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The Plot Against Hip Hop: A Novel by Nelson George Pdf
In a novel set in the hip hop world, bodyguard and security expert D Hunter reluctantly investigates the murder of his mentor, respected music critic Dwayne Robinson, whose killing has been dismissed by the NYPD as a gang initiation.
From Nelson George, supervising producer and writer of the hit Netflix series, "The Get Down, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media.
#1 New York Times bestseller · Seven starred reviews · Boston Globe-Horn Book Award Honor Book “For all the struggle in this book, Thomas rarely misses a step as a writer. Thomas continues to hold up that mirror with grace and confidence. We are lucky to have her, and lucky to know a girl like Bri.”—The New York Times Book Review This digital edition contains a letter from the author, deleted scenes, a picture of the author as a teen rapper, an annotated playlist, Angie’s top 5 MCs, an annotated rap, illustrated quotes from the book, and an excerpt from Concrete Rose, Angie's return to Garden Heights. Sixteen-year-old Bri wants to be one of the greatest rappers of all time. Or at least win her first battle. As the daughter of an underground hip hop legend who died right before he hit big, Bri’s got massive shoes to fill. But it’s hard to get your come up when you’re labeled a hoodlum at school, and your fridge at home is empty after your mom loses her job. So Bri pours her anger and frustration into her first song, which goes viral . . . for all the wrong reasons. Bri soon finds herself at the center of a controversy, portrayed by the media as more menace than MC. But with an eviction notice staring her family down, Bri doesn’t just want to make it—she has to. Even if it means becoming the very thing the public has made her out to be. Insightful, unflinching, and full of heart, On the Come Up is an ode to hip hop from one of the most influential literary voices of a generation. It is the story of fighting for your dreams, even as the odds are stacked against you; and about how, especially for young black people, freedom of speech isn’t always free. Don't miss Concrete Rose, Angie Thomas's powerful prequel to her phenomenal bestseller, The Hate U Give!
Included in Publishers Weekly's Big Indie Books of Fall 2017 feature "Morse and Yi (the team behind What Is Punk?) highlight hip-hop's cultural hegemony via an impressively encyclopedic parade of rhyming biographies. Yi's meticulously styled clay figures are as magical as in the previous book, combining profound expressiveness with the playfulness of action figures. Her compositions are equally evocative, ranging from video snippets (the Beastie Boys strike a pose from 'Intergalactic') to formal portraits (Kanye West, Missy Elliott, Kendrick Lamar) and metaphorical ones (Jay Z stands amid New York City skyscrapers)." --Publishers Weekly "In rhythmic, rhyming verse, Morse offers a genealogy of hip-hop royalty that begins with the Boogie Down Bronx's DJ Kool Herc and Grandmaster Flash and walks readers into today with Nicki Minaj, Drake, and Kendrick Lamar. In between the origins and now, readers find a rare gender-inclusive narrative of hip-hop history that uplifts B-girls like Queen Latifah and Missy Elliott along with legendary male groups such as NWA and Wu-Tang...The magnificent 3-D clay illustrations...include an intricately produced remake of Tribe Called Quest's legendary 'Midnight Marauders' cover. Tying these images back to their original sources makes for quite the history lesson. Make sure to keep a device nearby. A must-read reference for any hip-hop family." --Kirkus Reviews "Verdict: these books are pretty damn cute." --The Current (Minnesota Public Radio), What is Punk? and What is Hip-Hop? are Rock and Roll Book Club selections "An ideal picture book for children ages 3 to 7, What Is Hip-Hop? is as entertaining as it is informative and will prove to be an enduringly popular addition to family, daycare center, preschool, elementary school, and community library collections." --Midwest Book Review "Eric Morse is back with a follow-up that shines a similar PG spotlight on the hip-hop arena and its players, from Run-DMC and Queen Latifah to Salt-N-Pepa and Tupac. Artist Anny Yi returns, too, with delightful clay figurines to accompany Morse's beat-astic rhyming verse." --Tory Burch Daily Blog Praise for What is Punk? "A punk primer for the youngest set. Yi's incredibly detailed clay figures are a kinetic and inspired art choice. As [Morse] points out, the best way to learn about punk is just to listen. If invested adults love the topic, a shared reading experience can't be beat." --Kirkus Reviews "What Is Punk? is a fun, sophisticated, and beautifully illustrated introduction to the music genre for kids--or adults." --New York Daily News "In the beginning, there was a beat..." So begins What is Hip-Hop?--a playful guided tour of one of the most revolutionary pop culture movements of the twentieth century. Beginning with block parties in the Bronx, What is Hip-Hop? brings the reader up to the present day, with rhyming verses and engaging 3-D clay illustrations. It's a fun, accessible, and informative read for B-boys and B-girls of all ages. In the follow-up to their acclaimed and beloved hit What Is Punk? author Eric Morse and artist Anny Yi reunite to celebrate the music that changed their lives and the voices that achieved iconic status along the way. See Run-D.M.C., LL Cool J, Beastie Boys, Salt-N-Pepa, Biggie and Tupac, Eminem, and even Nicki Minaj and Kendrick Lamar, as you've never seen them!
Many educators already know that hip-hop can be a powerful tool for engaging students. But can hip-hop save our schools—and our society? Hip-Hop Genius 2.0 introduces an iteration of hip-hop education that goes far beyond studying rap music as classroom content. Through stories about the professional rapper who founded the first hip-hop high school and the aspiring artists currently enrolled there, Sam Seidel lays out a vision for how hip-hop’s genius—the resourceful creativity and swagger that took it from a local phenomenon to a global force—can lead to a fundamental remix of the way we think of teaching, school design, and leadership. This 10-year anniversary edition welcomes two new contributing authors, Tony Simmons and Michael Lipset, who bring direct experience running the High School for Recording Arts. The new edition includes new forewords from some of the most prominent names in education and hip-hop, reflections on ten more years of running a hip-hop high school, updates to every chapter from the first edition, details of how the school navigated the unprecedented complexities brought about by the COVID-19 pandemic and uprising in response to the murder of George Floyd, and an inspiring new concluding chapter that is a call to action for the field.
In this hard-boiled mystery, a Brooklyn bodyguard-turned-P.I. investigates a case involving funk, R&B, and his grandfather’s murder. Ex-bodyguard D Hunter heads to the City of Angels on a very dark mission when his grandfather, businessman Daniel “Big Danny” Hunter, is shot dead in a drive-by. Why would someone execute a grocery store owner? D soon finds there was more to Big Danny’s life than selling loaves of bread. The old man was deeply involved with Dr. Funk, a legendary musical innovator who has become a mysterious recluse. To Funk and Die in L.A. is set largely in the Los Angeles neighborhoods of Crenshaw, Koreatown, and Pico-Union—areas where Black, Asian, and Latino cultures intersect away from the glamour of Hollywood—and echoes of the 1992 riots play a significant role in D’s investigation. In the tradition of Raymond Chandler and Walter Mosley, D Hunter rides through the mean streets of Los Angeles seeking truth and not always finding justice. Praise for To Funk and Die in L.A. “A supercharged spin through the dynamic, ever-changing neighborhoods of urban LA. Nelson George’s new book is full of music, secrets, heart, and more than a little heartbreak.” —Nina Revoyr, author of A Student of History “Inventive and well-written . . . I really enjoyed To Funk and Die in LA.” —Don Winslow, New York Times–bestselling author of City on Fire “George explores funk in his fine fourth novel featuring D Hunter, New York bodyguard and, by virtue of his jobs and interests, music historian . . . . As usual, George writes with knowledge and passion about the evolution of Black music.” —Publishers Weekly “Critic and journalist George knows the streets and his work has a gritty feel that will hold readers’ attention. Name-dropping of 1970s and 1980s performers such as the Dazz Band, Shalamar, and Chaka Khan adds spice to this well-crafted mystery.” —Library Journal
Can't Stop Won't Stop is a powerful cultural and social history of the end of the American century, and a provocative look into the new world that the hip-hop generation created. Forged in the fires of the Bronx and Kingston, Jamaica, hip-hop became the Esperanto of youth rebellion and a generation-defining movement. In a post-civil rights era defined by deindustrialization and globalization, hip-hop crystallized a multiracial, polycultural generation's worldview, and transformed American politics and culture. But that epic story has never been told with this kind of breadth, insight, and style. Based on original interviews with DJs, b-boys, rappers, graffiti writers, activists, and gang members, with unforgettable portraits of many of hip-hop's forebears, founders, and mavericks, including DJ Kool Herc, Afrika Bambaataa, Chuck D, and Ice Cube, Can't Stop Won't Stop chronicles the events, the ideas, the music, and the art that marked the hip-hop generation's rise from the ashes of the 60's into the new millennium.
To Live and Defy in LA by Felicia Angeja Viator Pdf
How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic hip-hop; a new brand of black rebel music could never come from La-La Land. But it did. In To Live and Defy in LA, Felicia Viator tells the story of the young black men who built gangsta rap and changed LA and the world. She takes readers into South Central, Compton, Long Beach, and Watts two decades after the long hot summer of 1965. This was the world of crack cocaine, street gangs, and Daryl Gates, and it was the environment in which rappers such as Ice Cube, Dr. Dre, and Eazy-E came of age. By the end of the 1980s, these self-styled “ghetto reporters” had fought their way onto the nation’s radio and TV stations and thus into America’s consciousness, mocking law-and-order crusaders, exposing police brutality, outraging both feminists and traditionalists with their often retrograde treatment of sex and gender, and demanding that America confront an urban crisis too often ignored.
Nominated for the Brooklyn Public Library's Brooklyn Eagles Literary Prize for Fiction "This is a fine mystery and [protagonist] D Hunter is as world weary, yet steadfast, as Philip Marloew, Spenser, Dave Robicheaux, or Easy Rawlins. A definite yes to purchase for both mystery and African American collections." --Library Journal (Starred Review, Pick of the Month) "George covers a lot of ground with style: the rhythm-and-blues music scene past and present, the sometimes startling evolution of Brooklyn and its environs, and the multitude of hangers-on, wannabes, and grifters who want a piece of the action." --Publishers Weekly "Real relationships and real talk frame the mashup of mysteries in George's street-framed series." --Kirkus Reviews "The wonderful sing-song street slang dialogue and esoteric industry knowledge make The Lost Treasures of R&B a richly entertaining addition to George's evolving series." --Shelf Awareness "George uses The Lost Treasures of R&B to tackle the hot-button issue of the gentrification of Brooklyn (and elsewhere) as protagonist D struggles to come to terms with the ghosts of his childhood in 'old Brooklyn.'" --Philadelphia Tribune "Written in the spirit of authors such as Walter Mosley and Donald Goines...The book blends music from the past with thug appeal of the present to appeal to young and old alike." --Baltimore Times "George is a historian of his culture." --The Stranger "Hunter is back in Brooklyn solving a mystery that has a backdrop firmly on the R&B scene." --NBCBLK, 14 Books to Read This Black History Month "Like its predecessor this installment of D's story fuses music, history, and crime on the streets of New York." --Flavorpill NYC "Nelson George delivers an entertaining and hard-boiled look at the music scene, and raises the question of proprietary rights and black culture." --MysteryPeople, One of Three Picks for February "As a huge R&B fan, when I ran across the title, The Lost Treasures of R&B, I just had to read it...and I'm glad I did." --Underrated Reads Professional bodyguard D Hunter takes a gig protecting rapper Asya Roc at an underground fight club in poverty-stricken Brownsville, Brooklyn. Unknown to D, the rapper has arranged to purchase illegal guns at the event. An acquaintance of D from the streets (and from the novel The Plot Against Hip Hop) named Ice turns out to be the courier. During the exchange a robbery is attempted. Ice is wounded. D gets Asya Roc to safety but is then chased by two gunmen because he has the bag containing the guns. This lethal chase ends under the elevated subway where D and the two gunmen run into a corrupt detective named Rivera. A bloody shootout ensues. D, who has just moved back to Brooklyn after decades in Manhattan, finds himself involved in multiple mysteries. Who were the gunmen? Why were they after the guns? Who was being set up--Asya Roc or Ice? Meanwhile, he gets a much-needed paying assignment to track down the rarest soul music single ever recorded. With gentrifying Brooklyn as the backdrop, D works to unravel various mysteries--both criminal and musical--while coming to terms with the failure of his security company and the ghosts of his childhood in "old Brooklyn." Like its predecessors The Accidental Hunter and The Plot Against Hip Hop, The Lost Treasures of R&B uses pop music as the backdrop for a noir-flavored big-city tale.
Throughout his career, Derrick Parker worked on some of the biggest criminal cases in rap history, from the shooting at Club New York, where Derrick personally escorted Jennifer Lopez to police headquarters, to the first shooting of Tupac Shakur. Always straddling the fence between "po-po" and NYPD outsider, Derrick threatened police tradition to try to get the cases solved. He was the first detective to interview an informant offering a detailed account of Biggie Smalls's murder. He protected one of the only surviving eyewitnesses to the Jam Master Jay murder and knows the identity of the killers as well as the motivation behind the shooting. Notorious C.O.P. reveals hip-hop crimes that never made the paper—like the robbing of Foxy Brown and the first Hot 97 shooting—and answers some lingering questions about murders that have remained unsolved. The book that both the NYPD and the hip-hop community don't want you to read, Notorious C.O.P. is the first insider look at the real links between crime and hip-hop and the inefficiencies that have left some of the most widely publicized murders in entertainment history unsolved.
A P.I.-turned-talent manger’s new client leads him into dangerous territory in this hard-boiled novel by the author of To Funk and Die in L.A. Former bodyguard D Hunter has moved to Los Angeles to become a talent manager, and business is good. He has signed a hot Atlanta rapper named Lil Daye and negotiated a lucrative endorsement with a liquor band. However, the liquor CEO’s unsavory sexual habits and reactionary political views lead D to wonder if he’s sold his soul. Back in Brooklyn, a body has been found in the waters near the Canarsie Pier. It connects D and retired hit man Ice to incidents from back in The Plot Against Hip Hop, the second book in the series. Now, an FBI agent wants to speak to D, which makes Ice nervous. And Ice is not a man you want worrying about you. Meanwhile Serene Powers, a vigilante and D’s sometime collaborator, breaks up a human trafficking ring in London. When she returns to the States, D asks her for assistance with a sensitive and volatile matter in Atlanta involving Lil Daye, his wife, his mistress, and a thug on his payroll named Ant . . . The Darkest Hearts reflects the challenges of being a Black businessperson in an era when the rules of entrepreneurship are constantly shifting beneath an increasingly polarized political environment. Praise for The Darkest Hearts “Once again, my brother Nelson George comes through in the clutch like he’s batting clean-up. I’ve known Nelson over thirty years and he has been our cultural storyteller for that length of time. Keep telling. Keep writing our stories. I know I will keep reading them too.” —Spike Lee, filmmaker “George’s passion for, and encyclopedic knowledge of, hip-hop suffuses every word of this smart, stylish novel. Although the author deftly deals with issues of predatory capitalism, government corruption, and the senseless murder of Black men by America’s cops, it’s his handling of the tale’s sex trafficking and #MeToo subplots that deserves special acclaim.” —Mystery Scene Magazine “Smart . . . This action-packed crime novel both educates and entertains.” —Publishers Weekly “We’re big fans of music mysteries here at CrimeReads, so I'm psyched for the new Nelson George . . . A complex mystery that should serve as the perfect quarantine distraction.” —CrimeReads, One of CrimeReads’ 10 Novels You Should Read This August and One of the Most Anticipated Crime Books of 2020 “This dark, rollicking mystery is the fifth in George's D Hunter series . . . D’s point of view, his self-confessed vulnerability, and his deep appreciation for music, from R&B on, make this thoroughly satisfying reading.” —Booklist
A groundbreaking exposé about the alarming use of rap lyrics as criminal evidence to convict and incarcerate young men of color Should Johnny Cash have been charged with murder after he sang, "I shot a man in Reno just to watch him die"? Few would seriously subscribe to this notion of justice. Yet in 2001, a rapper named Mac whose music had gained national recognition was convicted of manslaughter after the prosecutor quoted liberally from his album Shell Shocked. Mac was sentenced to thirty years in prison, where he remains. And his case is just one of many nationwide. Over the last three decades, as rap became increasingly popular, prosecutors saw an opportunity: they could present the sometimes violent, crime-laden lyrics of amateur rappers as confessions to crimes, threats of violence, evidence of gang affiliation, or revelations of criminal motive—and judges and juries would go along with it. Detectives have reopened cold cases on account of rap lyrics and videos alone, and prosecutors have secured convictions by presenting such lyrics and videos of rappers as autobiography. Now, an alarming number of aspiring rappers are imprisoned. No other form of creative expression is treated this way in the courts. Rap on Trial places this disturbing practice in the context of hip hop history and exposes what's at stake. It's a gripping, timely exploration at the crossroads of contemporary hip hop and mass incarceration.
LONGLISTED FOR THE 2021 BROOKLYN PUBLIC LIBRARY LITERARY PRIZE From one of the most lyrically gifted, socially conscious rappers of the past twenty years, Vibrate Higher is a firsthand account of hip-hop as a political force Before Talib Kweli became a world-renowned hip-hop artist, he was a Brooklyn kid who liked to cut class, spit rhymes, and wander the streets of Greenwich Village with a motley crew of artists, rappers, and DJs who found hip-hop more inspiring than their textbooks (much to the chagrin of the educator parents who had given their son an Afrocentric name in hope of securing for him a more traditional sense of pride and purpose). Kweli’s was the first generation to grow up with hip-hop as established culture—a genre of music that has expanded to include its own pantheon of heroes, rich history and politics, and distinct worldview. Eventually, childhood friendships turned into collaborations, and Kweli gained notoriety as a rapper in his own right. From collaborating with some of hip-hop’s greatest—including Mos Def, Common, Kanye West, Pharrell Williams, and Kendrick Lamar—to selling books out of the oldest African-American bookstore in Brooklyn, ultimately leaving his record label, and taking control of his own recording career, Kweli tells the winding, always compelling story of the people and events that shaped his own life as well as the culture of hip-hop that informs American culture at large. Vibrate Higher illuminates Talib Kweli’s upbringing and artistic success, but so too does it give life to hip-hop as a political force—one that galvanized the Movement for Black Lives and serves a continual channel for resistance against the rising tide of white nationalism.
Typically, more than half the top rap songs in the country are the work of Southern artists. In a world still stuck in the East/West coast paradigm of the '90s, Southern hip hop has dominated the genre-and defined the culture-for years. And the South's leading lights, most notably OutKast, Timbaland, and more recently, crunk superstars like the Ying Yang Twins and Lil Jon, have expanded the parameters of hip hop. Third Coast is the first book to deal with Southern hip hop as a matter of cultural history, and the first to explain the character and significance of down South rapping to fans as well as outsiders. It tells the story of recent hip hop, marking how far the music has come sonically and culturally since its well-documented New York-centered early years.