The Perfect Genre Drama And Painting In Renaissance Italy

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The Perfect Genre. Drama and Painting in Renaissance Italy

Author : Kristin Phillips-Court
Publisher : Routledge
Page : 298 pages
File Size : 47,8 Mb
Release : 2016-12-05
Category : Art
ISBN : 9781351884389

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The Perfect Genre. Drama and Painting in Renaissance Italy by Kristin Phillips-Court Pdf

Proposing an original and important re-conceptualization of Italian Renaissance drama, Kristin Phillips-Court here explores how the intertextuality of major works of Italian dramatic literature is not only poetic but also figurative. She argues that not only did the painterly gaze, so prevalent in fifteenth- and sixteenth-century devotional art, portraiture, and visual allegory, inform humanistic theories, practices and themes, it also led prominent Italian intellectuals to write visually evocative works of dramatic literature whose topical plots and structures provide only a fraction of their cultural significance. Through a combination of interpretive literary criticism, art historical analysis and cultural and intellectual historiography, Phillips-Court offers detailed readings of individual plays juxtaposed with specific developments and achievements in the realm of painting. Revealing more than historical connections between artists and poets such as Tasso and Giorgione, Mantegna and Trissino, Michelangelo and Caro, or Bruno and Caravaggio, the author locates the history of Renaissance art and drama securely within the history of ideas. She provides us with a story about the emergence and eventual disintegration of Italian Renaissance drama as a rigorously philosophical and empirical form. Considering rhetorical, philosophical, ethical, religious, political-ideological, and aesthetic dimensions of each of the plays she treats, Kristin Phillips-Court draws our attention to the intermedial conversation between the theater and painting in a culture famously dominated by art. Her integrated analysis of visual and dramatic works brings to light how the lines and verses of the text reveal an ongoing dialogue with visual art that was far richer and more intellectually engaged than we might reconstruct from stage diagrams and painted backdrops.

Italian Renaissance Painting According to Genres

Author : Jacob Burckhardt
Publisher : Getty Publications
Page : 252 pages
File Size : 42,6 Mb
Release : 2005
Category : Art
ISBN : 0892367369

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Italian Renaissance Painting According to Genres by Jacob Burckhardt Pdf

Jacob Burckhardt (1818-1897) was one of the first great historians of culture and art. In his manuscript on the genres of Italian Renaissance painting-still unpublished in the original German and published here in English for the first time-Burckhardt assayed a transformative approach to the study of art history. Rather than undertaking a biographical or a chronological reading of artistic development, Burckhardt chose to read the source materials and extant works of the Italian Renaissance synchronically, by genre. Probably written between 1885 and 1893, this manuscript takes up twelve different categories of paintings, ranging from the allegorical to the historical, from the biblical to the mythological, from the glorification of saints to the denunciation of sinners. Maurizio Ghelardi's introductory essay analyzes Burckhardt's innovative treatment of his subject, establishing the importance of this text not only within Burckhardt's oeuvre but also within the continuum of art historical research.

Shakespeare and the Italian Renaissance

Author : Michele Marrapodi
Publisher : Routledge
Page : 448 pages
File Size : 51,7 Mb
Release : 2016-04-01
Category : Literary Criticism
ISBN : 9781317056430

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Shakespeare and the Italian Renaissance by Michele Marrapodi Pdf

Shakespeare and the Italian Renaissance investigates the works of Shakespeare and his fellow dramatists from within the context of the European Renaissance and, more specifically, from within the context of Italian cultural, dramatic, and literary traditions, with reference to the impact and influence of classical, coeval, and contemporary culture. In contrast to previous studies, the critical perspectives pursued in this volume’s tripartite organization take into account a wider European intertextual dimension and, above all, an ideological interpretation of the 'aesthetics' or 'politics' of intertextuality. Contributors perceive the presence of the Italian world in early modern England not as a traditional treasure trove of influence and imitation, but as a potential cultural force, consonant with complex processes of appropriation, transformation, and ideological opposition through a continuous dialectical interchange of compliance and subversion.

Women, Rhetoric, and Drama in Early Modern Italy

Author : Alexandra Coller
Publisher : Routledge
Page : 282 pages
File Size : 45,8 Mb
Release : 2017-07-06
Category : Literary Criticism
ISBN : 9781134780174

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Women, Rhetoric, and Drama in Early Modern Italy by Alexandra Coller Pdf

Sixteenth-century Italy witnessed the rebirth of comedy, tragedy, and tragicomedy in the pastoral mode. Traditionally, we think of comedy and tragedy as remakes? of ancient models, and tragicomedy alone as the invention of the moderns. Women, Rhetoric, and Drama in Early Modern Italy suggests that all three genres were, in fact, remarkably new, if dramatists’ intriguingly sympathetic portrayals of and sustained investment in women as vibrant and dynamic characters of the early modern stage are taken into account. This study examines the role of rhetoric and gender in early modern Italian drama, in itself and in order to explore its complex interrelationship with the rise of women writers and the role women played in Italian culture and society, while at the same time demonstrating just how closely intertwined history, culture, and dramatic writing are. Author Alexandra Coller focuses on the scripted/erudite plays of the sixteenth and first half of the seventeenth centuries, which, she argues, are indispensable for a balanced view of the history of drama and its place within contemporary literary and women’s studies. As this book reveals, the ascendancy of comedy, tragedy, and tragicomedy in the vernacular seems to have been not only inextricably linked to but also dependent on the rise of women as prominent stage characters and, eventually, as authors in their own right.

The Italian Renaissance

Author : Peter Burke
Publisher : Princeton University Press
Page : 336 pages
File Size : 48,7 Mb
Release : 2014-02-23
Category : Art
ISBN : 9780691162409

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The Italian Renaissance by Peter Burke Pdf

In this brilliant and widely acclaimed work, Peter Burke presents a social and cultural history of the Italian Renaissance. He discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and he analyses the ways of thinking and seeing that characterized this period of extraordinary artistic creativity. Developing a distinctive sociological approach, Peter Burke is concerned not only with the finished works of Michelangelo, Raphael, Leonardo da Vinci, and others, but also with the social background, patterns of recruitment, and means of subsistence of this 'cultural elite.' He thus makes a major contribution to our understanding of the Italian Renaissance, and to our comprehension of the complex relations between culture and society. Burke has thoroughly revised and updated the text for this new edition, including a new introduction, and the book is richly illustrated throughout. It will have a wide appeal among historians, sociologists, and anyone interested in one of the most creative periods of European history.

The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture

Author : Michele Marrapodi
Publisher : Routledge
Page : 679 pages
File Size : 44,5 Mb
Release : 2019-03-05
Category : Literary Collections
ISBN : 9781317044161

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The Routledge Research Companion to Anglo-Italian Renaissance Literature and Culture by Michele Marrapodi Pdf

The aim of this Companion volume is to provide scholars and advanced graduate students with a comprehensive and authoritative state-of-the-art review of current research work on Anglo-Italian Renaissance studies. Written by a team of international scholars and experts in the field, the chapters are grouped into two large areas of influence and intertextuality, corresponding to the dual way in which early modern England looked upon the Italian world from the English perspective – Part 1: "Italian literature and culture" and Part 2: "Appropriations and ideologies". In the first part, prominent Italian authors, artists, and thinkers are examined as a direct source of inspiration, imitation, and divergence. The variegated English response to the cultural, ideological, and political implications of pervasive Italian intertextuality, in interrelated aspects of artistic and generic production, is dealt with in the second part. Constructed on the basis of a largely interdisciplinary approach, the volume offers an in-depth and wide-ranging treatment of the multifaceted ways in which Italy’s material world and its iconologies are represented, appropriated, and exploited in the literary and cultural domain of early modern England. For this reason, contributors were asked to write essays that not only reflect current thinking but also point to directions for future research and scholarship, while a purposefully conceived bibliography of primary and secondary sources and a detailed index round off the volume.

The Cambridge Companion to the Italian Renaissance

Author : Michael Wyatt
Publisher : Cambridge University Press
Page : 471 pages
File Size : 54,7 Mb
Release : 2014-06-26
Category : History
ISBN : 9780521876063

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The Cambridge Companion to the Italian Renaissance by Michael Wyatt Pdf

Leading international contributors present a lively and interdisciplinary panorama of the Italian Renaissance as it has developed in recent decades.

A Cultural History of Tragedy in the Early Modern Age

Author : Naomi Conn Liebler
Publisher : Bloomsbury Publishing
Page : 224 pages
File Size : 54,8 Mb
Release : 2021-05-20
Category : Performing Arts
ISBN : 9781350155015

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A Cultural History of Tragedy in the Early Modern Age by Naomi Conn Liebler Pdf

In this volume, 8 lively, original essays by eminent scholars trace the kaleidoscopically shifting dramatic forms, performance contexts, and social implications of tragedy throughout the period and across geographic, political, and social references. They attend not only to the familiar cultural lenses of English and mainstream Continental dramas but also to less familiar European exempla from Croatia and Hungary. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.

Vasari's Words

Author : Douglas Biow
Publisher : Cambridge University Press
Page : 261 pages
File Size : 47,7 Mb
Release : 2018-10-18
Category : Art
ISBN : 9781108472050

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Vasari's Words by Douglas Biow Pdf

Explores through keywords how Vasari's Lives is designed to address a variety of compelling, culturally determined ideas.

Shakespeare and the Visual Imagination

Author : Stuart Sillars
Publisher : Cambridge University Press
Page : 337 pages
File Size : 42,9 Mb
Release : 2015-08-06
Category : Art
ISBN : 9781107029958

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Shakespeare and the Visual Imagination by Stuart Sillars Pdf

A fully illustrated study of Shakespeare's awareness of traditions in visual art and their presence in his plays and poems.

Hollow Men

Author : Susan Gaylard
Publisher : Fordham Univ Press
Page : 372 pages
File Size : 50,8 Mb
Release : 2013-03-20
Category : Literary Criticism
ISBN : 9780823252176

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Hollow Men by Susan Gaylard Pdf

This book relates developments in the visual arts and printing to humanist theories of literary and bodily imitation, bringing together fifteenth- and sixteenth-century frescoes, statues, coins, letters, dialogues, epic poems, personal emblems, and printed collections of portraits. Its interdisciplinary analyses show that Renaissance theories of emulating classical heroes generated a deep skepticism about self-presentation, ultimately contributing to a new awareness of representation as representation. Hollow Men shows that the Renaissance questioning of “interiority” derived from a visual ideal, the monument that was the basis of teachings about imitation. In fact, the decline of exemplary pedagogy and the emergence of modern masculine subjectivity were well underway in the mid–fifteenth century, and these changes were hastened by the rapid development of the printed image.

Sofonisba's Lesson

Author : Michael W. Cole
Publisher : Princeton University Press
Page : 315 pages
File Size : 53,5 Mb
Release : 2020-02-11
Category : ART
ISBN : 9780691198323

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Sofonisba's Lesson by Michael W. Cole Pdf

"Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works"--

Green Worlds of Renaissance Venice

Author : Jodi Cranston
Publisher : Penn State Press
Page : 229 pages
File Size : 46,5 Mb
Release : 2020-05-05
Category : Art
ISBN : 9780271084039

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Green Worlds of Renaissance Venice by Jodi Cranston Pdf

From celebrated gardens in private villas to the paintings and sculptures that adorned palace interiors, Venetians in the sixteenth century conceived of their marine city as dotted with actual and imaginary green spaces. This volume examines how and why this pastoral vision of Venice developed. Drawing on a variety of primary sources ranging from visual art to literary texts, performances, and urban plans, Jodi Cranston shows how Venetians lived the pastoral in urban Venice. She describes how they created green spaces and enacted pastoral situations through poetic conversations and theatrical performances in lagoon gardens; discusses the island utopias found, invented, and mapped in distant seas; and explores the visual art that facilitated the experience of inhabiting verdant landscapes. Though the greening of Venice was relatively short lived, Cranston shows how the phenomenon had a lasting impact on how other cities, including Paris and London, developed their self-images and how later writers and artists understood and adapted the pastoral mode. Incorporating approaches from eco-criticism and anthropology, Green Worlds of Renaissance Venice greatly informs our understanding of the origins and development of the pastoral in art history and literature as well as the culture of sixteenth-century Venice. It will appeal to scholars and enthusiasts of sixteenth-century history and culture, the history of urban landscapes, and Italian art.

Frame Work

Author : Alison Wright
Publisher : Yale University Press
Page : 354 pages
File Size : 53,5 Mb
Release : 2019-01-01
Category : Art
ISBN : 9780300238846

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Frame Work by Alison Wright Pdf

Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.

The Diva's Gift to the Shakespearean Stage

Author : Pamela Allen Brown
Publisher : Oxford University Press
Page : 308 pages
File Size : 43,9 Mb
Release : 2021-11-25
Category : Literary Criticism
ISBN : 9780192638083

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The Diva's Gift to the Shakespearean Stage by Pamela Allen Brown Pdf

The Diva's Gift traces the far-reaching impact of the first female stars on the playwrights and players of the all-male stage. When Shakespeare entered the scene, women had been acting in Italian troupes for two decades, traveling in Italy and beyond and performing in all genres, including tragedy. The ambitious actress reinvented the innamorata, making her more charismatic and autonomous, thrilling audiences with her skills. Despite fervent attacks, some actresses became the first international stars, winning royal and noble patrons and literary admirers in France and Spain. After Elizabeth and her court caught wind of their success in Paris, Italian troupes with actresses crossed the Channel to perform. The Italians' repeat visits and growing fame posed a radical challenge to English professionals just as they were building their first paying theaters. Some writers treated the actress as a whorish threat to their stage, which had long minimized female roles. Others saw a vital new model full of promise. Lyly, Marlowe, and Kyd endowed innamorata parts with hot-blooded, racialized passions, but made them self-aware agents, not counters traded between men. Shakespeare, Jonson, Webster and others followed, ringing changes on the new type in comedy, tragedy, and romance. Like the comici they recycled actress-linked theatergrams and star scenes, such as cross-dressing, the mad scene, and the sung lament. In this way, the diva's prodigious virtuosity and stardom altered the horizons of playmaking even on the womanless stage. Capitalizing on the talents of boy players, the best playwrights created bold new roles endowed with her alien glamour, such as Lyly's Sapho and Pandora, Marlowe's Dido, Kyd's Bel-Imperia, Webster's Vittoria, and Shakespeare's Beatrice, Viola, Portia, Juliet, and Ophelia. Cleopatra is not alone in her superb theatricality and dazzling strangeness. As this book demonstrates, the diva's gifts mark them all.