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The Play of Texts and Fragments by J.C.R. Cousland,James Hume Pdf
This volume is arguably one of the most important studies of Euripides to appear in the last decade. Not only does it offer incisive examinations of many of Euripides' extant plays and their influence, it also includes seminal examinations of a number of Euripides’ fragmentary plays. This approach represents a novel and exciting development in Euripidean studies, since it is only very recently that the fragmentary plays have begun to appear in reliable and readily accessible editions. The book’s thirty-two contributors constitute an international "who’s who" of Euripidean studies and Athenian drama, and their contributions will certainly feature in the forefront of scholarly discourse on Euripides and Greek drama for years to come.
The Play of Texts and Fragments by J. Robert C. Cousland,James James Rutherford Hume Pdf
This volume is arguably one of the most important studies of Euripides to appear in the last decade. Not only does it offer incisive examinations of many of Euripides' extant plays and their influence, it also includes seminal examinations of a number of Euripides fragmentary plays. This approach represents a novel and exciting development in Euripidean studies, since it is only very recently that the fragmentary plays have begun to appear in reliable and readily accessible editions. The book s thirty-two contributors constitute an international "who s who" of Euripidean studies and Athenian drama, and their contributions will certainly feature in the forefront of scholarly discourse on Euripides and Greek drama for years to come.
Lost works by ancient Greece's third great tragedian. Eighteen of the ninety or so plays composed by Euripides between 455 and 406 BC survive in a complete form and are included in the preceding six volumes of the Loeb Euripides. A further fifty-two tragedies and eleven satyr plays, including a few of disputed authorship, are known from ancient quotations and references and from numerous papyri discovered since 1880. No more than one-fifth of any play is represented, but many can be reconstructed with some accuracy in outline, and many of the fragments are striking in themselves. The extant plays and the fragments together make Euripides by far the best known of the classic Greek tragedians. This edition, in a projected two volumes, offers the first complete English translation of the fragments together with a selection of testimonia bearing on the content of the plays. The texts are based on the recent comprehensive edition of R. Kannicht. A general Introduction discusses the evidence for the lost plays. Each play is prefaced by a select bibliography and an introductory discussion of its mythical background, plot, and location of the fragments, general character, chronology, and impact on subsequent literary and artistic traditions.
Author : Anna A. Lamari,Franco Montanari,Anna Novokhatko Publisher : Walter de Gruyter GmbH & Co KG Page : 270 pages File Size : 48,5 Mb Release : 2020-08-10 Category : Literary Criticism ISBN : 9783110622195
Fragmentation in Ancient Greek Drama by Anna A. Lamari,Franco Montanari,Anna Novokhatko Pdf
This volume examines whether dramatic fragments should be approached as parts of a greater whole or as self-contained entities. It comprises contributions by a broad spectrum of international scholars: by young researchers working on fragmentary drama as well as by well-known experts in this field. The volume explores another kind of fragmentation that seems already to have been embraced by the ancient dramatists: quotations extracted from their context and immersed in a new whole, in which they work both as cohesive unities and detachable entities. Sections of poetic works circulated in antiquity not only as parts of a whole, but also independently, i.e. as component fractions, rather like quotations on facebook today. Fragmentation can thus be seen operating on the level of dissociation, but also on the level of cohesion. The volume investigates interpretive possibilities, quotation contexts, production and reception stages of fragmentary texts, looking into the ways dramatic fragments can either increase the depth of fragmentation or strengthen the intensity of cohesion.
Euripides Cyclops and Major Fragments of Greek Satyric Drama by Christopher Collard,Patrick Dominic O'Sullivan Pdf
This volume provides the most important texts of satyric drama, with facing-page translation, substantial introduction and detailed commentary. It includes not only the major papyri, but very many shorter fragments of importance, both on papyrus and in quotation, from the 5th to the 3rd Centuries; there are also one or two texts whose interest lies in their problematic ascription to the genre at all. The intention is to illustrate it as fully as practicable.
Hellenistic Tragedy by Agnieszka Kotlinska-Toma Pdf
Ancient Greek tragedy is ubiquitously studied and researched, but is generally considered to have ended, as it began, in the fifth century BC. However, plays continued to be written and staged in the Greek world for centuries, enjoying a period of unprecedented popularity and changing significantly from the better known Classical drama. Hellenistic drama also heavily influenced the birth of Roman tragedy and the development of other theatrical forms and literature (including comedies, mime and Greek romance). Hellenistic Tragedy: Texts, Translations and a Critical Survey offers a comprehensive picture of tragedy and the satyr play from the fourth century BCE. The surviving fragments of this dramatic genre are presented, alongside English translations and critical analysis, as well as a survey of the main writers involved and an exploration of the genre's formation, later influence and staging. Key features of the plays are analysed through extant texts and other evidence, including plots based on contemporary political themes, mythical subjects and Biblical themes, and features of metre and language. Practical elements of Hellenistic performance are also discussed, including those which have become the hallmarks of ancient theatre: actors' costumes of long robes, kothurnoi and high onkos-masks, the theatre building and the closed stage on the logeion. Piecing together a synthetic picture of Hellenistic tragedy and the satyr play, the volume also examines the key points of departure from earlier drama, including the mass audience, the mutual influence of Greek and Eastern traditions and the changes inside the genre which prove Hellenistic drama was an important stage in the development of the European theatre.
Greek Fragments in Postmodern Frames by Eleftheria Ioannidou Pdf
Greek Fragments in Postmodern Frames takes as its subject adaptation of Greek tragedy in the last decades, arguing that rewritings of Greek tragic texts in this period can be used as a tool to uncover a significant dialogue with postmodernism. Despite the large number of staged and written adaptations of Greek tragic texts in recent years, the idea still persists that tragedy is incompatible with postmodernism, with the long-standing debate over the demise of the genre in the modern era undergoing a recent resurgence with the claim that postmodernism precludes tragedy both as an aesthetic form and as a way of perceiving the world. This volume focuses on the adaptation of Greek tragedy between 1970 and 2005 and explores a wide range of adaptations from a variety of different countries: the plays under discussion are characterized by an extended intertextual engagement with their prototype texts - instead of simply adapting the Greek myth, they rewrite the classical text in ways akin to the renegotiation of authorship and textuality proffered by poststructuralist thought. Such adaptive strategies are not only integral to the wider problematics of interrogating the authority of the classical canon and the power structures embedded in its reception, but also have also given rise to the development of peculiar tragic modes and tropes towards the end of the twentieth and into the twenty-first century. In analysing these tropes and demonstrating the ways in which Greek tragic texts have been rethought and rewritten in the adaptions presented, this volume seeks on the one hand to show how tragedy continues to provide a means of articulating contemporary cultural and political preoccupations, while on the other it draws upon a cultural materialist methodology to resist fixed definitions of tragedy and to question established frames and representations.
Between the independence of the colonies and the start of the Jacksonian age, American readers consumed an enormous number of literary texts called "fragments."American Fragments argues that this archive of deliberately unfinished writing reimagined the place of marginalized individuals in a country that was itself still unfinished.
Lost Dramas of Classical Athens by Fiona McHardy,James E. Robson,James Robson,David Harvey Pdf
Discussing the work of Aeschylus, Sophocles and Euripides, this title examines the genre and the society that it produced such works. Papyrus finds over the last 100 years have altered and supplemented our understanding of the Greek culture of this time, and this title reflects research to this point.
Author : Matthew C. Farmer,Jeremy B. Lefkowitz Publisher : John Wiley & Sons Page : 469 pages File Size : 40,7 Mb Release : 2024-03-01 Category : History ISBN : 9781119622956
A Companion to Aristophanes by Matthew C. Farmer,Jeremy B. Lefkowitz Pdf
Provides a comprehensive and systematic treatment of the life and work of Aristophanes A Companion to Aristophanes provides an invaluable set of foundational resources for undergraduates, graduate students, and scholars alike. More than a basic reference text, this innovative volume situates each of Aristophanes' surviving plays within discussion of key themes relevant to the study of the Aristophanic corpus. Throughout the Companion, an international panel of contributors incorporates material culture and performance context, offers methodological and theoretical insights into the study of Aristophanes, demonstrates the relevance of Aristophanes to modern life, and more. Each chapter focused on a particular play is paired with a theme that is exemplified by that play, such as gender, sexuality, religion, ritual, and satire. With an emphasis on understanding Greek comedy and its ancient Athenian context, the text includes approaches to Aristophanes through criticism, performance, translation, and teaching to encourage and inform future work on Greek comedy. Illustrating the vitality of contemporary engagement with one of the world's great literary figures, this comprehensive volume: Helps new readers and teachers of Aristophanes appreciate the broader importance of each play within the study of antiquity Offers sophisticated analyses of the Aristophanic corpus and its place in literary and cultural history Includes chapters focused on teaching Aristophanes, including one emphasizing performance Provides detailed syllabi and lesson plans for integrating the material into high school and college curricula A Companion to Aristophanes is an essential resource for advanced students and instructors in Classics, Ancient Literature, Comparative Literature, and Ancient Drama and Theater. It is also a must-have reference for academic scholars, university libraries, non-specialist Classicists and other literary critics researching ancient drama, and sophisticated general readers interested in Aristophanes, Greek drama, classical Athens, or the ancient Mediterranean world.
An exploration of what lies at the heart of contemporary theatre. Written by the artistic director of Forced Entertainment, it investigates the process of devising performance, theatre's interdisciplinary role, and the city's influence.
Music in Early English Religious Drama: Minstrels playing by Richard Rastall Pdf
MEDIUM AEVUM says of Heaven Singing, the general discussion of the subject from which the present volume follows on with examination of the individual plays: 'A formidable achievement, indispensable for any serious and comprehensive study of early English drama.'
This is a newly revised, critical text of the fragments attributed to the Roman knight and mimographer Decimus Laberius, a witty and crudely satirical contemporary of Cicero and Caesar. Laberius is perhaps the most celebrated comic playwright of the late Republic, and the fragments of plays attributed to him comprise the overwhelming majority of the extant evidence for what we conventionally call 'the literary Roman mime'. The volume also includes a survey of the characteristics and development of the Roman mime, both as a literary genre and as a type of popular theatrical entertainment, as well as a re-evaluation of the place of Laberius' work within its historical and literary context. This is the first English translation of all the fragments, and the first detailed English commentary on them from a linguistic, metrical, and (wherever possible) theatrical perspective.
"Following the volume of six fragementary Sophoclean tragedies published in this series in 2006, Alan Sommerstein and Thomas Talboy now present seven more. The volume includes the text and translation of all the surviving fragements (and of a selection of other texts that give us information about these plays), with full commentary and an introduction to each play discussing, among other things, the development of the myth and the likely content of the play so far as it can be reconstructed"--Publisher's description, back cover of vol. 2.
Euripides by Christopher Collard,Patrick Dominic O'Sullivan Pdf
Satyric is the most thinly attested genre of Greek drama, but it appears to have been the oldest and according to Aristotle formative for tragedy. By the 5th Century BC at Athens it shared most of its compositional elements with tragedy, to which it became an adjunct; for at the annual great dramatic festivals, it was performed only together with, and after, the three tragedies which each poet was required to present in competition. It was in contrast with them, aesthetically and emotionally, its plays being considerably shorter and simpler; coarse and half-way to comedy, it burlesqued heroic and tragic myth, frequently that just dramatised and performed in the tragedies. Euripides' Cyclops is the only satyr-play which survives complete. It is generally held to be the poet's late work, but its companion tragedies are not identifiable. Its title alone signals its content, Odysseus' escape from the one-eyed, man-eating monster, familiar from Book 9 of Homer's Odyssey. Because of its uniqueness, Cyclops could afford only a limited idea of satyric drama's range, which the many but brief quotations from other authors and plays barely coloured. Our knowledge and appreciation of the genre have been greatly enlarged, however, by recovery since the early 20th Century of considerable fragments of Aeschylus, Euripides' predecessor, and of Sophocles, his contemporary – but not, so far, of Euripides himself. This volume provides English readers for the first time with all the most important texts of satyric drama, with facing-page translation, substantial introduction and detailed commentary. It includes not only the major papyri, but very many shorter fragments of importance, both on papyrus and in quotation, from the 5th to the 3rd Centuries; there are also one or two texts whose interest lies in their problematic ascription to the genre at all. The intention is to illustrate it as fully as practicable.
