The Pathetick Musician

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The Pathetick Musician

Author : Bruce Haynes,Geoffrey Burgess
Publisher : Oxford University Press
Page : 320 pages
File Size : 41,9 Mb
Release : 2016-03-08
Category : Music
ISBN : 9780199373758

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The Pathetick Musician by Bruce Haynes,Geoffrey Burgess Pdf

What is rhetorical music? In The Pathetick Musician, Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music. Through engaging explorations of the cantatas of J.S. Bach, the authors explode the conventional notion of historical authenticity in music, proposing adventurous new directions to reinvigorate the performance of early music in the modern setting. Along the way, Haynes and Burgess investigate intersections between music and oratory, dance, gesture, poetry, painting and sculpture, and offer insights into figural elaboration, articulation, nuance and temporality. Aimed primarily at performers of Baroque music, the book situates the study of performance practice in a broader cultural context, and as much as an invaluable resource for advanced study, it contains a wealth of information that pertains directly to anyone working in the field of early music. Based on a draft sketched by celebrated Baroque oboist and early music scholar Bruce Haynes before his death in 2011, The Pathetick Musician is the fruit of the combined wisdom of two musicians renowned equally for their contributions as performers and scholars. Drawing on an impressive array of Classical treatises on oratory, musical autographs and performance accounts, it is an essential companion to Haynes' controversial The End of Early Music. Geoffrey Burgess has taken up the broader claims of Haynes' philosophy to create a practical, accessible text that will be stimulating for all musicians interested in the rediscovery of early music. With copious musical examples, contemporaneous works of art, and a companion website with supplementary audio recordings, The Pathetick Musician is an invaluable resource for all interested in exploring new expressive possibilities in the performance and study of Baroque music.

The Pathetick Musician

Author : Bruce Haynes,Geoffrey Burgess (Oboist)
Publisher : Oxford University Press
Page : 361 pages
File Size : 53,8 Mb
Release : 2016
Category : Music
ISBN : 9780199373734

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The Pathetick Musician by Bruce Haynes,Geoffrey Burgess (Oboist) Pdf

Baroque oboists Bruce Haynes and Geoffrey Burgess established reputations as authorities on the history of their instrument with their co-authored book The Oboe, voted an outstanding achievement by the American Music Instrument Society. Haynes' writings, notably The End of Early Music, are known for pioneering new approaches in historical performance practice and inspiring healthy debate among scholars and performers of early music. Burgess, an instructor at the Eastman School of Music, recently published Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World, which combines the biography of a leading manufacturer of historic instruments with a history of the emerging early music scene in America. Bruce Haynes passed away in May, 2011.

Music in the Flesh

Author : Bettina Varwig
Publisher : University of Chicago Press
Page : 380 pages
File Size : 42,8 Mb
Release : 2023-07-20
Category : Music
ISBN : 9780226826899

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Music in the Flesh by Bettina Varwig Pdf

A corporeal history of music-making in early modern Europe. Music in the Flesh reimagines the lived experiences of music-making subjects—composers, performers, listeners—in the long seventeenth century. There are countless historical testimonies of the powerful effects of music upon the early modern body; it is described as moving, ravishing, painful, dangerous, curative, and miraculous while affecting “the circulation of the humors, the purification of the blood, the dilation of the vessels and pores.” How were these early modern European bodies constituted that music generated such potent bodily-spiritual effects? Bettina Varwig argues that early modern music-making practices challenge our modern understanding of human nature as a mind-body dichotomy. Instead, they persistently affirm a more integrated anthropology, in which body, soul, and spirit remain inextricably entangled. Moving with ease across repertories and regions, sacred and vernacular musics, and domestic and public settings, Varwig sketches a “musical physiology” that is as historically illuminating as it is relevant for present-day performance. This book makes a significant contribution not just to the history of music, but also to the history of the body, the senses, and the emotions, revealing music as a unique access point for reimagining early modern modes of being-in-the-world.

Music in England

Author : Frédéric Louis Ritter
Publisher : Unknown
Page : 254 pages
File Size : 41,6 Mb
Release : 1883
Category : Music
ISBN : UCBK:C097764035

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Music in England by Frédéric Louis Ritter Pdf

Music in England and Music in America

Author : Frédéric Louis Ritter
Publisher : Unknown
Page : 254 pages
File Size : 51,9 Mb
Release : 1884
Category : Music
ISBN : STANFORD:36105042494588

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Music in England and Music in America by Frédéric Louis Ritter Pdf

Performance Practice: Music after 1600

Author : Howard Mayer Brown,Stanley Sadie
Publisher : Unknown
Page : 646 pages
File Size : 47,8 Mb
Release : 1989
Category : Music
ISBN : UOM:39015017936835

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Performance Practice: Music after 1600 by Howard Mayer Brown,Stanley Sadie Pdf

The Nation

Author : Anonim
Publisher : Unknown
Page : 1132 pages
File Size : 44,7 Mb
Release : 1906
Category : Current events
ISBN : UGA:32108057706601

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The Nation by Anonim Pdf

Lives of the Poets

Author : Samuel Johnson
Publisher : Unknown
Page : 478 pages
File Size : 54,7 Mb
Release : 1890
Category : English poetry
ISBN : NWU:35556023380298

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Lives of the Poets by Samuel Johnson Pdf

Philosophies of Music History

Author : Warren Dwight Allen
Publisher : Unknown
Page : 422 pages
File Size : 54,5 Mb
Release : 1939
Category : Music
ISBN : STANFORD:36105033405031

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Philosophies of Music History by Warren Dwight Allen Pdf

Classical Form

Author : William E. Caplin
Publisher : Oxford University Press
Page : 320 pages
File Size : 53,6 Mb
Release : 2000-12-28
Category : Music
ISBN : 9780199881758

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Classical Form by William E. Caplin Pdf

Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.

Studies in Music

Author : Anonim
Publisher : Unknown
Page : 296 pages
File Size : 40,9 Mb
Release : 1977
Category : Music
ISBN : UVA:X002172107

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Studies in Music by Anonim Pdf

Classic Music

Author : Leonard G. Ratner
Publisher : New York : Schirmer Books ; London : Collier Macmillan Publishers
Page : 504 pages
File Size : 51,8 Mb
Release : 1980
Category : Music
ISBN : STANFORD:36105003232035

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Classic Music by Leonard G. Ratner Pdf

Studie over werken uit de periode 1770-1800.

Early Italian keyboard music

Author : Howard Ferguson
Publisher : Unknown
Page : 140 pages
File Size : 47,5 Mb
Release : 1968
Category : Harpsichord music
ISBN : UOM:39015007591947

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Early Italian keyboard music by Howard Ferguson Pdf

The Musical Times

Author : Anonim
Publisher : Unknown
Page : 492 pages
File Size : 53,6 Mb
Release : 1905
Category : Music
ISBN : IND:30000026257703

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The Musical Times by Anonim Pdf

Inside Early Music

Author : Bernard D. Sherman
Publisher : Oxford University Press
Page : 436 pages
File Size : 52,5 Mb
Release : 2003-10-09
Category : Music
ISBN : 0195343654

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Inside Early Music by Bernard D. Sherman Pdf

The attempt to play music with the styles and instruments of its era--commonly referred to as the early music movement--has become immensely popular in recent years. For instance, Billboard's "Top Classical Albums" of 1993 and 1994 featured Anonymous 4, who sing medieval music, and the best-selling Beethoven recording of 1995 was a period-instruments symphony cycle led by John Eliot Gardiner, who is Deutsche Grammophon's top-selling living conductor. But the movement has generated as much controversy as it has best-selling records, not only about the merits of its results, but also about the validity of its approach. To what degree can we recreate long-lost performing styles? How important are historical period instruments for the performance of a piece? Why should musicians bother with historical information? Are they sacrificing art to scholarship? Now, in Inside Early Music, Bernard D. Sherman has invited many of the leading practitioners to speak out about their passion for early music--why they are attracted to this movement and how it shapes their work. Readers listen in on conversations with conductors Gardiner, William Christie, and Roger Norrington, Peter Phillips of the Tallis Scholars, vocalists Susan Hellauer of Anonymous 4, forte pianist Robert Levin, cellist Anner Bylsma, and many other leading artists. The book is divided into musical eras--Medieval, Renaissance, Baroque, and Classic and Romantic--with each interview focusing on particular composers or styles, touching on heated topics such as the debate over what is "authentic," the value of playing on period instruments, and how to interpret the composer's intentions. Whether debating how to perform Monteverdi's madrigals or comparing Andrew Lawrence-King's Renaissance harp playing to jazz, the performers convey not only a devotion to the spirit of period performance, but the joy of discovery as they struggle to bring the music most truthfully to life. Spurred on by Sherman's probing questions and immense knowledge of the subject, these conversations movingly document the aspirations, growing pains, and emerging maturity of the most exciting movement in contemporary classical performance, allowing each artist's personality and love for his or her craft to shine through. From medieval plainchant to Brahms' orchestral works, Inside Early Music takes readers-whether enthusiasts or detractors-behind the scenes to provide a masterful portrait of early music's controversies, challenges, and rewards.