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The Penguin Book of Vampire Stories by Alan Ryan Pdf
/Alan Ryan, editor Collected here are 32 stories featuring the frightening creature--the vampire. Just in time for Halloween, this character will be shown in all its forms--male, female, alive, undead, on the prowl, in the bedroom, hungry and hedonistic, doomed and
The Penguin Book of Vampire Stories Counter Display by Alan Ryan,Various Pdf
Featuring such masters of horror and fantasy as Bram Stoker, Fritz Leiber, and Tanith Lee, this chilling volume contains 33 short stories, all centering around the theme of the dreaded vampire in all his irresistible and fearsome forms.
The Penguin Book of Lesbian Short Stories by Margaret Reynolds Pdf
In this wide-ranging anthology, 32 women from Britain, continental Europe and the Americas express the depth and complexity of lesbian literature. Including stories about coming-out and cross-dressing, as well as vampire tales, science fiction, parody, and romance, this collection "casts the world in a different light".--The New Republic.
In Blood Thirst: One Hundred Years of Vampire Fiction, Leonard Wolf gathers thirty tales in which vampires of all varieties make their ghastly presence felt.
With her boss preoccupied researching the Founder Houses in Morganville, student Claire Danvers is left to her own devices when she learns that three vampires have vanished without a trace. She soon discovers that the last person seen with one of the missing vampires is someone new to town-a mysterious individual named Magnus. After an uneasy encounter with Morganville's latest resident, Claire is certain Magnus isn't merely human. But is he a vampire-or something else entirely?
The Penguin Book of Ghost Stories by Michael Newton Pdf
This terrifying selection of ghost stories brings together the very best classic works from the masters of the supernatural Phantom coaches, evil familiars, shadowy houses, spectral children and mysterious doppelgangers haunt these tales. They range from the famous, such as M. R. James's tale of an ancient curse, 'Oh, Whistle, and I'll Come To You, My Lad' and W. W. Jacobs's story of gruesome wish-fulfilment, 'The Monkey's Paw', to lesser-known masterpieces: Robert Louis Stevenson's 'Thrawn Janet', telling of a parish priest tormented for life by his encounter with the undead; Charles Dickens's unsettling account of a railway signal-man and an ominous portent; and Edward Bulwer Lytton's 'The Haunted and the Haunters', where a cursed house harbours a diabolical secret. Michael Newton's introduction discusses why ghost stories scare us and why they flourished from the mid-nineteenth to early-twentieth century, examining their changing conventions throughout history. This edition also includes further reading, notes, a glossary and a chronology. Edited with an introduction and notes by Michael Newton
A fabulously creepy collection of vampire lore for blood-thirsty little people. A perfect Hallowe'en collection! A bloody great collection of vampire stories from around the world, in a large, beautifully illustrated edition - a perfect keepsake.
This “vigorous, witty look at the undead as cultural icons in 19th- and 20th-century England and America” examines the many meanings of the vampire myth (Kirkus Reviews). From Byron’s Lord Ruthven to Anne Rice’s Lestat to the black bisexual heroine of Jewelle Gomez’s The Gilda Stories, vampires have taken many forms, capturing and recapturing our imaginations for centuries. In Our Vampires, Ourselves, Nina Auerbach explores the rich history of this literary and cultural phenomenon to illuminate how every age embraces the vampire it needs—and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach follows the evolution of the vampire from 19th century England to 20th century America. Using the mercurial figure as a lens for viewing the last two hundred years of Anglo-American cultural history, “this seductive work offers profound insights into many of the urgent concerns of our time” (Wendy Doniger, The Nation).
Even in the twenty-first century, the undead walk among us... Before Twilight and True Blood, vampires haunted the nineteenth century, when brilliant writers indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula. Acclaimed author and anthologist Michael Sims brings together the finest vampire stories of the Victorian era in a unique collection that highlights their cultural variety. Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Aleksei Tolstoy's tale of a vampire family to Fitz James O'Brien's invisible monster to Mary Elizabeth Braddon's rich and sinister widow, Good Lady Ducayne. Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and finishes the collection with Stoker's own Dracula's Guest - a chapter omitted from his landmark novel. Vampires captivated Victorian society, and these wonderful stories demonstrate how Romantic and Victorian writers refined the raw ore of peasant superstition into a whole vampire mythology of aristocratic decadence and innocence betrayed.
Vampires in films are often portrayed as night-active creatures, and spend the day in the comfort and safety, resting in their coffins. But how well does this picture match vampirists and how do you know if someone is one? Perhaps there are reasons to suspect if the person in question constantly wears sunglasses, gets easily tanned and looks almost rudely young for their age. There exists a flurry of lists to check off if vampirism is suspected, thus, opinions are split as to what the state means and what criteria to be met.The author will guide you through various definitions of what a real vampire is, and how come they claim to be among us. This book will also bring up different vampiric activities, authentic violent crimes, diseases, research and religious communities - everything you always wanted to know about vampires!This book is not about how the vampire has been portrayed in fiction through history. This is also not a book about the supernatural vampire that has frightened humanity through the ages. The books theme is about alive and breathing humans who have made vampirism a part of their lifestyle. They call themselves real vampires."Fascinating, interesting and well written!" (Jenniesboklista.com, Swedish book blogger and reviewer)Chapter 1: A historical reviewChapter 2: To define the vampiristChapter 3: Clinical vampirismChapter 4: 'Vampire drag' and vampirologyChapter 5: How a vampirist is madeChapter 6: Blood drinking vampiristsChapter 7: Psychic vampiristsChapter 8: Religious vampiristsChapter 9: Vampirists who commit murder
Author : Mary Y. Hallab Publisher : State University of New York Press Page : 181 pages File Size : 51,9 Mb Release : 2010-03-30 Category : Literary Criticism ISBN : 9781438428581
A fascinating investigation of what strikes fear in an immortal’s heart Vampires exist. And in every culture with a legend about bloodsuckers that rise from the grave to prey upon the living, there are rules and rituals for how to destroy them. How to Kill a Vampire is the first book to focus specifically on all known ways to prevent vampirism, protect oneself against attacks, and ultimately how to destroy the undead, as documented in folklore as well as horror film, TV, and books. Covering everything from obscure legends to contemporary blockbusters, Ladouceur’s unique approach to vampires traces the evolution of how to kill the fictional creatures and celebrates the most important slayers. In exploring how and why we create these monsters and the increasingly complex ways in which we destroy them, the book not only serves as a handy guide to the history and modern role of the vampire, it reveals much about the changing nature of human fears.
What is it about vampires that fascinates the human imagination? Blood Obsession closely scrutinizes theories of Sigmund Freud and Tzvetan Todorov and arrives at a model of the vampire as the perfect representative of genre for a variety of reasons - the vampire figure appeals to its audience because of an interdependency of looplike mental and narrative structures that lure both reader and writer incessantly back to the genre. At the same time, this book provides the reader with a thorough survey of literary and filmic vampires in both adult and juvenile fictions. Lastly, it blends the realms of legal and literary history by highlighting the changes the image of the serial killer, a close relative of the vampire, underwent at the end of the twentieth century. Blood Obsession is a highly enlightening study for the general reader as well as for students of film, literature, and popular culture.
