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Author : Marilyn L. Williamson
Publisher : Wayne State University Press
Page : 200 pages
File Size : 44,9 Mb
Release : 1986
Category : Comedy
ISBN : 081431807X
Author : Marianne Novy
Publisher : UNC Press Books
Page : 248 pages
File Size : 42,6 Mb
Release : 2017-11-01
Category : Literary Criticism
ISBN : 9781469610191
Novy demonstrates how the plays are theatrical transformations of tensions in both ideals and practices in Renaissance society. Analyzing the dramatic images of lover and beloved, of husband and wife, of parent and child, Novy examines the ways in which the conflicts are resolved in the comedies and romances and how they are acted out in the tragedies. Chapters on individual plays provide original interpretations that delineate the tone and texture of gender relations. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author : Leanne Harper
Publisher : GRIN Verlag
Page : 19 pages
File Size : 45,7 Mb
Release : 2012-10-25
Category : Literary Criticism
ISBN : 9783656296461
Essay from the year 2011 in the subject English Language and Literature Studies - Literature, grade: B, King`s College London, language: English, abstract: This essay explores the controversial endings of the following plays: The Taming of the Shrew A midsummer Night’s Dream The Merchant of Venice. Paying particular attention to the language in the last scenes and Shakespeare's enigmatic representation of the female characters with regards to gender roles.
Author : Penny Gay
Publisher : Routledge
Page : 331 pages
File Size : 45,9 Mb
Release : 2002-03-11
Category : Performing Arts
ISBN : 9781134862368
As She Likes It is the first attempt to tackle head on the enduring question of how to perform those unruly women at the centre of Shakespeare's comedies. Unique amongst both Shakespearian and feminist studies, As She Likes It asks how gender politics affects the production to the comedies, and how gender is represented, both in the text and on the stage. Penny Gay takes a fascinating look at the way Twelfth Night, The Taming of the Shrew, Much Ado About Nothing, As You Like It and Measure for Measure have been staged over the last half a century, when perceptions of gender roles have undergone massive changes. She also interrogates, rigorously but thoughtfully, the relationship between a male theatrical establishment and a burgeoning feminist approach to performance. As illuminating for practitioners as it will be enjoyable and useful for students, As She Likes It will be critical reading for anyone interested in women's experience of theatre.
Author : Sarbani Putatunda
Publisher : Atlantic Publishers & Dist
Page : 236 pages
File Size : 41,9 Mb
Release : 2006
Category : English drama (Comedy)
ISBN : 8126906847
According To The Social Historians Of England, After The Economic And Religious Unrest Of The Middle Tudor Period, The Freedom Preached By The Humanists Rejuvenated In A Way The Moral Of The Entire Nation. And Shakespeare Having Chanced Upon The Best Time In Which To Live Had Ample Opportunity To Exercise, With Least Distraction And Most Encouragement, The Highest Faculties Of Man. His Comedies, Therefore, Register Most Comprehensively The Characteristics Of The Congenial Social Atmosphere Of His Time. The Saturnalia Presented In His Comedies Are Not Inimical To The Positive Aspects Of A New Bourgeois Social Set-Up, Which Facilitated The Notions Of Peace And Order. But Inside The Large England, Which Still Retained The Remnants Of Monarchy And/Or Aristocracy, Society Was Afflicted By Many Discordant Elements, Which Shakespeare Never Failed To Notice And Record. As An Assiduous Comic Playwright, He Infused In His Saturnalia The Hints Of Many Social Injustices, The Oppressive Patriarchy (Egeon And His Diktats Against His Daughter For Daring To Choose Her Own Husband In A Midsummer Night S Dream), The Crisis Of Aristocracy (Sir Toby And His Likes), The Degeneration Of Moral Values Leading To An Erosion Of Social Values In A Mercantile Society, And The Historical Retrospection Of The Turbulent Past.The Infusion Though Pronounced In His Early Comedies Is Not Entirely Absent In The Middle Comedies, Which Contain Elements Of Social Realism Behind A Romantic Exterior. The Audience Would Naturally Realize That Both The Early And The Middle Comedies Of Shakespeare Were Interlinked In The Context Of The Social Realism Of The Elizabethan Period. The Delicate Relationship Of Oberon And Titania In A Midsummer Night S Dream, For Instance, Represent A Different Version Of Matrimony Throughout Causing The Reader To Question The Validity Of The Institution. Likewise In The Taming Of The Shrew One Is At A Loss At The End Of The Play When Kate Appears To Be More Subservient Than Either Her Sister Or The Widow. Has Marriage Actually Tamed Her Or Has She Relinquished Her Past Misdemeanours Willingly Because She Has Fallen In Love With Petruchio? The World In Twelfth Night Is Also Clearly Demarcated Into Two Classes The Landowning Wealthy Aristocrats And The Titular Aristocrats Whom Lawrence Classifies As The Declassed Aristocrats . The Historical Retrospection Of The Past Is Made Clearer At This Apparently Incongruent Point, Than In All Other Romantic Comedies. The Book Would Definitely Prove Valuable To Students And Teachers Concerned With Shakespearean Works.
Author : J. Leeds Barroll
Publisher : Associated University Presse
Page : 408 pages
File Size : 54,7 Mb
Release : 1994-12
Category : Literary Collections
ISBN : 0838635806
Shakespeare Studies, edited by Leeds Barroll, a Scholar in Residence at the Folger Shakespeare Library, is an international volume published every year in hardcover, containing essays and studies by critics and cultural historians from both hemispheres. It includes substantial reviews of significant books and essays dealing with the cultural history of early modern England, as well as the place of Shakespeare's productions--and those of his contemporaries--within it. Volume XXXI presents a new feature, the first in an annual series of articles on Early Modern Drama around the World. Specialists in each national drama being presented in other areas of the globe during the time of Shakespeare will discuss the state of scholarly study in each area. In this volume Grant Shen discusses late Ming drama in China, and Richard Pym writes on drama in Golden Age Spain. Full-length articles by Gustave Ungerer, Patricia Parker, Thomas Moisan, and Jennifer Lewin deal with The Merchant of Venice, Hamlet, Much Ado about Nothing, and Shakespeare's final plays. These are supplemented by review-articles by Raphael Falco and David Harris Sacks: Is the Renaissance an Aesthetic Category? and Imagination in History. Volume XXXI also includes twenty-one reviews of books written by distinguished scholars on topics such as witchcraft, vagrancy, public devotion in early modern England, as well as on editions of the collected works of Elizabeth I.
Author : Evelyn Gajowski
Publisher : University of Delaware Press
Page : 172 pages
File Size : 47,7 Mb
Release : 1992
Category : Drama
ISBN : 087413398X
The independence of their self-evaluation from conflicting male desire and repugnance for them accounts for their "infinite variety." The uniqueness of Shakespeare's representation of heterosexual relations is his creation of female protagonists who are relational, yet independent, human beings. The empowered female protagonists of Shakespeare's comedies are rightly celebrated by "compensatory" feminist critics; the disempowered--even victimized--female protagonists of his tragedies are rightly noted by "justificatory" feminist critics. To view the marriages of the comic females as nothing more than submissions to patriarchy, Professor Gajowski contends, is to ignore the crucial significance in Shakespeare's texts of affiliative capacities of both sexes of the human animal.
Author : Magdalena Cieslak
Publisher : Rowman & Littlefield
Page : 289 pages
File Size : 40,7 Mb
Release : 2019-04-19
Category : Literary Criticism
ISBN : 9781498563758
When adapting Shakespeare's comedies, cinema and television have to address the differences and incompatibilities between early modern gender constructs and contemporary cultural, social, and political contexts. Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in the Twenty-First Century analyzes methods employed by cinema and television in approaching those aspects of Shakespeare's comedies, indicating a range of ways in which adaptations made in the twenty-first century approach the problems of cultural and social normativity, gender politics, stereotypes of femininity and masculinity, the dynamic of power relations between men and women, and social roles of men and women. This book discusses both mainstream cinematic productions, such as Michael Radford's The Merchant of Venice or Julie Taymor's The Tempest, and more low-key adaptations, such as Kenneth Branagh's As You Like It and Joss Whedon's Much Ado About Nothing, as well as the three comedies of BBC ShakespeaRe-Told miniseries: Much Ado About Nothing, The Taming of the Shrew, and A Midsummer Night's Dream. This book examines how the analyzed films deal with elements of Shakespeare's comedies that appear subversive, challenging, or offensive to today's culture, and how they interpret or update gender issues to reconcile Shakespeare with contemporary cultural norms. By exploring tensions and negotiations between early modern and present-day gender politics, the book defines the prevailing attitudes of recent adaptations in relation to those issues, and identifies the most popular strategies of accommodating early modern constructs for contemporary audiences.
Author : International Shakespeare Association. Congress
Publisher : University of Delaware Press
Page : 376 pages
File Size : 49,7 Mb
Release : 1988
Category : Biography & Autobiography
ISBN : 0874133297
A wide range of approaches is presented in this collection, among them artists' images of Shakespeare. Victorian Hamlets, changing images of the protagonists in Romeo and Juliet, degrees of metaphor in King Lear, and Shakespeare's plays in performance.
Author : David F. McCandless
Publisher : Indiana University Press
Page : 226 pages
File Size : 45,9 Mb
Release : 1997-12-22
Category : Performing Arts
ISBN : 0253113342
"This is exactly the kind of work, with its synthesis of theory, close reading, and deconstructive performance criticism that many of us in the profession have been looking for." -- Joel B. Altman, University of California, Berkeley "McCandless's book represents an inventive and illuminating account that not only produces a theoretically activated text but also explores a range of options for staging it, turning theoretical into theatrical meanings." -- Barbara Hodgdon, Drake University "The writing is clear, snappy, wonderfully informed with a vivid and experienced theatrical imagination... a book that taught me a good deal about the problem comedies, especially from the vantage point of performance, though the insights into performance are fully and incisively integrated with, and they richly illuminate, formal, thematic, and psychological vantage points on the play." -- Richard P. Wheeler, University of Illinois Composed at a critical moment in English history, All's Well That Ends Well, Measure for Measure, and Troilus and Cressida -- Shakespeare's problem plays -- dramatize a crisis in the sex-gender system. They register a male dread of emasculation and engulfment, a fear of female authority and sexuality. In these plays males identify desire for a female as dangerous and unmanly, females contend and confound traditional femininity. David McCandless's book is a unique and invigorating example of performance criticism that illuminates these difficult, sometimes-overlooked tragicomedies. It is an original and timely contribution to Shakespearean theater scholarship.
Author : G. Beiner
Publisher : Fairleigh Dickinson Univ Press
Page : 332 pages
File Size : 40,8 Mb
Release : 1993
Category : Drama
ISBN : 0838634672
"As the poetics is based on the texts (not derived by deduction or theoretical extension from some principle of poetics), so it is applied as a tool of analysis to the texts and used in conjunction with evaluation. The underlying assumption is that the task of poetics is instrumental, and that its usefulness has to be demonstrated and verified in practice. Hence, the division of the book into two parts. As Part I formulates a poetics on the basis of the texts, so Part II applies the poetics to the major texts - always within the dynamics of the multiple-plot and multi-layered perspective on a play. Part II focuses in detail on The Merry Wives of Windsor, The Merchant of Venice, and Twelfth Night, analyzing the agons and placing them in relation to the comedy of love and the perspective of folly."--Jacket.
Author : John Albert Murley,Sean D. Sutton
Publisher : Lexington Books
Page : 280 pages
File Size : 41,8 Mb
Release : 2006
Category : Drama
ISBN : 0739116843
Shows us that Shakespeare's poetic imagination displays the essence of politics and inspires reflection on the fundamental questions of statesmanship and political leadership. This book explores themes such as classical republicanism and liberty, the rule of law and morality, the nature and limits of statesmanship, and the character of democracy.
Author : Anthony J. Lewis
Publisher : University Press of Kentucky
Page : 422 pages
File Size : 54,5 Mb
Release : 2021-10-21
Category : Drama
ISBN : 9780813184821
In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting—father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior. This compelling analysis shows how Shakespeare deepened the familiar love stores he inherited from New Comedy and Greek romance. Beginning with a penetrating analysis of the hero's contradictory response to sexual attraction, Lewis's discussion traces the heroine's reaction to abandonment and slander, and the lover's subsequent parallel descents into versions of bastardy and death. In arguing that comedy's happy ending is the product of the gender role reversals brought on by their evolving relationship itself, Lewis shows in meticulous detail how sexual stereotypes influence attitudes and restrict behavior. This perceptive discussion of male response to family and of female response to rejection will appeal to Shakespeare scholars and students, as well as to the theater community. Lewis's persuasive argument, that Shakespeare's heroes and heroines are, from the first, three-dimensional figures far removed from the stock types of Plautus, Terence, and his continental sources, will prove a valuable contribution to the ongoing feminist reappraisal of Shakespeare.
Author : Russ McDonald
Publisher : Cornell University Press
Page : 314 pages
File Size : 41,7 Mb
Release : 2018-07-05
Category : Literary Criticism
ISBN : 9781501728709
No detailed description available for "Shakespeare Reread".
Author : Heather Hirschfeld
Publisher : Oxford University Press
Page : 592 pages
File Size : 42,5 Mb
Release : 2018-09-06
Category : Fiction
ISBN : 9780191043468
The Oxford Handbook of Shakespearean Comedy offers critical and contemporary resources for studying Shakespeare's comic enterprises. It engages with perennial, yet still urgent questions raised by the comedies and looks at them from a range of new perspectives that represent the most recent methodological approaches to Shakespeare, genre, and early modern drama. Several chapters take up firmly established topics of inquiry such Shakespeare's source materials, gender and sexuality, hetero- and homoerotic desire, race, and religion, and they reformulate these topics in the materialist, formalist, phenomenological, or revisionist terms of current scholarship and critical debate. Others explore subjects that have only relatively recently become pressing concerns for sustained scholarly interrogation, such as ecology, cross-species interaction, and humoral theory. Some contributions, informed by increasingly sophisticated approaches to the material conditions and embodied experience of theatrical practice, speak to a resurgence of interest in performance, from Shakespeare's period through the first decades of the twenty-first century. Others still investigate distinct sets of plays from unexpected and often polemical angles, noting connections between the comedies under inventive, unpredicted banners such as the theology of adultery, early modern pedagogy, global exploration, or monarchical rule. All the chapters offer contemporary perspectives on the plays even as they gesture to critical traditions, and they illuminate as well as challenge some of our most cherished expectations about the ways in which Shakespearean comedy affects its audiences. The Handbook situates these approaches against the long history of criticism and provides a valuable overview of the most up-to-date work in the field.
