insight into the labyrinth which is every bit as exciting as the traditional explanations, and one which he believes is much closer to the truth. Rejecting Evans' view of Knossos as a bronze age royal palace, Castleden puts forward alternative interpretations - that the building was a necropolis or a temple - and argues that the temple interpretation is the most satisfactory in the light of modern archaeological knowledge about Minoan Crete.
Knossos and the Prophets of Modernism by Cathy Gere Pdf
In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.
At the Palaces of Knossos by Nikos Kazantzakis Pdf
With the help of the princess Ariadne and other friends in the palace at Crete, Theseus enters the Labyrinth and slays the hideous Minotaur, thus spearheading the resistance of the Athenian people against King Minos.
Wander through the labyrinth city of Knossos and lose yourself in its ancient treasures. Full colour photographs of original artefacts, sculptures, reliefs and frescos bring this fascinating place to life.
The Little Palace at Knossos, excavated by Evans and Mackenzie from 1905 - 10, remains the largest neo-palatial building within the Minoan town of Knossos, and to a large extent mirrors the history of the Palace itself. The present work effectively constitutes an excavation report of the LP, publishing for the first time entries from the daybooks of Evans and Mackenzie and many original excavation photographs. The volume provides an extremely detailed architectural account, supported by numerous plans and elevations. It incorporates the results of the 1995 restoration programme carried out by the 23rd Ephoreia and publishes sherd material then collected. A lengthy pottery chapter presents the LP sherd material from Evans's excavations, housed in the Stratigraphical Museum, and also complete vases in Herakleion. Clay tablets and sealings are discussed; small finds presented (many for the first time). The final chapter offers a thorough appraisal of the LP's history, and, in particular, deals with the thorny issue of 're-occupation' and the final destruction of the building in LM IIIA2 (i.e. contemporary with the Palace itself).
Author : J. D. S. Pendlebury Publisher : Cambridge University Press Page : 93 pages File Size : 51,9 Mb Release : 2014-09-25 Category : Social Science ISBN : 9781108074315
Sir Arthur Evans and Minoan Crete by Nanno Marinatos Pdf
Before Sir Arthur Evans, the principal object of Greek prehistoric archaeology was the reconstruction of history in relation to myth. European travellers to Greece viewed its picturesque ruins as the gateway to mythical times, while Heinrich Schliemann, at the end of the nineteenth century, allegedly uncovered at Troy and Mycenae the legendary cities of the Homeric epics. It was Evans who, in his controversial excavations at Knossos, steered Aegean archaeology away from Homer towards the broader Mediterranean world. Yet in so doing he is thought to have done his own inventing, recreating the Cretan Labyrinth via the Bronze Age myth of the Minotaur. Nanno Marinatos challenges the entrenched idea that Evans was nothing more than a flamboyant researcher who turned speculation into history. She argues that Evans was an excellent archaeologist, one who used scientific observation and classification. Evans's combination of anthropology, comparative religion and analysis of cultic artefacts enabled him to develop a bold new method which Sir James Frazer called 'mental anthropology'. It was this approach that led him to propose remarkable ideas about Minoan religion, theories that are now being vindicated as startling new evidence comes to light. Examining the frescoes from Akrotiri, on Santorini, that are gradually being restored, the author suggests that Evans's hypothesis of one unified goddess of nature is the best explanation of what they signify. Evans was in 1901 ahead of his time in viewing comparable Minoan scenes as a blend of ritual action and mythic imagination. Nanno Marinatos is a leading authority on Minoan religion. In this latest book she combines history, archaeology and myth to bold and original effect, offering a wholly new appraisal of Evans and the significance of his work. Sir Arthur Evans and Minoan Crete will be essential reading for all students of Minoan civilization, as well as an irresistible companion for travellers to Crete.
